schoenfeld william (21 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First Edition Thus. Sturdy, still tightly bound softcover copy, minor wear of and soiling to covers beyond faint sticker residue at front upper tip to printed, illustrated dust wrapper, in gate-fold over simple card stock wraps. Less to brilliant, clean, unmarked text-block, and with neither underlining nor highlighting. Perfectly readable, usable copy. Dedication by Alan Clodd, and then contributions to Kenneth Patchen's life and work by William Everson, Lawrence Ferlinghetti, Howard Schoenfeld, Charles Wrey Gardiner, James Schevill, Diane di Prima, Bernhard Kops, Joel Climenhaga, Hugo Manning, Lars Gustave Hellstrom, Jonathan Clark and Diane Wald. The manuscript of Kenneth Patchen's last poems is reproduced overleaf. Dedicated to Miriam Patchen.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Zustand: Fair. 1950. No Edition Stated. 431 pages. No dust jacket. Green cloth with gilt lettering. Pages are moderately tanned at the edges, with notable foxing. Occasional thumb marks to pages edges. Binding has remained firm. Inscription to front endpaper. Boards have moderate shelf wear with bumping to corners. Spine ends are notably crushed. Boards are slightly bowed. Slight forward lean to text block.

Paperback. Zustand: Brand New. 282 pages. German language. 7.17x4.49x0.79 inches. In Stock.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Very Good. 4th Printing. 80 p., clean and completely unmarked on strong paper only mildly age-toned; binding firm; glossy orange wrapper is clean with rubbing and slight chipping at crown and foot of spine. Simplified versions of light classics and folk songs: Volga Boat Song, La Paloma, Mendelssohn's Spring Song, Dvorak Humoresque, and 37 others.

Zustand: leido. 1ª edición. Trad. N. Daurella. Cartoné. Lomo fatigado. Subrayado. 369.

Zustand: New. In.

Dialogue and Continuity for the 1944 film. Based on the 1942 novel by Cornell Woolrich under the pseudonym William Irish. A man is arrested for murdering his wife, only he was not home at the time of the murder, but no one will confirm his alibi. His secretary, who is secretly in love with him, attempts to prove his innocence. Robert Siodmak's first Hollywood noir. The first film produced by Joan Harrison, a former Oscar-nominated screenwriter for Alfred Hitchcock ("Rebecca," "Foreign Correspondent") and Universal's first woman executive. Set in Manhattan, New York. White titled self-wrappers, noted as Dialogue Continuity on the front wrapper, production No. 1346, dated January 5, 1944, with credits for director Robert Siodmak. Approximately 110 leaves, with last page of text numbered 13. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, with a small closed tear at the top edge, bound with two gold brads along the top edge. Grant US. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US.

Shooting Final Draft script for the 1946 film, in maroon leather owner's binding belonging to actor William Bendix, with his name in gilt on front board, and title in gilt on spine. William Bendix was an American stage, film, radio, and television actor who is best remembered as one of television's archetypal patriarchs, the blundering Chester A. Riley in "The Life of Riley," first on the 1944-1951 ABC and NBC radio serial, then in the 1949 film, directed by Irving Brecher, then finally in the 1953-1958 NBC television series. Bendix was nominated for an Academy Award in 1942 for his supporting role in the WWII drama "Wake Island," directed by John Farrow. Based on the 1945 story, serialized in "Good Housekeeping" magazine, by Leo Rosten, about a private detective, just released from prison after being framed by his ex-partner, and now finding himself framed for murder, with only the help of his quick-witted secretary to clear his name. Set in and shot on location in New York City. Maroon three quarter leather binding over brown leather boards with title in gilt on spine and William Bendix in gilt on lower right of front board with endpapers crediting BooKraft Hollywood. Title page present, dated October 31, 1945, noted as Shooting Final, with credits for screenwriter Jay Dratler. 135 leaves, with last page of text numbered 134. Mimeograph duplication, rectos only. Pages Near Fine, leather binding Near Fine. Grant US. Selby Canon US. Selby Masterwork US. Silver and Ward US. Spicer US.

Shooting Final Draft script for the 1946 film, containing an earlier alternate ending, and a revised "New Ending," bound in following the primary narrative. The additional material consists of a pink "New Ending" announcement page dated February 12, 1946, ten blue revision pages that include one carbon typescript page on onionskin stock. Notations in manuscript pencil throughout the set of revision pages. Based on the 1945 story, serialized in "Good Housekeeping" magazine, by Leo Rosten, about a private detective, just released from prison after being framed by his ex-partner, and now finding himself framed for murder, with only the help of his quick-witted secretary to clear his name. Set in and shot on location in New York City. Beige titled wrappers, noted as SHOOTING FINAL on the front wrapper, rubber-stamped copy No. 72, dated Oct. 31, 1945. Distribution page present, with receipt removed. Title page present, dated October 31, 1945, noted as Shooting Final, with credits for screenwriter Jay Dratler. 151 leaves, with last page of text numbered 10. Mimeograph duplication, rectos only, with blue and pink revision pages throughout, dated variously between 11/29/45 and February 12, 1946. Pages Near Fine, wrapper Very Good plus with some edgewear and small closed tears, bound internally with two gold brads. Grant US. Selby Canon US. Selby Masterwork US. Silver and Ward US. Spicer US.

Vintage photograph of the Tower reader's edition of Cornell Woolrich's crime novel, written under the pseudonym William Irish, made as publicity the 1944 film adaptation. Robert Siodmak's first Hollywood noir, and one of the finest in the canon. Based on Cornell Woolrich's first novel, written in 1942, about a secretary who searches for the titular lady to clear her boss' name before he is executed for murdering his wife. The first film produced by Joan Harrison, a former Oscar nominated screenwriter for Alfred Hitchcock ("Rebecca," "Foreign Correspondent") and Universal's first female executive. 8 x 10 inches. Near Fine. Grant US. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US.

Collection of 13 vintage photographs, including 11 studio still photographs, 1 reference photograph, and a publicity photograph of the source novel, from the 1944 film. Six photographs with mimeo snipes, three with provenance stickers, one with a National Screen Service stamp, and one with a newspaper clipping of the photograph with caption, all on the versos. Director Robert Siodmak's first Hollywood noir, and one of the finest in the canon. Based on Cornell Woolrich's first novel, written under the William Irish pseudonym in 1942, about a secretary who searches for the titular lady to clear her boss' name before he is executed for murdering his wife. The first film produced by Joan Harrison, a former Oscar nominated screenwriter for Alfred Hitchcock ("Rebecca," "Foreign Correspondent") and Universal's first female executive. Set in Manhattan. 8 x 10 inches. Very Good plus overall, some with faint toning, light creasing and edgewear, and one with a 1 1/2 inch closed tear to the bottom right corner. Grant US. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US.