smith frazier (35 Ergebnisse)

Zustand: Good. Motz, Mike; Frazier, Brandon (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pap/Cdr. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. University Press of Mississippi, 1991. First edition. First printing. Hardbound. New in dust jacket. A tight unread copy. 0.0.

Soft cover. Zustand: Very Good. No Jacket. Vernon Kramer, cover (illustrator). None Stated. The September 1954 issue (v 2, # 2) of a sci-fi digest from the mid 1950s. Stories by Lester del Rey (The Life Watch), Mel Hunter,William Campbell Gault, Frank Belknap Long, Roger Dee, Marcia Kamien,Evely Goldtein, Richard E Smith, Marion ZimmerBradley (Jackie Sees a Star), John Jakes (Dirge for the Sane), Ray Cummings (He Who Served), & Robert Frazier. Light edge wear. Small damp stain to the lower right corner of the pages. Toning to the pages. A very good copy.

Hardcover. Zustand: VG+. Hardback in Very Good+ condition without dust jacket. 9.1 X 6.5 X 1.8 inches. 291 pages. * Quick Shipping * All Books Mailed in Boxes * Free Tracking Provided *.

Softcover. Top cover sunned, 1/2" stain. Top corner; Inscribed by the editor.; 8vo; 20 pages; Signed by Editor Good+ slightly bumped throughout.

Hardcover. Zustand: Good. "Fiftieth Anniversary Edition;" 291 p., clean and unmarked anywhere; small clipped and nearly detached portion of upper margin of rear end page; wonderful period photos; binding firm; unfaded and clean sapphire-blue boards with ochre lettering and stamped insignia of the Society Sponsors of the United States Navy are without discernible wear.

Zustand: Very Good. Modern Aviation Library Blue Ridge Summit, PA 1979 8vo. blue cloth boards lightly rubbed. text block crisp.

Zustand: New. Smith, Jacqui C (illustrator). In.

Zustand: New. In.

Zustand: New. Frazier, Brandon; Motz, Mike (illustrator). In.

Hard Cover. Zustand: Very Good. Zustand des Schutzumschlags: DJ VG (small closed edge tear). Later Printing. Deep brown titles on tan cloth, over brown cloth. 252pp. Includes 100 drawings and plans. Owner's small handstamp fep. Size: Small Quarto.

8° , Leinen. Zustand: Gut. 291 S., blaues Leinen mit goldenem Titeldruck, Einband mit leichten Lagerspuren, Besitzvermerk auf dem Vorsatz, sonst innen sauber und gut erhalten Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 670.

8° , Leinen. Zustand: Gut. 291 S., blaues Leinen mit goldenem Titeldruck, Stempel auf dem Titelblatt, sonst innen sauber und sehr gut erhalten Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 665.

8° , Leinen. Zustand: Gut. 618 S., blaues Leinen mit goldenem Titeldruck, Stempel auf dem Titelblatt, sonst innen sauber und sehr gut erhalten Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 665.

8° , Leinen. Zustand: Sehr gut. 291 S., blaues Leinen mit goldenem Titeldruck, Besitzvermerk der Zeit auf dem Deckblatt, sonst innen sauber und sehr gut erhalten Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 665.

Zustand: New. In.

Paperback. Zustand: Brand New. 270 pages. 9.20x6.20x0.70 inches. In Stock.

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. Reference : "Primary Structures : Younger American and British Sculptors" by Kynaston McShine. New York, NY : The Jewish Museum, 1966. New. In publisher's plastic wrap as issued.

Taschenbuch. Zustand: Neu. Neuware.

Unknown Binding. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st printing--full number line--so 1st edition. Introduction by Ian Frazier. 239pp. w/363 illustrations, including 203 in full color. Bright, clean & tight copy, unread/gently perUsed, in FINE condition. "In 1941, a young Romanian escaped wartime Italy, where he had recently completed a degree in architecture, and began submitting cartoons to a weekly Manhattan magazine. For the next six decades, Saul Steinberg's covers, cartoons, features, and illustrations would be a defining presence at The New Yorker. As the magazine became a standard-bearer of taste and intelligence in American letters, Steinberg's drawings emerged as its visual epitome, and the artist gained recognition as one of the great originals of his epoch. This illustrated volume opens with an introduction by the artist's friend and colleague Ian Frazier. Joel Smith's essay, the first to draw on unpublished material in Steinberg's papers, explores the remarkable range and unceasing evolution of a major American modernist--one whose art reached a grateful public not from museum walls but from the pages of the periodical he called 'my refuge, patria, and safety net.' [] All eighty-nine of Steinberg's New Yorker covers appear in full color, as do many drawings that were printed inside the magazine when art was reproduced there only in black-and-white. STEINBERG AT THE NEW YORKER assembles the artist's most beloved, intuitive, and brilliant inspirations. Wartime portfolios chronicle his tours of duty in China, India, North Africa, and Italy; in peacetime, the artist pays indelible visits to Hollywood, Moscow, Berlin, and Samarkand. He populates New York with stoical cats, precocious children, puzzled couples, and a menagerie of vivid grotesques. Thinkers grapple with demons of their own making; speakers speak past one another in the graphic dialects of street map and scribble. Words go on the warpath, numbers guard their secrets, and question marks and rubber-stamp men march in formation. A squad car's siren emits an ornate Art Deco fountain of sound, a grinning crocodile strolls with his flamingo wife on a moonlit Florida beach--and in the world viewed from 9th Avenue, Japan, China, and Russia are pale abstractions just over the horizon, somewhere beyond New Jersey. [] In the course of inventing each other, Steinberg and The New Yorker did much to invent postwar visual culture. A vibrant celebration of one of the most original and engaging artists of the twentieth century, STEINBERG AT THE NEW YORKER brings alive a genius, a magazine, and an era." [jacket copy] "Fortunately, the most famous New Yorker cartoonist, Saul Steinberg (1914-99), was so frequently published on the magazine's cover that exclusive admirers could be forgiven for seldom plucking an issue from the newsstand or plumbing its contents. Smith's generous selection from all of Steinberg's New Yorker work shows such connoisseurs what they missed: black-ink drawings, sparingly shaded, that are as droll as the carefully colored line works on the covers. Steinberg, who said he drew cartoons for readers, used captions only in his earliest New Yorker work; later, he compositionally integrated words. He expected his fanciers' knowledge of the world and people, particularly New Yorkers, to enable them to see the humor in his work. Besides providing an excellent appreciative essay, Smith groups the plates and figures thematically and reprises all the Steinberg covers in chronological order at the end of the book."--Ray Olson, Booklist. Near-pristine & quite hefty coffeetable Fine hardcover w/brilliant corners & crisp edges, a square & mostly tight binding, wrapped in a bright-as-new jacket covered in archival mylar. Quite presentable. Oversize volume will likely require additional postage/insurance to get to you safely. FYI: see also my listing RUB2483 for the Bound Galley of Deirdre Bair's biography SAUL STEINBERG.

paperback. Zustand: New.

Hardcover. Zustand: Brand New. new title edition. 240 pages. 12.00x10.25x1.25 inches. In Stock.

Zustand: Good. Jenni Brammall; Jeff Scovil; Karl-Christian Lyncker; Janet Clifford; Robert A. Smith; Harold & Erica Van Pelt; Carl Bento; Steve Bird; Leo Boner; Zbynek Burival; Michael Bush; Len Cram; Klaus Eiserhardt; Bob Farrar; Bruce Paul Gaber; Max Glas And Others (illustrator). Good++; Softcover; Covers are clean and glossy with a few light handling-marks and a minor scuff to the head of the spine; Unblemished textblock edges; The endpapers and text pages are all clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75" - 11.75" tall); 1.2 lbs; Black covers with photo of an opal, and title in white lettering; 2007, Lithographie, LLC Publishing; 112 pages; "Opal: The Phenomenal Gemstone," by Si & Ann Frazier, et al.

Hardcover. Zustand: Good. xxv, [1], 291, [3] pages. Frontis illustrations. Illustrations. Index. Minor edge soiling. Compiled for The Society of Sponsors of the United States Navy. Foreword by Chief of Naval Operations, Admiral Arleigh Burke. This is the fourth volume in this series. It contains the records of fewer vessels but among them are several new types of ships. These are of the latest design with highly-developed electronic equipment and atomic propulsion. These new devices are being installed in the ships, listed in this volume, build during the so-called Atomic Age. Many of them are as different from the ships of World War Ii, listed in Volume Three, as those from the sailing ships of the Continental Navy. Accordingly, the Society of Sponsors includes in this volume certain types of ships hitherto considered as auxiliaries and noncombatant. In this nuclear-missile age, mobile forces are becoming more and more important. Nuclear power in our ships of the future will give our forces more mobility. Our forces at sea will be able to stay at sea longer and cruise faster without our former concern for fuel. By spreading our ships out we provide a defense in depth. The advent of new weapons is not a cause for concern about their adverse effects upon the future of the United States Navy--on the contrary, they are a source of ever-increasing strength to our forces afloat. The vast and sweeping technological changes were we are witnessing have resulted in changes and improvement in naval capabilities. Fiftieth Anniversary Edition, presumed First printing.