Silverman raymond (31 Ergebnisse)

Paperback. Zustand: Very Good.

Soft cover. Zustand: Very Good. 1999. Africa, Art. Michigan State University Museum and University of Washington Press. 308p., very good paperback. 12/24.

Paperback. Zustand: Good.

Zustand: New. 2005. paperback. . . . . . Books ship from the US and Ireland.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. In English.

Paperback. Zustand: Brand New. 162 pages. 5.00x0.35x8.00 inches. In Stock.

Zustand: Good. Good condition. 2nd edition. (Medicine, Dentistry, Prosthetics, Dentures) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.…

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Softcover. Zustand: Near Fine. Magazine. Octavo. 71pp. Stapled wrappers. Slight toning with rubbing, near fine. Features a quote from *Catcher in the Rye* by J. D. Salinger, an odd occurrence as Salinger was against his work being published anywhere and by anyone else other than him. Contributors include Raymond DiPalma, Ken Lawless, Gary Groat, Peter M. Desey, Greg Kuzma, Robert Vander Molen, Walter W. Stevens, Sid Harriet, Paul Weinman, A. Quinn Smith, Stuart Silverman, Andrew Neiderman, B. G. Gasper-Woodford, Peter Wild, Heather Doge, James Mechem, Dobie Pasco, Bob Nystedt, Jim Reilly, Emilie Glen, Pat Bradley, Nadine MacDonald, and Dugan Gilman.…

Zustand: Very Good.

Zustand: Gut. X, 97 S. Aus der Arbeitsbibliothek von Hans-Joachim Koloss, Kurator der Afrika-Abteilung des Museums für Völkerkunde Berlin. Einband leicht berieben. - The discovery of African art is attributed to artists such as Pablo Picasso and Henri Matisse who, at the turn of the century, began appreciating the unique formal properties of the magnificent objects that were arriving in Paris from Frances African colonies. The Wests appreciation for African art has grown ever since, reflected in the prices it commands on the international art market. The concept of African artobjects primarily appreciated for their formal or aesthetic qualitiesis a product of the Western mind. It is important to understand that most of the objects that we identify as African art were not made to sit on pedestals in art museums or galleriesthey were produced to function in a variety of cultural contexts associated with religious, economic, social and political institutions.2 In the process of transforming African material culture into art there has been a tendency to isolate the object in order to focus attention on its aesthetic qualities; in so doing the contexts in which the object was produced and originally used are often overlooked. There is nothing wrong with appreciating the object as art, but all of the things that we have chosen to place on museum pedestals are associated with specific peoples and are expressions of specific cultural institutions. It is critical that we attempt to understand how, when and why these objects were made. Sprache: Englisch Gewicht in Gramm: 550 Mit zahlreichen Abbildungen. Originalbroschur.…

Zustand: New.

Zustand: New. In English.

Softcover. Zustand: Fine. First edition. 120pp. Pictorial gray-blue wrappers. Photographs by John Ranard "Moscow, 1992-1994". Fine. Including "The Overhead Rack" by John Updike.

Zustand: New. 2023. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 284 pages. 9.19x6.13x0.59 inches. In Stock.

Paperback. Zustand: Brand New. 303 pages. 9.50x6.75x0.75 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - The museum has become a vital strategic space for negotiating ownership of and access to knowledges produced in local settings. Museum as Process presents community-engaged 'culture work' of a group of scholars whose collaborative projects consider the social spaces between the museum and community and offer new ways of addressing the challenges of bridging the local and the global.Museum as Process explores a variety of strategies for engaging source communities in the process of translation and the collaborative mediation of cultural knowledges. Scholars from around the world reflect upon their work with specific communities in different parts of the world - Australia, Canada, Ghana, Great Britain, New Zealand, Papua New Guinea, Philippines, South Africa, Taiwan and the United States. Each global case study provides significant insights into what happens to knowledge as it moves back and forth between source communities and global sites, especially the museum. Museum as Process is an important contribution to understanding the relationships between museums and source communities and the flow of cultural knowledge.…

Kartoniert / Broschiert. Zustand: New. The museum has become a vital strategic space for negotiating ownership of and access to knowledges produced in local settings. Museum as Process presents community-engaged culture work of a group of scholars whose collaborative projects conside.

Taschenbuch. Zustand: Neu. National Museums in Africa | Identity, History and Politics | Raymond Silverman (u. a.) | Taschenbuch | Englisch | 2023 | Routledge | EAN 9781032058535 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Hardcover. Zustand: sehr gut. Kunstoffeinband. 4°. 411 Seiten. mit 309 Abbildungen. sehr gutes und festes Exemplar in deutscher Sprache.

Zustand: New.

Zustand: New. In English.

Zustand: New.

Hardcover. Zustand: Brand New. 265 pages. 9.25x6.00x0.75 inches. In Stock.

Plastik; 28 cm. 2. Auflage. 411 Seiten; zahlreiche s/w Abbildungen Kunstoffeinband; Schnitt leicht stockfleckig Sprache: Deutsch Gewicht in Gramm: 1560.

Soft cover. Zustand: Very Good. 1st Edition. Title from portfolio. Includes [2] p. on 1 sheet and [12] folded sheets each with [4] pages. Not to be confused with a related book announced under the title: Ethiopian traditions of creativity. Description: 1 portfolio : illustrations, maps, portraits ; 23 cm Contents: The evolution of an exhibition : acknowledgments / Raymond Silverman, project director and curator -- An introduction to the exhibition -- Ilto Indale and weaving in Doko Losha -- Bogine Shala and the "things that people make" in Me'en -- Tabita Hantute and the pottery tradition of Wolayta -- Menjiya Tabata and the Fuga of Gurageland -- Tolera Tafa and sorghum stalk model making -- Amina Ismail Sherif and basket making in Harar -- Gezahegn Gebre Yohannes and jewelry making in Addis Ababa -- Qangeta Jembere Hailu and his son Marqos Jembere -- Zerihun Yetmgeta, a contemporary Ethiopian artist -- Qes Adamu Tesfaw and religious painting in Ethiopia -- Elema Boru and Borana milk containers. …