smith charles edward frederic ramsey (15 Ergebnisse)

Zustand: Good. Good condition. (Biography, History, Jazz) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Soft cover. pp. xv, 360p + Plus photographs. Inked ownership of Harry E. Seyler. Tall 8vo. Harvest paperback. JAZZ 1 0.0.

Hardcover. Zustand: Very Good. xvi, 360pp, several black and white photographic plates. Grey cloth-covered boards; gilt design and titles on spine. 8vo. Sun-faded spine, rubbed spine ends. Text block edges just starting to tan. Internally neat, clean, bright and tight.

Hardcover. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED; Very good hardcover with missing dust jacket. Bumping to edges of cover and spine. Title on spine is faded. Clean pages. Sm 4to, 514 pp.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 207 p. Book.

Hardcover. Zustand: Good.

Zustand: Befriedigend. (Vorwort Willie G. "Bunk" Johnson). XV; 360 Seiten; Illustr.; 32 cm; fadengeh. Orig.-Leinenband. Einband mit starken Lagerspuren (beschabt u. berieben); innen gut; Seiten minimal nachgedunkelt; hs. Besitzvermerk auf Vorsatz. - Englisch. - "Now here is the list about that Jazz Playing. King Bolden and myself were the first men that began playing Jazz in the city of dear old New Orleans and his band had the whole of New Orleans Real Crazy and Running Wild behind it. Now that was all you could hear in New Orleans, that King Bolden's Band, and I was with him and that was between 1895 and 1896 and they did not have any dixieland Jazz Band in those days. Now here are the Bands that were in their prime in them days: Adam Olivier Band, John Robichaux, old Golden Rule, Bob Russell Band. Now that was all. And here is the thing that made King Bolden Band be the First Band that played Jazz. It was because it did not Read at all. I could fake like 500 myself; so you tell them that Bunk and King Bolden's Band was the Gist ones that started Jazz in the City or any place else. And now you are able to go now ahead with your Book." - FROM A LETTER TO THE EDITORS BY WILLIE G. "BUNK" JOHNSON (Vorwort) // INHALT : Introduction ----- NEW ORLEANS "Callin our chillun home" ----- I New Orleans Music ----- by William Russell and Stephen W. Smith ----- II White New Orleans ----- by Charles Edward Smith ----- III King Oliver and his Creole Jazz Band ----- by Frederic Ramsey, Jr. ----- CHICAGO ----- "Every tub on its own bottom" ----- IV Blues ----- by E. Simms Campbell ----- V Louis Armstrong ----- by William Russell ----- VI Bix Beiderbecke ----- by Edward /. Nichols ----- VII The Austin High School Gang by Charles Edward Smith ----- VIII Boogie Woogie ----- by William Russell ----- NEW YORK ----- "I'd rather drink muddy water, Lord" ----- IX New York Turns on the Heat by Wilder Hobson ----- X The Five Pennies ----- by Otis Ferguson ----- HOT JAZZ TODAY "The world's jazz crazy, Lawdy, so am I' ----- XI Fifty-second Street ----- by Wilder Hobson ----- XII Return to Chicago ----- by Frederic Ramsey, Jr. ----- XIII Land of Dreams ----- by Charles Edward Smith ----- XIV Hot Collecting ----- by Stephen W. Smith ----- XV Consider the Critics ----- by Roger Pryor Dodge ----- Index ----- Index of Music. // ILLUSTRATIONEN : NEW ORLEANS -- The Buddy Bolden Band-Laine's Band -- Basin Street Transom-"Down the Line" -- Baquet-Oliver-Keppard -- Henry Allen's Brass Band, Algiers, Louisiana -- The Original Superior Orchestra -- Joseph Petit at home -- Leon Rappolo-Band on riverboat Sidney -- Louis Armstrong, his mother and sister -- Roy Palmer, Sugar Johnny, Lawrence Dewey -- Ory's Band in California-Pop Foster -- The Original Creole Band -- King Oliver's Band in California, 1921 -- CHICAGO -- King Oliver's Creole Jazz Band -- King Oliver in the Plantation Cafe -- The Wolverines / Bix Beiderbecke -- The Old Sunset Cafe-Armstrong, Weatherford -- Louis Armstrong and his Hot Five -- Louis' Stampers-Dickerson's Orchestra - (u.a.) Sprache: Englisch Gewicht in Gramm: 550.

Zustand: Good. NY: Harcourt Brace. Copyrt date is 1939, code on copyrt pg is (e-I-44), assumed c.1944 reprint. Hardcover 8vo 360 pgs. B/w plates. Very good in a near good dust jacket. Light soil and edgewear to covers. Endpapers toned. Owner's gift inscription on front endpaper. Contents clean and binding sound. Jacket edgeworn, chipped and rear panel is foxed. All 4 corners of flaps have small clips. (Jazz Musicians, Music History) Inquire if you need further information.

21cm x 14cm. Zustand: Sehr gut. 360 S., davon 32 S. ill. farb. ill. brosch. Eb., dieser mit minimalen Gebrauchsspuren, Coverbiege, Papier altersbedingt wenig nachgedunkelt, insgesamt sehr guter Zustand. Unzugeordnet Altersfreigabe FSK ab 0 Jahre Aufgrund der aktuellen Zoll-Situation ist zur Zeit kein Versand in die USA möglich. Sprache: Englisch Gewicht in Gramm: 550.

Hardcover. Zustand: Good. No dust jacket. First edition. Photograph available on request.

Hardcover. Zustand: Very Good-. No Jacket. First Edition. Hardcover; 8vo; 360 pages. FIRST EDITION. Grey cloth softcovers with blue titles on cover and spine. Lightly sunned edges and spine. Rubbed edges, bumped corners.Prev. owner's name on fep and ffep.The pages are beginning to yellow, but are still clear and clean. With a number of b&w photographs. No dj. VG-/--. Book.

Zustand: Gut. Zustand: Gut | Produktart: Bücher.

515 S. Gr. 8°. Orig.Ganzleinen Mit einigen oberflächlichen Nagelspuren am vorderen Deckel; sonst gut erhalten.

Zustand: Très bon état. in-12 oblong (115 x 165 mm), agrafé, couverture illustrée, 318 pp., texte sur 2 colonnes. Texte en anglais. Dos passé, sinon très bon exemplaire. La collection des Armed Services Editions (ASE), publiée de 1943 à 1946, présente des ouvrages en texte intégral mais compacts et légers à destination des soldats américains engagés dans la Seconde Guerre mondiale. Exemplaire provenant de la bibliothèque d'Alain Resnais.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First edition. A trifle foxed on the boards, else fine in an attractive, near fine dustwrapper with edgewear, mostly at the spine ends. A lovely, bright and fresh copy of a this important early jazz title, rarely found in this condition.