smith pierre henry (7 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: New. In.

199 pp.; 23.8 x 17 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; November - December 1980 issue of Art International, edited by James Fitzsimmons. Contents include: "The Chinese Response to Western Art," by Michael Sullivan; "A Letter from Paris: October 1980," by Henry Martin; "Jürgen Brodwolfs Kunst der Kunstfigur," by Bernhard Holeczek; "La Dynastie des Bruegel;" by René Micha; "Notes on Contributors;" "The Art of Terence La Noue," by Valentine Tatransky; "The Daemon and the Night Sea," by Ann McCoy; "An Interview with Fletcher Benton," by Jan Butterfield; "Jack Chambers (1931-1978)," by Malcolm Quantrill; "An Interview with Pierre Soulages," by Michael Peppiatt; "Endetrien Avec Pierre Soulages," by Michael Peppiatt; "London Letter," by Edward Lucie-Smith; "The Age of Spirituality," reviewed by Sir Ellis Waterhouse; "Richard Krautheimer's Rome," reviewed by Sir Ellis Waterhouse and "Robert Klein's Writings on Art," reviewed by Jaynie Anderson. Cover: James Fitzsimmons. Very Good. 1 cm. surface tear to bottom right corner of recto and 8 mm. surface tearing to top right corner of recto. Light bumping of bottom left corner of verso. 2 mm. pen mark to the bottom edge of page 3. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Zustand: Brand New. 46 pages. French language. 9.00x6.00x0.12 inches. In Stock.

429 + pp.; 21.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 2000 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "Gaspard Yurkievich," Chikashi Suzuki; "Dorothee Perret," by Frederike Helwig; "Susan Cianciolo," by Marcelo Krasilcic; "Fredie Stevens," by Bianca Pilet; "Van Ommeslaeghe," by Camille Vivier; "Bernhard Willhelm," by Kenshu Shintsubo; "Comme des Garçons," by Torbjorn Rodland; "Summer '00," by Mark Borthwick Chloe Sevigny; "Jurgi Persoons," by Cris Moor; "helmut Lang," by Lodge Kerrigan; "Miu Miu," by Masafumi Sanaï; "Yab Yum," by Chikashi Suzuki; "Yohji Yamamoto," by Jork Weismann; "Bless," by Katja Rahlwes; "Raf Simons," by Armin Linke; "Bob Richardson," by Terry Richardson; "Suits & Coats," by Anders Edström; "J'Adore," by Wolfgang Tillmans; "Maru Alonso," by Sergio Guillen; "Lightning," by Maria Finn; "Patterns," by Blommers & Scchumm; "Nuit Noire," by Alex Antitch; "Pierre Vadi," by Sylvia Alberton; "Barry Le La," by Lewis Baltz; "Sture Johannesson," by Lars Bang Larsen; "Le Chevallier," by Olivier Bardin; "Isamu Noguchi," by Dike Blair; "Fabrice Gygi," by Lionel Bovier; "Diego Gutierrez," by Jen Budney; "Lisa Beck," by Jimi Dams; "Franz Ackermann," by Joshua Decter; "Gerard Fromanger," by Gilles Deleuze; "Alain Declercq," by Anaïd Demir; "Jenny Gage," by Edith Doove; "Uri Tzaig," by Theresa Duncan; "Arturo Herrera," by Nicolas Frank; "Miwa Yanagi," by D. Gonzalez-Foerster; "Yvette Brackman," by Michelle Grabner; "Blake Rayne," by Tim Griffin; "Stephen Prina," by David Grubbs; "Anne Daems," by Nakako Hayashi; "Andrea Zittel," by Karl Holmquist; "Jacques Monory," by Bernard Joisten; "Antonio Allegri da Correggio," by Herwig Kempinger; "Stanley Brouwn," by Pierre Leguillon; "Allen Ruppersberg," by Tan Lin; "Tony Feher," by John Lindell; "Rosemarie Trockel," by Stéphanie Moisdon; "Lawrence Alma-Tadema," by Peter Nadin; "Jeremy Deller," by Guillaume Nez; "John Tremblay," by Bob Nickas; "Olaf Breuning," by Michelle Nicol; "Richard Prince," by Glenn O'Brien; "Cerith Wyn Evans," by Hans Ulrich Obrist; "Vija Celmins," by Jeff Rian; "Bas Jan Ader," by Bennett Simpson; "Amy Sillman," by Michael Smith; "Daniel Pflumm," by Wolfgang Staehle; "Jack Goldstein," by Thomas Zummer; "Pierre Leguillon," by Captions; "Particles and Waves," by Laetitia Benat; "The Fish and the Fire," by Andreas Larsson; "Thinking of the Days," by Jin Osashi; "Superstition," by Henry Roy; "Horizontal Terminus," by Banu Cennetoglu; "Amendoin Japones," by Elein Fleiss; "The Most Ridiculous Moment," by Amy Fusselman; "Perfect Ten," by Peter Joseph; "Yours Truly," by Lauren Davis; "The Air Traffic Controller," by Adam J. Maynard; "I Look at Myself in the Mirror," by Edy Poppy; "The Tallest Man in the World," by Natasha Sho; "Saint-Omer," Arnaud Viviant; "General Idea;" "Streets of New York," by Mark Borthwick; "Bug Studio, Bangkok," by Dominique Gonzalez-Foerster; "Kew Gardens, London," by Frederike Helwig; "Excerpts from Forthcoming Book," by Armin Linke; "Habitat, 1998," by Klaus Sherubel; "Burger King, 1998," by Kaus Sherubel; "The Deep Galelry, Tokyo," by Chikashi Suzuki; "China Art Objects Gallery," by Amy Yao and "Jungle Science 2," Jean-Luc Vilmouth. Cover: Maria Finn. Very Good. Light yellowing and scratching of covers with dust soiling and rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.