schenck pieter (51 Ergebnisse)

Zustand: Goed exemplaar, ruime marges. Gravure op vergé. Ametingen. Prent : 168 X 202 mm. Papier: 220 x 295 mm . P.Schenck exc : Amstelod : cum Privil : 81 vols volumes.

Pieter Schenck (illustrator). Portrait of Henry Sidney, Earl of Romney.Made by Pieter Schenck after own design.Medium: Mezzotint on hand laid (verge) paper.Sheet size: 20.3 x 25.8 cm (7.99 x 10.16 inch). Image size: 18.5 x 24.3 cm. (7.28 x 9.57 inch).PORTRAIT-HENRY-SIDNEY-EARL-ROMNEY | EXPO-DUTCH/FLEMISHBACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Petrus Schenck, or Pieter, or Peter Schenk the Elder (1660-1711) was a German engraver and cartographer active in Amsterdam and Leipzig. Condition: good, given age. Tiny spot with paper loss at bottom left, backed. Some staining, but barely noticable on front. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Good. Mezzotint. 24.5 x 18.7 cm. On old laid paper. Very rare. Jacob baron van Wassenaer heer van Obdam als jonge man. Op de achtergrond zijn paard, waarachter het gezicht van een vrouw.Hollstein Dutch 936-1(2).in 1687 Schenck married Gerard Valck's sister Agatha; 1688 he became citizen ('poorter') of Amsterdam as engraver free of charge, because Gerard Valck's father was 'poorter'; his addresses: at the Lauriersgracht, in 1694: at the southside of the Egelantiersgracht, in 1699/1700: at the Beurssluis (The New Hollstein); with Gerard Valck the first publisher of prints in Teyler's colour process from 1695 (The New Hollstein).

13 original copper engravings, images ca. 28,5 x 19 cm each, more pictures and accurate shipping costs on request, not sold separately Titles: 1) The high Priest. etc. 2) The high Priest's brest Plate 3) The brest Plate of Judgement, 4) A Jew mit the mezuzoth in his hand. 5) The Ceromony of loosing the husband's brother's shoe. 6) The Sanhedrim or great council of the Jews. 7) The habit of a common Priest. 8) Ceremonies of the Jews upon the Sabbathday. 9) Ceremonies of the Jewsh Wedding. 10) The Jewish Passover. 11) The ceremonial habit oft the Kings of Israel. 12) One of the brazen basons or lavers in Solomon's Temple. 13) The habit oft the Levites. etc., // Jan Schenck see Thieme/ Becker XXX, 28 // Pieter Stevens van Gunst see Thieme / Becker XV, 345 f. Antique Print, antike Grafik de 500 Grafik.

78th plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'78. Templum Quirini; non Castoris', view on the church of Santi Cosma e Damiano. Inscribed on the bottom in Latin and Dutch:'AEDES CASTORIS; prope FORUM. / P Schenck exc: Amstelod: cum Privil:' l Etching on paper with margins; platemark: 166 x 200 mm; total: 190 x 253 mm; state I/2; Hollstein 1497-1596;Nagler 177; Le Blanc 19; Wurzbach 313.

75th plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'75. Templum S. Petri', view on the square facing S. Pieter from the palace adjacent to the basilica with a view on the Sant'angelo district. Inscribed on the bottom in Latin and Dutch:'AREA PORTICUS que D. PETRI a sinistris. / P Schenck exc: Amstelod: cum Privil:' l Etching on paper with margins; platemark: 168 x 196 mm; total: 191 x 253 mm; state I/2; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

99th plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'99. Villa Gandolphina', view papal residency of Castel Gandolfo on the Albano Lake. The pope is walking along the lakeshore in the center with his guards. Inscribed on the bottom in Latin and Dutch:'VILLA Pontificis URBANI OCTAVI. / P Schenck exc: Amstelod: cum Privil:' l Etching on paper with margins; platemark: 167 x 199 mm; total: 191 x 253 mm; state I/2; on the margin some tape on the bottom left, not affecting the plate; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

47th plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'47. Sepulcrum Cestii', view on the reconstruction of the Pyramid of Cestius (18-12 BC), tomb for Gaius Cestius, a magistrate in Rome. During the construction of the Aurelian Walls between 271 and 275, the pyramid was incorporated into the walls to form a triangular bastion. It was one of many structures in the city to be reused to form part of the new walls. Inscribed on the bottom in Latin and Dutch:'CAII CESTII marmorea PYRAMIS. / P Schenck exc: Amstelod: cum Privil:' l Etching on paper with margins; platemark: 168 x 198 mm; total: 192 x 254 mm; state I/2; some dirt along the external margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

58th plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'58. Sepulcrum, Septizonium Severi', view on the ruins of the so called Septizonium, a building constructed by will of emperor Septimius Severus, completely dismanteled by 1600. For this representation the source might have been a plate from Lafreri's 'Speculum Romanae Magnificentiae' (1574). Inscribed on the bottom in Latin and Dutch:'SEPTIZONIUM SEVERI. / P. Schenck exc: Amstelod: cum Privil:' l Etching on paper with margins; platemark: 167 x 198 mm; total: 191 x 254 mm; state I/2; some dirt along the external margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

52nd plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'52. . . Castel-/lum S. Angeli', view on the Tiberis overlooking the S. Angelo bridge and in the background St Peter. Inscribed on the bottom in Latin and Dutch:'PONS AELIUS, CASTRUM . / P Schenck exc: Amstelod: cum Privil:' l Etching on paper with margins; platemark: 167 x 195 mm; total: 192 x 254 mm; state I/2; some dirt along the external margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

21st plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'21. Columna Trajana', view on theTrajan's Column a Roman triumphal column that commemorates Roman emperor Trajan's victory in the Dacian Wars. Inscribed on the bottom in Latin and Dutch:'COLUMNA marmorea. / P Schenck exc: Amsteloed: cum Privil:' l Etching on paper with margins; platemark: 198 x 167 mm; total: 255 x 190 mm; state I/2; some dirt along the external margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

59th plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'59. Templum Antonini', view on the ruins of the temple of Antoninus and Faustina, adapted to the church of San Lorenzo in Miranda. It stands in the Forum Romanum, on the Via Sacra, opposite the Regia. Inscribed on the bottom in Latin and Dutch:'TEMPLI ANTONINI FAUSTINAEQUE. / Pet Schenck exc: Amstelod: cum Privil:' l Etching on paper with margins; platemark: 165 x 195 mm; total: 190 x 254 mm; state I/2; some dirt along the external margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

73rd plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'73. Templum S. Petri', bird view on the S. Peter's square and basilica in Rome with a procession approacing on horses. Inscribed on the bottom in Latin and Dutch:'TEMPLUM DIVI PIETRI. / P Schenck exc: Amstelod: cum Privil:' l Etching on paper with margins; platemark: 168 x 199 mm; total: 191 x 254 mm; state I/2; some dirt along the external margins;Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

49th plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'49. Sepulcrum Curtii', view on the ruins of the Lacus Curtius, in one of the Roma fora. Inscribed on the bottom in Latin and Dutch:'MONUMENTUM CURTII. / P Schenck exc: Amstelod: cum Privil:' l Etching on paper with margins; platemark: 167 x 198 mm; total: 192 x 254 mm; state I/2; small stain in the sky; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

43rd plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'43. Porta Populi', view on the Porta del Popolo, a gate of the Aurelian Walls. Inscribed on the bottom in Latin and Dutch:'PORTA FLAMINIA. / P Schenck exc: Amstelod: cum Privil:' l Etching on paper with margins; platemark: 166 x 195 mm; total: 191 x 254 mm; state I/2; some dirt along the external margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

30th plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'30. Campus Vaccinus, & templorum / in eo ruinae': view on the so called 'Campo Vaccino', a portion of the Roman fora used as bovine market from the XVI until the XVIII century. In particular are mentioned the ruines of the temple of Jupiter Sartor from the 8th century BC. Inspired to Etienne Duperac's plate 7 of 'I Vestigi dell' antichità di Roma.' (1575). Inscribed on the bottom in Latin and Dutch:'TEMPLI IOVIS STATORIS. / Pet Schenck exc: Amsteloed: cum Privil:' l Etching on paper with margins; platemark: 168 x 195 mm; total: 191 x 255 mm; state I/2; some dirt along the external margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

24th plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'24. Fons Navonae', view of the Fontana dei Quattro Fiumi (Fountain of the Four Rivers) in the Piazza Navona. It was designed in 1651 by Gian Lorenzo Bernini for Pope Innocent X whose family palace, the Palazzo Pamphili, faced onto the piazza as did the church of Sant'Agnese in Agone of which Innocent was the sponsor. Inscribed on the bottom in Latin and Dutch:'FONS in area qua hodie NAVONA . / P Schenck exc: Amsteloed: cum Privil:' l Etching on paper with margins; platemark: 198 x 167 mm; total: 255 x 190 mm; state I/2; some very small tears along margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

39th plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'39. Palatium montis Caballini', view on the Quirinal Palace, papal residency until the nineteenth century. Inscribed on the bottom in Latin and Dutch:'PONTIFICIUM PALATIUM. / P Schenck exc: Amstelod: cum Privil:' l Etching on paper with margins; platemark: 168 x 197 mm; total: 192 x 254 mm; state I/2; some dirt along the external margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

Second plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'2. Amphitheatrum Vespasianorum': view on the Colosseum's ruins with some figures in the foreground. Ispired to are inspired to Etienne Duperac's plate 16 of 'I Vestigi dell' antichità di Roma.' (1575). Inscribed on the bottom in Latin and Dutch:'AMPHITHEATRI VESPASIANORUM. / Pet Schenck exc: Amsteloed: cum Privil:' l Etching on paper with margins; platemark: 167 x 197 mm; total: 190 x 240 mm; state I/2; some dirt along the external margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

90th plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'90. Thermae Caracalla', view on the ruins of the thermal baths of Caracalla. Inscribed on the bottom in Latin and Dutch:'THERMARUM eiusdem CARACALLAE. / Pet Schenck exc: Amstelod: cum Privil:' l Etching on paper with margins; platemark: 166 x 194 mm; total: 191 x 253 mm; state I/2; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

54th plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'54. Sepulcrum Antii Lupi', view on the remainings of the tomb of Marco Antonio Antio Lupo, praetor in Rome. Inscribed on the bottom in Latin and Dutch:'MONUMENTUM M.A. ANTII LUP. / P Schenck exc: Amstelod: cum Privil:' l Etching on paper with margins; platemark: 168 x 200 mm; total: 191 x 254 mm; state I/2; some dirt along the external margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

Seventeenth plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'17. Capitolium', view on the Capitoline Hill from the side with the Palazzo Senatorio on the left. Personnages on the square. Inscribed on the bottom in Latin and Dutch:'CAPITOLIUM novum, Veneranda Anquitatis. / P Schenck exc: Amsteloed: cum Privil:' l Etching on paper with margins; platemark: 167 x 198 mm; total: 191 x 242 mm; state I/2; some dirt along the external margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

32nd plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'32. Horti ducis Sorani', view on the entrance to the Horti Luculliani, belonging to Villa Medici. Inscribed on the bottom in Latin and Dutch:'FORUM ROMANUM. / P Schenck exc: Amstelod: cum Privil:' l Etching on paper with margins; platemark: 167 x 195 mm; total: 190 x 254 mm; state I/2; some dirt along the external margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

68th plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'68. Templum, pantheon', lateral view of the Pantheon as it looked in the seventeenth century with Bernini's insertion of the two bell towers (removed in 1883). Inscribed on the bottom in Latin and Dutch:'PANTHEON; hodie D. VIRGINIS SS. que MARTYRUM. / P Schenck exc: Amstelod: cum Privil:' l Etching on paper with margins; platemark: 166 x 200 mm; total: 190 x 254 mm; state I/2; some dirt along the external margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

Sixth plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'6. Aqua Marcia': view on a portion of the so called Aqua Marcia, the longest of the 11 aqueducts that supplied the city of ancient Rome. Inspired to Etienne Duperac's plate 27 of 'I Vestigi dell' antichità di Roma.' (1575). Inscribed on the bottom in Latin and Dutch:'AQUAE MARCIAE CASTELLUM. / P.Schenck exc: Amsteloed: cum Privil:' l Etching on paper with margins; platemark: 167 x 200 mm; total: 191 x 255 mm; state I/2; some dirt and small tears along the external margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313.

Ruins on a mountain on the far bank of the river. Reeds and a fountain in the foreground, and some grazing cattle with a shepherd in the middle distance. With a Latin caption: "Muscosi fontes et somno mollior herba, et quae vos rara viridis tegit arbutus umbra, solstitium pecori defendite." (Virgil, Eclogues 7.45: "You mossy springs, and grass softer than sleep, and the green arbute that shields you with scanty shade, ward the noontide heat from my flock.") Etching hand laid paper, sheet size 278 x 183 mm., platemark 203 x 162 mm. Made by Pieter Schenck after his own design, and published by him in Amsterdam, c. 1685-1710, as the sixth print in a series of six. Pieter Schenck (Elberfeld 1660-1711 Leipzig) was a German-born printmaker and publisher, who married into the Valck family of engravers from Amsterdam. He worked in Leipzig and Berlin before moving back to Amsterdam at the end of his life. In good condition, with ample margins. A stain in the right margin, on the image edge. Creasing in the top left corner (one crease extending into the image), dampstained left and right margin edges (not affecting image). References: Hollstein 108 (only state).

Portrait of Willem d Orville, preacher in Haarlem in an oval. Very fine clothing, though ackward foreshortening of the arm resting on the oval frame. Inscribed, signed and dated below: Pet Schenck fe: Amstelod: cum Privil: 1702 Willem D Orville, / Bedienaer des Goddelyken Woords te Haarlem aetatis 50. l Mezzotint on paper with margins; plate mark 332 x 244 mm; total: 385 x 287 mm; only state; some stains on the bottom margins and some crease above to the left, otherwise in very good conditions; Hollstein 830, Drug 15372, Wurzbach 145, van Someren 1494.

Half-length portrait of theologian Gebrandt van Leeuwen. He is standing before a column. On the right view on a church. On the bottom text in Latin: 'GERBRANDUS VAN LEEUWEN. Superbus eas'; signed on the bottom right: 'Schenck ad vivum faciebat / et Excu: Cum Privil' l Mezzotint on paper with margins; plate mark 288 x 213 mm, total: 315 x 243 mm; state II/3; in very good contitions; Hollstein 720.

Three hunters with their dogs near a square tower in a landscape.From a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: Amoenissimae aliquot regiunuculae.Numbered on the bottom right: "11" and on the top right: "2". Republished by Pieter Schenk before 1713. Etching on laid paper with margins mounted on cardboard; plate mark: 135 x 201 mm, total: 168 x 241 mm; state III/3; sharp impression, in good condition. Hollstein 254.

Figures by a cartouche: a sitting man and a standing couple on either sides of the inscriptions.Title print of the fourth part, a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: "Amenissimae aliquot regiunuculae".Numbered on the bottom right: 1, and at top right: 4.Inscriptions: JAN VAN DEN VELDE Fecit CLAES IANS. VISSCHER EXCUDEBAT Anno 1616 / VIERDE DEEL Petrus Schenk Iunior Exc. N. 22.[NL] Figuren bij een cartouche: een zittende man en een staand paar aan beide zijden van de inscripties. Titelprent van het eerste deel een serie van in totaal zestig prenten met landschappen, verdeeld over vijf delen van elk twaalf prenten. Etching on laid paper; total: 120 x 191 mm; state III/3; despite some traces of handling, in good condition; some restorations on the verso; mounted on fine paper passepartout. Hollstein 268.