standard paul (32 Ergebnisse)

Zustand: Good. Williams 1954-81, Paul H.; Co., Standard Oil (illustrator). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Williams 1954-81, Paul H.; Co., Standard Oil (illustrator). Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Good. 96 pgs. Good, with moderate cover wear. Articles include "A View: Introductory Education in Typography," "The Formal Economy of Written Signs," "The Future Role of the Printing Historical Society," "Is Literacy Acquisition Easier in Some Languages Than in Others?" and more.

, Standard, Paul, 1896-1992. Hermann Zapf, calligrapher, type-designer and typographer. Introduction by Noel Martin. Cincinnati : Contemporary Arts Center, 1960, unpaginated, 62pp., small PAPERBACK, very good. An exhibition arranged and circulated by the Contemporary Arts Center, Cincinnati Art Museum, 1960-1961. Printed in Germany. - Hermann Zapf (1918-2015), German type designer, best-known for Palatino.

Zustand: Very good. - Octavo, limp reddish brown cloth with a printed label on the spine, in a dust wrapper. The covers are slightly warped & the dust jacket is lightly rubbed. 471 pages plus colophon. Illustrated with numerous full-page & textual facsimiles, including several folding facsimiles. Very good. First German edition. Originally published in English by Penguin Books in 1955 under the title "Five Hundred Years of Printing". The text is in German.Calligrapher Paul Standard's copy. Laid in are two autograph letters in German from Leo Kasarnovski sending him the book.

Hardcover. Zustand: Very Good. First Edition. 8vo, 36, [ii] pages, cloth.

hardcover. Zustand: Very Good. The pages are tanned at the edges. The copy shows minor external wear, but is in othewrwise very good condition.

Hardcover. Zustand: Very Good. First in book form. 38pp. Lightly toned boards, very good.

Zustand: Good. 1947. No edition remarks. 36 pages. Pictorial dust jacket over brick red cloth. Illustrations throughout. Pages remain bright and clean. Binding remains firm. A previous owner's name to front free endpaper. Boards have mild shelf wear with light rubbing and corner bumping. Some mild marking and tanning. Unclipped jacket has moderate edge wear with tears, chips, and some areas of loss. Some tanning and foxing to all surfaces, particularly to spine.

Softcover. Zustand: Good+. Sewn softcover, 9x6", unpaginated. Light edge wear, spine creasing, else VG, clean and solid.

Softcover. Zustand: Near Fine. [12] pp., tall 12mo (7.75 x 3.25 in.); cord-tied wrapper, dustjacket. Drawings of the zodiac signs are by Fritz Kredel; text translated from old almanacs by Paul Standard; printed in burgundy and black on Rives paper. Designed by Herbert Reichner, possibly the Viennese rare book dealer who emigrated to the US and established his book business in New York 1939. However, the address shown here is 11 West 42nd Street in New York, while other authorities state that in 1939, a Herbert Reichner operated out of 34 East 62nd Street (see Dickinson, Dictionary of American Antiquarian Booksellers, 172-3). Near fine copy; minor age-toning around dustjacket edges.

Brown Cloth. Zustand: Very Good. First Edition. 38 pages, colour & b/w illustrations. Some soiling, shelfwear to covers, offsetting to prelims, otherwise contents fine, unmarked. [770] Size: 240mm. x 165mm.

Hardcover. Zustand: Very Good. Hardcover, 10 1/2" x 7 1/2", unpaginated. Fine copy.

Softcover. Zustand: Fine. Reprint Edition. A lovely Reprint Edition in a like dust-jacket ; This book is a guide to calligraphy and its many uses. It covers the basics of the craft, from the materials needed to the techniques and principles involved. The author also offers tips for wider use of calligraphy, including ways to create unique pieces of art. This book is a great resource for anyone interested in learning how to create beautiful lettering.; 8vo; 36 pages.

106 s. Ill. Förlagsband med skyddsomslag.

With hints for its wider use today. Sylvan Press Limited 1947. 36,(2) pp. Illustrated. Publisher's cloth. 24 x 16 cm.[#\87802].

Softcover. Zustand: Fine. Reprint Edition. An unblemished reprint edition ; This book is a comprehensive guide to calligraphy and its many variations, from the beginner to the enthusiast. It provides instructions for creating beautiful flowers, leaves, and vines, as well as detailed instructions for restoring old calligraphy. This book is perfect for anyone interested in learning about this beautiful art form.; 8vo; 36 pages; Price? ? ?

Zustand: Sehr gut. Williams, Paul H.; Co., Standard Oil (illustrator). Zustand: Sehr gut | Seiten: 591 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

First book edition (the two articles herein, now expanded, originally appeared in The Inland Printer), 8vo, pp. 38; printed in red and black throughout, calligraphed shoulder notes and illustration, other typographical illustrations throughout; handsome production, and generally fine in orig. blue cloth, gilt lettering on spine. Designed by Raymond DaBoll.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 4° - B/w reproductions. Exhibition Catalog: Three Swiss Italian Xilographers Ugo Cleis (1903-1976)- Aldo Patocchi (1907-1986)- Imre Reiner (1900-1987). Text in Italian, French and German language, published in 1000 copies. Original boards and original dust-jacket. In Very good condition.

HARDCOVER. Zustand: Fine. No Jacket. 1st Edition. Tall, narrow 4to in cream cloth backed boards, gilt lettering to spine, gilt embossed front cover, unpaginated, approx. 120pp, full page plates, etc. One of 1000 copies made . [CONDITION: An extremely well preserved almost AS NEW copy (slight sunning to cover top edges, hint of tanning to leaves). No jacket but still an excellent copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Grosses Original-Farbportraitfoto (kl. 8 to quer), von Paul Lendvai eigenhändig signiert (in person, Wien Nov. 2025, leider über sein Gesicht geschrieben - er signiert nicht gern Fotos von sich !).

Gr.-8°, kart. Zustand: Gut. 83 Bll. Gebraucht: Einband berieben, Papier gebräunt, ansonsten guter Zustand. Sprache: Deutsch Gewicht in Gramm: 550.

4°, gebundene Ausgabe. Zustand: Sehr gut. unpaginierte Seiten, mit montierten Titelseiten Orig.-Pappband mit montiertem Rückenschild, Cellophan-Schutzumschlag, Papier in altersgemäßem sehr gutem Zustand, Schriftmuster mittels montierter Buchseiten vorgestellt. B05-02-02C Sprache: Deutsch Gewicht in Gramm: 1750.

First Myriade Press printing. Octavo (23cm). Printed card wrappers; [176]pp; illus. Mild external wear, principally to wrapper edges and corner extremities; internally clean, tight and unmarked - Near Fine. Reissue, in slightly smaller format, of the 1963 edition (which was limited to 725 copies). Review copy, with publisher's press release and review slip laid in.

ÜBER DIE HEUCHELEI Täuschungen und Selbsttäuschungen in der Politik. Paul Zsolnay Verlag Wien, 3. Auflage 2024, ERSTAUSGABE, 188 SS. gebunden (Hardcover, 8 to) mit Schutzumschlag, schön erhalten (neuwertig) - von Paul Lendvai eigenhändig signiert (in person, Wien Nov. 2024).

[New York], Stores Publishing Co., [1948]. 29 x 22 cm. Offprint on deluxe paper from Woman's Day, December 1947. Stapled in grey cover. 4 p. Printed in red-brown and black on laid paper. Text about the Chancery cursive by Arrighi with letter images - also of other typographical types, and partly taken from letters from calligraphers to Paul Standard! Among others Jeanyee Wong, Jan Tschichold, George Salter, Jan van Krimpen, Stanley Morison and Will Carter. Spine slightly torn. On the inside of the cover a very beautiful handwritten dedication by Standard (1896-1992) to Huib van Krimpen: 'H. van Krimpen/ with cordial regard,/ & in common affection for/ Chancery Cursive,/ Paul Standard/ (calligraphic curl)/ N.Y., 12 April 1948'. This classic article from a widely read women's magazine (3 million buyers in 1947) is cited in the online version of the Encyclopaedia Britannica as an example of the popularity of calligraphy.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Poor. First American edition. Octavo [24 cm] Natural tan cloth over boards with the title stamped in black ink stamped title on the spine and a New York City skyscraper vignette on the front cover. Woodcuts reproduced in black and white, and in color. With light foxing to the upper extremities. Large areas of age-toning on the endpapers. Small ink stamp on rear free endpaper. In the illustrated dust jacket, which is split in half, age-toned, and brittle. A first American edition, from the German American illustrator, and author of Woodcuts & Wood Engravings: How I Make Them.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First American edition.

Hardcover. Zustand: Near Fine. Hardcover. Number 254 of 500 copies and signed by Hermann Zapf on the colophon. This is an interesting and informative work on typography and title page design. There are 78 book and title pages, some bound in and others inserted. In his preface, Paul Standard of New York wrote: The typographer's true task is to bring to each book the grace, distinction and convenience proper to its content; and to make the title and every other part mutually reflect each other." A description of each of the title pages is included following the samples of typographic design. Bound is grayish green paper covers with a vellum spine with gilt titling. Ownership signature of Bernard Klem in ink to free front endpaper. Short closed tear to bottom of title page, else in near fine condition with light sunning to covers. No slipcase. Measures 8.5 x 12 inches. Unpaginated. PRINTARTS/100324.