Produktart
Zustand
Einband
Weitere Eigenschaften
Land des Verkäufers
Verkäuferbewertung
Anbieter: Steven Wolfe Books, Newton Centre, MA, USA
Berkeley: University of California Press, sewn PAPERBACK, light pencil lines in margins or a few lines underlined in pencil on about 15 scattered pages, ottherwise still a very good copy for reading and study, light wear to covers. SCHOENBERG, ARNOLD. Style and idea. Selected writings of Arnold Schoenberg. Edited by Leonard Stein with translations by Leo Black. Berkeley: University of California Press, later printing, 559pp., . 9780520052949 ISBN 0520052943.
Verlag: Hillsdale, N. Y.: Boelke-Bomart, 1979, 1979
Anbieter: Steven Wolfe Books, Newton Centre, MA, USA
stapled small PAPERBACK, very good. SCHOENBERG, ARNOLD. A survivor from Warsaw: for narrator, men's chorus, and orchestra : op. 46. Hillsdale, N. Y.: Boelke-Bomart, 1979, Newly rev. ed. / by Jacques-Louis Monod, x, 23pp., . Score and some text introductory material.
Verlag: Dover, 1999
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Paperback. Zustand: Fine. Small octavo. Wrappers. 58 pp. Reprint.
Anbieter: Steven Wolfe Books, Newton Centre, MA, USA
Wien: Universal Edition, no date, rear cover note: Pl. XII/85, sewn PAPERBACK, very good, red covers with black titles. SCHOENBERG, ARNOLD. Kammersymphonie: für 15 Solo-Instrumente, op. 9 - Partitur. Wien: Universal Edition, no date, rear cover note: Pl. XII/85, , score, 144pp., . Universal Edition: U.E.7147, W. Ph. V.225. - Printed in Austria.
Verlag: New York: G. Schirmer, no date, copyright 1935, probably around 1965, 1965, 1965
Anbieter: Steven Wolfe Books, Newton Centre, MA, USA
Schoenberg, Arnold, 1874-1951. Suite for String Orchestra. No. 99. New York: G. Schirmer, no date, copyright 1935, probably around 1965, 1965, 60pp., very good gray library binding with original cover glued to front, ex-library with spine call number label, rear pocket. Original price $3.00. Inventory at bottom of each page: 45443. G. Schirmer's Edition of Study Scores of Orchestral Works and Chamber Music.
Verlag: Philharmonia [W.Ph.V. 229]; Universal Edition [U.E. 2993.6064], Wien-London, 1962
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Paperback. Zustand: Good. Small octavo. Wrappers. 1f., 63 pp. From the collection of noted musicologist Stanley Boorman, with his signature to upper wrapper and annotations in ink. Slightly worn; edges browned. Reprint.
Verlag: Dover, 1994
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Paperback. Zustand: Fine. Small folio. Wrappers. 186 pp. Reprint.
Verlag: Philharmonia [W.Ph.V. 230]; Universal Edition [U.E. 7668], Wien-London, 1962
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Paperback. Zustand: Good. Small octavo. Wrappers. 3ff., 75 pp. From the collection of noted musicologist Stanley Boorman, with his signature to upper wrapper and occasional annotations in pencil. Slightly worn; edges browned. Reprint.
Verlag: G. Schirmer [45443], New York, 1965
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Zustand: Very Good. Large octavo. Wrappers. 60 pp. Slightly worn. Occasional markings in pencil. Small-format reprint of the first edition.
Verlag: Insel-Bücherei [Nr. 683], Wiesbaden, 1959
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Hardcover. Zustand: Good. Oblong 12mo. Publisher's patterned boards with printed label to upper and spine. 83, [1] pp. From the collection of noted musicologist Stanley Boorman, with his signature to upper wrapper and annotations throughout. Slightly worn; small stain to upper wrapper. Later edition with afterword by Adorno. Out of print.
Verlag: G. Schirmer [38236], New York, 1965
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Zustand: Very Good. Large octavo. Wrappers. 107 pp. From the collection of noted musicologist Stanley Boorman, with his signature to upperwrapper and annotations in pencil. Somewhat worn; minor creasing to spine. Re-issue of the first edition.
Verlag: Belmont Music Publishers [BEL-1051], Los Angeles, 1990
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Zustand: Very Good. Small folio. Glossy wrappers. 78 pp. Partially detached. Corrected edition.
Verlag: Universal Edition [UE 13540], Wien, 1975
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Paperback. Zustand: Very Good. Small folio. Wrappers. 36 pp. Slightly worn.
Verlag: Universal Edition [UE 7147], Wien, 1967
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Paperback. Zustand: Very Good. Octavo. Wrappers. 144 pp. From the collection of noted musicologist Stanley Boorman, with his signature to upper wrapper and occasional annotations in pencil. Slightly worn. Reprint.
Verlag: Verlag Dreililien [PN 239], Berlin, 1907
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Folio. Original publisher's wrappers printed in red and black. [i] (title printed in red and black), 2-3, [i] (publisher's catalogue: "Werke von Arnold Schönberg" listing opp. 1-4 and 6-7) pp. Price printed to lower right corner: no. 1 "Mk. 1.20 no.," no. 2 "Mk. 1.20 no.," no. 3 "Mk. -.90 no.," no. 4 "Mk. 1.20 no." Watermark "CGR X64X." Handstamp below price to upper wrapper: "Aufgedr[uckte] Preise ungültig. Richard Birnbach, Berlin;" "3654" in pencil to foot of upper wrapper; "3. Erhebung" underlined in blue ink; "Op. 2" underlined in blue pencil. First Edition, later issue. Rufer (Engl.) p. 23. Ringer p. 310. Tetsuo Satoh pp. 1-2. "The later issues of Dreililien Verlag differ from the first issue in that the title words are all printed in black and that a publisher's catalogue appears on the final page." Website of the Arnold Schönberg Center, Vienna. However, the present copy combines the two-color title of the first issue (1903) with the catalogue. The presence of op. 7, first published in 1907, in the publisher's catalogue allows for a tentative dating. The pencilled number "3654" corresponds to the number assigned to the edition by Universal, who began distributing the work in 1912; Dreililien was purchased by Birnbach in 1934.
Verlag: Verlag Dreililien [PN 240], Berlin, 1907
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Folio. Original publisher's wrappers printed in red and black. 1f. (title printed in red and black), 3-5, [i] (publisher's catalogue: "Werke von Arnold Schönberg" listing Schoenber's opp. 1-4 and 6-7) pp. Photographic print from engraved plates. Price printed to lower right corner: no. 1 "Mk. 1.20 no.," no. 2 "Mk. 1.20 no.," no. 3 "Mk. -.90 no.," no. 4 "Mk. 1.20 no." Watermark "CGR X64X." Handstamp below price to upper wrapper: "Aufgedr[uckte] Preise ungültig. Richard Birnbach, Berlin;" "3655" in pencil to foot; "4. Waldsonne" underlined in blue ink; "Op. 2" underlined in blue pencil. First Edition, later issue. Rufer (Engl.) p. 23. Ringer p. 310. Tetsuo Satoh pp. 1-2. "The later issues of Dreililien Verlag differ from the first issue in that the title words are all printed in black and that a publisher's catalogue appears on the final page." Website of the Arnold Schónberg Center, Vienna. The presence of op. 7 (first published in 1907) in the publisher's catalogue allows for dating the present copy to after that year. The pencilled number "3655" corresponds to the number assigned to the edition by Universal; Dreililien was purchased by Birnbach in 1934. The text of the song, "Waldsonne," is by Johannes Schlaf.
Verlag: Universal-Edition [PN U.E. 6205], Wien, 1926
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Small folio. Original publisher's printed wrappers. [i] (title), 2-3, [i] (blank) pp. Printed note to foot of first page of music: "Copyright 1920 by Universal-Edition." Printed note "Weag." [Waldheim-Eberle A.G.] to lower right corner of final page of music. Publisher's catalogue "Arnold Schönbergs Werke in der Universal-Edition" dated "IV [April] 1923 to verso of lower wrapper. Price "1.50" (currency not specified) handstamped to upper right corner of upper wrapper. Very minor stains to upper wrapper; edges slightly browned. First Edition, second issue. Rufer (Engl.) p. 31. Ringer p. 313. Tetsuo Satoh pp. 9-10. Date according to website of the Arnold Schönberg Center, Vienna. The opus number is misleading insofar as the two songs were already composed in 1908. "I was the first one to dare to take the decisive step - but that does not really count as a merit; I regret that but I am obliged to ignore it. The Two Songs Op. 14 were the first step." Website of the Arnold Schönberg Center, Vienna (Schoenberg on his transition to atonality).
Verlag: Verlag Dreililien [PN 606], Berlin, 1907
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Folio. Unbound. [i] (title printed in red), 2-5, [i] (publisher's catalogue listing Schoenberg's opp. 1-3 printed in red) pp. Printer's note to lower right corner of last page of music: "Stich und Druck von C. G. Röder G.m.b.H., Leipzig." Prices: "Mk. 1.20 no." for nos. 1-3 and 5-7, "Mk 1.50 no." for nos. 4 and 8; "Mk. 6.-" for complete set. Handstamps to title: "Aufgedruckte Preise ungültig. Richard Birnbach, Berlin" below price and "No. 3617" to foot. Slightly worn and soiled. First Edition, first issue. Rufer (Engl.) p. 26. Ringer p. 311. Tetsuo Satoh pp. 3-7. The handstamped number "3617" corresponds to the number assigned to the edition by Universal. The poem, "Am Wegrand," is by John Henry Mackay (1864-1933).
Verlag: Universal Edition [U.E. 12196], Wien, 1929
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Octavo. Original publisher's wrappers. 1f. (title, notes), 3-80 pp. Wrappers slightly worn and soiled. Light browning throughout. First Edition in this format. Rufer (E), pp. 52-53. ". the variations are vividly differentiated from one another by individual sound spectrums, at times reminiscent of chamber music and at others reaching the extreme complexity of rich scoring for the full orchestra. The twelve-tone method used in Op. 31 is based on a hierarchic equivalence of the pitch material in a basic row related to the conventional idea of a theme, also employing inversion and transpositions derived from that row. The genuinely rigid schemata breaks forth with emphasis by distributing the pitches of the row among various instruments, resulting in the individual voices producing motifs whose pitch progressions need not correspond to those fixed in the row's structure." Therese Muxeneder Arnold Schönberg Center.
Verlag: Tischer & Jagenberg [PN T. & J. 138], Cöln am Rhein, 1912
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Large octavo. Green cloth with titling gilt to spine. 19 pp. Text in German and English. With piano reduction for rehearsal only. Uniform light browning; minor wear and thumbing to corners; handstamp of previous owner to first page of music. First Edition, second issue, with English text. Rufer, pp. 30-31. GA B/18/1, p. 19. Schoenberg's most famous choral work is also infamous for its difficulty. A planned performance in 1908 by the Singverein was canceled for this reason. Franz Schreker requested that Schoenberg add an orchestral part to support the singers, and it was in this version that the work premiered on 9 December 1911 in Vienna. A note in the published versions of the score still states that the work is to be performed a cappella, and that only when "the purity of the intonation fails" is the accompaniment to be used.
Verlag: Edward B Marks Music Corporation [PNs 12672-14], New York, 1949
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Octavo. Original publisher's illustrated wrappers. [1] (title), 2-15, [1] (series listing) pp. Text in English and German. Series statement at head of title: The Arthur Jordan Conservatory of Music Choral Series. Lloyd F. Sunderman, General Editor. No. 17. Wrappers slightly worn and browned with minor chips; musicseller's stamp to lower margin of upper. Uniform light internal browning. First Edition, first issue. Rufer (E), p. 75. GA B/19, pp. 82-83. Schoenberg previously arranged this German folksong for choir (Drei Volkslieder, 1929) and voice with piano (Vier deutsche Volkslieder, 1929).
Verlag: Verlag Dreililien [PN 238], Berlin, 1903
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Folio. Original publisher's wrappers printed in red and black. 1f. (title printed in red and black, 3-5, [i] (blank) pp. Price printed to lower right corner: no. 1 "Mk. 1.20 no.," no. 2 "Mk. 1.20 no.," no. 3 "Mk. -.90 no.," no. 4 "Mk. 1.20 no." Watermark "CGR 6X." Wrappers detached; small stains toi upper; lower outer corner turned with slight loss; lower inner corner creased; edges frayed, slightly browned, and soiled. "2. Schenk" to upper underlined in blue ink; "Op. 2" underlined in blue pencil; brief annotations in pencil and red crayon; "A" handstamped to upper; "0289" handstamped to upper and title; former owner's signature in ink to lower left corner of upper: "Gust. M. ?Buchner Leipzig 26. Juli 1920." First Edition. Rufer (Engl.) p. 23. Ringer p. 310. Tetsuo Satoh pp. 1-2. The poem of the present number, "Schenk mir deinen goldenen Kamm" (Give me your golden comb), subtitled "Jesus bettelt" (Jesus begging), is by Richard Dehmel (1863-1920).
Verlag: Universal Edition [PN U.E. 5334. 5336], Wien-Leipzig, 1914
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Small octavo. Original publisher's printed wrappers. 1f. (title), 78 pp. Printed note to lower right corner of first page of music: "Stich und Druck von Breitkopf & Härtel in Leipzig." Small English antiquarian bookseller's label laid down to verso of upper wrapper. Disbound. Wrappers browned and detached, with slight loss to lower; spine lacking. Small stains to final page of music. First Edition of the study score. Rufer (E), pp. 38-40. GA B/24/1, pp. 35-36. The study score (U.E. 5336) is a photographic reduction of the full-size first edition, first issue score (U.E. 5334). Albertine Zehme (1857-1946), an actress born in Vienna and later active in Berlin, is now exclusively remembered as the person who commissioned and first performed Pierrot Lunaire. "Read the preface, looked at the poems. I am enthusiastic. A brilliant idea, entirely in my spirit. I would do it even without a fee." Website of the Arnold Schoenberg Center, Vienna (Schoenberg's diary). The poems are by the Belgian Albert Giraud (1860-1929) in the German translation by Erich Otto Hartleben (1864-1905).
Verlag: Universal-Edition [PN U.E. 7927], Wien, 1925
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
GREISSLE, Felix 1894-1982 (arr.) (illustrator). Folio. Stapled. Original publisher's printed wrappers. 1f. (title), 3-7, [1] (blank) pp. With publisher's catalogue "Arnold Schönbergs Werke in der Universal-Edition" dated "IV [April] 1925" to verso of lower wrapper. Slightly worn; wrappers partially split. First Edition of this arrangement. Rufer (E), p. 38. Satoh, pp. 13-14. The full score was published by Universal-Edition in 1920. The text of Herzgewächse (Foliage of the Heart) is by Maurice Maeterlinck, translated by Karl Klammer and Friedrich von Oppeln-Bronikowski. The arranger, Felix Greissle, was Schoenberg's son-in-law. "The vocal part is perhaps the most technically difficult in Schönberg's entire oeuvre; the scope lies initially within the low octave range, but soon leaps much wider. Toward the end, the part calls for the F above the treble staff in quadruple piano, before dropping again into the low octave." Matthias Schmidt, website of the Arnold Schönberg Center, Vienna.
Verlag: G. Schirmer [PN 42196c], New York, 1944
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Octavo. Full dark green cloth, titling gilt to spine. 1f. (title, instrumentation), 58 pp. Binding slightly rubbed and shaken. First Edition. Rufer (E), p. 71-72. GA B/14, p. 55-57. "It was Carl Engel, the president of Schirmer Publishing in New York, who suggested to Schönberg that he compose the Theme and Variations for Full Band, Op. 43. Engel had two objectives in mind; for one thing, he believed that the American wind band repertoire should be enriched by a challenging work from an outstanding composer of new music and, for another, he thought that a success in that medium, so popular in America, could help Schönberg out of his financial difficulties. . Even while the piece was still being written, it soon became clear that the complexity of Schönberg's setting could possibly exceed the technical capabilities of most American wind bands. So, in a letter dated August 16, 1942, Greissle suggested that Schönberg make a version for symphony orchestra - and the composer seems to have taken up the task with alacrity; the version for symphony orchestra (Op. 43b) must have been finished in October 1943." Schott Music, Mainz / Universal Edition, Vienna.
Verlag: G. Schirmer [PN 38236c], New York, 1939
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Octavo. Full dark green cloth, titling gilt to spine. 2ff. (title, printed dedication, notes), 107, [1] (blank) pp. Binding slightly rubbed; hinges partially split. Light uniform browning. First Edition. Rufer (E), p. 62-63. GA B/21, p. 59.
Verlag: B. Schott's Söhne; Universal Edition, Mainz; Wien, 1966
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Hardcover. Zustand: Good. Folio. Dark gray cloth with titling to upper and spine in black. xix, 177 pp. Edited by Josef Rufer. Corners bumped; slight browning to edges; beginning to split at lower inner hinge.
Verlag: [PN 646], Berlin, Verlag Dreililien. [Vienna], Universal-Edition, 1912
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Folio. Original publisher's decorative wrappers ("Universal-Edition No. 3666 Arnold Schönberg Erstes Streichquartett Op. 7 Stimmen") printed in black within decorative border printed in lilac. With caption title to each part: "Streichquartett" with name of instrument below and as header to all pages. Violin I: [i] (title within decorative border), 2-20, [ii] (blank) pp.; Violin II: [i] (blank), 2-23, [i] (blank pp.; Viola: [i] (blank), 2-21, [i] (blank) pp.; Violoncello: [i] (blank), 2-21, [i] (blank) pp. Without printed price. With printed note to title: "C. G. Röder G.m.b.H., Leipzig;" Printed note to foot of title: "In die Universal=Edition aufgenommen." Publisher's catalogue (1912-18) to verso of lower wrapper. Wrappers somewhat browned and brittle, edges chipped; cello part with some leaves detached and tear to first leaf; fingering added in pencil. First Edition, later issue. Rufer (Engl.) pp. 26-27. Ringer p. 312. Tetsuo Satoh pp. 5-6. "After the transfer to Universal Edition, Vienna. between 1912 and 1924 a total of six issues with unchanged musical text came out under the publisher's number 3666 and with changed outward appearance. The second issue of Universal Edition, published on February 4, 1913, displays the following criteria departing from the first issue [Berlin: Dreililien, 1908]: The part of '1. Geige' is placed in light green, thin wrappers. Recto of upper wrapper [described to match the present copy]. verso of lower: publisher's catalogue dated 'W. I.1913'. Title of violin part with note to foot, 'In die Universal-Edition aufgenommen" [as in the present copy]." Website of the Arnold Schönberg Center, Vienna. The publisher's catalogue of the present copy is different from the one described here; it is thus not the 1913 issue. References in the catalogue to the "k.k. österr. Unterrichtsministerium" and "k.k. Akademie für Musik," however, suggest a date before the end of monarchy in 1918.
Verlag: Verlag Dreililien [PN 280-285], Berlin, 1945
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Six individual volumes. Complete. All folio (except where noted) with titles printed in red and black, price "Mk. 1.20 no." (except no. 5), with handstamp "Aufgedr[uckte] Preise ungültig. Richard Birnbach, Berlin" to most numbers and "Stich und Druck von C. G. Röder, Leipzig" printed to last page of music, occasional annotations. No. 1: Wie Georg von Frundsberg von sich selber sang with text from Des Knaben Wunderhorn. [i] (title) 2-5, [i] (blank) pp. No. 2: Die Aufgeregten with text by Gottfried Keller. 1f. (title ), 3-5, [i] (blank) pp. No. 3: Warnung with text by Richard Dehmel. [i] (title), 2-5, [i] (blank) pp. No. 4: Hochzeitslied by Jens Peter Jacobsen; the translator of the text, originally in Danish, is not identified in the edition, but according to the Arnold Schönberg Center, Vienna, he is a "Viennese philologist" using the pseudonym "Robert F. Arnold. [i] (title with printed note to foot: "In die Universal-Edition aufgenommen"), 2-5, [i] (blank) pp. No. 5: Geübtes Herz with text by Gottfried Keller. Small folio (309 x 238 mm). [i] (publisher's catalogue: "Werke von Arnold Schönberg"; imprint "Verlag Dreililien Berlin=Lichterfelde [Richard Birnbach]"), 2-5, [i] (blank) pp. Printed note to lower right corner of p. 5: "Fotodruck Arno Brynda. Berlin W 35." No. 6: Freibold with text by Hermann Lingg. [i] (title), 2-5, [i] (blank) pp. Vocal part of No. 1 notated in bass clef, all others in violin clef. All except No. 5 browned and quite brittle; corners turned and creased; frayed at edges. First Edition, [?]first issues of Nos. 1, 2, 3 and 6; No. 5 a reprint, not before 1945, probably from the 1950s. Rufer (Engl.) p. 23-24. Ringer p. 310. Tetsuo Satoh pp. 1-2.
Verlag: Universal Edition [PN U.E. 5362], Wien, 1924
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
STEUERMANN, Eduard 1892-1964 (arr.) (illustrator). Small folio. Full dark green cloth, titling gilt to spine. 1f. (title, instrumentation), 3-47, [1] (blank) pp. Binding slightly worn and soiled; hinges partially split. First Edition, second issue. Rufer (E) pp. 34-36. GA B/6/2, p. 98. Erwartung, a "Monodram" to a libretto by Marie Pappenheim, was first performed in Prague at the Neues Deutsches Theater, 6 June 1924. "In August 1909, shortly before starting work on Erwartung, Schoenberg described in letters to Busoni the ideal towards which he was then striving in his music. He wanted to leave behind him concentration on separate feelings in unreal isolation, along with the associated musical structures controlled by conscious logic, and find a means of expressing the multiplicity of contradictory feelings that can arise simultaneously from the unconscious. He had just asked a young doctor of his acquaintance, Marie Pappenheim, to write an opera libretto for him on a subject of her own choosing. It is clear from the resulting drama that she was familiar with recent psychological and psychoanalytical thought, and that she must have known about Schoenberg's current preoccupations." O.W. Neighbour in Grove Music Online.