Sprache: Englisch
Verlag: MY - University of Toronto Press, 2003
ISBN 10: 1442657731 ISBN 13: 9781442657731
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Sprache: Englisch
Verlag: University of Toronto Press, 2003
ISBN 10: 1442657731 ISBN 13: 9781442657731
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In den WarenkorbZustand: New. pp. 306.
Sprache: Englisch
Verlag: University of Toronto Press, 2003
ISBN 10: 1442657731 ISBN 13: 9781442657731
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In den WarenkorbPaperback. Zustand: Brand New. 459 pages. 8.75x6.00x1.50 inches. In Stock.
Sprache: Englisch
Verlag: MY - University of Toronto Press, 2004
ISBN 10: 0802086020 ISBN 13: 9780802086020
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of Toronto Press, 2004
ISBN 10: 0802086020 ISBN 13: 9780802086020
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In den WarenkorbZustand: New. pp. 465.
Sprache: Englisch
Verlag: University of Toronto Press, Scholarly Publishing Division, 2004
ISBN 10: 0802086020 ISBN 13: 9780802086020
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Zustand: New. Italian Modernism was written in response to the need for an historiographic and theoretical reconsideration of the concepts of Decadentismo and the avant-garde within the Italian critical tradition. Editor(s): Somigli, Luca; Moroni, Mario. Series: Toronto Italian Studies. Num Pages: 488 pages, 33 illustrations. BIC Classification: 2ADT; DSBF; DSBH. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 35. Weight in Grams: 700. . 2015. 2nd ed. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: University of Toronto Press, 2010
ISBN 10: 080209998X ISBN 13: 9780802099983
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 84,82
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In den WarenkorbZustand: New. pp. vi + 319 Illus.
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In den WarenkorbZustand: New.
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In den WarenkorbZustand: Like New. Used - Like New. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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In den WarenkorbHardcover. Zustand: Brand New. 319 pages. 9.25x6.25x1.00 inches. In Stock.
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In den WarenkorbPaperback. Zustand: Brand New. 459 pages. 8.75x6.00x1.50 inches. In Stock.
Sprache: Englisch
Verlag: University Of Toronto Press Dez 2003, 2003
ISBN 10: 1442657731 ISBN 13: 9781442657731
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - In the late nineteenth and early twentieth centuries, the production of literary and cultural manifestoes enjoyed a veritable boom and accompanied the rise of many avant-garde movements. Legitimizing the Artist considers this phenomenon as a response to a more general crisis of legitimation that artists had been struggling with for decades. The crucial question for artists, confronted by the conservative values of the dominant bourgeoisie and the economic logic of triumphant capitalism, was how to justify their work in terms that did not reduce art to a mere commodity. In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imagism - and argues for the centrality of the works of F.T. Marinetti in the transition from a fin de siécle decadent poetics, exemplified by the manifestoes of Anatole Baju, to a properly avant-garde project aiming at a complete renewal of the process of literary communication and the abolition of the difference between producer and consumer. It is to this challenge that the English avant-garde artists, and Ezra Pound in particular, responded with their more polemical pieces. Somigli suggests that this debate allows us to rethink the relationship between modernism and post-modernism as complementary ways of engaging the loss of an organic relationship between the artist and his social environment.
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Sprache: Englisch
Verlag: Amazon Digital Services LLC - KDP Print US, 2015
ISBN 10: 0692556583 ISBN 13: 9780692556580
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - The 17 essays of this volume aim to investigate the transformative impact of the WWI on all aspects of cultural life, while remaining rooted in the specificities and particularities of Italy. By the early 1910s, as the modernist innovation intensified, its language turned increasingly to war and violence, as evidenced by the 1909 Futurist manifesto, a text that exuded aggressiveness and famously declared war 'the sole cleanser of the world' (Marinetti). At the same time, the war put into question the role of the modern intellectual. Ultimately, the ability to verbalize or visualize war determined the status of the artists and their capacity to understand, confront and survive the forces of modernity that they had helped to unleash.
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In den WarenkorbZustand: New. Italian Modernism was written in response to the need for an historiographic and theoretical reconsideration of the concepts of Decadentismo and the avant-garde within the Italian critical tradition.Über den AutorEdited by Luca .
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In den WarenkorbZustand: NEW.
Zustand: New. 2017. Illustrated. Hardcover. . . . . . Books ship from the US and Ireland.
Zustand: New. KlappentextrnrnThis volume offers a unique and fresh perspective on Italian Futurism by approaching it, for the first time, through the lens of microstoria. In this history from below of what is one of Europe s most famous and important avant-.
Sprache: Englisch
Verlag: University Of Toronto Press Dez 2004, 2004
ISBN 10: 0802086020 ISBN 13: 9780802086020
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Italian Modernism was written in response to the need for an historiographic and theoretical reconsideration of the concepts of Decadentismo and the avant-garde within the Italian critical tradition. Focussing on the confrontation between these concepts and the broader notion of international modernism, the essays in this important collection seek to understand this complex phase of literary and artistic practices as a response to the epistemes of philosophical and scientific modernity at the end of the nineteenth century and in the first three decades of the twentieth. Intellectually provocative, this collection is the first attempt in the field of Italian Studies at a comprehensive account of Italian literary modernism. Each contributor documents how previous critical categories, employed to account for the literary, artistic, and cultural experiences of the period, have provided only partial and inadequate descriptions, preventing a fuller understanding of the complexities and the interrelations among the cultural phenomena of the time.
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In den WarenkorbHardcover. Zustand: New.
Buch. Zustand: Neu. Neuware - This volume explores the fraught relationship between Futurism and the Sacred. Like many fin-de-siècle intellectuals, the Futurists were fascinated by various forms of esotericism such as theosophy and spiritualism and saw art as a privileged means to access states of being beyond the surface of the mundane world. At the same time, they viewed with suspicion organized religions as social institutions hindering modernization and ironically used their symbols. In Italy, the theorization of 'Futurist Sacred Art' in the 1930s began a new period of dialogue between Futurism and the Catholic Church. The essays in the volume span the history of Futurism from 1909 to 1944 and consider its different configurations across different disciplines and geographical locations, from Polish and Spanish literature to Italian art and American music. ; Dieser Band erforscht die spannungsreichen Beziehungen zwischen der futuristischen Kunstbewegung und dem Sakralen. Wie viele Intellektuelle des Fin-de-Siècle waren die Futuristen von verschiedenen esoterischen Strömungen wie Theosophie und Spiritualismus fasziniert. Sie sahen in der Kunst ein privilegiertes Mittel, um Zugang zu Seinszuständen jenseits der Oberfläche der weltlichen Welt zu erhalten. Gleichzeitig betrachteten sie mit Misstrauen die organisierten Religionen als gesellschaftliche Institutionen, die die Modernisierung behinderten. Zunächst wurden deren Symbole ironisch verwendet, doch in den 1930er Jahren entwickelten sie in Italien eine 'Futuristische Sakralkunst', und eine neue Periode des Dialogs zwischen dem Futurismus und der katholischen Kirche setzte ein. Die Aufsätze des Bandes umspannen die Geschichte des Futurismus von 1909 bis 1944 in verschiedenen Disziplinen und geografischen Orten, von der polnischen und spanischen Literatur bis zur italienischen Kunst und amerikanischen Musik.
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In den WarenkorbZustand: Good. Text in French. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.