Verlag: Intl Center of Photography, 1992
ISBN 10: 0933642199 ISBN 13: 9780933642195
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Verlag: MIT Press, 1994
ISBN 10: 026204143X ISBN 13: 9780262041430
Anbieter: Better World Books, Mishawaka, IN, USA
Erstausgabe
Zustand: Very Good. First Edition. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Gebraucht ab EUR 6,42
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Verlag: Chronicle Books, 1997
ISBN 10: 0811813665 ISBN 13: 9780811813662
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Zustand: VeryGood. Most items will be dispatched the same or the next working day.
Verlag: Site Santa Fe, 2004
ISBN 10: 0970077483 ISBN 13: 9780970077486
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Verlag: International Center of Photogra, 1997
ISBN 10: 0933642245 ISBN 13: 9780933642249
Anbieter: Books From California, Simi Valley, CA, USA
Hardcover. Zustand: Good.
Verlag: Tang Teaching Museum & Art Gallery at Skidmore College, The, Frances Young, 2002
ISBN 10: 0970879075 ISBN 13: 9780970879073
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. illustrated edition. Used book that is in clean, average condition without any missing pages.
Verlag: International Center of Photography / The Friends of Photography, New York & San Francisco, CA, 1992
ISBN 10: 0933286627 ISBN 13: 9780933286627
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
First edition. Softcover. 82 pages. Includes images by John Baldessari, Bernd & Hilla Becher, Susan Charlesworth, Robert Flick, Robert Heinecken, Douglas Huebler, Allan Kaprow, Louise Lawler, Sol Lewitt, Ray Metzker, Richard Prince, Edward Ruscha, and numerous others. A fine copy in French style wrappers.
Verlag: Intl Center of Photography, 1987
ISBN 10: 0933642113 ISBN 13: 9780933642119
Anbieter: Robinson Street Books, IOBA, Binghamton, NY, USA
Verbandsmitglied: IOBA
Paperback. Zustand: Like New. Prompt shipment, with tracking. we ship in CLEAN SECURE BOXES NEW BOXES Fine. Limited to 1500 copies.
Verlag: Arena Editions, 1998
ISBN 10: 1892041006 ISBN 13: 9781892041005
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Verlag: Zagier & Urruty Pubns, 2011
ISBN 10: 9879395549 ISBN 13: 9789879395547
Anbieter: Books From California, Simi Valley, CA, USA
Hardcover. Zustand: Very Good. Ex-library copy w/ stickers and stamps. Comes with 3D glasses. Light shelfwear. Pages clean and intact.
Verlag: International Center of Photography, New York, 1987
ISBN 10: 0933642113 ISBN 13: 9780933642119
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
First edition. Softcover. 47 pages. Features an introduction by Charles Stainback and an essay by Carol Squiers. Includes images by and information about: Tom Bamberger, Ricardo Block, Ellen Brooks, David Buckland, Ellen Carey, Tseng Kwong Chi, Glegg & Guttmann, Chuck Close, John Coplans, Nancy Hellebrand, Susan Shaw, Cindy Sherman, Michael Spano, The Starn Twins, Patrick Tosani, JoAnn Verburg, Todd Watts, and Neil Winokur and a checklist. A very near fine copy in die cut wrappers.
Verlag: BAYLY ART MUSEUM Mai 2001, 2001
ISBN 10: 0970626304 ISBN 13: 9780970626301
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Fotografie
Taschenbuch. Zustand: Neu. Neuware - The work of internationally recognized artist Warren Neidich is characterized by an interdisciplinary approach involving artwork, writing and curating. The Camp O.J. project documented here interrogates a real event--the O.J. Simpson case--through its re-identification as fiction.
Verlag: MIT Press, 2002
ISBN 10: 0262201399 ISBN 13: 9780262201391
Anbieter: Antiquariat UEBUE, Zürich, Schweiz
Erstausgabe
Softcover. Zustand: Sehr gut. 1. Auflage. M : - In this book historians, critics, choreographers, dancers, and visual artists explore the dialogue between dance and the visual arts in Brown's work. The contributors include Guillaume Bernardi, Trisha Brown, Simone Forti, Marianne Goldberg, Deborah Jowitt, Klaus Kertess, Laurence Louppe, Steve Paxton, Yvonne Rainer, Charles Stainback, Hendel Teicher, and Adam D. Weinberg.
Verlag: Santa Fe, Arena 1998., 1998
Anbieter: Antiquariat Löcker, Wien, Österreich
Vik Muniz works with the syntax of photography, but his images are not simply photographic. As Vince Aletti has pointed out in the Village Voice, Muniz has teased the medium mercilessly and with an infectious glee. He makes pictures of picturessly, punning documents that subvert photography by forcing it to record not the natural world but a fiction, a simulation. Munizs pictures are illusions that draw from the language of visual culture, but they twist and redefine our perception to both the commonplace and the fantastic. Munizs images humorously, as well as critically, challenge our abilities to discern fact from fiction, reality from illusion. Utilizing a panoply of unorthodox materialsgranulated sugar, tomato sauce, chocolate syrup, a 16,000-yard piece of sewing thread, and soilMuniz first creates an image, sculpturally manipulates it, then photographs it. Whether a portrait, a landscape, or an iconic image from history, Munizs images are never what! they seem. This book, the artist s first monograph, is produced in conjunction with Munizs one-person exhibition at the International Center of Photography in New York, opening September 1998., Best described as an artist who uses a camera, Vik Muniz blurs the lines between painting, sculpture, and photography. He has made a number of different series of photographs in which he constructs images--often portraits--out of materials such as sugar, chocolate syrup, and thread. In another series, he drew famous images (using his aforementioned nontraditional media), like the photograph of Neil Armstrong on the moon, from memory. Muniz plays freely in the field of representation. And through his work, viewers witness the complicated separation between a real image that seems definitely to exist somewhere, and the means by which Muniz achieves a representation of that image--first re-creating it, then making a photograph. He writes that "illusion becomes a way to improve our understanding of what reality is and humor becomes a subject for serious investigation." By setting up images that aim to unsettle viewers` perceptual faculties as a way of expanding understanding, and stimulating discovery, Muniz takes part in a trend in image-making that includes artists such as Gerhard Richter, Richard Artschwager, and Thomas Demand. Published alongside his solo exhibition at the International Center of Photography in New York, Seeing Is Believing is the first monograph on Vik Muniz. The book includes essays by Charles Ashley Stainback and by Mark Alice Durant, as well as a dialogue between Muniz and Stainback. 4°. 164 S., ca 100 Abb., ill. OPappband mit OUmschl., Ecken etw. b.
Verlag: New York (International Center of Photography), 1992., 1992
Anbieter: Antiquariat Bebuquin (Alexander Zimmeck), Pegau OT Werben, Deutschland
4°. 84 S. mit zahlr. teils farb. Bildtafeln. ill. OKart. gutes Ex. EA. Sprache: englisch.
Verlag: New York: International Center of Photography & The MIT Press, [1993]., 1993
Anbieter: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Kanada
oblong, 8vo. pp. 199. profusely illus. in colour & b/w. biblio. cloth. dw.