Starring (Mehr als 10.000 Ergebnisse)

Zustand: acceptable. This item is a previous library, school edition or rental copy. It has stickers on the cover, inside front pages and may also have stamping writing on the page edges.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good - Trade. Stock photos may not look exactly like the book.

Zustand: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

Hardcover. Zustand: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

hardcover. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Zustand: New.

Hardback. Zustand: Very Good. The triumphant New York Times bestseller! ?Warm and oddly patriotic.A working-class hero is something to be.? ?Dwight Garner, The New York Times An uproarious and ?utterly charming? (The Washington Post) memoir by a mailman in the Blue Ridge Mountains of Virginia, who found that working for the post office saved his life, taught him who he was, gave him purpose, and educated him deeply about a country he loves but had lost touch with.Steve Grant was laid off in March of 2020. He was fifty and had cancer, so he needed health insurance, fast. Which is how he found himself a rural letter carrier in Appalachia, back in his old hometown. Suddenly, he was the guy with the goods, delivering dog food and respirators and lube and heirloom tomato seeds and Lord of the Rings replica swords. He transported chicken feed to grandmothers living alone in the mountains and forded a creek with a refrigerator on his back. But while he carried the mail, he also carried a whole lot more than just the mail, including a family legacy of rage and the anxiety of having lost his identity along with his corporate job. And yet, slowly, surrounded by a quirky but devoted band of letter carriers, working this different kind of job, Grant found himself becoming a different kind of person. He became a lifeline for lonely people, providing fleeting moments of human contact and the assurance that our government still cares. He embraced the thrill of tackling new challenges, the pride of contributing to something greater than himself, the joy of camaraderie, and the purpose found in working hard for his family and doing a small, good thing for his community. He even kindled a newfound faith. A brash and loving portrait of an all-American institution, Mailman offers a ?warm and oddly patriotic? (The New York Times) look at both rural America and the dedicated (and eccentric) letter carriers who keep our lives running smoothly day to day. ?A compelling and empathetic guide? (The Atlantic), Grant has written an irreverent, heartfelt, and often hilarious tribute to the simple heroism of daily service, the dignity and struggle of blue-collar work, the challenge and pleasure of coming home again after twenty-five years away, and the delight of going the extra mile for your neighbors, every day.…

Hardback. Zustand: Good. The triumphant New York Times bestseller! ?Warm and oddly patriotic.A working-class hero is something to be.? ?Dwight Garner, The New York Times An uproarious and ?utterly charming? (The Washington Post) memoir by a mailman in the Blue Ridge Mountains of Virginia, who found that working for the post office saved his life, taught him who he was, gave him purpose, and educated him deeply about a country he loves but had lost touch with.Steve Grant was laid off in March of 2020. He was fifty and had cancer, so he needed health insurance, fast. Which is how he found himself a rural letter carrier in Appalachia, back in his old hometown. Suddenly, he was the guy with the goods, delivering dog food and respirators and lube and heirloom tomato seeds and Lord of the Rings replica swords. He transported chicken feed to grandmothers living alone in the mountains and forded a creek with a refrigerator on his back. But while he carried the mail, he also carried a whole lot more than just the mail, including a family legacy of rage and the anxiety of having lost his identity along with his corporate job. And yet, slowly, surrounded by a quirky but devoted band of letter carriers, working this different kind of job, Grant found himself becoming a different kind of person. He became a lifeline for lonely people, providing fleeting moments of human contact and the assurance that our government still cares. He embraced the thrill of tackling new challenges, the pride of contributing to something greater than himself, the joy of camaraderie, and the purpose found in working hard for his family and doing a small, good thing for his community. He even kindled a newfound faith. A brash and loving portrait of an all-American institution, Mailman offers a ?warm and oddly patriotic? (The New York Times) look at both rural America and the dedicated (and eccentric) letter carriers who keep our lives running smoothly day to day. ?A compelling and empathetic guide? (The Atlantic), Grant has written an irreverent, heartfelt, and often hilarious tribute to the simple heroism of daily service, the dignity and struggle of blue-collar work, the challenge and pleasure of coming home again after twenty-five years away, and the delight of going the extra mile for your neighbors, every day.…

Paperback. Zustand: Good. The triumphant New York Times bestseller! ?Warm and oddly patriotic.A working-class hero is something to be.? ?Dwight Garner, The New York Times An uproarious and ?utterly charming? (The Washington Post) memoir by a mailman in the Blue Ridge Mountains of Virginia, who found that working for the post office saved his life, taught him who he was, gave him purpose, and educated him deeply about a country he loves but had lost touch with.Steve Grant was laid off in March of 2020. He was fifty and had cancer, so he needed health insurance, fast. Which is how he found himself a rural letter carrier in Appalachia, back in his old hometown. Suddenly, he was the guy with the goods, delivering dog food and respirators and lube and heirloom tomato seeds and Lord of the Rings replica swords. He transported chicken feed to grandmothers living alone in the mountains and forded a creek with a refrigerator on his back. But while he carried the mail, he also carried a whole lot more than just the mail, including a family legacy of rage and the anxiety of having lost his identity along with his corporate job. And yet, slowly, surrounded by a quirky but devoted band of letter carriers, working this different kind of job, Grant found himself becoming a different kind of person. He became a lifeline for lonely people, providing fleeting moments of human contact and the assurance that our government still cares. He embraced the thrill of tackling new challenges, the pride of contributing to something greater than himself, the joy of camaraderie, and the purpose found in working hard for his family and doing a small, good thing for his community. He even kindled a newfound faith. A brash and loving portrait of an all-American institution, Mailman offers a ?warm and oddly patriotic? (The New York Times) look at both rural America and the dedicated (and eccentric) letter carriers who keep our lives running smoothly day to day. ?A compelling and empathetic guide? (The Atlantic), Grant has written an irreverent, heartfelt, and often hilarious tribute to the simple heroism of daily service, the dignity and struggle of blue-collar work, the challenge and pleasure of coming home again after twenty-five years away, and the delight of going the extra mile for your neighbors, every day.…

paperback. Zustand: New. Brand New.

Zustand: New.

Hardcover. Zustand: Good. New York: Simon and Schuster, 1952. Second printing with "B" on the final page. Little Golden Book, pictorial hardcover with patterned metallic spine. Good to very good with some shelf rubbing and additional wear to corners, sound binding, clean pages with a name inside the front cover, no other markings. Hard Cover. Good. 8vo - over 7¾" - 9¾" tall.…

Paperback. Zustand: Very Good. First Edition. offsettingf to cover. Book.

Paperback. Zustand: Brand New. 304 pages. 8.37x5.50x0.76 inches. In Stock.

Paperback. Zustand: Brand New. 304 pages. 8.37x5.50x0.76 inches. In Stock.

Zustand: New. In English.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN.

Vintage studio still photograph from the 1949 re-release of the 1943 film. Fictionalized versions of Billy the Kid and Doc Holiday fight over the attentions of a feisty young woman. Director Howard Hughes fought with Production Code Administration head Joseph Breen for two years, primarily over how much of Jane Russell's cleavage was allowed to be visible, before Hughes agreed to a small number of cuts. After a brief run in San Francisco drew protests over the film's suggestive content and advertising, the film was withdrawn. It wouldn't see a wide release until 1946, where despite still being subject to censorship by local film boards, and a lawsuit over censors withdrawing their approval, it became a tremendous box office success, finally launching Russell's acting career. Set in New Mexico, shot on location in New Mexico, Arizona, and California. 8 x 10 inches. Very Good plus. Godard, Histoire(s) du cinema.…

Vintage studio still photograph from the 1952 film. Based on Samuel Fuller's 1944 novel, "The Dark Page." The editor of an exploitative magazine murders his wife, then has one of his journalists investigate the matter in order to divert attention from himself. 10 x 8 inches. Very Good, with blue and red manuscript annotations to the verso.…

Combined 16mm Continuity script for the 1961 re-release of the 1939 film. An American remake of the 1936 Swedish film directed by Gustaf Molander. A famed violinist meets his daughter's piano teacher, asks her to tour with him, and falls in love with her despite his children and wife at home. Shot in Monterey, and Santa Monica, California. Tall pink titled wrappers, noted as Combined 16mm Continuity on the front wrapper, dated May 9th, 1961. 62 leaves, with last page of text numbered 4. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two staples along the top edge.…

Trailer Dialogue Cutting Continuity script for the 1947 film. Based on the 1933 novel by Robert Hitchens. A woman is on trial for possibly poisoning her husband, but the lawyer hired to defend her in court becomes unhealthily obsessed over her. Set in London, shot on location in Cumbria, England. Gray titled wrappers, noted as Trailer Dialogue Cutting Continuity on the front wrapper, dated February 27, 1948. Five leaves, with last page of text numbered 5. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two staples along the top edge. Grant US. Selby US. Spicer US. …

Spotting List script for the 1949 re release of the 1944 film. Based on the 1943 novel by Margaret Buell Wilder. A family in the American Midwest struggle with their lives on the home front as the father is off at war. Set in the Midwest, shot on location in Richmond, Pasadena, and Culver City, California. Yellow titled wrappers, noted as Spotting List for Recut Version on the front wrapper, dated August 22, 1949. Title page integral with third page, dated August 22, 1949, noted as Spotting List for Recut Version. 64 leaves, with last page of text numbered 62. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two metal brads along the top edge. …

Trailer #3 Dialogue Cutting Continuity script for the 1946 film. Based on the 1944 novel by Niven Busch. A recently orphaned girl is sent to live with her father's cousin. When both of sons take a liking to her, she must make a decision amid their growing conflict. Set in Texas, shot on location in California and Arizona. Gray titled wrappers, noted as Trailer #3 Dialogue Cutting Continuity on the front wrapper, dated May 29, 1947. 4 leaves, with last page of text numbered 4. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two staples along the top edge. Clover, Men, Women and Chainsaws. Godard, Histoire(s) du Cinema. Rosenbaum 1000. Scorcese, A Personal Journey Through American Movies. Silver and Ward US.…

Music Cue Sheet and Correction Report for the 1952 film. A poor southern girl marries a rich man despite her being in love with a man she want to school with. When her husband suddenly dies in a boating accident with no witness, the town suspects she killed him for his money and shuns her. She attempts to get together with the man she liked during school. Set in Braddock, North Carolina, shot on location across California. White titled self-wrappers, noted as Correction Report and Music Cue Sheet on the front wrapper, with credits for director King Vidor. 9 leaves, with page unnumbered. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with one staple at the top left corner. Godard, Histoire(s) du Cinema.…

Dialogue Cutting Continuity script for the 1949 film. Based on the 1940 novella by Robert Nathan. A struggling artist sells one of his paintings to a very strange woman in Central Park. He notices that she seems to have a different relationship to linear time than he and everyone else does. "Portrait of Jennie" was painstakingly developed by Selznick International and then released under the auspices of Vanguard Pictures (to whom Selznick International was sold). Set in New York City, shot on location in New York City, New York and Boston, Massachusetts. Light blue titled wrappers, noted as Dialogue Cutting Continuity on the front wrapper, dated Jan. 11, 1949. 5 leaves, with last page of text numbered 5. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two staples along the top edge. …

Censorship Cuts script for the 1946 film. Based on the 1944 novel by Niven Busch. A recently orphaned girl is sent to live with her father's cousin. When both of sons take a liking to her, she must make a decision amid their growing conflict. Set in Texas, shot on location in Arizona and California. Gray titled wrappers, noted as Censorship Cuts on the front wrapper. Title page integral with first page, dated July 31, 1947, noted as Censorship Cuts. 4 leaves, with last page of text numbered 4. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Clover, Men, Women and Chainsaws. Godard, Histoire(s) du Cinema. Rosenbaum 1000. Scorcese, A Personal Journey Through American Movies. Silver and Ward US. …