solkin david (70 Ergebnisse)

Paperback. Zustand: Very Good. J.M.W. Turner (1775-1851) is widely regarded as the greatest painter Britain has ever produced. Despite the many books and exhibitions that have been devoted to him, there is one aspect of his extraordinary oeuvre that has never been thoroughly examined. Uniquely in the history of European art, he took on all comers, past and present, that he considered worthy of a challenge, creating his own images in their styles. These works were both acts of homage and a sophisticated form of art criticism, demonstrating his understanding of great art and his ability to equal or better the most celebrated exponents of the landscape tradition. No artist, however revered, was considered beyond challenge. This unique habit is clearly a key to understanding Turner's art, yet the issue is one that has so far never been thoroughly addressed on Turner and on British art of the 18th and 19th centuries. In "Turner and the Masters" leading authorities explore this fascinating aspect of his career, revealing new detail on the debts and rivalries that shaped his work in often unexpected ways. Accompanying a major touring exhibition that brings together works by Turner with masterpieces by Claude, Canaletto, Ruisdael, Van de Velde, Poussin, Rubens and Rembrandt, as well as by Turner's contemporaries including Constable and Bonnington, this book firmly positions Turner in the company of the greatest painters of all time. The contributors include Guillaume Faroult, Sarah Monks, Martin Myrone, Kathleen Nicholson, Philippa Simpson and Ian Warrell. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Sehr gut. 251 Seiten. Mit zahlreichen farbigen Abbildungen. Nur der Einband mit ganz leichten Gebrauchsspuren. Sonst SEHR gutes Exemplar. ( near fine copy). U.a. The happy rural life. Italy and he lessons of history. Historic Britain. The rule of Nature. Sprache: Englisch Gewicht in Gramm: 1200 Originalbroschur. ( Wrappers) 30 cm.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Profusely Illustrated (illustrator). 4°, 251 S. mit s/w und farbigen Tafeln, Orig.-Karton. Published for the exhibition of 3 November 1982 - 2 January 1983.- Gutes Exemplar.

Soft cover. Zustand: Very Good. 1st Edition. 240pp, with over 100 magnificent colour plates, large 4to, soft cover, slight bent top right corner o/w in splendid condition, the Tate, 2009. * Solkin is one of the world's leading authorities on 18th and early 19th century British painting and this book certainly reinforces that.

Paperback. Zustand: Very Good. Profusely Illustrated (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Paperback. Zustand: Fine.

240 S., überaus zahlr. farb. Abb. Reg. 4° Br. *sehr gutes Expl.*.

Softcover, Großformat. 240 Seiten On the occasion of the exhibition Turner and the Masters 2009/10 London, Paris, Madrid. Zustand: Keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten sehr gut, unbenutzt. Sprache: Englisch Gewicht in Gramm: 1323.

Zustand: Used - Very Good. 1993. 0th Edition. Hardcover. Cloth, dj. Quarto. vii & 312 pp. Illustrated. Slight shelf wear to dust jacket. Very Good.

Hardcover. Zustand: Very Good. Painting Out of the Ordinary: Modernity and the Art of Everyday Life in Early Nineteenth-Century England (Paul Mellon Centre for Studies in British . Life in Early Nineteenth-Century England This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

168 Seiten. OKart. Sprache: englisch.

Paperback. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.01.

Soft board, 4vo, 249 pp., numerous illustrations; -slightly rubbed and browned, near fine copy. isbn 0905005988.

Zustand: Used - Like New. 2009. First Edition. Hardcover. Cloth, dj. Folio. 240 pp. Profusely illustrated. Fine.

Hardback. First Edition. 26 x 30cm 280pp near fine hardback in dust jacket, profusely illustrated with colour and black and white reproductions. Near fine in near fine dustjacket.

Zustand: New.

Zustand: Gut. en. XI, 278 S : zahlr. Ill Includes bibliographical references and index. "On 1 May 1780, England`s Royal Academy of Arts opened its twelfth annual exhibition, the first to be held in the magnificent rooms of William Chambers`s newly built Somerset House. For the next fifty-seven years, the Great Room of Somerset House effectively defined the centre of the London art world - the place where viewers had to see and be seen, and where artists fiercely vied for the attention of potential buyers. Such great exhibition performers as Joshua Reynolds, Thomas Lawrence, John Constable, J. M. W. Turner and David Wilkie sharpened their skills during these stimulating decades. In this extensively illustrated book, seventeen renowned experts revisit and assess the Somerset House years, a period of great achievement and central importance in the history of British art. The book`s contributors view the Somerset House phenomenon from a broad range of perspectives. They deal with the physical nature of the exhibitions, the audience, the role of the press, the Royal Academy`s place within the larger world of urban entertainments, and how the conditions of display shaped and even transformed patterns of art production. In addition, they explore such topics as the tactics of exhibitors in different genres of painting, the exhibition histories of works in other media and the impact on foreign artists and observers of an increasingly self-confident national school of British art." + + + In English language. Hardcover edition with dust-jacket. Slight signs of usage and wear on dust-jacket (edges slightly rubbed), otherwise in very good condition. + + + Gebundene Ausgabe mit Schutzumschlag, dieser geringf. berieben, Buchblock geringf. schief, sonst sauber und gepflegt. Kein Besitzvermerk. 9780300090918 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Englisch Gewicht in Gramm: 1778 Gebundene Ausgabe, OLn. m. illustr. OU.

[Literary criticism] SCARCE RE-ISSUE. Octavo (23 x 15cm), pp.XVII [1] 280 [2]. With numerous in-text halftone illustrations. Publisher's pictorial softcovers. Fine, as-new. Originally published in the 1980s - around the cultural paradigm shift from modernism to postmodernism.

New Haven & London, Yale Univ. Press, 1993. 312 pp. Col. & b./w. ills. Orig. hardcover, d./j.