shailor barbara (25 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780802068538.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. Foxing/dustsoiling to top of textblock. Very faint spotting to boards. Gift inscription to G. P. Goold from Shailor on ffep. ; Medieval and Renaissance Texts and Studies Volume 48; Vol. 2; 9.8 X 6.8 X 1.5 inches; 578 pages; Signed by Author.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Very Good. Very Good condition. Volume 3 / 100. Owner's name on front endpage. From the collection of the Folger Shakespeare Library, an independent research library on Capitol Hill in Washington, D.C., with the world's largest collection of the printed works of William Shakespeare, and a primary repository for rare materials from the early modern period in Britain and Europe. (manuscripts, latin, greek, medieval, renaissance ) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. Foxing/dustsoiling to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). Very faint spotting to boards. ; Medieval and Renaissance Texts and Studies Volume 100; Vol. 3; 9.8 X 6.8 X 1.5 inches; 643 pages.

Paperback. Zustand: Brand New. 1st edition. 115 pages. 11.00x8.25x0.50 inches. In Stock.

. . . 1 Vol. . 115 pp. Cuarto. Rústica. . Buen estado de conservación. Texto en inglés. Abundantemente ilustrado. .

Zustand: New. pp. 115.

Zustand: New. A beautifully illustrated study of medieval manuscript books that details how they were made, and their place in society. Series: MART: The Medieval Academy Reprints for Teaching. Num Pages: 115 pages, illustrations. BIC Classification: HBG; HBLC; HBTB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 276 x 207 x 7. Weight in Grams: 430. . 1991. 2nd Revised edition. Paperback. . . . . Books ship from the US and Ireland.

Zustand: Good. Paperback, numerous (full page) illustrations in colour and b/w, 4to.; Spine discoloured, bookplate on title page.

hardcover. Zustand: New. 1st.

Hardcover. Octavo, Three volumes. In Good condition. Spine is blue with gold print. Boards in blue cloth with gold print. Slight blemishes on front panel of second volume. Text blocks have name in ink on front flyleaf or half-title page. Illustrated: b&w frontispiece (in volumes I and III) and plates. CONTENTS: Vol. 1. Mss. 1-250 (1984; ISBN 0866980652; penciled notes and clipped book description on rear endpapers) xxii, 420 pages + 32 plates - Vol. II. Mss. 251-500 (1987; ISBN 086698030X; note in ink on rear endpaper) xiv, 578 pages + 64 plates - Vol. III. Marston Manuscripts (1992; ISBN 0866981152) xxxii, 643 pages + 64 plates). [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Multi-volume Section. 1384608. FP New Rockville Stock.

35.5 x 27 cm, red cloth hardcover with dust jacket, 240 pages, intr. in English, spine of dust jacket discoloured, endpapers slightly damaged from tape removal, ex-libris stamp on title page, binding a little shaky, although still in very good condition, see picture. Published in association with The Pierpont Morgan Library. Presents a facsimile and commentary on the Morgan Beatus manuscript, a medieval illuminated Apocalypse tradition. 2280g.

Hardcover. Cloth.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. DJ faded, owner's plate. 239 pages : illustrations, colour facsimiles, map ; 36 cm. Notes: Facsimile reproductions, in full colour, of all the illuminated leaves contained in the manuscript New York, Pierpont Morgan Library, M. 644 (the "Morgan Beatus"), accompanied by critical essays, commentary, and notes In the original manuscript, the illuminations accompany a commentary on the Book of the Apocalypse compiled in the eighth century by the Spanish monk Beatus of Liebana "Reproduced from the illuminated manuscript (M. 644) in the Pierpont Morgan Library, New York"--Title page verso "M. 644. Super Apocalypsim . written and illuminated in Spain in 926 by Maius"--Supplement to the Census of medieval and Renaissance manuscripts in the United States and Canada.

Zustand: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Encuadernación de tapa dura. Zustand: Como Nuevo. Zustand des Schutzumschlags: Muy Bien. 236 p,ilustrado color,nº interno 800.400.

Gr.4° (35,5 x 27 cm). Erste Auflage, 248 S. OLeinen, OU., OSchuber. Mit 131 farbigen Faksimileseiten (sämtliche illuminierten Seiten und eine Auswahl von Textseiten des Originales) und zahlr. schwarz-weissen Abbildungen. Der kartonierte Schuber mit Schabspuren an den Kantensowie leicht berieben und bestoßen; Schutzumschlag gering angerändert; Einband in der unteren Ecke des hinteren Deckels leicht bestoßen. Exemplar Nr. 333 der limitierten deutschsprachen Auflage von 1000 Exemplaren (Numerierung und Limitierungsangaben auf einem beiliegenden Kartonzettel).

Hardback, 604 pages, Size:216 x 280 mm, Illustrations:193 b/w, 37 col., 27 tables b/w., Language(s):English, French, Italian. ISBN 9782503595160. Summary Scribes played complex, often overlooked roles in the production of hand-written texts across Antiquity, the Middle Ages, and the Renaissance. Some scribes simply copied the exemplar; other scribes participated with authors and decorators in establishing the mise-en-page and overall appearance of a text. Many decisions needed to be made regarding the selection of text script; the style of rubrication, display scripts, and initials; the placement and execution of potentially elaborate illuminated images. What was the role of the scribe in contributing to the decision-making process or in determining the final format and material appearance of a document, scroll or codex? This volume explores many of the choices that a single scribe or groups of scribes would need to make when writing and presenting a text, whether in a monastic, cathedral or lay setting. The articles in the volume range from case studies of a single artifact to the analysis of multiple copies and versions of a particular text. The authors include eminent specialists in the field of manuscript studies as well as mid- and early career scholars. TABLE OF CONTENTS Keynote Stefano ZAMPONI (Università di Firenze Italia), The Papyri of Dura Europos in the History of Latin Script I papiri di Dura Europos nella storia della scrittura latina (In Italian, accompanied by an English translation) I. Tradition and Innovation: Classical Traditions and Medieval Innovations Serena AMMIRATI, (Università degli Studi Roma Tre), Il manoscritto latino di contenuto giuridico tra Antichità e Medioevo: strategie distintive e conservatorismo grafico da Oriente a Occidente Marilena MANIACI & Giulia OROFINO, (Università di Cassino e del Lazio meridionale), Making, Writing and Decorating the Bible: Montecassino, a Case Study Irene CECCHERINI (University of Oxford), The Shaping of the Latin Classics in 14th-Century Italy Julia MARVIN ( University of Notre Dame), The Rhetoric of Textual Presentation in Manuscripts of the Anglo-Norman Prose Brut Chronicle: When Foundation Stories Collide II. Decision Making and Workflow: Patrons, Authors And Scribes Jesús ALTURO & Tània ALAIX (Universitat Autònoma de Barcelona), Categories of Promoters and Categories of Writings: The Free Will of the Scribes, Cause of Formal Graphic Differences Francisco ÁLVAREZ LÓPEZ & Julia CRICK (King's College London), Decision-Making and Workflow in the Making of Exon Domesday Laura PANI (Università degli Studi di Udine), Lay Scribes before c. 1100: Books, Texts, Scripts Sébastien BARRET (IRHT-CNRS: Institut de recherche et d'histoire des textes - Centre national de la recherche scientifique, Paris), Présentation des textes, discours diplomatique et 'responsables de la transcription des actes' aux Xe et XIe siècles: quelques chartes clunisiennes Eef OVERGAAUW (Staatsbibliothek zu Berlin), Authors, Scribes and Librarians. Literary Estates in Germany in the Fifteenth and early Sixteenth Century III. Text and Paratext: Structuring Texts, Structuring Books David GANZ (University College London, retired) Half-Uncial Scripts: a Way of Presenting Texts Andrew J. M. IRVING (Rijksuniversiteit Groningen), Mass by Design: Design Elements in Early Italian Mass Books Elena RODRÍGUEZ DÍAZ (Universidad de Huelva), Las rúbricas en los códices medievales de los reinos de León y Castilla (siglos XII-XV) Thomas FALMAGNE (Bibliothèque nationale de Luxembourg), L'ordinatio dans les manuscrits de compilation Patrizia CARMASSI (Herzog August Bibliothek), Il prologo tra autore, scriba e manoscritto. Indagini su uso e funzione di un particolare paratesto in codici della Herzog August Bibliothek Wolfenbüttel, e della Niedersächsische Staats- und Universitätsbibliothek, Göttingen Dominique STUTZMANN (IRHT-CNRS: Institut de recherche et d'histoire des textes - Centre national de la recherche scientifique, Paris), Du Roman de la Rose aux livres d'heures : étudier et comprendre les écritures de colophons Beyond Words: Visual Representations of Meaning Gabriella POMARO (SISMEL: Società Internaionale per lo Studio del Medioevo Latino, Firenze), Dall'ars scripta all'Ars figurata: Raimondo Lullo (1232-1316) e la tradizione figurata dell'ars combinatoria Marigold Anne NORBYE (University College London), The manifold manifestations of A tous nobles: decoration and diversity in a French genealogical chronicle Maria THEISEN (Österreichische Akademie der Wissenschaften, Wien), God Speaks Czech. Some reflection on layout, script and image in Czech Bibles of the 15th Century IV. APICES Session Evina STEINOVÁ (Pontifical Institute of Mediaeval Studies, Toronto) Nota and Require: The Oldest Western Annotation Symbols and Their Dissemination in the Early Middle Ages Anna DOROFEEVA (University of Frankfurt), Reading Early Medieval Miscellanies Manuel MUÑOZ GARCÍA (King's College London), The Script of Matthew Paris and His Collaborators (c. 1200-1259): A Multi-Methodological Approach Adrián ARES LEGASPI (Universidad de Sevilla), La presentación de los textos en las profesiones religiosas del monasterio de San Martín Pinario (Santiago de Compostela), en la primera mitad del siglo XVI Agnieszka REC (Boston, Massachusetts Historical Society), The Archaeology of the Book and the Alchemy of Cracow Index of Manuscripts and Documents Index of Private Collections Index of Papyri and Tablets Index of Names Index of Scribes and Decorators 0 g.

Leinen Leinen. Zustand: Sehr gut. limitierte Auflage, 1000 Exemplare,. Mit zahlreichen Abbildungen, 248 Seiten, Limitierte deutschsprachige Ausgabe. Dieses Exemplar trägt die Nummer 755/1000. Mit original Schutzumschlag. Mit original Schuber. Zust.: Sehr gutes Exemplar. Schneller Versand und persönlicher Service - jedes Buch händisch geprüft und beschrieben - aus unserem Familienbetrieb seit über 25 Jahren. Eine Rechnung mit ausgewiesener Mehrwertsteuer liegt jeder unserer Lieferungen bei. Wir versenden mit der deutschen Post. Sprache: Deutsch Gewicht in Gramm: 2470.

Gr.-4°, Hardcover. Zustand: Gut. 248 Seiten Nr. 18 von 1.000 Exemplaren. Lagerspuriger SU. Sprache: Deutsch Gewicht in Gramm: 2357.

Zustand: Wie neu. 240 S. Limitierte deutschsprachige Ausgabe. Dieses Exemplar trägt die Nummer196/1000. Das antiquarische Buch ist wie ungelesen. Der Schutzumschlag weist kaum Gebrauchs- oder Lagerspuren auf. Minimale Gebrauchsspuren am Pappschuber. Ein Rechnungsbeleg mit ausgew. MwSt. liegt der Lieferung bei. O_7.4 9783763012138 . Bei Mehrfachbestellungen bei uns, reduziert sich für Sie der Versandkostenanteil pro Titel. Sprache: Deutsch Gewicht in Gramm: 2600 gebundene Ausgabe, mit Original-Schutzumschlag.

Belser Verlag, Stuttgart - Zürich, 1991. Original-Leinwand, Original-Schutzumschlag, Original-Schuber, 248 Seiten, gr.4° (36 x 27,5 x 3,5 cm). Kunstdruckpapier. Schuber mit geringfügigen Gebrauchsspuren, Umschlag ohne Gebrauchsspuren, Einband ohne Gebrauchsspuren, Papier ohne Bräunungsspuren, Buchblock sauber (also ohne Unterstreichungen & Randglossen). Sehr schönes, wohl ungelesenes Exemplar. Zustand: wie neu. GEWICHT (mit Verpackung): > 2,5 Kg. - Achtung! Hinweis: Gewichtsbedingt gelten womöglich höhere Portosätze als die automatisch angezeigten. Wir behalten uns vor, das faktische Porto zu berechnen. PLEASE NOTICE: Maybe the shipping costs are more expensive than here automatically marked. Changes reserved due to the de facto shipping. [STANDORT Großformate (Flur)].