sharp terry (11 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.65.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Sharp, Liam; Lim, Ron (illustrator). First edition THUS, first printing. Shelf and handling wear to cover and binding, with general signs of previous use. Covers have light shelf rubbing with scuffing and bumping. Rear cover has inventory stickers and sticker remnants. Binding is tight. Page edges have light scuffing and a remainder mark. Interior pages are unmarked. Secure packaging for safe delivery.

Paperback. Zustand: Brand New. 150 pages. 9.00x6.00x0.38 inches. In Stock.

Paperback. Zustand: Brand New. Sharp, Liam; Lim, Ron (illustrator). 233 pages. 10.00x6.50x0.75 inches. In Stock.

softcover. Zustand: Sehr gut. 100 S. Dt. / En. Mit zahlr. Fotos, Texten zu Performances, einem Interview und einer Bibliographie. Sprache: Deutsch Gewicht in Gramm: 398.

Paperback. Zustand: Very Good-. First Edition. B & W photos and reproductions; Square 4to 9" - 11" tall; 117 pages; New York: Kineticism Press, 1971. First edition. Square 4to (approx. 9"11"). 117 pp. Second issue of this important and short-lived avant-garde art magazine devoted to conceptual, performance, and process art, emphasizing artists' own voices and documentation over critical essays. Oversize square format in glossy photo-pictorial wrappers, saddle-stapled binding. Features major contributions including interviews with Bruce Nauman and Terry Fox, a retrospective on Klaus Rinke, plus works or documentation by Dennis Oppenheim, Richard Serra, John Van Saun, Yves Klein, Vito Acconci, William Wegman, and others. Includes the provocative "Drifts and Conversions" by Acconci and a group discussion with Acconci, Fox, and Oppenheim. Binding sound; contents clean and bright. Mild rubbing and furring to spine edge; diagonal stress crease to bottom front cover corner and first 15 or so leaves; light edge rubbing and mild handling wear. Includes a large number of gallery and exhibition ads consistent with the magazine's aesthetic focus. VG-.

114 pp.; 24 x 23.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 2 of the quarterly periodical "Avalanche", published Winter 1971. Cover features Bruce Nauman. Contents: "Rumbles," featuring Bas Jan Ader, John Perreault, Vito Acconci, and Paul Kos; "Interview: Bruce Nauman"; "Interview: Terry Fox"; "Klaus Rinke Retrospective"; "Documents: John Van Saun"; "Documents: Dennis Oppenheim"; "Documents: Richard Serra"; "Yves Klein," by Shunk-Kender; "King for a Day," by Bruce McLean; "112 Greene Street," by Alan Saret and Jeffrey Lew; "Mrs. Burke, I Thought You Were Dead," by William Wegman; "Drifts and Conversions," by Vito Acconci "A Discussion with Acconci, Fox, and Oppenheim," by Vito Acconci, Terry Fox, and Dennis Oppenheim. Edited by Liza Bear, published by Willoughby Sharp, designed by Boris Wall Gruphy [a pseudonym for Sharp]. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 242. Very Good. Rubbing of covers and edgewear. 2 cm. scratch on recto at spine with some surrounding creasing. Contents clean and unmarked.

Broschiert. Zustand: Gut. en (illustrator). Aus dem Inhalt: Interviews with Bruce Nauman and Terry Fox; Klaus Rinke - Retrospective; Documents - John Van Saun, Dennis Oppenheim, Richard Serra; Yves Klein by Shunk-Kender; King for a Day by Bruce McLean; Mrs. Burke, I thought you were dead by William Wegman; Drifts and Cinversions by Vito Acconci; A Discussion with Acconci, Fox and Oppenheim etc. Ca. 100 S. + Anzeigen, 24x24 cm. Umschlag und Seiten sehr leicht lichtrandig, sonst gut und sauber. Willoughby Sharp (1936-2008) and Liza Béar founded Avalanche in 1968. At the time, Sharp was a New York-based independent curator and Béar an underground magazine editor who had recently moved to New York from London. They published the first issue in 1970 and collaborated on thirteen issues from 1970 to 1976. Sprache: en Size: 4°.

[45] pp.; 21.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 29 - December 20, 1975. Organized and with an essay by Jeffrey Deitch. The pages in the catalogue were prepared by the artists themselves or according to instructions given to Deitch by the artists. Pages of deceased artists designed by Deitch. There is no page for On Kawara. Artists include Vito Acconci, Laurie Anderson, Eleanor Antin, John Jack Baylin, Lynda Benglis, Terry Berkowitz, Joseph Beuys, Christian Boltanski, Jonathan Borofsky, Chris Burden, Scott Burton, Colette, Chris D'Arcangelo, Fernando de Filippi, Agnes Denes, Howard Fried, Gilbert & George, Peter Gordon, Guerrilla Art Action Group, Douglas Huebler, Ray Johnson, On Kawara, Nancy Kitchel, Bruce Kurtz, Les Levine, Anna Link, Marc Miller, Dennis Oppenheim, Adrian Piper, Marcia Resnick, Salvo, Joanne Seltzer, Willoughby Sharp, Alan Sondheim, Alan Sonfist, Eve Sonneman, Andy Warhol, William Wegman, Roger Welch, and Hannah Wilke. "Aside from the John Weber Gallery Invitational, a group show he curated in the summer of 1975, Lives was Jeffrey Deitch's first curatorial project. The theme of Lives was artists who deal with peoples' lives (including their own) as the subject and/or medium of their work. In more simplified terms (the subtitle of the exhibition): artists who use life as their medium. Much of the most exciting new art in the mid-1970s was performative. Lives was one of the first exhibitions to bring together the new generation of artists who fused life and art with artists like Joseph Beuys and Andy Warhol who inspired this new direction. The exhibition took place in an abandoned office building on the corner of Franklin and Hudson Streets in New York City. All of the artists were invited to create pages for the xeroxed catalogue which is now a collectors item. The following excerpt from the catalogue text amplifies the theme of the show: For the "Post-Conceptual" artists in the Lives exhibition, the most fertile area of art activity has become the investigation of the artist and his environment, and as an extension, the study of people in general in their confrontation with the creative decision-making process. The forces in peoples' lives that cause art to be created, and the questions about the relationship between art and life have always been of great importance to artists, but now they have a special meaning in terms of the esthetic progression beyond Formalism and the Formalist bias of the Minimal and Conceptual movements. The most interesting recent work refers not to the object itself, but to the forces that shape creative activity. As Dennis Oppenheim sings in the song that accompanies the spastic dance of his self-portrait marionette in the Lives show, "It ain't what you make, it's what makes you do it!" -- from Jeffrey Deitch Curatorial Projects website. Includes Piper's "Six Conditions on Art Production." Good. Moderate dust soiling and yellow soiling across covers. 12.6 cm. soiling (coffee) to bottom left area of recto. 10 cm. gentle fold to bottom right corner of recto. 1.5 cm. light dust soiling to bottom right corner of bottom right corner of title page. Yellow, green, and black soiling to verso. Soiling of text block edge with light dust soiling to top left corner of verso of pages. Contents otherwise clean and unmarked.