standard paul (29 Ergebnisse)

Zustand: Good. Williams 1954-81, Paul H.; Co., Standard Oil (illustrator). Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: Very Good. Williams 1954-81, Paul H.; Co., Standard Oil (illustrator). Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Soft cover. Zustand: Good. 96 pgs. Good, with moderate cover wear. Articles include "A View: Introductory Education in Typography," "The Formal Economy of Written Signs," "The Future Role of the Printing Historical Society," "Is Literacy Acquisition Easier in Some Languages Than in Others?" and more.

, Standard, Paul, 1896-1992. Hermann Zapf, calligrapher, type-designer and typographer. Introduction by Noel Martin. Cincinnati : Contemporary Arts Center, 1960, unpaginated, 62pp., small PAPERBACK, very good. An exhibition arranged and circulated by the Contemporary Arts Center, Cincinnati Art Museum, 1960-1961. Printed in Germany. - Hermann Zapf (1918-2015), German type designer, best-known for Palatino.

Zustand: Very good. - Octavo, limp reddish brown cloth with a printed label on the spine, in a dust wrapper. The covers are slightly warped & the dust jacket is lightly rubbed. 471 pages plus colophon. Illustrated with numerous full-page & textual facsimiles, including several folding facsimiles. Very good. First German edition. Originally published in English by Penguin Books in 1955 under the title "Five Hundred Years of Printing". The text is in German.Calligrapher Paul Standard's copy. Laid in are two autograph letters in German from Leo Kasarnovski sending him the book.

Hardcover. Zustand: Very Good. First Edition. 8vo, 36, [ii] pages, cloth.

hardcover. Zustand: Very Good. The pages are tanned at the edges. The copy shows minor external wear, but is in othewrwise very good condition.

Hardcover. Zustand: Good. 67 pages. Dj worn. Ex-libraryA leading American calligrapher uses a facsimile and translation of Arrighi's seminal work as the basis for a beginning text in Chancery cursive script.

Hardcover. Zustand: Very Good. First in book form. 38pp. Lightly toned boards, very good.

Softcover. Zustand: Good+. Sewn softcover, 9x6", unpaginated. Light edge wear, spine creasing, else VG, clean and solid.

Softcover. Zustand: Fine. Reprint Edition. A lovely Reprint Edition in a like dust-jacket ; This book is a guide to calligraphy and its many uses. It covers the basics of the craft, from the materials needed to the techniques and principles involved. The author also offers tips for wider use of calligraphy, including ways to create unique pieces of art. This book is a great resource for anyone interested in learning how to create beautiful lettering.; 8vo; 36 pages.

Softcover. Zustand: Near Fine. [12] pp., tall 12mo (7.75 x 3.25 in.); cord-tied wrapper, dustjacket. Drawings of the zodiac signs are by Fritz Kredel; text translated from old almanacs by Paul Standard; printed in burgundy and black on Rives paper. Designed by Herbert Reichner, possibly the Viennese rare book dealer who emigrated to the US and established his book business in New York 1939. However, the address shown here is 11 West 42nd Street in New York, while other authorities state that in 1939, a Herbert Reichner operated out of 34 East 62nd Street (see Dickinson, Dictionary of American Antiquarian Booksellers, 172-3). Near fine copy; minor age-toning around dustjacket edges.

Softcover. Zustand: Fine. Reprint Edition. An unblemished reprint edition ; This book is a comprehensive guide to calligraphy and its many variations, from the beginner to the enthusiast. It provides instructions for creating beautiful flowers, leaves, and vines, as well as detailed instructions for restoring old calligraphy. This book is perfect for anyone interested in learning about this beautiful art form.; 8vo; 36 pages; Price? ? ?

Hardcover. Zustand: Very Good. Hardcover, 10 1/2" x 7 1/2", unpaginated. Fine copy.

Hard Cover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Hardback with dust-wrapper. 38pp. Price-clipped d/w slightly grubby with very small loss to head of d/w spine. A decent copy. (h11).

Brown Cloth. Zustand: Very Good. First Edition. 38 pages, colour & b/w illustrations. Some soiling, shelfwear to covers, offsetting to prelims, otherwise contents fine, unmarked. [770] Size: 240mm. x 165mm. Book.

With hints for its wider use today. Sylvan Press Limited 1947. 36,(2) pp. Illustrated. Publisher's cloth. 24 x 16 cm.[#\87802].

Zustand: Sehr gut. Williams, Paul H.; Co., Standard Oil (illustrator). Zustand: Sehr gut | Seiten: 591 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

First book edition (the two articles herein, now expanded, originally appeared in The Inland Printer), 8vo, pp. 38; printed in red and black throughout, calligraphed shoulder notes and illustration, other typographical illustrations throughout; handsome production, and generally fine in orig. blue cloth, gilt lettering on spine. Designed by Raymond DaBoll.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 4° - B/w reproductions. Exhibition Catalog: Three Swiss Italian Xilographers Ugo Cleis (1903-1976)- Aldo Patocchi (1907-1986)- Imre Reiner (1900-1987). Text in Italian, French and German language, published in 1000 copies. Original boards and original dust-jacket. In Very good condition.

HARDCOVER. Zustand: Fine. No Jacket. 1st Edition. Tall, narrow 4to in cream cloth backed boards, gilt lettering to spine, gilt embossed front cover, unpaginated, approx. 120pp, full page plates, etc. One of 1000 copies made . [CONDITION: An extremely well preserved almost AS NEW copy (slight sunning to cover top edges, hint of tanning to leaves). No jacket but still an excellent copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Gr.-8°, kart. Zustand: Gut. 83 Bll. Gebraucht: Einband berieben, Papier gebräunt, ansonsten guter Zustand. Sprache: Deutsch Gewicht in Gramm: 550.

Hardcover. Zustand: Very good +. One of 300 signed and numbered copies, duodecimo size, 118 pp. total, this volume signed by Hermann Zapf. Hermann Zapf (1918-2015) was one of the most influential typographers of the early digital age, having a career that "spanned the glory days of hot metal composition right through to the rise of the Apple Mac"; his creations continue to inspire today. Interestingly, it is Zapf's "dingbats" that may have had the biggest impact on modern communication: these formed the basis for Unicode's symbols, which in turn paved the way for the now-ubiquitous emoji. This volume signed by Zapf at the colophon, being no. 102 of the edition (both the signature and number in blue ink). ___DESCRIPTION: Bound in full blue cloth over stiff cardboard, brown leather spine label with gilt lettering, the frontispiece a reproduction of a photograph of Zapf, replete with typographic designs, several being double-page; duodecimo size (7" by 4 1/2"), pagination: [1-6] 7-117, [1, colophon], this one of 300 signed/numbered copies (total English edition 700 copies; there were also 1300 copies printed in German). ___CONDITION: Better than very good: the cloth binding clean overall and without wear, all corners perfectly straight and unrubbed, a strong text block with solid hinges, the interior clean and bright, and the sole prior owner marking we see a gift inscription on the flyleaf dated "vii.62"; we would have graded this book fine except for (i) an old damp-stain at the head of the spine which has darkened the leather spine label and the cloth at the very top, and (ii) foxing to the edges of the text block. Even with its few faults, still special with Hermann Zapf's signature. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

First Myriade Press printing. Octavo (23cm). Printed card wrappers; [176]pp; illus. Mild external wear, principally to wrapper edges and corner extremities; internally clean, tight and unmarked - Near Fine. Reissue, in slightly smaller format, of the 1963 edition (which was limited to 725 copies). Review copy, with publisher's press release and review slip laid in.

106 s. Ill. Förlagsband med skyddsomslag.

ÜBER DIE HEUCHELEI Täuschungen und Selbsttäuschungen in der Politik. Paul Zsolnay Verlag Wien, 3. Auflage 2024, ERSTAUSGABE, 188 SS. gebunden (Hardcover, 8 to) mit Schutzumschlag, schön erhalten (neuwertig) - von Paul Lendvai eigenhändig signiert (in person, Wien Nov. 2024).

Hardcover. Zustand: Near Fine. Hardcover. Number 254 of 500 copies and signed by Hermann Zapf on the colophon. This is an interesting and informative work on typography and title page design. There are 78 book and title pages, some bound in and others inserted. In his preface, Paul Standard of New York wrote: The typographer's true task is to bring to each book the grace, distinction and convenience proper to its content; and to make the title and every other part mutually reflect each other." A description of each of the title pages is included following the samples of typographic design. Bound is grayish green paper covers with a vellum spine with gilt titling. Ownership signature of Bernard Klem in ink to free front endpaper. Short closed tear to bottom of title page, else in near fine condition with light sunning to covers. No slipcase. Measures 8.5 x 12 inches. Unpaginated. PRINTARTS/100324.

Zustand: Fine. - An archive consisting of 11 stages of an autograph letter each penned in sepia ink in a calligraphic hand by the American calligrapher Paul Standard, 9 of which are signed.Beginning with the outline of an idea "I have spoken of the subtle effect of the italic script." roughly penned on 2 sheets of 9 inch high by 6-1/4 inch wide paper with the return address "Livres Anciens Maurice Bridel", probably wrappers for a book catalog, which the bookseller had mailed him from Lausanne, Switzerland on July 28, 1956. Postmarked, with Paul Standard's typed address. Using the ample blank space, Paul Standard has begun to pen a letter upon the theme outlined above. There are profuse corrections throughout.A second letter, penned in sepia ink on 11 inch high by 7-3/4 inch wide buff paper begins with the same thoughts "In another place I have spoken of the subtle effect of the italic script upon the quality of a writer's prose." the fifth line of this letter continues with "But there are vast legions who seem quite." with the word "happy" scratched out and replaced with "content" . "with their ball-point 'pens'." There are several corrections with words crossed out such as replacing "the person" with "those who have" and the addition of the word "dynamic". This version of the letter is not signed but Paul Standard has numbered each line from the sixth one down, starting with the number 1 through 22. The first 5 lines will no longer appear in subsequent rewrites.Next he has rewritten lines 1 through 18, starting with "But there are vast legions" on 7-3/8 inch high by 8-1/2 inch wide creamy white quality paper, numbering each line. There are several corrections throughout. This letter is also not signed.Continuing to develop the letter or essay, Standard has rewritten it on quality 11 inch high by 8-3/8 inch wide creamy white quality paper. Signed in full with several corrections in ink & pencil.Next is a clean rewrite on 11 by 8-3/8 inch quality paper without any corrections. Signed by Paul Standard.Another copy with no apparent changes to the text but with the calligraphy penned and laid out slightly differently. Also signed in full by Paul Standard.Another layout, with the first lines changed to: "But then there's the writer who seems quite content with is ball-point 'pen', who does not even think of italic. Him I should wish not to convert but rather to help in this way." There are a couple of corrections. Signed in full "Paul Standard".Now we come to a clean rewrite, with the calligraphic text attractively laid out, signed in ful by Paul Standard.And finally, the final version is another beautifully calligraphed rewrite with yet a final change. Where the third line previously read "Him I should wish not to convert but rather to help.", it now reads "Him I should wish less to convert but to help." Signed in full "Paul Standard".A wonderful unique archive of the development of a calligraphic letter on the very subject of calligraphy by Paul Standard.Mostly fine and housed in 2 folded folios sheets of parchment paper. The beautifully crafted letter or essay now reads thus: "But then there's the writer who seems quite content with his ball-point 'pen', who does not even think of italic. Him I should wish less to convert than to help, and in this way. I should urge him to continue with his accustomed script, but to write with an edged pen. At once his familiar hand gains a new dimension. His old monotonous hairline letters come into a new life. The edged pen imparts to his words a flowing quality, a running sequence of alternating thicks & thins, achieved without manual pressure. His formerly static lines become dynamic - not explosively but subtly & quietly, with a calm distinction as of dignified speech. The change, proceeding from the logic of the edged tool that created our Latin alphabet, may give the writer the clue to a more thorough-going reform through rediscovery of the italic hand. But even if he never takes this final step he will.

[New York], Stores Publishing Co., [1948]. 29 x 22 cm. Offprint on deluxe paper from Woman's Day, December 1947. Stapled in grey cover. 4 p. Printed in red-brown and black on laid paper. Text about the Chancery cursive by Arrighi with letter images - also of other typographical types, and partly taken from letters from calligraphers to Paul Standard! Among others Jeanyee Wong, Jan Tschichold, George Salter, Jan van Krimpen, Stanley Morison and Will Carter. Spine slightly torn. On the inside of the cover a very beautiful handwritten dedication by Standard (1896-1992) to Huib van Krimpen: 'H. van Krimpen/ with cordial regard,/ & in common affection for/ Chancery Cursive,/ Paul Standard/ (calligraphic curl)/ N.Y., 12 April 1948'. This classic article from a widely read women's magazine (3 million buyers in 1947) is cited in the online version of the Encyclopaedia Britannica as an example of the popularity of calligraphy.