stapleton maureen (22 Ergebnisse)

Zustand: As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects.

Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. First Edition. Used book that is in clean, average condition without any missing pages.

Zustand: Good. First Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Hardcover. Zustand: New. In shrink wrap.

Hardcover. Zustand: New. In shrink wrap.

hardcover. Zustand: near fine. Zustand des Schutzumschlags: very good. Illustrated with a handful of b/w photos. 285 pages. 8vo, cloth-backed boards, d.w. New York: Simon & Schuster, (1995). A near fine copy in a very good wrapper, lightly sunned and soiled.

Hardcover. Zustand: Good. 2017. light surface wear2025 one in basement r.

hardcover. Illus. 8vo, cloth backed boards, d.w. New York: Simon & Schuster, (1995). Good.

Softcover. Zustand: Near Fine. Uncorrected proofs. Near fine in wrappers.

Vintage black-and-white reference photograph from the 1960 film. Shown are Marlon Brando and Anna Magnani. 8 x 10 inches. Near Fine. Criterion Collection 515.

Unbound. Zustand: Very Good. Original promotional film poster, issued as "Style B." Measuring approximately 27" x 40". Folded (presumably as issued), wear along the creases, rubbing, and creased along the bottom, but overall very good. Written and directed by Woody Allen and starring Kristin Griffith, Mary Bet Hurt, Richard Jordan, Diane Keaton, E.G. Marshall, Geraldine, Page, Maureen Stapleton, and Sam Waterston.

Vintage black-and-white reference photograph of Marlon Brando on the set of the 1960 film. 8 x 10 inches. Near Fine. With a Hollywood bookshop stamp on the verso, along with an inked price notation. Criterion Collection 515.

Revised Second Draft script for the 1985 television film, which originally aired on NBC on March 18, 1985. Copy belonging to a crew member, with their name in manuscript ink on the title page and on several printed labels throughout the script. With a few small manuscript pencil annotations throughout, most editorial in nature. A dedicated therapist treats a woman who feels she can't control her sexual urges, and a taxi driver experiencing auditory hallucinations. Self wrappers. Title page integral with front wrapper, dated October 22, 1984, noted as SECOND REVISION, with credits for screenwriters David Seltzer and Thom Thomas. 127 leaves, with last page of text numbered 112. Xerographic duplication, rectos only, with rainbow revision pages throughout, dated variously between 10/31/84 and 11/28/84. Pages Very Good plus, bound with three gold brads. Full provenance available.

Maureen Stapleton (1925-2006) OSCAR-Gewinnerin '81GROSSFOTO, EIGENHÄNDIG SIGNIERT.

First Draft script for the 1979 film. Father Brian (Dyke) is a priest in a depressing mining town, until one day a new Sister, Rita (Quinlan) joins his parish and changes his perception of life. She is trusting and kind and listens to Father Brian, but their relationship takes a turn for the worse, landing Father Brian in the role of suspect. Blue production company (Mel Simon Productions) wrappers. Title page present, dated May 10, 1978, noted as FIRST DRAFT, with credits for screenwriter Stitt and director Kramer. Last leaf of text numbered 129. Xerographic duplication, with photocopied punch holes. Pages and wrapper Near Fine, bound internally with two gold brads.

Two vintage photographs of Sidney Lumet directing on the set of the 1962 film. With manuscript annotations and a rubber stamp on the versos of each. Based on the 1955 play by Arthur Miller, about an unhappily married man whose obsession with his niece leads to tragedy when she falls for an immigrant who is staying with them. The first American film to feature a kiss between two men, though ultimately it is an act of accusation against one of the men, rather than a romantic one. Shot on location in New York City, and Rome. 7.5 x 5.5 inches. Near Fine.

Vintage borderless photograph of director Sidney Lumet, playwright Arthur Miller, and actors Ralf Vallone and Raymond Pellegrin on the set of the 1962 film. With the stamp of photographer Jacques Moreau, a mimeo snipe, and manuscript annotations on the verso. Based on the 1955 play by Arthur Miller, about an unhappily married man whose obsession with his niece leads to tragedy when she falls for an immigrant who is staying with them. The first American film to feature a kiss between two men, though ultimately it is an act of accusation against one of the men, rather than a romantic one. Filmed in both French and English versions. Shot on location in New York City, and Rome. 9.5 x 7 inches. Near Fine.

Vintage reference photograph of actress Janet Leigh, in a brunette wig, relaxing on the set of the 1963 film. Stamps of The Associated Press and Le Parisien on the verso. Based on the 1960 Tony Award winning stage musical of the same name with a book by Michael Stewart, lyrics by Lee Adams and music by Charles Strouse. An unsuccessful pop songwriter is convinced he can make his fortune if he can get recently drafted rock and roll star Conrad Birdie on the Ed Sullivan show to kiss his high school girlfriend goodbye. Nominated for 2 Academy Awards. 7 x 9 inches. Near Fine. Godard, Histoire(s) du cinema.