smith hubert llewellyn (23 Ergebnisse)

Zustand: New. In.

Zustand: New. In.

Zustand: Good. 1924. No edition remarks. 246 pages. No dust jacket. Blue paper covered boards with cloth spine. Pages with some foxing and tanning, particularly to endpapers and textblock edges. Cracking to rear hinge with netting exposed. Binding loose. Some page corners folded. Boards have moderate shelf wear with some rubbing, fraying and corner bumping. Some moderate sunning and tanning, particularly to spine.

Zustand: New. In.

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Hardcover. Zustand: good. . 1887, Cobden prize essay 1886, clean copy, no markings, Professional booksellers since 1981.

Zustand: New. Title: Through the High Pyrenees. With illustrations and supplementary sections by H. Llewellyn Smith. (Bibliography of Pyrenees.).Publisher: British Library, Historical Print EditionsThe British Library is the national library of th.

Taschenbuch. Zustand: Neu. Neuware - This report offers an in-depth analysis of the evolving nature of labor mobility in the early 20th century. Drawing on extensive research, Hubert Llewellyn Smith provides a comprehensive overview of changing patterns of labor movement, and offers practical recommendations for policymakers and industry leaders.

Taschenbuch. Zustand: Neu. Neuware - An influential work by one of the leading economic thinkers of the early 20th century, examining the challenges and opportunities presented by state socialism. Smith's nuanced and insightful analysis remains relevant today.

Taschenbuch. Zustand: Neu. Neuware - 'The Economic Laws of Art Production' is a profound exploration of the intersection between the world of aesthetics and the rigid structures of economic theory. Written by Sir Hubert Llewellyn Smith, this work delves into the fundamental principles that govern how art is produced, distributed, and valued within society. The book examines the complex relationship between the creative impulse and the practical constraints of the marketplace, providing a unique perspective on how industrial and fine arts function as economic commodities.

G. P. Putnam's sons, London/New York 1928. 288 pages. Orig. cloth no dust wrappers. Very good-.

Buch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware - An influential work by one of the leading economic thinkers of the early 20th century, examining the challenges and opportunities presented by state socialism. Smith's nuanced and insightful analysis remains relevant today.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Buch. Zustand: Neu. Neuware - 'The Economic Laws of Art Production' is a profound exploration of the intersection between the world of aesthetics and the rigid structures of economic theory. Written by Sir Hubert Llewellyn Smith, this work delves into the fundamental principles that govern how art is produced, distributed, and valued within society. The book examines the complex relationship between the creative impulse and the practical constraints of the marketplace, providing a unique perspective on how industrial and fine arts function as economic commodities.Smith analyzes the factors that influence the supply and demand of artistic works, the role of the artist as a producer, and the impact of societal tastes on the evolution of artistic styles. By applying rigorous economic analysis to the field of art, the author seeks to uncover the underlying laws that dictate the health and sustainability of artistic industries. This volume serves as an essential resource for those interested in the history of art markets, the sociology of art, and the foundational theories that continue to shape the creative economy. It remains a significant contribution to the study of how beauty and utility coexist within the framework of human commerce.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hardcover. Zustand: Very Good. SPENDER. SMITH H. Llewellyn [Hubert] 1864-1945. BROUSE. REGNAULT. (illustrator). 1st Edition. First edition, 1898, in the publishers purple cloth, corners rubbed, gilt titles. Spine, faded, gilt titles, edges bumped. Internally, tissue guarded frontis, [2], (iii-xii), [2], 3-370 pp, [1], complete with 31 full page illustrations, 37 illustrations within text, 5 maps (including 1 coloured & 3 folding), maritime bookplate to fpd (Francis O'Farrell), some light foxing& edge browning. (224*146 mm). (Neate *758. Alpine Club LibCat p296). The account of 2 tours through the Pyrenes of France, Spain and Andorra from Ax-les-Thermes to Laruns, one of only a very few accounts of climbing in the region.

Hard Cover. Three works in one volume. First Edition "Art of Graveyard Monuments" one of 1000 copies and Second Edition one of 750 copies; First Edition of Graveyard Memorials. Octavo, pp. 27, [1]; 30, [2]; 17, [3]. With 12 plates to "Graveyard Memorials" as called for. All with original paper wrappers bound-in. Black cloth with gilt titles to spine, and blind stamp of Liverpool Public Libraries to lower board. Ex-library copies in with shelf number to spine, and City of Liverpool Reference Library plates inside lower wrappers and to rear paste-down. Paper wrappers and endpapers a little creased otherwise contents clean. A very good copy. All scarce works, the first two being Reports by a Special Committee of the Institute on the Present Position of Monumental Art in Great Britain, and the third the Report of a Special Committee of the British Institute of Industrial Art. The Second Edition of "Art of Graveyard Monuments" was published five months after the First, and was extensively revised; the aim of these works was to advise on the "Best Means of Raising the Standard of Simpler Graveyard Monuments" and both Special Committees were chaired by Sir Hubert Llewellyn Smith. Subjects covered include the materials used, suitable British stones for churchyard use, and design.

Hardcover. Zustand: Very Good. 1st Edition. Bound in black cloth, gilt, slight wear at periphery; complete with the folding maps, one with small repair with archival tape o/w fine internally, no inscriptions. B/w frontispiece. xv,438pp.

Zustand: Very Good. First edition. Hardback. Original blue cloth with very light surface wear otherwise very good indeed. Folding maps appear unopened. No dust jacket. Small research department stamp to front endpaper.

Zustand: Very Good. First edition. Hardback. Original blue cloth with very light surface wear and marks, otherwise very good indeed. No dust jacket.

Zustand: Good Plus. First Edition. Published betweebn 1931-35, volume one reprint, 1934. 8 volumes, lacking volume 7, which is one of the map volumes. Collation, xiv,[1]438pp, xiii[3]492pp, xvi,475pp, volume 4, 6 folding maps, and 1 key plan, xii,435pp, xv[1]468pp, xv,[1]323pp, xiv445pp. Each volume complete with all plates/plans/maps. Bound in original publishers blue cloth. Cloth lightly rubbed, nicked. All bindings in good clean firm condition. Internally, library stamps, marks, maps free of stamps, and in very good clean condition. Generally a good clean set.F Size: 8vo.

Zustand: Good Plus. First Edition. Complete in 9 volumes, Collation, xiv,[1]438pp, xiii[3]492pp, xvi,475pp, volume 4, 7 folding maps, xii,435pp, xv[1]468pp, volume 7, 6 folding maps, xv,[1]323pp, xiv445pp. Each volume complete with all plates/plans/maps. Bound in original publishers blue cloth. Cloth lightly rubbed, library labels on spines. All bindings in good clean firm condition. Internally, occasional library stamps, maps have numerous stamps of verso, [ not on printed side ], a few minor short splits on folds. Maps very clean. F Size: 8vo.

First edition, nine volumes, 8vo, volume IV and VII being map volumes. Photographic portrait frontispiece of Charles Booth in volume I. The map volumes containing 13 folding maps, plus 13 folding maps and a folding chart in the text volumes as well as further charts in the text. Smith's own set, with his signature to the fly leaf in volumes II, V, VIII and IX, inscriptions to his wife Edith in volumes III, IV and VII plus a later photographic bookplate of L.M. Smith in volumes I and VI. A typed letter signed from Smith on British Institute of Industrial Art stationery is loosely inserted. Original gilt titled blue cloth, spines variously sunned, some light marks. Smith had assisted in Booth's original survey four decades earlier.

First edition, a major re-evaluation by the London School of Economics of Charles Booth's Life and Labour of the People in London, a generation on from its publication. Booth's study, a key resource for the social and economic history of late Victorian London, was based on findings collected between 1886 and 1902, with editions published 1889-91, 1892-97, and 1902-03. The New Survey was undertaken by Sir Hubert Llewellyn Smith (1864-1945), one of Booth's earliest assistants, and was financed by the Laura Spelman Rockefeller Trust and by donations raised by William Beveridge from London organizations. Smith took Booth's overview of the London life of the 1890s as the standard of comparison, to analyse social changes over the last few decades. The study shows an improvement in the condition of the workers - around a third increase in their purchasing power - but also still highlights ongoing problems of slum life, unemployment, and poverty. It offers the most detailed study of the lives of everyday Londoners in the inter-war period. 9 vols (7 text vols, 2 map vols), octavo. Text vols: portrait frontispiece to vol. I, folding map frontispiece to other vols, 8 other folding maps, integral charts and tables throughout. Map vols: 13 folding maps. Original blue cloth, spines lettered in gilt. Fulham Public Library stamps, labels, and ink shelf marks to endpapers, title pages, plates and text, residue of removed bookplates to spines; all joints and hinges intact, little other wear, overall a good set.