Shirley carl (31 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good/Fine. No Jacket. First Canadian Edition. Very good/Fine copy. (see picture).

Softcover. Gr.8°. Softcover. Pages 127 - 252 of the running year/volume. Some traces of use. Good copy. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Wenn es draußen stürmt, können Sie es sich mit einem guten Buch gemütlich machen und ein warmes Getränk dazu genießen. Bei uns finden Sie die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! Reli. …

Soft cover. Zustand: Good. 30 pp. ; pictorial wrappers ; some spotting ; illustrated ; Contents: Mercury : Messenger of Beauty; Theosophical Convention and Summer School -- Results of nomination ballots -- Nominations for directors and statements of candidates -- Summer workshops at Theosophical camps ; G. Book.…

Zustand: New. 1999. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Very Good. No Dust Jacket. 200 pages. Tight clean book; light wear to the illustrated covers. Very good; no jacket. Illinois. Illustrator: . Quantity Available: 1. Category: American History; ISBN: 1884177506. Inventory No: 191301.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Brand New. 128 pages. 9.50x6.50x0.50 inches. In Stock.

Trade Paperback. Zustand: Very Good - Cash. Glossy white covers with blue borders and decorative corners, silhouette image of a woman's head, blue lettering. Light reader wear and rubbing to the edges, corners, covers, and pages. Some light red pencil underlining to text. The book is in great condition! Stock photos may not look exactly like the book.…

Zustand: New.

Zustand: New.

paperback. Zustand: Befriedigend. 237 Seiten; 9780872495760.4 Gewicht in Gramm: 1.

Couverture souple. Zustand: bon. R160192936: 1968. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 301 pages - Couverture contrepliée - Quelques illustrations en noir et blanc hors texte. . . . Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945.

Zustand: Good. 8vo. Blue Cloth on Light Blue Boards, 142 pp., Very Good, slight slanting. Tan printed paper label affixed to head of spine. Illustrated.

Soft cover. Zustand: Fair. 398 pp., illustrations, maps, bibliography.tears at top & bottom of spine, tape residue along spine, cover is age-toned, bookplate inside front cover, pencil notes on table of contents, small chip on back cover edge, binding is loose but all pages are bound, includes 5 page reprint of "Exploratory flights of Admiral Byrd (1940)" by Roger Hawthorne. Expedition on auroral phenomena, bacteriology, botany, cosmic rays, glaciology, magnetism, medicine, meteorology, micropaleontology, ornithology, petrography and petrology, physiography, physiology, seismology, structural geology, and zoology.…

Vintage reference photograph from the seminal 1963 film. Based on the 1960 play by Warren Miller and Robert Rossen, in turn based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke, following "The Connection" (1961). Both films were statements on the limitations of cinema verite, and while appearing improvisational, were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman, who would go on to become a legendary documentary filmmaker, and was scored by noted jazz composer and pianist Mal Waldron, with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 10 x 8 inches. Near Fine, with light toning to the border. National Film Registry.…

Vintage reference photograph from the seminal 1963 film. Partial label on the verso. Based on the 1960 play by Warren Miller and Robert Rossen, which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke, following "The Connection" (1961). Both films were statements on the limitations of cinema verite, and while appearing improvisational, were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman, who would go on to become a legendary documentary filmmaker, and was scored by noted jazz composer and pianist Mal Waldron, with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 5 x 8 inches, trimmed irregularly, with wide margins, photograph measuring 3.75 x 4.75 inches. Near Fine. National Film Registry.…

[2] pp.; 87.2 x 56.2 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed Promotional poster for the 9th Annual New York Avant Garde Festival presented by Charlotte Moorman aboard the riverboat "Alexander Hamilton" at South Street Seaport Museum, Pier 16, New York City, October 28, 1972, "hopefully" in Poughkeepse, New York, October 29, 1972 and in Albany, New York, October 30, 1972. Artists included Shuya Abe, John Alpert, Eric Anderson, Oliver Andrews, Eleanor Antin, Ay-o, Claudio Badal, Shridhar Bapat, Fred Barzak, Gregory Battcock, Bill Birch, Frank Braynard, Dennis Brennan, Brenda Bufalino, John Cage, Domenick Capobianco, Jackie Cassen, Laura Cavestany, Joel Chadabe, Rhys Chatham, Emanuel Ghent, Dick Higgins, Ralph Hocking, Wayne Hycle, Glenda Hydler, Takahiko Iimura, Iris, Sylvia Johnson, Joe Jones, Allan Kaprow, Alison Knowles, Kenneth C. Knowlton, Shigeko Kubota, Joanne Kyger, Gilles Larrain, Standish Lawder, Francis Lee, Rick Lefrak, John Lennon, Carl Linder, Anna Lockwood, Alvin Lucier, Mary Lucier, Stanley Lunetta, Ernest Lurker, Christo, Shirley Clarke, Beverly Conrad, Tony Conrad, Philip Corner, Bob Cowan, Doug Davis, Henny DeKnegt, Storm de Hirsch, Bill Denner, Dimitri Devyatkin, Ken Dewey, Robert Diamond, Hans Joachim Dietrich, Eugene Dolgoff, Juan Downey, Franklin Drake, Jean Dupuy, Tom Drysdale, Ed Emshwiller, Jeni Engel, William Etra, Ralston Farina, Wolfgang Feelish, Peter Frank, Si Fried, John Fulop, Jeff Garrett, Davidson Gigliotti, Frank Gillette, Amy Greenfield, Donna Grob, Alex Gross, Walter Gutman, James Harithas, Harlem Drummers & Dancers Park East H.S., Gary Harris, Dermot Harvey, Ron Hays, Jackson MacLow, Marta Minujin, Max Neuhaus, Hermann Nitsch, Pauline Oliveros, Yoko Ono, Nam June Paik, Lil Picard, Otto Piene, Carolee Schneemann, Rudi Stern, Aldo Tambellini, Elsa Tambellini, Stan Van Der Beek, Jud Yalkut, Ben Vautier, Video Freex and others. Very Good. Mailed copy with mailing marks and wear, folded in sixteen for mailing. Stamps (on recto) have been postmarked and there is a return address, however no indication of to whom it was mailed. Two 7 mm pen marks on recto with a 3 mm. tear to center of one of the folds and 1 cm. of adhesive staining to poster edge. Otherwise clean and unmarked.…

Two vintage reference photographs from the 1963 film, both showing actor Hampton Clanton. Printed mimeo snipes and date stamps on the versos. Based on the 1960 play by Warren Miller and Robert Rossen, which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke, following "The Connection" (1961). Both films were statements on the limitations of cinema verite, and while appearing improvisational, were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman, who would go on to become a legendary documentary filmmaker, and was scored by noted jazz composer and pianist Mal Waldron, with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 8 x 10 inches. Very Good plus. National Film Registry.…

Vintage reference photograph from the 1967 documentary, showing director Shirley Clarke. From the archive of film historian and author Joel Finler. The third feature to be directed by Clarke, following "The Connection" (1961) and "The Cool World" (1963). Ostensibly a straightforward interview of Jason Holliday, a gay, African-American hustler and aspiring cabaret performer, the film takes place throughout a single all-night session in Clarke's Hotel Chelsea penthouse apartment, with Holliday getting increasingly drunk, and Clarke and her partner Carl Lee asking increasingly hostile, provocative questions from behind the camera. Shot on location in New York. 8 x 10 inches. Very Good plus. National Film Registry. Vogel, Film as a Subversive Art.…

Eight vintage studio still photographs from the 1963 film. Provenance labels on the versos. Based on the 1960 play by Warren Miller and Robert Rossen, which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke, following "The Connection" (1961). Both films were statements on the limitations of cinema verite, and while appearing improvisational, were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman, who would go on to become a legendary documentary filmmaker, and was scored by noted jazz composer and pianist Mal Waldron, with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 10 x 8 inches. Very Good plus to Near Fine. National Film Registry. …

Half-length in profile. Gelatin silver print. 1 vols. 25.1 x 18.8 cm. (9-7/9 x 7-3/8 inches). Fine, inscribed portrait, and a rare image of the playwright and historian Shirley Graham (1896-1977). Graham was the author of several plays, including "Elijah's Ravens" (1930), "Tom-Tom" (1932), "Dust to Earth" (1940), and "It's Morning" (1940). Graham was also a serious historian of Afro-American history, and wrote biographies of Phyllis Wheatley, Frederick Douglass, George Washington Carver, Benjamin Banneker, and Paul Robeson. In 1951, she married W.E.B. Du Bois a year after the death of his first wife Nina, and over the next several years the two were involved together in various struggles with the government over Du Bois' involvement with the Communist Party. In 1961, the two emigrated to Ghana and became citizens there at the invitation of President Kwame Nkrumah. Graham inscribed this photo "To Saul, gratefully, Shirley Graham" Provenance: The estate of Saul Mauriber, Van Vechten's assistant and executor of Van Vechten's photography estate and the compiler of PORTRAITS: THE PHOTOGRAPHY OF CARL VAN VECHTEN (1978) Blind stamp on recto, lower right. Atelier stamped on verso, with notations in ink giving the subject of the photograph, the date, and the number of the negative Half-length in profile. Gelatin silver print. 1 vols. 25.1 x 18.8 cm. (9-7/9 x 7-3/8 inches). Signed.…