Shields david (912 Ergebnisse)

Paperback. Zustand: Good. NOBODY HATES TRUMP MORE THAN TRUMP: AN INTERVENTION is perhaps the only genuinely original thing you have read yet about Donald Trump. It can be read in a variety of ways: as a psychological investigation of Trump, as a philosophical meditation on the relationship between language and power, as a satirical compilation of the.…

Hardback. Zustand: Good. Caleb Powell always wanted to become an artist, but he overcommitted to life; his former professor David Shields always wanted to become a human being, but he overcommitted to art. The stay-at-home dad (three young girls) and the workaholic writer (eighteen books) head to the woods to spend four days together in a cabin, arguing life vs. art. I Think You're Totally Wrong is an impassioned, funny, probing, fiercely inconclusive, nearly-to-the-death debate. Shields and Powell talk about everything--marriage, family, sports, sex, happiness, drugs, death, betrayal, and (of course) writers and writing--in the name of exploring and debating their central question: the lived life versus the examined life. There are no teachers or students here, no interviewers or interviewees, no masters of the universe--only a chasm of uncertainty, in a dialogue that remains dazzlingly provocative and entertaining from start to finish. James Franco's film adaptation of I Think You're Totally Wrong, starring the authors, premiered in 2015.…

Paperback. Zustand: Very Good. NOBODY HATES TRUMP MORE THAN TRUMP: AN INTERVENTION is perhaps the only genuinely original thing you have read yet about Donald Trump. It can be read in a variety of ways: as a psychological investigation of Trump, as a philosophical meditation on the relationship between language and power, as a satirical compilation of the.…

Hardback. Zustand: Very Good. Caleb Powell always wanted to become an artist, but he overcommitted to life; his former professor David Shields always wanted to become a human being, but he overcommitted to art. The stay-at-home dad (three young girls) and the workaholic writer (eighteen books) head to the woods to spend four days together in a cabin, arguing life vs. art. I Think You're Totally Wrong is an impassioned, funny, probing, fiercely inconclusive, nearly-to-the-death debate. Shields and Powell talk about everything--marriage, family, sports, sex, happiness, drugs, death, betrayal, and (of course) writers and writing--in the name of exploring and debating their central question: the lived life versus the examined life. There are no teachers or students here, no interviewers or interviewees, no masters of the universe--only a chasm of uncertainty, in a dialogue that remains dazzlingly provocative and entertaining from start to finish. James Franco's film adaptation of I Think You're Totally Wrong, starring the authors, premiered in 2015.…

Hardback. Zustand: Good. In this wonderfully intelligent, stunningly honest, and painfully funny book, acclaimed writer David Shields uses himself as a representative for all readers and writers who seek to find salvation in literature. Blending confessional criticism and anthropological autobiography, Shields explores the power of literature (from Blaise Pascal's Penses to Maggie Nelson's Bluets, Renata Adler's Speedboat to Proust's A Remembrance of Things Past) to make life survivable, maybe even endurable. Shields evokes his deeply divided personality (his ridiculous ambivalence), his character flaws, his woes, his serious despairs. Books are his life, but when they come to feel unlifelike and archaic, he revels in a new kind of art that is based heavily on quotation and consciousness and self-consciousness - perfect, since so much of what ails him is acute self-consciousness. And he shares with us a final irony: he wants literature to assuage human loneliness, but nothing can assuage human loneliness. Literature doesn't lie about this - which is what makes it essential.…

Hardback. Zustand: Fair. In this wonderfully intelligent, stunningly honest, and painfully funny book, acclaimed writer David Shields uses himself as a representative for all readers and writers who seek to find salvation in literature. Blending confessional criticism and anthropological autobiography, Shields explores the power of literature (from Blaise Pascal's Penses to Maggie Nelson's Bluets, Renata Adler's Speedboat to Proust's A Remembrance of Things Past) to make life survivable, maybe even endurable. Shields evokes his deeply divided personality (his ridiculous ambivalence), his character flaws, his woes, his serious despairs. Books are his life, but when they come to feel unlifelike and archaic, he revels in a new kind of art that is based heavily on quotation and consciousness and self-consciousness - perfect, since so much of what ails him is acute self-consciousness. And he shares with us a final irony: he wants literature to assuage human loneliness, but nothing can assuage human loneliness. Literature doesn't lie about this - which is what makes it essential.…

Hardback. Zustand: Very Good. Mesmerized and somewhat unnerved by his 97-year-old father's vitality and optimism, David Shields undertakes an original investigation of our flesh-and-blood existence, our mortal being.Weaving together personal anecdote, biological fact, philosophical doubt, cultural criticism, and the wisdom of an eclectic range of writers and thinkers--from Lucretius to Woody Allen--Shields expertly renders both a hilarious family portrait and a truly resonant meditation on mortality.The Thing About Life provokes us to contemplate the brevity and radiance of our own sojourn on earth and challenges us to rearrange our thinking in crucial and unexpected ways.…

Hardback. Zustand: Good. Mesmerized and somewhat unnerved by his 97-year-old father's vitality and optimism, David Shields undertakes an original investigation of our flesh-and-blood existence, our mortal being.Weaving together personal anecdote, biological fact, philosophical doubt, cultural criticism, and the wisdom of an eclectic range of writers and thinkers--from Lucretius to Woody Allen--Shields expertly renders both a hilarious family portrait and a truly resonant meditation on mortality.The Thing About Life provokes us to contemplate the brevity and radiance of our own sojourn on earth and challenges us to rearrange our thinking in crucial and unexpected ways.…

Paperback. Zustand: Very Good. Contemporary short stories enacting giddy, witty revenge on the documents that define and dominate our lives.

Paperback. Zustand: Good. Contemporary short stories enacting giddy, witty revenge on the documents that define and dominate our lives.

Paperback. Zustand: Good. NATIONAL BESTSELLER * Weaving together personal anecdote, biological fact, philosophical doubt, cultural criticism, and the wisdom of an eclectic range of writers and thinkers, a book that expertly renders both a hilarious family portrait and a truly resonant meditation on mortality. "Shields is a sharp-eyed, self-deprecating, at times hilarious writer." --The Wall Street JournalMesmerized and somewhat unnerved by his 97-year-old father's vitality and optimism, David Shields undertakes an original investigation of our flesh-and-blood existence, our mortal being. The Thing About Life provokes us to contemplate the brevity and radiance of our own sojourn on earth and challenges us to rearrange our thinking in crucial and unexpected ways.…

Paperback. Zustand: Fair. NATIONAL BESTSELLER * Weaving together personal anecdote, biological fact, philosophical doubt, cultural criticism, and the wisdom of an eclectic range of writers and thinkers, a book that expertly renders both a hilarious family portrait and a truly resonant meditation on mortality. "Shields is a sharp-eyed, self-deprecating, at times hilarious writer." --The Wall Street JournalMesmerized and somewhat unnerved by his 97-year-old father's vitality and optimism, David Shields undertakes an original investigation of our flesh-and-blood existence, our mortal being. The Thing About Life provokes us to contemplate the brevity and radiance of our own sojourn on earth and challenges us to rearrange our thinking in crucial and unexpected ways.…

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Good. A terrifically engrossing exploration and exploitation of self-reflection, self-absorption, full-blown narcissism and the impulse to write about oneself. In a world awash with memoirs and tell-alls, Shields has created something unique, inviting the reader into his mind as he turns his life into a narrative.…

Paperback. Zustand: Good. Caleb Powell always wanted to become an artist, but he overcommitted to life; his former professor David Shields always wanted to become a human being, but he overcommitted to art. The stay-at-home dad (three young girls) and the workaholic writer (eighteen books) head to the woods to spend four days together in a cabin, arguing life vs. art. I Think You're Totally Wrong is an impassioned, funny, probing, fiercely inconclusive, nearly-to-the-death debate. Shields and Powell talk about everything--marriage, family, sports, sex, happiness, drugs, death, betrayal, and (of course) writers and writing--in the name of exploring and debating their central question: the lived life versus the examined life. There are no teachers or students here, no interviewers or interviewees, no masters of the universe--only a chasm of uncertainty, in a dialogue that remains dazzlingly provocative and entertaining from start to finish. James Franco's film adaptation of I Think You're Totally Wrong, starring the authors, premiered in 2015.…

Paperback. Zustand: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Fair. First Trade Paper Ed. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Fair. First Paperback Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Zustand: Fair. First Edition. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardback. Zustand: Very Good. A landmark book, brilliant, thoughtful (The Atlantic) and raw and gorgeous (LA Times), that fast-forwards the discussion of the central artistic issues of our time, from the bestselling author of The Thing About Life Is That One Day You'll Be Dead. Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with reality, precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience.…

Hardback. Zustand: Good. A landmark book, brilliant, thoughtful (The Atlantic) and raw and gorgeous (LA Times), that fast-forwards the discussion of the central artistic issues of our time, from the bestselling author of The Thing About Life Is That One Day You'll Be Dead. Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with reality, precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience.…

Paperback. Zustand: Good. In this wonderfully intelligent, stunningly honest, and painfully funny book, acclaimed writer David Shields uses himself as a representative for all readers and writers who seek to find salvation in literature. Blending confessional criticism and anthropological autobiography, Shields explores the power of literature (from Blaise Pascal's Penses to Maggie Nelson's Bluets, Renata Adler's Speedboat to Proust's A Remembrance of Things Past) to make life survivable, maybe even endurable. Shields evokes his deeply divided personality (his ridiculous ambivalence), his character flaws, his woes, his serious despairs. Books are his life, but when they come to feel unlifelike and archaic, he revels in a new kind of art that is based heavily on quotation and consciousness and self-consciousness - perfect, since so much of what ails him is acute self-consciousness. And he shares with us a final irony: he wants literature to assuage human loneliness, but nothing can assuage human loneliness. Literature doesn't lie about this - which is what makes it essential.…

Paperback. Zustand: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Very Good. 1. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Zustand: Good. NEW YORK TIMES BESTSELLER THE BOY WHO BECAME A REBEL. THE REBEL WHO BECAME A SOLDIER. THE SOLDIER WHO BECAME AN ICON. THE ICON WHO DISAPPEARED. Raised in Park Avenue privilege, J. D. Salinger sought out combat, surviving five bloody battles of World War II, and out of that crucible he created a novel, The Catcher in the Rye, which journeyed deep into his own despair and redefined postwar America. For more than fifty years, Salinger has been one of the most elusive figures in American history. All of the attempts to uncover the truth about why he disappeared have been undermined by a lack of access and the recycling of inaccurate information. In the course of a nine-year investigation, and especially in the three years since Salinger's death, David Shields and Shane Salerno have interviewed more than 200 people on five continents (many of whom had previously refused to go on the record) to solve the mystery of what happened to Salinger. Constructed like a thriller, this oral biography takes you into Salinger's private world for the first time, through the voices of those closest to him: his World War II brothers-in-arms, his family, his friends, his lovers, his classmates, his editors, his New Yorker colleagues, his spiritual advisors, and people with whom he had relationships that were secret even to his own family. Their intimate recollections are supported by more than 175 photos (many never seen before), diaries, legal records, and private documents that are woven throughout; in addition, appearing here for the first time, are Salinger's lost letters--ranging from the 1940s to 2008, revealing his intimate views on love, literature, fame, religion, war, and death, and providing a raw and revelatory self-portrait. Salinger published his last story in 1965 but kept writing continuously until his death, locked for years inside a bunker in the woods, compiling manuscripts and filing them in a secret vault. Was he a genius who left the material world to focus on creating immaculate art or a haunted recluse, lost in his private obsessions? Why did this writer, celebrated by the world, stop publishing? Shields and Salerno's investigation into Salinger's epic life transports you from the bloody beaches of Normandy, where Salinger landed under fire, carrying the first six chapters of The Catcher in the Rye . . . to the hottest nightclub in the world, the Stork Club, where he romanced the beautiful sixteen-year-old Oona O'Neill until she met Charlie Chaplin . . . from his top-secret counterintelligence duties, which took him to a subcamp of Dachau . . . to a love affair with a likely Gestapo agent whom he married and brought home to his Jewish parents' Park Avenue apartment and photographs of whom appear here for the first time . . . from the pages of the New Yorker, where he found his voice by transforming the wounds of war into the bow of art . . . to the woods of New Hampshire, where the Vedanta religion took over his life and forced his flesh-and-blood family to compete with his imaginary Glass family. Deepening our understanding of a major literary and cultural figure, and filled with many fascinating revelations-- including the birth defect that was the real reason Salinger was initially turned down for military service; the previously unknown romantic interest who was fourteen when Salinger met her and, he said, inspired the title character of For Esm --with Love and Squalor; the first photographs ever seen of Salinger at war and the last known photos of him alive; never-before-published love letters that Salinger, at fifty-three, wrote to an eighteen-year-old Joyce Maynard; and, finally, what millions have been waiting decades for: the contents of his legendary vault--Salinger is a monumental book about the cost of war and the cost of art.…