Smith dominic (588 Ergebnisse)

Paperback. Zustand: Very Good. From the New York Times bestselling author of The Last Painting of Sara de Vos, a dazzling new novel explores the fault lines that can cause a family to drift apart and the unexpected events that can pull them back together. Nathan Nelson is the average son of a genius. His father, a physicist of small renown, has prodded him toward greatness from an early age--enrolling him in whiz kid summer camps, taking him to the icy tundra of Canada to track a solar eclipse, and teaching him college algebra. But despite Samuel Nelson's efforts, Nathan remains ordinary. Then, in the summer of 1987, everything changes. While visiting his small-town grandfather in Michigan, Nathan is involved in a terrible accident. After a brief clinical death -- which he later recalls as a lackluster affair lasting less than the length of a Top 40 pop song--he falls into a coma. When he awakens, Nathan finds that everyday life is radically different. His perceptions of sight, sound, and memory have been irrevocably changed. The doctors and his parents fear permanent brain damage. But the truth of his condition is more unexpected and leads to a renewed chance for Nathan to find his place in the world. Thinking that his son's altered brain is worthy of serious inquiry, Samuel arranges for Nathan to attend the Brook-Mills Institute, a Midwestern research center where savants, prodigies, and neurological misfits are studied and their specialties applied. Immersed in this strange atmosphere -- where an autistic boy can tell you what day Christmas falls on in 3026 but can't tie his shoelaces, where a medical intuitive can diagnose cancer during a long-distance phone call with a patient--Nathan begins to unravel the mysteries of his new mind, and finally make peace with the crushing weight of his father's expectations.…

Paperback. Zustand: Good. From the New York Times bestselling author of The Last Painting of Sara de Vos, a dazzling new novel explores the fault lines that can cause a family to drift apart and the unexpected events that can pull them back together. Nathan Nelson is the average son of a genius. His father, a physicist of small renown, has prodded him toward greatness from an early age--enrolling him in whiz kid summer camps, taking him to the icy tundra of Canada to track a solar eclipse, and teaching him college algebra. But despite Samuel Nelson's efforts, Nathan remains ordinary. Then, in the summer of 1987, everything changes. While visiting his small-town grandfather in Michigan, Nathan is involved in a terrible accident. After a brief clinical death -- which he later recalls as a lackluster affair lasting less than the length of a Top 40 pop song--he falls into a coma. When he awakens, Nathan finds that everyday life is radically different. His perceptions of sight, sound, and memory have been irrevocably changed. The doctors and his parents fear permanent brain damage. But the truth of his condition is more unexpected and leads to a renewed chance for Nathan to find his place in the world. Thinking that his son's altered brain is worthy of serious inquiry, Samuel arranges for Nathan to attend the Brook-Mills Institute, a Midwestern research center where savants, prodigies, and neurological misfits are studied and their specialties applied. Immersed in this strange atmosphere -- where an autistic boy can tell you what day Christmas falls on in 3026 but can't tie his shoelaces, where a medical intuitive can diagnose cancer during a long-distance phone call with a patient--Nathan begins to unravel the mysteries of his new mind, and finally make peace with the crushing weight of his father's expectations.…

Hardback. Zustand: Good. Written in prose so clear that we absorb its images as if by mind meld, The Last Painting is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it's fiction that keeps you up at night -- first because you're barreling through the book, then because you've slowed your pace to a crawl, savoring the suspense. --Boston Globe A New York Times BestsellerA New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city's Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer's marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.…

Hardback. Zustand: Very Good. Written in prose so clear that we absorb its images as if by mind meld, The Last Painting is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it's fiction that keeps you up at night -- first because you're barreling through the book, then because you've slowed your pace to a crawl, savoring the suspense. --Boston Globe A New York Times BestsellerA New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city's Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer's marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.…

Paperback. Zustand: Good. Written in prose so clear that we absorb its images as if by mind meld, The Last Painting is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it's fiction that keeps you up at night -- first because you're barreling through the book, then because you've slowed your pace to a crawl, savoring the suspense. --Boston Globe A New York Times BestsellerA New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city's Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer's marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.…

Paperback. Zustand: Fair. From the award-winning author of The Mercury Visions of Louis Daguerre and The Beautiful Miscellaneous comes a sweeping historical novel set amid the skyscrapers of 1890s Chicago and the far-flung islands of the South Pacific. With critical praise lavished on his first two novels, Dominic Smith has become a celebrated and deeply revered storyteller. Bright and Distant Shores, his latest novel, offers a stunning exploration of late-nineteenth-century America and the tribal Pacific. It's an epic journey that fans of historical fiction will never forget. In the waning years of the nineteenth century there was a hunger for tribal artifacts, spawning collecting voyages from museums and collectors around the globe. In 1897, one such collector, a Chicago insurance magnate, sponsors an expedition into the South Seas to commemorate the completion of his company's new skyscraper--the world's tallest building. The ship is to bring back an array of Melanesian weaponry and handicrafts, but also several natives related by blood. Caught up in this scheme are two orphans--Owen Graves, an itinerant trader from Chicago's South Side who has recently proposed to the girl he must leave behind, and Argus Niu, a mission houseboy in the New Hebrides who longs to be reunited with his sister. At the cusp of the twentieth century, the expedition forces a collision course between the tribal and the civilized, between two young men plagued by their respective and haunting pasts. An epic and ambitious story that brings to mind E. L. Doctorow, with echoes of Melville and Robert Louis Stevenson, Bright and Distant Shores is a wondrous achievement by a writer known for creating compelling fiction from the fabric of history.…

Paperback. Zustand: Good. From the award-winning author of The Mercury Visions of Louis Daguerre and The Beautiful Miscellaneous comes a sweeping historical novel set amid the skyscrapers of 1890s Chicago and the far-flung islands of the South Pacific. With critical praise lavished on his first two novels, Dominic Smith has become a celebrated and deeply revered storyteller. Bright and Distant Shores, his latest novel, offers a stunning exploration of late-nineteenth-century America and the tribal Pacific. It's an epic journey that fans of historical fiction will never forget. In the waning years of the nineteenth century there was a hunger for tribal artifacts, spawning collecting voyages from museums and collectors around the globe. In 1897, one such collector, a Chicago insurance magnate, sponsors an expedition into the South Seas to commemorate the completion of his company's new skyscraper--the world's tallest building. The ship is to bring back an array of Melanesian weaponry and handicrafts, but also several natives related by blood. Caught up in this scheme are two orphans--Owen Graves, an itinerant trader from Chicago's South Side who has recently proposed to the girl he must leave behind, and Argus Niu, a mission houseboy in the New Hebrides who longs to be reunited with his sister. At the cusp of the twentieth century, the expedition forces a collision course between the tribal and the civilized, between two young men plagued by their respective and haunting pasts. An epic and ambitious story that brings to mind E. L. Doctorow, with echoes of Melville and Robert Louis Stevenson, Bright and Distant Shores is a wondrous achievement by a writer known for creating compelling fiction from the fabric of history.…

Paperback. Zustand: Fair. Written in prose so clear that we absorb its images as if by mind meld, The Last Painting is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it's fiction that keeps you up at night -- first because you're barreling through the book, then because you've slowed your pace to a crawl, savoring the suspense. --Boston Globe A New York Times BestsellerA New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city's Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer's marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.…

Paperback. Zustand: Fair. The debut novel from the New York Times bestselling author of The Last Painting of Sara de Vos reimagines the life of Louis Daguerre, the inventor of photography, who becomes convinced that the world is going to end when his mind unravels due to mercury poisoning. He is determined to reconnect with the only woman he has ever loved before the End comes. Louis Daguerre's story is set against the backdrop of a Paris prone to bohemian excess and social unrest. Poets and dandies debate art and style in the cafes while students and rebels fill the garrets with revolutionary talk and gun smoke. It is here, amid this strange and beguiling setting, that Louis Daguerre sets off to capture his doomsday subjects. Louis enlists the help of the womanizing poet Charles Baudelaire, known to the salon set as the Prince of Clouds and a jaded but beautiful prostitute named Pigeon. Together they scour the Paris underworld for images worthy of Daguerre's list. But Louis is also confronted by a chance to reunite with the only woman he's ever loved. Half a lifetime ago, Isobel Le Fournier kissed Louis Daguerre in a wine cave outside of Orleans. The result was a proposal, a rejection, and a misunderstanding that outlasted three kings and an emperor. Now, in the countdown to his apocalypse, Louis wants to understand why he has carried the memory of that kiss for so long.…

Hardback. Zustand: Good. Winner of the Texas Institute of Letters Jesse H. Jones Award for Fiction A Best Book of the Year: BookPage A Must-Read: The New York Post and The Christian Science Monitor "A story of love, loss, and the enduring power of hope. I was transfixed from page one." ―Lara Prescott, New York Times bestselling author of The Secrets We Kept From the bestselling author of The Last Painting of Sara de Vos, Dominic Smith's Return to Valetto tells of a nearly abandoned Italian village, the family that stayed, and long-buried secrets from World War II. On a hilltop in Umbria sits Valetto. Once a thriving village that survived centuries of earthquakes and landslides and became a hub of resistance and refuge during World War II, it has since been nearly abandoned, as residents sought better lives elsewhere. Only ten remain, including the widows Serafino--three eccentric sisters and their steely centenarian mother--who live quietly in their medieval villa. Then their nephew and grandson, Hugh, a historian, returns. But someone else has arrived before him, laying claim to the cottage where Hugh spent his childhood summers. The unwelcome guest is the captivating and no-nonsense Elisa Tomassi, who asserts that the family patriarch, Aldo Serafino, a resistance fighter whom her own family harbored, gave the cottage to them in gratitude. But like so many threads of history, this revelation unravels a secret--a betrayal, a disappearance, and an unspeakable act of violence--that has affected Valetto across generations. Who will answer for the crimes of the past? Dominic Smith's Return to Valetto is a riveting journey into one family's dark past, a page-turning excavation of the ruins of history, and a probing look at our commitment to justice in a fragile world. It is also a deeply human and transporting testament to the possibility of love and understanding across gaps of all kinds--even time.…

Paperback. Zustand: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Good. A sweeping work of historical fiction from the New York Times-bestselling author Dominic Smith, The Electric Hotel is a spellbinding story of art and love. For more than thirty years, Claude Ballard has been living at the Hollywood Knickerbocker Hotel. A French pioneer of silent films who started out as a concession agent for the Lumière brothers, the inventors of cinema, Claude now spends his days foraging for mushrooms in the hills of Los Angeles and taking photographs of runaways and the striplings along Sunset Boulevard. But when a film history student comes to interview Claude about The Electric Hotel--the lost masterpiece that bankrupted him and ended the career of his muse, Sabine Montrose--the past comes surging back. In his run-down hotel suite, the ravages of the past are waiting to be excavated: celluloid fragments in desperate need of restoration, as well as Claude's memories of the woman who inspired and beguiled him. The Electric Hotel is a portrait of a man entranced by the magic of moviemaking, a luminous romance, and a whirlwind trip through early cinema. Sit back, relax, and enjoy the show.…

Paperback. Zustand: Fair. Original. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Zustand: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Good. Winner of the Texas Institute of Letters Jesse H. Jones Award for Fiction A Best Book of the Year: BookPage A Must-Read: The New York Post and The Christian Science Monitor "A story of love, loss, and the enduring power of hope. I was transfixed from page one." ―Lara Prescott, New York Times bestselling author of The Secrets We Kept From the bestselling author of The Last Painting of Sara de Vos, Dominic Smith's Return to Valetto tells of a nearly abandoned Italian village, the family that stayed, and long-buried secrets from World War II. On a hilltop in Umbria sits Valetto. Once a thriving village that survived centuries of earthquakes and landslides and became a hub of resistance and refuge during World War II, it has since been nearly abandoned, as residents sought better lives elsewhere. Only ten remain, including the widows Serafino--three eccentric sisters and their steely centenarian mother--who live quietly in their medieval villa. Then their nephew and grandson, Hugh, a historian, returns. But someone else has arrived before him, laying claim to the cottage where Hugh spent his childhood summers. The unwelcome guest is the captivating and no-nonsense Elisa Tomassi, who asserts that the family patriarch, Aldo Serafino, a resistance fighter whom her own family harbored, gave the cottage to them in gratitude. But like so many threads of history, this revelation unravels a secret--a betrayal, a disappearance, and an unspeakable act of violence--that has affected Valetto across generations. Who will answer for the crimes of the past? Dominic Smith's Return to Valetto is a riveting journey into one family's dark past, a page-turning excavation of the ruins of history, and a probing look at our commitment to justice in a fragile world. It is also a deeply human and transporting testament to the possibility of love and understanding across gaps of all kinds--even time.…

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Zustand: Fair. From the New York Times bestselling author of The Last Painting of Sara de Vos, a dazzling new novel explores the fault lines that can cause a family to drift apart and the unexpected events that can pull them back together. Nathan Nelson is the average son of a genius. His father, a physicist of small renown, has prodded him toward greatness from an early age--enrolling him in whiz kid summer camps, taking him to the icy tundra of Canada to track a solar eclipse, and teaching him college algebra. But despite Samuel Nelson's efforts, Nathan remains ordinary. Then, in the summer of 1987, everything changes. While visiting his small-town grandfather in Michigan, Nathan is involved in a terrible accident. After a brief clinical death -- which he later recalls as a lackluster affair lasting less than the length of a Top 40 pop song--he falls into a coma. When he awakens, Nathan finds that everyday life is radically different. His perceptions of sight, sound, and memory have been irrevocably changed. The doctors and his parents fear permanent brain damage. But the truth of his condition is more unexpected and leads to a renewed chance for Nathan to find his place in the world. Thinking that his son's altered brain is worthy of serious inquiry, Samuel arranges for Nathan to attend the Brook-Mills Institute, a Midwestern research center where savants, prodigies, and neurological misfits are studied and their specialties applied. Immersed in this strange atmosphere -- where an autistic boy can tell you what day Christmas falls on in 3026 but can't tie his shoelaces, where a medical intuitive can diagnose cancer during a long-distance phone call with a patient--Nathan begins to unravel the mysteries of his new mind, and finally make peace with the crushing weight of his father's expectations.…

Hardback. Zustand: Good. From the New York Times bestselling author of The Last Painting of Sara de Vos, a dazzling new novel explores the fault lines that can cause a family to drift apart and the unexpected events that can pull them back together. Nathan Nelson is the average son of a genius. His father, a physicist of small renown, has prodded him toward greatness from an early age--enrolling him in whiz kid summer camps, taking him to the icy tundra of Canada to track a solar eclipse, and teaching him college algebra. But despite Samuel Nelson's efforts, Nathan remains ordinary. Then, in the summer of 1987, everything changes. While visiting his small-town grandfather in Michigan, Nathan is involved in a terrible accident. After a brief clinical death -- which he later recalls as a lackluster affair lasting less than the length of a Top 40 pop song--he falls into a coma. When he awakens, Nathan finds that everyday life is radically different. His perceptions of sight, sound, and memory have been irrevocably changed. The doctors and his parents fear permanent brain damage. But the truth of his condition is more unexpected and leads to a renewed chance for Nathan to find his place in the world. Thinking that his son's altered brain is worthy of serious inquiry, Samuel arranges for Nathan to attend the Brook-Mills Institute, a Midwestern research center where savants, prodigies, and neurological misfits are studied and their specialties applied. Immersed in this strange atmosphere -- where an autistic boy can tell you what day Christmas falls on in 3026 but can't tie his shoelaces, where a medical intuitive can diagnose cancer during a long-distance phone call with a patient--Nathan begins to unravel the mysteries of his new mind, and finally make peace with the crushing weight of his father's expectations.…

Hardcover. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Zustand: Good. Written in prose so clear that we absorb its images as if by mind meld, The Last Painting is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it's fiction that keeps you up at night -- first because you're barreling through the book, then because you've slowed your pace to a crawl, savoring the suspense. --Boston Globe A New York Times BestsellerA New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city's Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer's marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.…

Paperback. Zustand: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Good. Good condition. Like New dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Very Good. Very Good condition. Like New dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.