Staton shirley (5 Ergebnisse)

Sprache: Englisch
Verlag: University of Pennsylvania Press, Philadelphia, PA 1987
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Paperback. Zustand: Poor. 2nd Paperback Edition. 6.1 X 1.1 X 9.2 inches; 471 pages; spill stain. Moderate to heavy shelf wear on the covers and spine. Moderate creasing on spine. Reading copy. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care…and ship on the same or next business day. Buy with confidence.

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Softcover. Zustand: Gut. 471 p. Berieben, bestoßen, sonst guter Zustand / Rubbed, scuffed, otherwise in good condition. - LITERARY THEORIES IN PRAXIS analyzes the ways in which critical theories are transformed into literary criticism and methodology. In her introduction, Staton sketches the general philosophical positions of th…e different critical modes, and then, in a headnote tc each selection, analyzes how the critic applies the particular critical methodology to the subject literary work. Selections include critical writing by Roland Barthes, Harold Bloom, Cleanth Brooks, Jacques Derrida, Northrop Frye, Norman Holland, Barbara Johnson, Jacques Lacan, Adrienne Rich, and Robert Scholes. Each is examined in terms of the primary critical stance each author employsNew Critical, phenomenological, archetypal, structuralist/semiotic, sociological, psychoanalytic, readerresponse, deconstructionist, or humanist. LITERARY THEORIES IN PRAXIS is an essential volume for humanities students and instructors who seek a better understanding of rapidly changing and complex contemporary literary discourse. ISBN 9780812212341 Sprache: Englisch Gewicht in Gramm: 923.

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Paperback. Zustand: Brand New. 488 pages. 9.25x6.00x1.25 inches. In Stock.

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Zustand: New. Über den AutorEdited by Shirley F. StatonInhaltsverzeichnisIntroduction: Pre-Text, Con-Text, and Sub-TextChapter 1 New CriticismChapter 2 Phenomenological CriticismChapter 3 Archetypa.

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Taschenbuch. Zustand: Neu. Neuware - Literary Theories in Praxis analyzes the ways in which critical theories are transformed into literary criticism and methodology. To demonstrate the application of this analysis, critical writings of Roland Barthes, Harold Bloom, Cleanth Brooks, Jacques Derrida, Northrop Frye, Norman Holland,… Barbara Johnson, Jacques Lacan, Adrienne Rich, and Robert Scholes are examined in terms of the primary critical stance each author employs--New Critical, phenomenological, archetypal, structuralist/semiotic, sociological, psychoanalytic, reader-response, deconstructionist, or humanist.The book is divided into nine sections, each with a prefatory essay explaining the critical stance taken in the selections that follow and describing how theory becomes literary criticism. In a headnote to each selection, Staton analyzes how the critic applies his or her critical methodology to the subject literary work. Shirley F. Staton's introduction sketches the overall philosophical positions and relationships among the various critical modes.'The proverbially 'welcome addition to the field.' It has a surprising breadth and balance in these days of reluctant canonization and yet fierce ideological attitudes.'--College Literature.