Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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In den WarenkorbPaperback. Zustand: Good. bumped corners, marks to page edges, warped, sticker on barcode No.1 BESTSELLERS - great prices, friendly customer service â" all orders are dispatched next working day.
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In den WarenkorbPaperback. Zustand: Brand New. 82 pages. 9.00x6.00x0.25 inches. In Stock.
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In den WarenkorbPaperback. Zustand: Brand New. 208 pages. 9.00x6.00x0.75 inches. In Stock.
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In den WarenkorbPaperback. Zustand: Brand New. 208 pages. 9.00x6.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Tupelo Press, Incorporated, 2025
ISBN 10: 1961209179 ISBN 13: 9781961209176
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In den WarenkorbZustand: New.
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In den WarenkorbZustand: New. pp. 208.
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In den WarenkorbPaperback. Zustand: Brand New. 208 pages. 9.00x6.00x0.75 inches. In Stock.
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In den WarenkorbKartoniert / Broschiert. Zustand: New. Über den AutorrnrnSpring Ulmer is the author of Benjamin s Spectacles and The Age of Virtual Reproduction. She teaches at Middlebury College.InhaltsverzeichnisrnrnA Short History of the Distance Between Art a.
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In den WarenkorbZustand: New.
Taschenbuch. Zustand: Neu. Neuware - 'After her friend, the poet April Freely, dies, Spring Ulmer tears her own poems up into rags to blot not only her grief but to dust off related shards of everyday systemic violences'.
Taschenbuch. Zustand: Neu. Neuware - 'Spring Ulmer takes, as a starting point for this essay collection, Theodor Adorno's accusation that a life 'purely as a fact will strangle other life.' As she throws herself this way and that in her search for love and meaning, Ulmer refuses to shirk her own complicity in the terror and suffering of the present era. Here is a book that interrogates its own form. How, Ulmer asks, does one render the real, and what is the relationship between art and activism On an odyssey to become a mother, she doggedly surveys what it means not only to create, but also to mother in this day and age. In this self-portrait as seen through disparate encounters, Ulmer talks with respective neighbors-a hunter in the Vermont woods, a Rwandan ex-soldier online, an immigrant in a subway car, cadets at a military school, a stranger at an airport-and invites us along as she works as farmhand, secretary, and professor. Waylaid by tragedy, Ulmer questions how we might move beyond Adornoian guilt into another ethical paradigm-one that cultivates emotional intelligence. The impulse to see and what it means to lay claim to anyone or anything is troubled water-marred by the stirring up of social memory and the brutal human imprint on the natural world, yet Ulmer learns, after the death of her father, that a returned gaze portends the joining of souls she has just eschewed. A life, Ulmer intimates, can also honor other life. Such is Ulmer's labor'--.
Verlag: Artforum, 1995
Anbieter: castlebooksbcn, Barcelona, B, Spanien
Magazin / Zeitschrift
Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "American Myths," J. Hoberman on Lost Las Vegas; "Books: Larissa MacFarguhar on Robert Woolley's 'Going Once,'" by Larissa MacFarquhar; "Books: Martha Frankel on Norman Mailer's 'Portrait of Picasso as a Young Man,'" by Martha Frankel; "Books: Peter Plagens on Christopher Knight's 'Last Chance for Eden,'" by Peter Plagens; "Books: J. Hills Miller on W. J. T. Mitchell's 'Picture Theory,'" by J. Hillis Miller; "Preview: Daniel Birnbaum talks with the Louisiana's Lars Nittve"; "Letter from London," by Louisa Buck; "Martin Maloney on the Turner Prize," by Martin Maloney; "James Hall on 'Brilliant! New Art from London,'" by James Hall; "Gadget Love: Brian D'Amato on Cybersalons," by Brian D'Amato; "Real Life Rock: Jeff Weinstein's Top Ten," by Jeff Weinstein; "Old Softies: Claes Oldenburg in Retrospect," by Jeff Weinstein; "Solitary Refinement: Marilyn Minter's 'Coral Ridge Towers,'" by Bruce Hainley; "The Subject in Question: Richard Shiff reviews 'Howard Hodgkin: Paintings 1975-1995,'" by Richard Shiff; "The Subject in Question," A.M. Homes Talks with Howard Hodgkin; "Theory on TV: Gadget Goes to Florida," Laurence A. Rickels talks with Gregory Ulmer; "Joan Mitchell: Les Bluets," by Lydia Davis; "Olivier Zahm's Hot Shots," fashion by Hussein Chalayan, photographs by Mark Borthwick; "Openings: Alex Bag," by Bruce Hainley. Reviews by Ernest Pascucci, David Frankel, Barry Schwabsky, Mark Van de Walle, Marek Bartelik, Donald Kuspit, Keith Seward, Thomas McEvilley, Linda Yablonsky, Ingrid Schaffner, Nico Israel, Justin Spring, Tom Moody, John Ash, RoseLee Goldberg, Francine Koslow Miller, David Carrier, James Yood, Lisa Anne Auerbach, Laura U. Marks, John K. Grande, Yishai Jusidman, Menene Gras Balaguer, Massimo Carboni, Giorgio Verzotti, Jérôme Sans, Miriam Rosen, Christian Kravagna, Noemi Smolik, Yilmaz Dziewior, and Jean Fisher. Cover: Alex Bag.