Verlag: Cambridge University Press, 2002
ISBN 10: 0521007224 ISBN 13: 9780521007221
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Zustand: LikeNew. Most items will be dispatched the same or the next working day.
Verlag: Tuscaloosa ; London : The University of Alabama Press, 1997
ISBN 10: 0817308911 ISBN 13: 9780817308919
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Original softcover. Zustand: Gut. XI, 229 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Minimally rubbed binding, pencil annotation on mock title, otherwise very good. / Minimal beriebener Einband, Bleistiftanmerkung auf Schmutztitel, sonst sehr gut. - Introduction (JAMES SODERHOLM) -- Criticism: An Art or a Craft? (JACQUES BARZUN) -- What's Art Got to Do with It? The Status of the Subject of the Humanities in an Age of Cultural Studies (CHARLES BERNSTEIN) -- The Alice Fallacy; or, Only God Can Make A Tree: A Dialogue of Pleasure and Instruction (JEROME MCGANN) -- Oscar Wilde: The Man of Soul Under Socialism (PAUL A. CANTOR) -- Recuperating the Aesthetic: Contemporary Approaches and the Case of Adorno (CHRISTOPHER BEACH) -- On the Sublime of Self-disgust; or, How to Save the Sublime from Narcissistic Sublimation (CHARLES ALTIERI) -- Aesthetics of the Dust; or, In the Beginning Was the Land (JOAN HEIGES BLYTHE) -- The Poetry Professors: Literary Imitation, Untutored Genius, and Cultural Identity (DAVID HILL RADCLIFFE) -- Let the Fresh Air In: Graduate Studies in the Humanities (IHAB HASSAN) -- Tales of Two Disciplines (RICHARD RORTY). ISBN 9780817308919 Sprache: Englisch Gewicht in Gramm: 6391.
Verlag: Tuscaloosa & London: The University of Alabama Press, 1997
ISBN 10: 0817308911 ISBN 13: 9780817308919
Anbieter: Antiquariat Kretzer, Kirchhain-Emsdorf, Deutschland
Zustand: Sehr gut. XI, 229 Seiten. With a few pencil marks and notes. - Very good copy. ISBN: 9780817308919 Sprache: Englisch Gewicht in Gramm: 550 Gr. 8° (22,5-25 cm). Orig.-Broschur. [Softcover / Paperback].
Verlag: Cambridge University Press, 2002
ISBN 10: 0521007224 ISBN 13: 9780521007221
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Represents twenty-five years of McGann's work on Romanticism and Byron Studies.
Verlag: University Press Of Kentucky Nov 1995, 1995
ISBN 10: 0813119391 ISBN 13: 9780813119397
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - ' Byron was-to echo Wordsworth-half-perceived and half-created. He would have affirmed Jean Baudrillard's observation that 'to seduce is to die to reality and reconstitute oneself as illusion.' But among the readers he seduced, in person and in poetry, were women possessed of vivid imaginations who collaborated with him in fashioning his legend. Accused of 'treating women harshly,' Byron acknowledged: 'It may be so-but I have been their martyr. My whole life has been sacrificed to them and by them.' Those whom he spell bound often returned the favor in their own writings tried to remake his public image to reflect their own. Through writings both well known and generally unknown, James Soderholm examines the poet's relationship with five women: Elizabeth Pigot, Caroline Lamb, Annabella Milbanke, Teresa Guiccioli, and Marguerite Blessington. These women participated in Byron's life and literary career and the manipulation of images that is the Byron legend. Soderholm argues against the sentimental depictions of biographers who would preserve Byron's romantic aura by diminishing the contributions of these women to his social, sexual, and literary identity. By restoring the contexts in which literary works charm or bedevil particular readers, the author shows the consequences of Byron's poetic seductions during and after his life.
Verlag: Cambridge University Press, 2002
ISBN 10: 0521809584 ISBN 13: 9780521809580
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Represents twenty-five years of McGann 's work on Romanticism and Byron Studies.