sondheim alan (30 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 216 pages. 8.90x0.20x6.00 inches. In Stock.

Zustand: New.

First edition. Single sheet folded three times. Printed in an edition of 750 copies. Number 43 in this series. A fine copy. Uncommon.

Paperback. Zustand: Brand New. 120 pages. 9.25x7.50x0.28 inches. In Stock.

Softcover. Zustand: Very Good. First edition. Quarto. 53 sheets printed rectos only. Stapled black glossy covers. Covers rubbed, front cover with scratches in the upper corner, several bumps along the edges, stapled oxidize, very good.

Zustand: Very good.

Paperback. Zustand: Brand New. 486 pages. 6.13x0.98x9.25 inches. In Stock.

Softcover. Zustand: Near Fine. First edition. Quarto. 53 sheets printed rectos only. Stapled black glossy sheets. Wraps lightly worn, thus about near fine.

47 pp.; 28 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Arts and Science issue of the periodical Obscura. Edited by Sidney Jason, Sandra Matthews, and Gillian Brown. Contents include : "Art & Science : An Interview with Sheila Pinkel," interviewed by Sandra Matthews; "Dead Time: The Machinery of Reality," by Alan Sondheim; "Sonic Moves.and a soft bang," by Mark Johnstone; "Portfolio," by Lisa Bloomfield, Diana Schoenfeld, Dennis Letbetter, Craig Schlattman, DeAnn Jennings, and Neil Houston; "Archimedes, Houston, and Flick," by James Hugunin; "Electronic Imaging Systems in Space Exploration," an interview between Obscura Editors and researcher Jim Mitchell at the Jet Propulsion Laboratory "In Memorium: Noel Kenneth Rubaloff 1928-1982," by Deborah Irmas. Cover photograph : Two mosaicked high-resolution scans of Mars by one of Viking 2's cameras were mosaicked. Good / Very Good. Rubbing and light soiling of overs with bumping of corners and light scratching / indentation of recto. Contents clean and unmarked.

Zustand: New.

4to, soft cover, 53 p. From the library of the Stedelijk Museum Amsterdam In good condition. K19.

Zustand: VG. 1991 first edition. Open Lock Press. 4to. stapled wraps. about 50p. VG+. No owner marks. appears to be unread. Very slgith rusting at staples.

Taschenbuch. Zustand: Neu. Neuware.

Soft cover. Zustand: Near Fine. 1st Edition. Stiff, illustrated wrappers. Exhibition catalog published in an edition of 750 copies. Color and black & white illustrations and plates. 47 pp. 27 x 20,5 cm.

Paperback. Zustand: Very Good. First Edition. Wraps. 4to. pp 36. Original publisher's printed white wraps. ISBN: 1842545833 Very good indeed.

Zustand: Very good. Artist's book by Sondheim. Discusses the process of working on the piece "General Description of the World," which involved collecting images of a beach in Nova Scotia at both micro- and macroscopic levels (from a plane and under an actual microscope). Explains the theoretical basis of the project, derived from the work of Merleau-Ponty, Piaget, Levi-Strauss, and Chomsky, among other authors. Wraps. Small 4to. Side-stapled wraps. Mimeographed throughout, recto only. A very good copy. Mild rust around staples, touches of toning to wraps. Interior overall clean. Good and sound. Unpaginated.

Softcover. Zustand: Near Fine. First edition. Quarto. Stapled wrappers. Light wear at the corners with a spot, near fine. Laid in is a Typed Letter Signed from Sondheim to Tuli Kupferberg asking for his thoughts on this structural poem (limited to 700 copies), as well as the enclosed brochure about an improvisational group named ALL, which is also laid in and Signed by Sondheim.

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; September/October 1979 issue of Journal. Edited by Bridget Johnson and Debra Burchett. Contents include: "Thoughts on the Last Ten Light Years," by Deborah Irmus; "An Interview with Leland Rice," by Dinah Portner; "Judy Fiskin's Photographs," by Richard Armstrong; "Broken Mirrors and Dirty Windows," by James Hugunin; "Jo Ann Callis: Between Eroticism and Morbidity," David Fahey; "Some Thoughts About Women's Photographs," by Sandra Matthews; "Fables, Grids and Swimming Pools: Phototexts in Perspective," by Robert C. Morgan; "Two (Four) Views of Niagara," by Alan Sondheim; "The Photograph and the Photographed," by Frances Colpitt; "The Photograph as Nonsufficient Datum: A Conversation with Allan Kaprow," by Robert C. Morgan; "On Art Writing/Part II: A Conceptual Criticism," by Clair Wolfe; "Dennis Hopper's Lost Movie," by David James; "Despair, Sobriety, Sachlichkeit," by Sanda Agalidi; "A Cautionary Note," by Howard Singerman; "The Materialist Art Object," by Louise Lewis; "Maria Nordman," by Melinda Wortz; "Touch Don't Touch Don't Touch Now Don't," by Hunter Drohojowska and "Proposal for QUBE," by Peter D'Agostino. Cover by Leland Rice, featuring a photograph of work in Peter Lodato's Studio. Good / Very Good. Dust soiling and yellowing of covers with foxing along cover edges and light fingerprint soiling. Light handling wear and edge-wear. Contents clean and unmarked.

Softcover. Zustand: Near Fine. Magazine. Quarto. Perfectbound in glossy illustrated wrappers. Near fine with rubbing to the wrappers. An art and poetry anthology produced by student attending the Rhode Island School of Design. Contributors includes Alan Sondheim, Brian Murphy, Thurma Litsey Copley, Patrick Cauley, Alan Steele, Beth Cannon, Alan Wexler, Nancy Tenney, Mardge Anderson, and others.

4to. pp. [40]. wrs.

Zustand: Very good. Atlanta, GA: Atlanta Art Papers, Inc., March/April, (1990)., (1990). Very good. - Large quarto, 13-5/8 inches high by 10 inches wide. Softcover, bound in pictorial green & orange wraps, titled in orange & black with a sepia illustration on the front cover and a black & white one on the rear cover. The covers are lightly rubbed & the corners very lightly creased. 68 pages, with profuse black & white illustrations, including a double-page centerfold. The corners of the pages are bumped. Very good. Laid in at page 34, as per the index, is the Zine Insert: "Noise Culture #1 Supplement to Art Papers March/April 1990", a 12-page 16 inch high by 11-1/2 inch wide newspaper, folded in half horizontally with pictorial covers on both sides. The supplement includes interviews by Allison Ritch with drag queens Tabboo! (the drag queen character of Stephen Tashjian), the American drag queen Ru Paul, Fflloyydd, Deelite, and Miss Mary. There is a tiny hole to the center of the fold of the last leaf. Else, near fine. VERY SCARCE.

[2] pp.; 12 x 16.4 cm. (folded) ; 35.6 x 16.4 cm. (unfolded); monochrome; edition size unknown; unsigned and unnumbered; offset-printed Calendar of performances and exhibitions held at Franklin Furnace, New York City, March - April, 1979. Organized by Martha Wilson. Performances by Martha Wilson, Dick Higgins, Connie DeJong, Harry Mathews, Lynne Tillman, Barbara Schwartz, Jeffrey Lohn, Alan Sondheim, Ann McMillan, Dieter Jung, Annson Kenny, Jim Suttcliffe, Newton & Helen Harrison, David Tipe, Peter Frank, Karen Harper, Robin Brentano and Ann Sargent-Wooster. Exhibitions of the work of Dick Diggins & The Something Else Press, Judith Simonian, Eileen Berger, Bruce Fier, Scott Johnson and "100 Boots: The Transmission and Reception," an exhibition by Eleanor Antin as well as a publication party for Lee Breuer. Very Good. Unmailed copy. Folded in three as issued for mailing. Un-mailed copy. 3.8 cm. crease to upper right corner of recto. 4.8 cm. and 1.3 cm. yellow staining to verso with rubbing and yellowing to fold edges. Otherwise clean and unmarked.

Soft Cover. Zustand: Near Fine. This is a near fine softcover copy with light cover wear. Internally very clean. Now in a protective mylar cover. Introduction by David Askevold. Not illustrated. 11" high X 8" wide. Scarce. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

[unpaginated]; 27.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Compendium of texts written by Alan Sondheim between 1978 - 1979 and presented as part of the Visiting Faculty Exhibition at the University of California, Irvine, Gallery held in February 1979. Divided into three sections: computer-generated texts, computer-modified texts, and critical-theoretical texts. With additional contributions by Geralyn Donohue. Very Good / Fine. Sunning of covers, very light dusting of covers, 7 mm. surface tear to top edge of verso, and minimal rubbing of cover corners. Contents clean and unmarked.

Softcover. Zustand: Very Good. Magazine. Edited by Vito Acconci and Bernadette Mayer. Quarto. 96pp. Side stapled in unprinted white wrappers and NOT stamp "9 to 0" o the cover as usual. Very good or better with hint of toning, a bit of edgewear and the bottom edge of one internal page that is larger then the rest with tears and creases. Contributors include Jasper Johns, Sol Lewitt, John Perreault, Larry Fagin, John Giorno, Philip Corner, Rosemary Mayer, Hannah Weiner, Yvone Rainer, Alan Sondheim, Lee Lozano, Lawrence Weiner, Steve Paxton, Bernar Venet, Robert Barry, Dan Graham, Douglas Heubler, Robert Smithson, Karen Pirups-Hvarre, Michael Heizer, Robert Barry, Adrian Piper, Nels Richardson, and Bern Porter. The final standard issue of this important poetry magazine.

116 pp.; 28 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue Number six of the irregularly issued periodical "0 to 9" edited by Bernadette Mayer and Vito Hannibal Acconci. Contains texts by Sol LeWitt, "Sentences on Conceptual Art"; Richard Johnny Jon and Jerome Rothenberg; Robert Smithson, "Non-Site Map of Mono Lake, California"; John Perreault; Yvonne Rainer; Mayer; Clark Coolidge; Acconci; Hannah Weiner; Les Levine; Adrian Piper; Eduardo Costa; Kenneth Koch; Philip Corner; Jack Anderson; Rosemary Mayer John Inslee. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 34 - 35 and 37. No. 3.6, 3.7, and 3.8 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 82, 86, 88, 230. Fair. Moderate soiling of covers including overall rubbing; 17.6 x 1.1 cm. area of water damage to bottom of recto which lightly carries through to the first two pages; multiple small tears along spine edge and areas of loss measuring 2 cm. and 6 mm.; 3.1 cm dog-ear to upper left corner; 2. 5 cm. dog-ear to upper right corner of recto and first two pages; and a 3 cm. indentation on recto. 2.3 cm. dog ear to top corner of verso with moderate rubbing and light indentations of verso; 1.2 cm. thick strip of soiling along top edge. Verso and last 26 pages of periodical have gentle bisecting fold mark. Soiling to page edges. Additional light handling wear.

Paperback. Zustand: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia et al / No.20, 17, C: Merlin Carpenter, Bedfellows, Francisco Camacho Herrera, Radio Anti, Willats, Eliana Otta et al / No.21, C: Helen Walker & Harun Morrison, Pete Clarke, Lucie Kolb, Gary Bratchford & Robin Parkinson, Rebecca Davies & Eva Sajovic, Elina Otta, Stephen Willats, Javier Calderon, Chalton Gallery. Collated and correct. Near fine.

Soft cover. Zustand: Near Fine. 1st Edition. Brooklyn: Gnilbmessa inc. 1970. Staple-bound softcover. 160 pages. Near fine, but for faint toning to edges of covers. Unobtrusive minor edgewear back top right & two tiny sections of soiling to back cover. An exceptional copy of this scarce artists publication. The first iteration of this legendary assembling periodical. 42 artists submitted 1,000 copies of up to 4 pages of self-printed material, to be collated in the publication. With contributions by Ed Ruscha: a chocolate stain that seems to have been applied a bit messily as well as Hannah Weiner, Dan Graham, Vito Acconci, Bernadette Mayer, Robert Lax, Arakawa, Madeline Gins, Richard Meltzer, Alan Sondheim, etc.