spaak charles (24 Ergebnisse)

Zustand: Very good. New York: Simon and Schuster, (1968)., (1968). Very good. - Octavo, 8-1/8 inches high by 5-1/2 inches wide. Softcover, bound in orange, black & white pictorial wraps. The rear cover is soiled with minor faint foxing and the top corner of the front cover is lightly creased. 104 & [4] pages, illustrated with black & white stills from the film. Very good. Second printing.

Unknown. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft Cover. Zustand: Good.

Paperback. Zustand: Very Good. 53p square stapled card cover, illustrations, various contributors, on Rubens, Le grand art des petits enfants, etc, texts in Belgian and French, very good Language: French.

Broschiert. Zustand: Wie neu. Dt. Erstausg. 162 S. : 58 Ill. ; 18 cm Das Buch ist in exzellentem, sauberen Zustand. Buch ist wie neu ungelesen. ISBN: 9783257204353 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 150.

unknown_binding. Zustand: Good.

Vintage black-and-white still photograph from the 1962 French-Italian film. Featuring French actor and comedian, Pierre Repp on the set, mounted on a Boxer. Printed on Agfa-Brovira paper. Repp (1909-1986) was a French film actor and comedian, noted for his stuttering speech, and particularly popular in Parisian music halls and cabaret. Notable film credits include "Hello Smile!" (1956), Truffaut's "The 400 Blows" (1959), Giono's "Croesus" (1960), and Demy's "Donkey Skin" (1970). 7 x 9.25 inches. Small bruise to one edge, else Near Fine.

Zustand: Très bon. J.L.G se sert de Zelliseller Evolution pour gérer ses Market Places.

Draft script for an unproduced film. With a single notation in manuscript pencil. A comedy-romance about a young scientist trying to find his way in today's society, a tongiue-in-cheek look at the world we all have to deal with, including the absurdities of the everyday. Gessner was a Hungarian filmmaker who mostly made television movies. Blue blank wrappers with die cut title window in the British style. Title page present, with credits for screenwriters Nicolas Gessner, and Charles Spaak. 143 leaves, with last page of text numbered 141. Xerographically duplicated. Pages Near fine, wrapper Near Fine bound internally with two silver brads.

reich illustriert, 4 Blatt, Zustand: Broschüre nachträglich mittig vertikal gefaltet, Einband berieben und bestoßen, Buchrücken fachmännisch restauriert, innen gut. André Cayatte (* 3. Februar 1909 in Carcassonne; 6. Februar 1989 in Paris) war ein Rechtsanwalt und wichtiger französischer Filmregisseur des 20. Jahrhunderts. Seine Filme behandeln die Probleme und Missstände der französischen Justiz. "Wir sind alle Mörder" ist ein französisch-italienisches Justizdrama des auf juristische Themen spezialisierten Regisseurs André Cayatte. Postuliert wurde mit dieser 1952 entstandenen, filmischen Anklage die Abschaffung der Todesstrafe in Frankreich. Cayatte hatte mit diesem Film, wie so oft in seinem künstlerischen Wirken, einige Probleme mit der Filmzensur erhalten. Man stieß sich vor allem an dem Ausspruch eines Untersuchungsrichters in Wir sind alle Mörder: Morde an Deutschen gehen die Justiz nichts an." Von französischer Seite war befürchtet worden, dass diese Einstellung, die in französischen Justizkreisen gleich nach dem Zweiten Weltkrieg offensichtlich gang und gäbe war, die Neuordnung der deutsch-französischen Beziehungen nach 1945 empfindlich stören könnten. "Wir sind alle Mörder" war der zweite Teil von Cayattes sogenannter Justiz-Trilogie. Vorangegangen war 1950 Schwurgericht; es folgte 1955 Die schwarze Akte. "Wir sind alle Mörder" erhielt 1952 bei den Filmfestspielen von Cannes den Spezialpreis der Jury. In Reclams Filmführer heißt es: Cayatte macht hier die Mitschuld der Gesellschaft an den Taten ihrer Außenseiter deutlich. Daraus, und aus der nüchter-realistischen Schilderung des Lebens in der Todeszelle gewinnt er Film eine Intensität, die ihn zum besten Teil der Justiz-Trilogie Cayattes macht. (Justice est faite, 1950; Le dossier noir, 1955)." Im Lexikon des Internationalen Films heißt es: Cayattes zweiter Justizfilm ist eine fulminante und gut argumentierende Anklage gegen die Todesstrafe; sein Film überzeugt und liefert auf spannende Art und Weise, trotz oder wegen der kühlen Distanz seiner Bilder, wichtigen Diskussionsstoff." (Quelle: Wikipedia) Sprache: Französisch 24x30 cm, rote Originalbroschur,

1974. Paris Éditions Balland Bibliothèque des Classiques du Cinéma 1974 - Cartonné bien complet de la jaquette 19 cm x 25 cm 253 pages- Sous la direction de Gérard Vaugeois et avec la collaboration de Danielle Vallion ; présentation de François Truffaut ; interviewes de Jean Renoir et Eric von Stroheim générique photogrammes légendés par les dialogues de Jean Renoir et Charles Spaak ; scénario original biofilmographies du réalisateur de son assistant Jacques Becker du scénariste de Claude Renoir et Jean Serge Bourgoin de Joseph Kosma et des principaux interprètes - Etat neuf. Bon état.

Eight vintage press photographs from an anniversary showing of the 1937 French film, circa 1957. Most with the film title and director Jean Renoir's name in manuscript ink on the verso. Housed in a vintage manila envelope with the film title in manuscript ink on the front. Renoir is seen with fans and colleagues outside a cinema, with one image of him and actress Mylene Demongeot, and a few showing a neighboring Champs-Elysées drugstore. Widely regarded as a masterpiece, and one of Orson Welles' favorite films. 5 x 7 inches. About Near Fine. Criterion Collection 1. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000.

Couverture souple. Zustand: bon. RO80092966: Non daté. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 93 pages. Quelques planches de photographies du film, en héliogravure. . . . Classification Dewey : 791.43-Cinéma.

Hardcover. Zustand: Very Good. French Table des Matières: Petite et Grande Belgique, par Me Léon Hennebicq; La Belgique et l'Art, par Me Paul Spaak; La Belgique au point de vue moral, par Me Henri Jaspar; La Belgique et le Folklore, par Me Charles Gheude; La Belgique et le Droit, par Me Jacques des Gressonnières; La Belgique et l'Église, par M° Thomas Braun; La Belgique et le Barreau, par M. Paul Jamar; La Belgique et l'expansion coloniale, par M. Maurice Duvivier; L'Expansion économique et la Patrie belge, par Me Léon Hennebicq; La Belgique et l'Esprit belge, par M° Frédéric Ninauve.

Collection of 6 original still photographs for the 1957 French-Italian film, here under the original French title. Actress Feuillere is prominently featured, in glamour poses and answering the phone. All with ditto-style mimeo snipes on the verso, crediting the original title, Feuillere, Servais, Blier, and Allegret. Also included is a business card for starring actor Lefebvre, here as Lefevre, with an inscription in French and initials by him in manuscript ink. Housed in a manila envelope with French film title and a credit for director Allegret in manuscript ink. Based on the 1956 novel "Sans Attendre Godot" by Jean Amila (Meckert), who wrote mostly science-fiction and mystery novels. Noirish crime thriller about night-club owner Godot (Servais), who hires hitman Jo (Delon) to rub out an enemy, convinced of his wife Angele's (Feuillere) adultery. Angele might be the femme fatale, as she moves in on the hitman. 5 x 7 inches, envelope twice as large, and business card a third smaller. Near Fine overall, with slight curl to the photographs, light foxing to the business card. Selby Worldwide.

Vintage oversize double weight French studio still photograph from the 1936 film. Notations listing other French films in manuscript ink on verso, and with a negative-printed credit for photographer Roger Forster at the bottom left corner of the recto. Winner of 1936's Louis Delluc Prize (the first year the prize was awarded), Renoir's film is based on a Maxim Gorky play depicting life in a flophouse, centering on a bankrupted Baron (Louis Jouvet), a thief (Jean Gabin), his two lovers, and the landlord. Akira Kurosawa also adapted Gorky's play in 1957 as . Renoir's adaptation, not nearly as bleak as Gorky's play, maintains a warm humanity, but in the case of Kurosawa, the setting is changed to Edo period Japan, and the story remains faithfully grim. Set in Russia, shot on location in France. 9 x 11.75 inches. Very Good plus, light edgewear, creases and pinholes at corners. Scorsese, My Voyage to Italy. Criterion Collection 239.

Vintage borderless reference photograph of director Robert Siodmak and Curd Jurgens on the set of the 1959 French film. Based on the 1939 historical novel "Princess Mathe Bibesco," by Bibesco under the pseudonym Lucille Decaux. A remake of the 1938 French film "Katia," directed by Maurice Tourneur starring Danielle Darrieux and John Loder. Set in St. Petersburg, Russia and shot on location in Paris, France and Vienna, Austria. 5 x 7.25 inches. Near Fine.

Archive of 38 vintage black-and-white press photographs of actress Francoise Arnoul at a release party for the 1956 French-Italian film at the Cinema des Arcades. All photos with annotations on the verso in manuscript pencil. Photographed by Jean Jungmann and developed in his Strasbourg photography store, Portrait d'Art, with his imprint in the lower right of the photos, and all inside an original envelope from the story. Arnoul is seen signing autographs, gracefully smoking a cigarette, and accepting flowers on stage, as well as cavorting with costars of the film, including French-Armenian director Verneuil. Fracoise (Arnoul) is a hotel employee, smitten with a valet named Gerard (Risso), and may or may not be related to wealthy businessman, Henri (Boyer), Gerard's boss. Arnoul's last collaboration with director Verneuil, the others being "Forbidden Fruit" (1952), "The Sheep Has Five Legs" (1954), "The Lovers of Lisbon" (1955), and "People of No importance" (1956). 5 x 7 inches. Very Good plus overall, with moderate curling. Envelope Good.

Collection of eleven vintage borderless reference photographs from the 1962 French-Italian film. A peplum (sword-and-sandal) swashbuckler set in 1700s France, about a highwayman who forms a band of knaves who steal from the rich and give to the poor. The second of three films starring Jean-Paul Belmondo and Claudia Cardinale, following Mauro Bolognini's "La viaccia" (1961), and preceding José Giovanni's "Scoumoune" (1972). Shot on location in Aveyron, Hérault, Seine-et-Marne, and Oise, France. 9.25 x 7 inches. One moderately faded, else Near Fine.

Vintage reference photograph from the 1937 film, showing (L-R) Jean Gabin, Gaston Modot, Pierre Fresnay, Julien Carette, Jean Daste, and Marcel Dalio. Provenance stamp and library stamps to the verso. From the archive of film historian and author Joel Finler. A disparate group of French soldiers plan an escape from their German captors during World War I. Widely regarded as a masterpiece of French cinema, a poignant look at nationalism, class differences, and prejudice. 10 x 8 inches. Very Good plus, with light wear to the corners. Criterion Collection 1. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000.

Vintage program for the US premiere of the 1937 French film, which opened at the Filmarte Theatre in New York on September 12, 1938. A disparate group of French soldiers plan an escape from their German captors during World War I. Widely regarded as a masterpiece of French cinema, a poignant look at nationalism, class differences, and prejudice. 5.5 x 8.75 inches. One leaf, bi-fold. Near Fine. Criterion Collection 1. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000.

Collection of 67 original single weight borderless film stills for the 1962 French-Italian film, here under the original French title, "Cartouche." Action sequences, men in military regalia, and romantically charged images of Belmondo and Cardinale, with most representing Belmondo either charming people or dueling with swords. Housed in original brown envelope, noted as "CARTOUCHE" on the flap. Numerical annotations in manuscript pencil on the versos. Also included are a few leaves of French press material, on stationery from the film's distributor, Cinedis. A riveting Peplum (sword-and-sandal) swashbuckler set in 1700s France, where a gang member named Cartouche (Belmondo) forms his own band of knaves, deciding his former gang to be too unethical. He steals from the rich to give to the poor, enlists in the army to escape capture, and meets Venus (Cardinale), a gypsy prisoner who joins his new gang. Venus' love proves fatal, and Cartouche rolls her into a lake in a stolen carriage, vowing revenge, knowing it will likely lead him to the gallows. Belmondo and Cardinale's interaction is palpable, but they would star in only two other films together, Mauro Balognini's "La viaccia" (1961), and José Giovanni's "Scoumoune" (1972). Photos 6.75 x 9 inches. Very Good plus overall, with light curling, a few short creases, and a few slightly discolored. Press material corner-stapled and paper-clipped, Very Good plus overall. Complete collation upon request.

Pas de couverture. Zustand: Satisfaisant. RARE - Pensée autographe signée. Document également signé par le réalisateur Henri Calef. + Photo 20x15 cm (tirage récent) "Cocktails. Je n'en bois jamais ! Le seul alcool, qui me monte à la tête et me porte à délirer, c'est la solitude." Format : 10x15 cm. État : la dédicace est sur une feuille (papier glacé) collée sur une autre, voir scans svp. Authenticité garantie. Signé par l'auteur.