Verlag: Random House Publishing Group, 2009
ISBN 10: 0345511638 ISBN 13: 9780345511638
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. 0th Edition. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Verlag: Columbia Pictures, Culver City, CA, 1982
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage studio still photograph of actress Toni Kalem from the 1982 film. A murderer is shot and nearly killed by police during his arrest. He is taken to a hospital where doctors administer a special formula that unfortunately makes him indestructible. Set in Texas, shot on location in Dallas, Texas. 8 x 10 inches. Fine. Weldon 1996.
Verlag: Starmedia Home Entertainment, 2002
ISBN 13: 4043962100391
Anbieter: KULTur-Antiquariat, Boizenburg, MV, Deutschland
Videokassette. Zustand: Gut. ca. 85 Minuten. Ehemaliges Videotheksexemplar mit den üblichen Stempeln / Aufklebern . Hülle leicht berieben. Kassette sehr gut erhalten. LÄUFT! ISBN: 4043962100391 Sprache: Deutsch Gewicht in Gramm: 550.
Couverture souple. Zustand: bon. R100000163: Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Affiche de cinéma 40 cm x 54 cm. Présenté par United Artists. . . . Classification : 0-Affiches Cinéma.
Verlag: Twentieth Century-Fox, Los Angeles, 1983
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Collection of five vintage black and white studio still photographs from the 1983 film. Numbered E-1 through E-5 on the bottom right corner of the recto. Based on the 1978 Frank De Felitta novel, which was in turn loosely based on the 1974 case of a woman who claimed to have been sexually assaulted multiple times by poltergeists. De Felitta was present during the initial investigation by with two parapsychologists, one of whom also served as a technical advisor on the film. Shot on location in El Segundo and Santa Monica, California. 10 x 8 inches. Near Fine.
Verlag: The Poetry Project, {New York], 1979
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Very Good. First edition. Folio. Mimeographed leaves printed rectos only in stapled wrappers illustrated by Rochelle Kraut. Age-toning on the wrappers, and a bend at the top of the front panel, about very good. "Grand Union is a one-shot magazine composed of poems written by participants in Neil Hackman's Poetry & Meditation Workshop (sponsored by The Poetry Project." Contributors include Rochelle Kraut, Ron Padgett, Maureen Owen, and others. *OCLC* locates two copies.
Verlag: The Poetry Project, {New York], 1979
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Near Fine. First edition. Folio. Mimeographed leaves printed rectos only in stapled wrappers illustrated by Rochelle Kraut. A little age-toning, and faint splash marks on the rear wrap, else near fine. "Grand Union is a one-shot magazine composed of poems written by participants in Neil Hackman's Poetry & Meditation Workshop (sponsored by The Poetry Project." Contributors include Rochelle Kraut, Ron Padgett, Maureen Owen, and others. *OCLC* locates two copies.
Verlag: N.p., N.p., 1987
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Vintage script for the 1988 Broadway play, which premiered on May 3, 1988 at the Royal Theatre and ran for 279 performances. David Mamet's incendiary take on the world of Hollywood movie-making, a black comedy that stands alongside Nathanael West's "The Day of the Locust" in the subtlety and accuracy of its indictments. Nominated for three Tony Awards, including Best Play and Best Direction of a Play for Gregory Mosher, and winning one for Best Actor in a Play for Ron Silver. Revived on Broadway in 2008. Pink titled wrappers, with credits for playwright David Mamet on the front wrapper, dated June, 1987. Title page present, with a credit for Mamet, dated June, 1987. 146 leaves, with last page of text numbered 141. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, lightly foxed to the fore edge and bottom edge of the front wrapper, bound with two gold brads.
Verlag: Twentieth Century-Fox, Los Angeles, 1980
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Draft script for the 1982 film. Based on the 1978 novel of the same name about a real case of an alleged haunting. In 1974, Culver City, Doris Bither claimed the ghosts of three men were raping her. De Felitta was present during the investigation with lead researcher and parapsychologist Dr. Barry Taff who served as technical advisor on "The Entity" as well as being represented in the film by the character, Gene Kraft. "The Entity" is one of the few possession films that ends with White Science and Black Magic in a draw. Critics of the time dismissed the film, but it still became something of a cult classic that evoked "Rosemary's Baby" and "The Exorcist." Screenwriter Frank De Felitta was born 1921 in the Bronx. He served as a pilot right out of high school in WWII and returned to New York in 1945 where he began writing scripts. His first produced work was for the radio thriller series, "The Whistler," and once established, he turned to television writing, producing and directing documentaries, receiving Emmy nominations in 1963 and 1968. By the early 70s De Felitta was working on film scripts with author Max Ehrlich. His first novel "Oktoberfest" (1973) was a thriller that made him enough money to finance time needed to write the bestseller horror story about reincarnation, the hit film "Audrey Rose" (1975) and later its sequel, "For Love of Audrey Rose" (1982). He went on to write the film adaptation of the same story in 1977, starring Anthony Hopkins (as Audrey's father) and Marsha Mason (as Ivy's mother), directed by Robert Wise. Martin Scorsese considers "The Entity" as one of the scariest films of all time in a Halloween themed contribution to the website "The Daily Beast" (2013). Out of eleven, "The Entity" is Scorsese's number four, sandwiched by "Dead of Night" (1945) as number five and "The Uninvited" (1944) as number three. Black titled wrappers. Title page present, with credits for screenwriter Frank DeFelitta, [The Paul Kohner Michael Levy Agency], producers Joe Wizan and Joyce Lukon. 128 leaves, with last page of text numbered 127. Xerographically reproduced. Pages Near Fine, wrapper Very Good plus bound with two gold brads. Clover, Men, Women and Chainsaws. Scorsese, The Dark Eleven.
Verlag: Twentieth Century-Fox, Los Angeles, 1982
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage borderless reference studio still photograph from the 1982 film. "1982 20th Century-Fox" stamp on verso. Based on the 1978 Frank De Felitta novel about a real case of an alleged haunting. In 1974, Culver City, Doris Bither claimed the ghosts of three men were raping her. De Felitta was present during the investigation with lead researcher and parapsychologist Dr. Barry Taff who served as technical advisor on "The Entity" as well as being represented in the film by the character, Gene Kraft. "The Entity" is one of the few possession films that ends with White Science and Black Magic in a draw. Critics of the time dismissed the film, but it still became something of a cult classic that evoked "Rosemary's Baby" and "The Exorcist." Martin Scorsese considers "The Entity" as one of the greatest horror films of all time. In a Halloween themed contribution to the website "The Daily Beast" (2013), "The Entity" scored fourth place in Scorsese's list. Shot on location in El Segundo and Santa Monica, California. 9.25 x 7 inches. Near Fine. Scorcese, The Dark Eleven. Clover, Men, Women and Chainsaws.