sinclair hitchings (27 Ergebnisse)

Zustand: Good. First Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: Good. First Edition. Used book that is in clean, average condition without any missing pages.

Hardcover. Zustand: VERY GOOD. Zustand des Schutzumschlags: VERY GOOD. Armin C. Hansen (illustrator). Signed by author. Gaylord Archival jacket with mylar but back cover has a tear at bottom edge.

Paperback. Zustand: Very Good. Dust jacket has some wear on edges, mainly at top and bottom of spine. U.S. orders are shipped from N.Y. state.

Hardcover. Zustand: Good. No Jacket. Naoko Matsubara (illustrator). Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Naoko Matsubara (illustrator). Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.5.

Softcover. Zustand: Fine. Pp. [81]-112, illustrated (including one fold-out), 8vo, stapled self wrapper. Fine copy, with some toning at the hinge fold.

Softcover. Zustand: Fine. Pp. [121]-140, illustrated, 8vo, stapled self wrapper. This issue largely devoted to Hitching's piece, "Some American Wood Engravers 1820-1840." Fine copy with light toning at the left fold.

paperback. Zustand: Near Fine. DETAILS: tall PAPERBACK, near fine with only small ding in side of spine. HITCHINGS, SINCLAIR. Art in Boston: a first showing of works in the Art in Boston Collection, Jan. 14-Mar. 1, 2013. Cambridge, MA: Chandler Gallery at Maud Morgan Arts, 2013, Printed in 1000 copies, 31pp., . Designed by Stephen Stinehour. The Chandler Gallery at Maud Morgan Arts, [texts by Sinclair Hitchings] - Full title page title: A first showing of works in the Art in Boston Collection, currently owned by Cate and Sinclair Hitchings, and planned to become the nucleus of the non-profit, eductational Art in Boston Collection of works by contemporary Boston artists, Jan. 14 - Mar. 1, 2013, [held at] The Chandler Gallery at Maud Morgan Arts, a program of Agassiz Baldwin Community, Cambridge, Massachusetts. 7.10.

Paperback. Zustand: Very Good. First edition. 6 x 9 inches. 108 pages. Condition is Very Good; very clean and unmarked. STK.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. Armin C. Hansen (illustrator). 1st Edition. Xii, 194 Pp. Blue Cloth, Gilt. First Printing. Fine In Near Fine Dust Jacket Priced $35, With A One Inch Long Closed Tear At Bottom Of Rear Panel.

Soft cover. Zustand: Very Good. 1st Edition. Clean, unmarked catalog with a solid, crease-free spine. BP/Art Styles.

Softcover. Zustand: Very Good. First edition. Quarto. 136pp. Translation by Margaret Needham of Andre Mellerio's 1898 Essay *La Lithographie Originale en Couleurs.* Very good with loss of the spine tail, chip on top corner, light offsetting on rear edges.

Zustand: Gut. Erstauflage / First publication. Bll. + 136 S. inkl. Bibliographie u. Index, u. mit s/w. u. farbig. Abbildungen. Papier sauber - minimal randvergilbt. * Ausstellung / Exhibition in The Rutgers University Art Gallery, Rutgers New Jersey u. im Baltimore sowie Boston September 1978 bis Juli 1979 - Mit Arbeiten von Jules Cheret, Toulouse-Lautrec, Pierre Bonnard, T.A. Steinlen, E. Vuillard, Dulac u.a. Sprache: Englisch Gewicht in Gramm: 690 4°, OIll.-LeichtKarton./Paperback oder Broschur (soft). Kanten minimal berieben - 1 kl. Riss oben an Umschlag der hinterlegt wurde. Gut erhalten insges.

1. Aufl. IX, 136 S. mit 101 Abb., davon die Abb. 48 - 79 in Farbe. Ein gutes Exemplar! -In Englischer Sprache! Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). Sprache: Deutsch Gewicht in Gramm: 850 30,5x23 cm. Weißer OKart. mit farb. mont. OU.

Softcover. Zustand: Near Fine. 47 pp., 8vo, illustrated, stiff card wrappers. With a half dozen tipped-in specimen pages from past publications. Near fine copy (spine a little faded; couple of tiny spots on foredge).

Soft cover. Zustand: Fine. John R Nash (illustrator). 1st Edition. Vermont: Lunenburg, 1957. First . Fine. Octavo. John R Nash. A fine, clean copy. Contents include a selective list of printing, a gathering of sample pages, and drawings by John R. Nash. No names, inscriptions or other marks. 47 pages in original card wrappers, titled in black.

Paperback. Zustand: Fine. First Paperback Edition. 8vo. Large format paperback. Edited and introduced by the writer and critic Henry Hitchings, these fearless, passionate, inquiring essays by award-winning international writers celebrate one of our most essential, but endangered, institutions: the bookshop. Signed by the contributor, Iain Sinclair on the title page. ISBN: 1782272968 Pages: 256 About fine. Signedes.

Zustand: Good. Offprint from Printing & Graphic Arts. 8vo. 120-141 pp., Staple-bound Wraps. Illustrated. VG. From the Collection of the Book Designer Philip Grushkin (1921 - 1998).

64pp. Prof. illus. 4to. Cloth.

Vershbow, Arthur E. / Hitchings, Sinclair / Lewis, R. E. Print Collecting Today. A Symposium held in the Wiggin Gallery, Boston Public Library, on May 3, 1968. Boston: Boston Public Library, 1969, 41pp., very good orange paper-covered boards, but with three white paint streaks across front cover and scuff mark at points of removal. nicely INSCRIBED by Sinclair Hitchings to friends. Printed in 1500 copies.

Hardcover. Oblong Quarto, xvii, 455 pages. In Very Good minus condition. Bound in the publisher's red cloth bearing gilt lettering to the spine. Boards have slight wear including faint sunning and slightly cocked spine. Text block has slight wear including mild age toning to the edges and interiorly. Small stain to pages viii to ix. Profusely illustrated. NOTE: Shelved in Locked Annex, Quarto and Folio Case. Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire about rates. 1390924. FP New Rockville Stock.

Zustand: Good. 4to. 146 pp. Soft Covers. Good. Illustrated paper wraps with French folds. Front cover detached, but present. Pages fine. Well worn to spine. Color and B&W plates.ISBN: 0879050322 9780879050320.From the library of Pasquale Iannetti, as indicated by stamp on front pages.

1957, 84pp. Half cloth. Very good copy.

Soft cover. Zustand: Very Good. John DePol (illustrator). Limited Edition. Bright olive wraps are mostly clean, with inked title. Wraps show some stray smudges, a little edgewear. Corners are a little softened. See photos. Spine shows a little exposure, with firm ends. Binding is strong. End papers show little to no sign of age or wear. An original, signed engraving is bound in before the title page. Illustrations are bright and clear. Interior exhibits minimal signs of age and wear, a few signs of page turning at bottom corner. See photos. Inside pages are free of writing and intentional marks.** PS2025.0123** 51 pages. 7.25 x 8 inches** A Very Good Plus copy of this lovely little book dedicated to the graphic output of John DePol's "Irish Period." Prepared in conjunction with an exhibition of DePol's work at Fairleigh Dickinson University, the book includes a catalogue raisonné of his graphic work in Ireland. Illustrated, and includes an original etching, "Old Storefronts, Limerick," signed by DePol.** John DePol (1913-2004) was a New York print maker and wood engraver. Over a period of nearly forty years DePol collaborated with John Anderson (d.1997), typographer, book designer and proprietor of the Pickering Press of Maple Shade, New Jersey. In the 1980s, they taught together at workshops for Fairleigh Dickinson University and produced advertising broadsides for the workshops. This edition, the work of the Pickering Press, is a fitting nod to the long running collaboration of the two men.** Edition of 600 copies. This copy is 1/100 with an original signed engraving bound in before the title page. Set in Galliard and Post Titling by Folio Typographers and Pickering Press; printed by Cypher Press, Bensalem PA.** "Postage for oversized and international shipping will be calculated by size and weight. AbeBooks shipping quotes are ESTIMATES only. Seller Inventory #010146"**. Signed by Artist.

Zustand: Very good. - Octavo, stapled self-wraps. Illustrated. Some wraps are lightly soiled, creased & slightly darkened. The contents are very good. Among the substantial lead articles in this series are: "The Literature of American Typefounding" by William Bentinck-Smith [Vol. I, No. 2] on the relatively scarce materials on the history of American typefounding; "Hawthorn House" by Roderick D. Stinehour [Vol. I, No. 4] on the New England press founded by Edmund B. Thompson, which was active from 1932-1942; "The Printing of Poetry" by Sinclair H. Hitchings [Vol. II, No. 5] on the choice of typography suitable for printing poems or books of poetry; "Letters from Bruce Rogers to Henry Watson Kent", edited by James Wells [Vol. III, No. 1]; "The Types of the Plantin-Moretus Museum" by Harry Carter [Vol. III, No. 3]; and "Artist vs. Craftsman?" by Warren Chappell [Vol. IV, No. 1] on the collaboration between artists and printers/engravers.

Pamphlet. Zustand: Fine. First Edition/Limited Edition. First Edition/Limited Edition. Pamphlet. An elegant design, beautifully letterpressed by Anthoensen. Sinclair signed this item, directly beneath his signature at the end, but only after noting that his signature "ruined" an otherwise perfect design. A very handsome copy of this rather scarce item, genuinely rare signed. Signed by the author, else bright and clean. Six pages, "Z" folded single sheet, elegantly designed by Hitchings and Anthoensen Press, black ink lettering, rust decorative boarder. 8vo. 6pp. One of 200 copies.