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Zustand: New.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition ex-library book with usual library markings and stickers.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. Established seller since 2000.

paperback. Zustand: New. Brand New.

Zustand: Good. Good condition paperback. Book may have inscriptions, toning and foxing. Covers may have light wear. There will be no loose pages.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Paperback. Zustand: Very Good. First Edition. offsettingf to cover. Book.

HRD. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. Established seller since 2000.

Paperback. Zustand: Brand New. 304 pages. 8.37x5.50x0.76 inches. In Stock.

Paperback. Zustand: Brand New. 304 pages. 8.37x5.50x0.76 inches. In Stock.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:

Paperback. Zustand: Very Good. 258 pages.

Vintage studio still photograph from the 1949 re-release of the 1943 film. Fictionalized versions of Billy the Kid and Doc Holiday fight over the attentions of a feisty young woman. Director Howard Hughes fought with Production Code Administration head Joseph Breen for two years, primarily over how much of Jane Russell's cleavage was allowed to be visible, before Hughes agreed to a small number of cuts. After a brief run in San Francisco drew protests over the film's suggestive content and advertising, the film was withdrawn. It wouldn't see a wide release until 1946, where despite still being subject to censorship by local film boards, and a lawsuit over censors withdrawing their approval, it became a tremendous box office success, finally launching Russell's acting career. Set in New Mexico, shot on location in New Mexico, Arizona, and California. 8 x 10 inches. Very Good plus. Godard, Histoire(s) du cinema.

Original US one sheet poster for the 1986 film. A semi-autobiographical account of Pryor's life in which, after attempting suicide by setting himself on fire, a popular standup comedian falls into a coma and must reexamine his difficult past. The impetus for this self reflection closely resembles an event in Pryor's own past in which, while struggling with drug addiction and freebasing cocaine, he covered himself in high proof alcohol and set himself on fire. Shot on location in Peoria, Illinois. 27 x 41 inches, rolled. Near Fine, creased.

Vintage studio still photograph from the 1952 film. Based on Samuel Fuller's 1944 novel, "The Dark Page." The editor of an exploitative magazine murders his wife, then has one of his journalists investigate the matter in order to divert attention from himself. 10 x 8 inches. Very Good, with blue and red manuscript annotations to the verso.

Combined 16mm Continuity script for the 1961 re-release of the 1939 film. An American remake of the 1936 Swedish film directed by Gustaf Molander. A famed violinist meets his daughter's piano teacher, asks her to tour with him, and falls in love with her despite his children and wife at home. Shot in Monterey, and Santa Monica, California. Tall pink titled wrappers, noted as Combined 16mm Continuity on the front wrapper, dated May 9th, 1961. 62 leaves, with last page of text numbered 4. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two staples along the top edge.

Trailer Dialogue Cutting Continuity script for the 1947 film. Based on the 1933 novel by Robert Hitchens. A woman is on trial for possibly poisoning her husband, but the lawyer hired to defend her in court becomes unhealthily obsessed over her. Set in London, shot on location in Cumbria, England. Gray titled wrappers, noted as Trailer Dialogue Cutting Continuity on the front wrapper, dated February 27, 1948. Five leaves, with last page of text numbered 5. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two staples along the top edge. Grant US. Selby US. Spicer US.

Spotting List script for the 1949 re release of the 1944 film. Based on the 1943 novel by Margaret Buell Wilder. A family in the American Midwest struggle with their lives on the home front as the father is off at war. Set in the Midwest, shot on location in Richmond, Pasadena, and Culver City, California. Yellow titled wrappers, noted as Spotting List for Recut Version on the front wrapper, dated August 22, 1949. Title page integral with third page, dated August 22, 1949, noted as Spotting List for Recut Version. 64 leaves, with last page of text numbered 62. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two metal brads along the top edge.

Trailer #3 Dialogue Cutting Continuity script for the 1946 film. Based on the 1944 novel by Niven Busch. A recently orphaned girl is sent to live with her father's cousin. When both of sons take a liking to her, she must make a decision amid their growing conflict. Set in Texas, shot on location in California and Arizona. Gray titled wrappers, noted as Trailer #3 Dialogue Cutting Continuity on the front wrapper, dated May 29, 1947. 4 leaves, with last page of text numbered 4. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two staples along the top edge. Clover, Men, Women and Chainsaws. Godard, Histoire(s) du Cinema. Rosenbaum 1000. Scorcese, A Personal Journey Through American Movies. Silver and Ward US.

Music Cue Sheet and Correction Report for the 1952 film. A poor southern girl marries a rich man despite her being in love with a man she want to school with. When her husband suddenly dies in a boating accident with no witness, the town suspects she killed him for his money and shuns her. She attempts to get together with the man she liked during school. Set in Braddock, North Carolina, shot on location across California. White titled self-wrappers, noted as Correction Report and Music Cue Sheet on the front wrapper, with credits for director King Vidor. 9 leaves, with page unnumbered. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with one staple at the top left corner. Godard, Histoire(s) du Cinema.

Dialogue Cutting Continuity script for the 1949 film. Based on the 1940 novella by Robert Nathan. A struggling artist sells one of his paintings to a very strange woman in Central Park. He notices that she seems to have a different relationship to linear time than he and everyone else does. "Portrait of Jennie" was painstakingly developed by Selznick International and then released under the auspices of Vanguard Pictures (to whom Selznick International was sold). Set in New York City, shot on location in New York City, New York and Boston, Massachusetts. Light blue titled wrappers, noted as Dialogue Cutting Continuity on the front wrapper, dated Jan. 11, 1949. 5 leaves, with last page of text numbered 5. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two staples along the top edge.

Censorship Cuts script for the 1946 film. Based on the 1944 novel by Niven Busch. A recently orphaned girl is sent to live with her father's cousin. When both of sons take a liking to her, she must make a decision amid their growing conflict. Set in Texas, shot on location in Arizona and California. Gray titled wrappers, noted as Censorship Cuts on the front wrapper. Title page integral with first page, dated July 31, 1947, noted as Censorship Cuts. 4 leaves, with last page of text numbered 4. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Clover, Men, Women and Chainsaws. Godard, Histoire(s) du Cinema. Rosenbaum 1000. Scorcese, A Personal Journey Through American Movies. Silver and Ward US.

Vintage studio still photograph from the 1971 musical film, showing actresses Georgina Hale, Sally Bryant, Antonia Ellis, and Caryl Little. Based on the 1953 West End musical by Sandy Wilson, about a mousy stage manager forced to take the lead in a low-budget musical revue after the lead actress breaks her leg. While Wilson's original is a straightforward pastiche of 1920s musicals, director Ken Russell's adaptation is a full-blown parody of 1930s musical films, particularly Busby Berkeley, with heavy metatextual elements, as the more lavish numbers take place in the imagination of a Hollywood producer watching the show. 10 x 8 inches. Near Fine.

Vintage studio still photograph from the 1975 film, mounted as issued by the distributor on a presentation card, showing actor Charles Durning shouting into a megaphone. Based on the 1974 novel by Patrick Mann, which was in turn based on a true story published in Life magazine. Director Sidney Lumet's masterpiece, a snapshot of New York invoking LGBTQ politics, city politics, police politics, personal politics, and the mood of a city in the heat of the early 1970s-all without being overtly political. The film follows an inexperienced robber and his friend over the course of a doomed bank heist, executed in order for the robber's girlfriend, a preoperative transgender woman, to afford gender confirmation surgery. Photograph 10 x 8 inches, Near Fine. Presentation card 14 x 11 inches, Very Good plus, with pinholes to the corners. National Film Registry. Grant US. Hardy, BFI Crime Companion. Spicer US.

Post-production 16MM Combined Continuity script for the 1961 re-release of the 1936 film. Tall white self wrappers, top-stapled, dated April 21, 1961, noting 4 16MM reels and 11 sections. Mimeograph duplication, Near Fine.

Continuity and Dialogue script for the 1962 re-release of the 1952 film. A poor southern girl marries a rich man despite her being in love with a man she want to school with. When her husband suddenly dies in a boating accident with no witness, the town suspects she killed him for his money and shuns her. She attempts to get together with the man she liked during school. Set in Braddock, North Carolina, shot on location across California. Tall white self-wrappers, missing the back self-wrapper, noted as Continuity and Dialogue on the front self-wrapper, dated November 28th, 1952 (re-run 29-3-1962), with credits for director King Vidor. Approximately 150 leaves, with last page of text numbered 8. Multilith duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two flat silver brads along the top edge.