sharp willoughby (59 Ergebnisse)

Paperback. Zustand: Very Good.

Paperback. Zustand: Brand New. 198 pages. 8.90x5.90x0.50 inches. In Stock.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Brand New. 234 pages. 8.90x5.90x0.70 inches. In Stock.

Hardcover. Zustand: Brand New. bilingual edition. 143 pages. 11.00x11.25x0.75 inches. In Stock.

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: No Jacket, As Issued. 140 pp., 80 tritone illustrations, 11 tipped-in plates. Text is in French and English. Extremely minor stain to cover, but otherwise the paper covered hardcover boards are in sharp and tight condition, with a clean interior, free of markings. Published on the occasion of the exhibition from the Cabinet des estampes du Musée d'art et d'histoire 9 October-14 December 2003.

Zustand: New.

59 pp.; 21 x 15 cm.; sewn bound; color; edition size 1000; signed and numbered; offset-printed Interview with Serkan Özkaya by Willoughby Sharp. Published in conjunction with Özkaya's "When He Came Back to His Senses Monster was Still Waiting in Front of the Cave" exhibition, held September 14 ? October 14, 2006 at Galerist, Istanbul, Turkey. Fine. Signed by Willoughby Sharp and Serkan Özkaya. Numbered 80/1000.

Kartoniert / Broschiert. Zustand: New.

First printing. 24 x 24 cm. 32 S., 2 Blatt. OKarton. Minimale Bereibungen. Gutes bis sehr gutes Exemplar. Mit einem Text von Willoughby Sharp über John Van Saun, "Notes, quotes and anecdotes" sowie weiteren Texten von Michael Findlay, Irving M. Copi und John Van Saun in Englisch. Durchgehend mit Schwarz-Weiß Abbildungen versehen.

Paperback. 96 p. 16,5x12,5 cm. . -(Front board bent somewhat upwards, signs of use, but overall in good condition.).

Zustand: Good. Original silver lettered green cloth, decorated endpapers, illustrated with numerous (full page) colour photographs, 4to.

Zustand: Good. 8vo. 12 pp. Very Good. Soft Cover. Illustrated paper wraps. Staple binding. B&W plates. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Zustand: Good. 8vo. 12 pp. Very Good. Soft cover. Illustrated stiff paper wraps. Staple binding. Light wear along spine, else fine. B&W plates throughout. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Taschenbuch. Zustand: Neu. Neuware - Murder at the New York Stock Exchange! And not just one dead stockbroker but two! Both men, it is soon learned, were mysteriously poisoned, much to the irritation of the man in charge of the case, the sardonic Inspector Bullock. 'Don't tell me it's a strange, oriental poison known only to the high priests of an obscure tribe in the upper Himalayas,' he wisecracks. 'Don't tell me that, 'cause I'm way behind on my Fu-Manchu stories.' Inspector Bullock scoffs at Great Detectives like Philo Vance and Drury Lane ('those mincing, namby-pamby, know-it-alls'), but he soon finds himself confronting one of those fiendishly complicated murder problems that so delight fans of Golden Age detective fiction. Willoughby Sharp, the son of a stockbroker who in the 1890s had clerked for J. P. Morgan, had himself held a seat on the New York Stock Exchange between 1925 and 1931 and knew his subject down to the ground. This authentic background knowledge greatly enriches Murder of the Honest Broker, as does the author's 'sharp' sense of humor and his deftness at constructing an ingenious murder puzzle. 'An amusing yarn and a puzzling one,' declared the New York Times Book Review back in 1934, when the novel was originally published. Modern readers will surely agree.

Taschenbuch. Zustand: Neu. Neuware - While placidly pedaling his bicycle on the morning before Easter, Constable Simmons, a twenty-year veteran of the Bermuda Police Force, discovers a beautiful woman's lifeless body on Snake Road. She has been stabbed to death. Incongruously, a bouquet of lilies lies by her side. From this slender clue of the Easter lilies an intricately interlaced murder problem quickly blossoms in Bermuda. Soon another person, a man this time, is found dead in Hamilton, the territorial capital. He has been struck down by mercury bichloride. Can the intrepid Bermuda Police Force send Death, a most unwelcome visitor, packing, before a third victim is found A pioneering police procedural crime novel, Willoughby Sharp's Murder in Bermuda focuses not on the investigative activities of a solitary super-detective, but rather on those of several ordinary policemen. The author, who at the time he wrote the novel lived with his family in Bermuda, also presents his readers with appealing local color and a tricky, fair play problem that is in the best tradition of Golden Age detective fiction. Originally published in 1933, Murder in Bermuda provides readers with, as a contemporary reviewer stated, 'as complicated and satisfying a mystery as one could hope to find.'.

First printing. 24 x 24 cm. 32 S., 2 Blatt. OKarton. Minimale Bereibungen. Gutes bis sehr gutes Exemplar. Mit einem Text von Willoughby Sharp über John Van Saun, "Notes, quotes and anecdotes" sowie weiteren Texten von Michael Findlay, Irving M. Copi und John Van Saun in Englisch. Durchgehend mit Schwarz-Weiß Abbildungen versehen. Auf dem Titelblatt eine handschriftliche Widmung des Künstlerkollegen, Kurators und Autors Willoughby Sharp an seine Ehefrau sowie seine Tochter zu Weihnachten 1969, signiert "Willoughby".

quer gr 8°, Brosch., ohne Paginierung (32 S.) - Einband vom Buchblock abgelöst, etwas bestoßen. Buch.

softcover. Zustand: Sehr gut. 100 S. Dt. / En. Mit zahlr. Fotos, Texten zu Performances, einem Interview und einer Bibliographie. Sprache: Deutsch Gewicht in Gramm: 398.

Magazines in card slipcase. Zustand: Near fine. 48 x 25 cm box containing 8 issues running from 1970-73 plus the Avalanche Newspaper which ran from 1974-75. No. 31 of 100 special copies, with card signed by the original editors. All fine in fine box.

55 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September - October 1981 issue of Journal Contemporary Art Magazine, edited by Bridget Johnson. Contents include: "David Salle Interview," by Peter Schjeldahl; "Knud Merrild: To Be Transformed in the Flux," by Susan Ehrlich; "Pastel, Juice and Gunpowder: The Pico Iconography of Ed Ruscha," by Robert C. Morgan; "Public Sculpture and the Urban Community: Recent Works by Lloyd Hamrol," by Merle Schipper; "Willoughby Sharp Interview," by Nikola Tesla; "A Choice of Extremes: Recent Work by Peter Campus," by Richard H. Ross; "Photography: A Bourgeois Success Story," by James Hugunin; "An Interview with Robert Heinecken," by Dinah Portner; "Colson's Corner," by unattributed artists and "The Stockman Letter (Rightwing R.R.R. Versus Leftwing R.R.R. and Vice Versa)," by Richard Ralph Roehl. Cover by David Salle. Very Good. 1 cm. surface tear to bottom edge of spine. Light edgewear including light bumping of corners. 2 mm. yellow spotting on text block edge. Contents clean and unmarked.

221 pp.; 30.7 x 24.2 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; November 1971 issue of Studio International, with a cover specially designed for this issue by Allen Jones. Edited by Peter Townsend. Contents include: "Some Concern in fine art education - II," by Linda Morris, Digby Jacks, Charles Harrison; "Report from Vienna," by Kristian Sotriffer; "Correspondence;" "News and Notes;" "Edward Ihnatowicz's Senster," by Jonathan Benthall; "PASTA MOMA, or the strike-bound Modern," by Jeannie Weiffenbach; "Notes on a piece by Barry Le Va - Extended vertex meetings: blocked; blown outward;" "Some Memories of Mondrian," by Nelly van Doesburg; "Aspects of Islamic pattern," by Keith Albarn; "An Interview with Dennis Oppenheim," by Willoughby Sharp; "UK Commentary," by Mark Haworth-Booth, Norbert Lynton, Richard Morphet; "The Synoptic Loft," by Dore Ashton; "The State and the arts in Great Britain," by Andrew Faulds MP "Supplement: new and recent art books," reviews by John Gage, Tim Hilton, William Vaughan, Tim Clark, Peter Wollen, Peter Gidal, Andrew Forge, Frank Whitford, and Laura Mulvey. Very Good. Light edge-wear and dusting of covers. Contents clean and unmarked.

14 x 14 cm. 10 unpaginierte S. OKarton-Leporello. Sehr gutes, frisches Exemplar. Werbeleporello der "Kineticism Press" von 1966. Enthält auf der einen Seite ein formuliertes Programm - Books, Catalogs, Exhibitions, Radio and Television, Multiples - und auf der Frontseite ein Statement der beiden Herausgeber: "There is no art, there are only works of art. Works of art and artistic ideas are identical. They must be communicated through all available media.". Ausgefaltet 14 x 70 cm. Angekündigt sind Projekte mit sowie Multiples und Bücher von Yves Klein, Günther Uecker, Otto Piene, Peter Roehr, Castellani, Soto und Takis. Beiliegend eine Visitenkarte von Willoughby Sharp.

Zustand: Muy bueno. : Este libro es un catálogo artístico dedicado a la obra del pintor italiano Daniele Galliano, titulado 'Inadecuados'. Publicado por la editorial Arte Distrito 4, el volumen recoge una selección de sus trabajos, caracterizados por un estilo figurativo que explora la condición humana y la alienación social.La obra cuenta con textos críticos de Antonio Zaya y Serkan Özkaya, proporcionando un contexto profundo sobre la técnica y la visión estética de Galliano. Es una pieza esencial para coleccionistas de arte contemporáneo y aquellos interesados en la pintura europea actual. EAN: 9788493342289 Tipo: Libros Categoría: Arte y Cultura Título: Daniele Galliano: Inadecuados Autor: Antonio Zaya| Serkan Özkaya| Willoughby Sharp Editorial: Arte Distrito 4 Idioma: es-ES Páginas: 82 Formato: tapa blanda.

Paperback. Zustand: Very Good-. First Edition. B & W photos and reproductions; Square 4to 9" - 11" tall; 117 pages; New York: Kineticism Press, 1971. First edition. Square 4to (approx. 9"11"). 117 pp. Second issue of this important and short-lived avant-garde art magazine devoted to conceptual, performance, and process art, emphasizing artists' own voices and documentation over critical essays. Oversize square format in glossy photo-pictorial wrappers, saddle-stapled binding. Features major contributions including interviews with Bruce Nauman and Terry Fox, a retrospective on Klaus Rinke, plus works or documentation by Dennis Oppenheim, Richard Serra, John Van Saun, Yves Klein, Vito Acconci, William Wegman, and others. Includes the provocative "Drifts and Conversions" by Acconci and a group discussion with Acconci, Fox, and Oppenheim. Binding sound; contents clean and bright. Mild rubbing and furring to spine edge; diagonal stress crease to bottom front cover corner and first 15 or so leaves; light edge rubbing and mild handling wear. Includes a large number of gallery and exhibition ads consistent with the magazine's aesthetic focus. VG-.

Zustand: very good. Vito Acconci, Joseph Beuys, William Wegman, Ulricke Rosenbach, Chris Burden, Dennis Oppenheim, Willoughby Sharp, Keith Sonnier, Richard Serra, Robert Bell,112 Greene Street Video Performance, Avalanche, New York, 1974.280 x 217mm. 2pp broadsides, printed black on white stock, folded twice for mailing.Notes on back of first page in black biro, presumably from one of the talks. Exhibition organised by Willoughby Sharp of video performances which also includes readings, game theory, live performance and simultaneous viewing situations. Pinholes to top. Condition: Overall Very Good.

80 pp.; 24 x 23.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Special issue of the quarterly periodical Avalanche focusing on the work of Vito Acconci. Edited by Liza Bear, published by Willoughby Sharp, designed by Boris Wall Gruphy [Willoughby Sharp], Henry Post, Richard Falk. Includes performance descriptions written by the artist and documentary photographs, biography, and bibliography. With an interview between the artist and Liza Bear. Sections: "Introduction: Notes on Performing a Space"; "Early Work: Movement Over a Page"; "Early Work: Moving My Body into Place"; "Body as Place - Moving in on Myself, Performing Myself"; "Peopled Space - Performing Myself Though Another Agent"; "Occupied Zone - Moving in, Performing on Another Agent"; "Concentration - Container - Assimilation"; "Power Field - Exchange Points - Transformations"; "Excerpts from Tapes with Liza Bear"; "Biography"; "Bibliography" "Index." Reference : No. 4.5 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 100, 242. Fair. Rubbing of covers and edgewear. Water damage to bottom left corner with several pages stuck together throughout first half of issue. Contents otherwise clean and unmarked.

66 pp.; 24 x 23.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number five of the quarterly periodical Avalanche, published Summer 1972. Edited by Liza Bear, published by Willoughby Sharp, designed by Boris Wall Gruphy [Willoughby Sharp]. Cover features Yvonne Rainer. Contents: "Rumbles," featuring Hiro Kosaka, Trisha Brown, and Marcel Broodthaers; "Braco Dimitrijevic: Casual Passers-by I Met"; "Direct Demokratie: Joseph Beuys Talking at Documenta 5"; "Structure and Sensibility: An Interview with Jannis Kounellis," by Willoughby Sharp; "Phil Glass: An Interview in Two Parts" by Liza Béar and Willoughby Sharp; "Illustrated Time - Proscenium II," by Keith Sonnier, Tina Girouard, Suzanne Harris, Richard Landry, and Kurt Munkacs "The Performer as Persona: An Interview with Yvonne Rainer." Reference : No. 4.2 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 93, 242. Good. Rubbing of covers and spine. Slight yellowing at edges. 1 x 1 cm. mark in ink on recto. Contents clean and unmarked.

66 pp.; 24 x 23.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number five of the quarterly periodical Avalanche, published Summer 1972. Edited by Liza Bear, published by Willoughby Sharp, designed by Boris Wall Gruphy [Willoughby Sharp]. Cover features Yvonne Rainer. Contents: "Rumbles," featuring Hiro Kosaka, Trisha Brown, and Marcel Broodthaers; "Braco Dimitrijevic: Casual Passers-by I Met"; "Direct Demokratie: Joseph Beuys Talking at Documenta 5"; "Structure and Sensibility: An Interview with Jannis Kounellis," by Willoughby Sharp; "Phil Glass: An Interview in Two Parts" by Liza Béar and Willoughby Sharp; "Illustrated Time - Proscenium II," by Keith Sonnier, Tina Girouard, Suzanne Harris, Richard Landry, and Kurt Munkacs "The Performer as Persona: An Interview with Yvonne Rainer." Reference : No. 4.2 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 93, 242. Poor / Good. 3 cm., 1.8 cm., and 8 mm. crease to bottom right corner of recto. Light yellow soiling and dusting of recto with yellow spotting across verso. Rubbing of covers and corners. 4 cm. surface tear to spine. 6 cm. yellow moisutre stain to bottom left corner of first page, carrying through to subsequent pages with light surface tearing of pages which had stuck together and been pulled apart, present on all pages. Due to the size of this item, additional shipping charges will be required for international orders.

36 pp.; 20.5 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held in five venues: YM / YWHA, Philadelphia, March 13 - 31, 1968 ; Contemporary Arts Center, Cincinnati, April 25 - May 19 ; Lakeview Center, Peoria, Illinois, June 7 - 28 ; University Art Museum, Berkeley, January 13 - February 16, 1969 and Lamont Gallery, Phillips Exeter Academy, Exeter, New Hampshire, February 25 - March 18, 1969. Curated by Willoughby Sharp. Acknowledgments by Sharp, Peter Selz, Evar Miler, Mrs. William Wolgin, William Leonard, and Gary Whitbeck. Includes texts by Sharp. "After several years of art derived in face and in spirit from the media explosion and the technological revolution, many artists now seem to be literally turning to the elements -- air, earth, water, and fire -- as their source of inspiration. One day soon it may become a social necessity to exchange our traditionally sacred object art for a more conceptual, less spatial art-as-environment. In preparation for that day artists like those represented in Art Art exhibition are fully exploiting our current technology in order create new art forms benefitting that future." -- from Peter Selz's introduction. Artworks by Architectural Association Group, Hans Haacke, Akira Kanayama, Les Levine, Preston McClanahan, David Medalla, Robert Morris, Marcello Salvadori, Graham Stevens, John Van Saun, and Andy Warhol. Includes illustrations, biography, and bibliography for each artist. Fine. Covers and contents clean and unmarked.