Sharon patton (43 Ergebnisse)

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Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Coleen McIntyre (illustrator).

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Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Coleen McIntyre (illustrator).

- Hardcover
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Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Coleen McIntyre (illustrator).

Sprache: Englisch
Verlag: Oxford University Press, 1998
- Softcover
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Paperback. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Sprache: Englisch
Verlag: Oxford University Press, 1998
- Softcover
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Paperback. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Sprache: Englisch
Verlag: Oxford University Press, 1998
- Softcover
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Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Sprache: Englisch
Verlag: Oxford University Press, 1998
- Softcover
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Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

- Hardcover
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Zustand: Very Good. Very Good condition. Acceptable dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. Coleen McInty…re (illustrator).

- Hardcover
- Erstausgabe
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Zustand: Very Good. 1st. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Coleen McIntyre (illustrator).

- Hardcover
- Erstausgabe
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Zustand: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Coleen McIntyre (illustrator).

Sprache: Englisch
Verlag: Oxford University Press, 1998
- Softcover
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Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Sprache: Englisch
Verlag: Oxford University Press, Incorporated, 1998
- Softcover
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Sprache: Englisch
Verlag: Oxford University Press, Incorporated, 1998
- Softcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Sprache: Englisch
Verlag: Oxford University Press, Incorporated, 1998
- Softcover
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Sprache: Englisch
Verlag: Oxford University Press, Incorporated, 1998
- Softcover
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd
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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Sprache: Englisch
Verlag: Oxford University Press, Incorporated, 1998
- Softcover
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd
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Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Sprache: Englisch
Verlag: Oxford University Press, Incorporated, 1998
- Softcover
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd
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Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Sprache: Englisch
Verlag: Oxford University Press, United Kingdom, Oxford, 1998
- Softcover
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes KönigreichWorldofBooks
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Paperback. Zustand: Very Good. African-American art has made an increasingly vital contribution to the art of the United States from the time of its origins in early-eighteenth-century slave communities. Folk and decorative arts such as ceramics, furniture, and quilts are discussed alongside fine art -- sculpture, painting, and…photography -- produced by African Americans, both enslaved and free, throughout the nineteenth century. Twentieth-century developments are given full coverage, particularly the New Negro Movement of the 1920s, the Era of Civil Rights and Black Nationalism through the 1960s and 1970s, and the emergence of new black artists and theorists in the 1980s and 1990s. New evidence has provided an exciting myriad of perspectives about African-American art, confirming that it represents the culture and society from which it emerges. Professor Patton explores significant issues such as the relationship of art and politics, the influence of galleries and museums, the growth of black universities, critical theory, the impact of artists' collectives, and the assortment of art practices since the 1960s. African-American Art shows that in its cultural diversity and synthesis of cultures it mirrors those in American society as a whole. `African-American Art should be read by teachers, students, and writers, and on the shelves of every library. Professor Patton begins this impressive book with the slave ships that brought Africans to this country and gives evidence of the fine metalworking, carving, carpentry, basketry, weaving, and clay building skills passed from Africa through the works of valued but nameless slave-artisans. She tells how we learned accidentally about a few named artists like the slave, Scipio Moorhead, who in 1773 engraved the only surviving image of poet, Phyllis Wheatley. She describes the portraitists, furniture makers and highly skilled artisans. Sharon Patton follows a path leading from great African formal styles, which, mixed with the powerful expressive force of struggle and opposition, led to distinctive new ideasfrom the quilts of Harriet Powers in the late 1800s to the paintings of Jean Michel Basquiat in the 1980s. She helps the reader to think and search for the evidence of the art-making skills that not only survived the Middle Passage, but the many erasings of the auction block and racism's lack, little and denial. In a fine survey of contemporary African-American art and ideas complete with words from the artists themselvesPatton takes us first through its foundations and the through the movements, people and ideas that surrounded and generated this art. An art historian, curator, and scholar, Patton has produced a volume which, like no other, can be used both as an unusual reference book and a good read on an important part of American art. The illustrations are a special treat.' Emma Amos, Artist Professor of Art, Rutgers University `For a long period of time there has been an acknowledged need for a comprehensive text that integrates the full range of African American artistry, the building crafts, slave craftsmanship, the decorative and the fine arts tradition into one scholarly document. Professor Patton has brought those elements of history into her text that are often omitted in the available texts on the subject of African-American art and much of what she has written is primary information not previously recorded outside the context of social history. The cultural context in which Professor Patton has written accounts of the artistry of African-American artists and craftsmen from the period of American slavery to the present is illuminating, analytically sound, and well documented. She has brought to the attention of the reader a number of topics such as 'Art Institutions and the Artist's Groups' that have not been thoroughly discussed in previous texts on the subject. A subject such as 'The Plantation House', the place where many decorative arts originated in the slave society is a welcomed addition to Professor Patton's historical overview.' David Driskell, Artist Distinguished University Professor of Art, University of Maryland `Sharon Patton has written a much needed text which surveys the broad scope of the history of African-American art from slavery to the present. She has followed a different tack, tracing art themes and their development throughout the history, rather than the influences of specific artists or periods. Thus, she shows how ideas such as crafts, formal painting and sculpture, or architecture, co-existed with equal importance to the culture from the times of the Colonies. In so doing, she breaks down the barrier between folk and formal art, and articulates an interrelationship of both concepts to African-American people and their culture. Her book expands the framework for the visual arts in the United States in the last two centuries.' Professor Keith Morrison, Dean, College of Creative Arts, San Francisco State University. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

African American Visual Aesthetics : A Postmodernist View
Keith Morrison; Sharon F. Patton; Ann Gibson; Richard J. Powell; Lowery Stokes Sims
- Softcover
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Weitere BilderSprache: Englisch
Verlag: Oxford University Press, Oxford, UK, 1998
- Softcover
Anbieter: BookAddiction (IOBA, IBooknet), Canterbury, Vereinigtes KönigreichBookAddiction (IOBA, IBooknet)
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EUR 14,43
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Softcover. Zustand: Near Fine. Zustand des Schutzumschlags: N/A. 320pp, illustrated throughout with in-text colour photographs. Pictorial laminated light card covers. 8vo. Volume is neat, clean, bright and tight throughout.

Sprache: Englisch
Verlag: Oxford University Press, 1998
- Softcover
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Zustand: Used - Very Good. VG paperback. Oxford History of Art. 1st edition, with colour & B&W illustrations. Bookplate on front cover verso, otherwise bright & clean in firm binding.

Romare Bearden & Sheldon Ross: Artist & Dealer
Romare Bearden / Sheldon Ross / Franklin Riehlman / Sharon F. Patton / David Lebenbom
Verlag: Franklin Riehlman Fine Art / Megan Moynihan Fine Art, 2004
- Softcover
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In den WarenkorbPaperback. Zustand: Very Good. Paperback. Binding sound, text clean, light shelfwear. 24-page oversize color-illustrated exhibition catalogue. Book.

Sprache: Englisch
Verlag: Oxford University Press, Incorporated, 1998
- Hardcover
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EUR 28,10
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Sprache: Englisch
Verlag: Oxford University Press, Oxford,, 1998
- Softcover
Anbieter: FIRENZELIBRI SRL, Reggello, FI, ItalienFIRENZELIBRI SRL
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Zustand: MOLTO BUONO. Oxford, Oxford University Press cm.17x24, pp.319, centinaia di figg.a col.nt. brossura con cop.fig.a col. Collana Oxford History of Art.

Sprache: Englisch
Verlag: Oxford University Press, 1998
- Hardcover
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Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

African American Visual Aesthetics: A Postmodernist View
Keith Morrison; Sharon F. Patton; Ann Gibson; Richard J. Powell; Lowery Stokes Sims
- Softcover
- Erstausgabe
Anbieter: Bookplate, Chestertown, MD, USABookplate
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EUR 30,85
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Soft cover. Zustand: Near Fine. 1st Edition. Clean, as new, trade paper copy. Corners remain sharp and the spine is crease-free. Unread. BP/African American Art.

Sprache: Englisch
Verlag: Oxford University Press, 1998
- Softcover
Anbieter: Majestic Books, Hounslow, Vereinigtes KönigreichMajestic Books
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EUR 33,21
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Zustand: New. pp. 319 Illus. (Some Col.).

Sprache: Englisch
Verlag: Oxford University Press, 1998
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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EUR 34,59
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Zustand: New. In the OXFORD HISTORY OF ART series, this book discusses folk and decorative arts alongside fine art produced by African-Americans throughout the nineteenth century. It also explores more recent issues in art and politics - the Civil Rights era and Black Nationalism in the 1960s and 70s and the emergence of new bla…ck artists in the 1980s and 90s. Series: Oxford History of Art. Num Pages: 320 pages, colour plates, halftones, line drawings and maps throughout. BIC Classification: 1KBB; 3JF; 3JH; 3JJ; ACBK; ACV; ACX; AFTB; JFC; JFSL3. Category: (G) General (US: Trade). Dimension: 239 x 169 x 21. Weight in Grams: 742. . 1998. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
Verlag: Oxford and New York, OUP 1998., 1998
- Softcover
Anbieter: Grant's Bookshop, Cheltenham, VIC, AustralienGrant's Bookshop
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EUR 13,91
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In den Warenkorb320pp. Lg 8vo. Original wrappers. Profuse colour and b/w illustrations. A near fine copy.

Verlag: Oxford University Press, Oxford, 1998
- Softcover
- Erstausgabe
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
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EUR 26,44
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Softcover. Zustand: Fine. First paperback edition. Small quarto. 319pp. Illustrated in color. A tiny bit of edgewear, still a fine copy. Published as part of the series "Oxford History of Art.".