Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
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In den WarenkorbZustand: New.
Verlag: Stockholm University Press, 2018
Sprache: Englisch
Anbieter: Antiquariat Andree Schulte, Grafschaft-Ringen, Deutschland
Verbandsmitglied: GIAQ
176 pp -TEXT IN ENGLISH- -Please note: Due to the new US customs regulations orders from the US cannot be processed- Sprache: Englisch Gewicht in Gramm: 550 8vo. Softcover, binding a bit rubbed, inside very fine.
Verlag: Stockholm University Press, 2018
ISBN 10: 917635055X ISBN 13: 9789176350553
Sprache: Englisch
Anbieter: moluna, Greven, Deutschland
EUR 26,01
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In den WarenkorbZustand: New. KlappentextrnrnIn the two centuries since Mozart s La clemenza di Tito was first performed, and the almost three centuries since Metastasio created the libretto, many rumours, myths and prejudiced opinions have gathered around the work, creating.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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In den WarenkorbPaperback. Zustand: Brand New. 260 pages. 9.19x6.13x0.67 inches. In Stock.
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In den WarenkorbZustand: New.
Anbieter: buchversandmimpf2000, Emtmannsberg, BAYE, Deutschland
Taschenbuch. Zustand: Neu. Neuware -Although Mozart¿s Don Giovanni (1787) is the most analysed of all operas, Lorenzo Da Ponte¿s libretto has rarely been studied as a work of poetry in its own right. The author argues that the libretto, rather than perpetuating the conservative religious morality implicit in the story of Don Juan, subjects our culture¿s myth of human sexuality to a critical rewriting. Combining poetic close reading with approaches drawn from linguistics, psychoanalysis, anthropology, political theory, legal history, intellectual history, literary history, art history and theatrical performance analysis, she studies the Don Giovanni libretto as a radical political text of the Late Enlightenment, which has lost none of its ability to provoke. The questions it raises concerning the nature of compassion, seduction and violence, and the autonomy and responsibility of the individual, are still highly relevant for us today. 218 pp. Englisch.
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Although Mozart's Don Giovanni (1787) is the most analysed of all operas, Lorenzo Da Ponte's libretto has rarely been studied as a work of poetry in its own right. The author argues that the libretto, rather than perpetuating the conservative religious morality implicit in the story of Don Juan, subjects our culture's myth of human sexuality to a critical rewriting. Combining poetic close reading with approaches drawn from linguistics, psychoanalysis, anthropology, political theory, legal history, intellectual history, literary history, art history and theatrical performance analysis, she studies the Don Giovanni libretto as a radical political text of the Late Enlightenment, which has lost none of its ability to provoke. The questions it raises concerning the nature of compassion, seduction and violence, and the autonomy and responsibility of the individual, are still highly relevant for us today.
Taschenbuch. Zustand: Neu. Don Giovanni's Reasons: Thoughts on a masterpiece | Magnus Tessing Schneider (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2021 | Peter Lang | EAN 9783631817964 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu.
EUR 41,36
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In den WarenkorbZustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 187,48
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In den WarenkorbZustand: New.
EUR 162,64
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In den WarenkorbZustand: New.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 260,19
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 288 pages. 9.25x6.00x0.75 inches. In Stock.
Verlag: Nordiska Teaterforskare (2012), [Stockholm], 2012
Anbieter: Expatriate Bookshop of Denmark, Svendborg, Dänemark
orig. wrappers. Zustand: Minor rubbing. VG. 24x15cm, 146 pp., Series: Nordic Theatre Studies ; ISSN:0904-6380 ; volume 24. Contains 11 papers, all in English. Includes: Stuart Grant "Genealogies and Methodologies of Phenomenology in Theatre and Performance Studies"; Joshua Edelman "What Phenomenology Can Bring to Theatre Sociology, and What It Cannot, with Reference to Radio Muezzin in Aarhus"; Ann Enström " Orienting Towards the Phenomenal Woman: Presenting Mia Skäringer in Her Stage Show Horny as Hell and Really Holy"; Franziska Bork Petersen "On Multiple Appearances: An Analysis of the Performing Body in Kitt Johnson's Drift"; Gediminas Karoblis "Triple Disembodiment of Dance: The Waltz"; Luule Epner "Theatre in the Postdramatic Text: A Phenomenological Approach"; Willmar Sauter "Interference between Present and Absent Performers: Time- Specific Performance as Phenomenal Experience"; Pirkko Koski "A Play about a Play: Cartoon as an Instrument of (Theatre) Politics"; Outside the Theme: Robert Cardullo "August Strindberg, Ingmar Bergman, and The Ghost Sonata"; Louise Bagger "Flirtation and Seduction as Dramaturgical Devices in Interactive Acting"; Zane Radzobe "One State, Two Nations: The Idea of a National Theatre in Twenty-First-Century Latvian Theatre".