sheng wen lin (4 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Very Good. 1st Edition. 37 unnumbered pages : illustrations ; 29 cm. An abstract translated from a report originally published in Kao ku, no. 8, 1965, under title: Ho-pei Chü-yang hsien Chien-tzu tsun Ting yao i chih tiao cha yü shih chüeh, by Ho-pei sheng wen hua chü wen wu kung tso tui.

Hardcover. Zustand: Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 24.5 x 31.5 cm.; 3.6 kg.; 648 pages with colour illustrations.; Used with signs of wear on the exterior and interior. Edge wear. Both bottom corners slightly bumped and turned inwards. Minor scuffs and scratches on the front cover, spine and back cover. Minor signs of wear on the interior, namely some of the bottom first pages which show minor wear signs probably due to the bumped corner.; Catalogue from the exhibition Splendors of Imperial China: Treasures from the National Palace Museum, Taipei, held at The Metropolitan Museum of Art, New York, March 19-May 19, 1996; The Art Institute of Chicago, June 29-August 25, 1996; Asian Art Museum of San Francisco, October 14-December 8, 1996; National Gallery of Art, Washington, D.C., January 26-April 6, 1997.; Only two major exhibitions from the fabled Chinese Palace Museum collections have been seen in the West-the first in London in 1935-36 and the second in the United States in 1961-62. These two exhibitions provided an extraordinary stimulus to the study of Chinese culture, revolutionized Asian art studies in the West, and opened the eyes of the public to the artistic traditions of Chinese civilization. Possessing the Past: Treasures from the National Palace Museum, Taipei is the publication that accompanies the third great exhibition of Chinese masterworks to travel to the West. Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book tells the story of Chinese art from its foundations in the Bronze Age and the first empires through the rich diversity of art produced during the Sung. Yuan, Ming, and Ch'ing dynasties, contrasting China's absolutist political structure with the humanism of its artistic and moral philosophy. Synthesizing scholarship of the past three decades, the authors present not only the historical and cultural significance of individual works of art and analyses of their aesthetic content, but a reevaluation of the cultural dynamics of Chinese history, reflecting a fundamental shift in the study of Chinese art from a focus on documentation and connoisseurship to an emphasis on the cultural significance of the visual arts. National treasures passed down from dynasty to dynasty, the works of art that now form the collection of the National Palace Museum, Taipei, originally constituted the personal collection of the Ch'ien-lung emperor, who ruled China from 1736 to 1795. Two centuries after Ch'ien-lung ascended the dragon throne, when the Japanese invaded China in 1937, the nearly 10,000 masterworks of painting and calligraphy and more than 600,000 objects and rare books and docu- ments-which had earlier been moved from Peking to Nanking following the Japanese occupation of Manchuria in 1931-were packed in crates and evacu- ated to caves near the wartime capital, Chungking. It was not until after World War II that the crated treasures were moved to their present home in Taiwan, where today they represent a major portion of China's artistic and cultural legacy. Drawing on this extraordinary collection, the authors explore in depth four interrelated themes: a cyclical view of history, the Confucian discourse on art, the social function of art, and possessing the past. The last theme, from which the volume takes its title, refers both to imperial China's possession of its past through the art of collecting and to the broader cultural tradition of embracing change through the creative reinterpretation of the past. This major scholarly publication will expand our understanding and deepen our appreciation of works of art that over the centuries have emerged from a remarkable and, in the West, still largely unexplored culture.

Taschenbuch. Zustand: Neu. Neuware -zai bian dong kuai su de er shi yi shi ji zi xun ke ji yu qi ye jing ying huan jing jun kuai su bian qian shi qi ye mian lin geng duo de jing zheng yu tiao zhan zai zhe yang de huan jing zhong ce lve guan li Strategy Management shi ying xiang qi ye ji xu sheng cun de zhong yao yin su er ce lve guan li xu yao yi tao kong zhi ji zhi zhe ge kong zhi ji zhi jiu shi ji xiao ping gu Performance Evaluation hao de ji xiao ping gu fang fa chu le neng gou zheng que you xiao de dai ling zu zhi zhao xiang mu biao fa zhan wai huan you zhu yu zu zhi de wen hua chuan cheng xian jin de ji xiao ping gu fang fa fan duo duo yi cai wu ji ying yun xian kuang wei zhu yao heng liang xiang mu jiao shao zhu yi dao chuang xin xue xi ji gu ke man yi du deng ru Beaver 1966 Altman 1968 deng ren ji wei jing ying ji xiao de ping gu you yu xu duo fei liang hua zi liao nan yi qu de qie qi dai biao xing yi shou zhi yi yin ci duo yi chuan tong de cai wu fen xi fang fa qiu chu ge bie de guan li zhi biao ran zai bian hua kuai su ji zhi shi jing ji de shi dai qi ye ruo jin kao lv cai wu zhi biao jiang bu yi wan quan dong cha jing ying de quan mao wei you zai tou guo ren li kai fa gu ke guan xi guan li ji biao gan guan li deng gong ju cai neng gai shan chuan tong zhi que shi suo yi yi xie bao kuo you fei cai wu zhi biao de ji xiao guan li gong ju ru yu hou chun sun de chu xian ru ping heng ji fen qia Balanced Scorecard zhi hui zi ben Intellectual Capital deng ben yan jiu de ji xiao ping gu mo shi ji yi ping heng ji fen qia de si da gou mian bing jie he ji xiao zhi ke liang hua de shu liang mo shi yi zhi hui zi ben guan dian she ji ji xiao heng liang zhi biao jian gou chu cai wu yu fei cai wu gou mian de zheng ti xing ding qi hang yun ye ji xiao ping gu mo shiVDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 176 pp. Chinesisch.