schenck jan (32 Ergebnisse)

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Stated 1st Scholastic edition with a 1 present in the number line; small 4to.; 142 pages; cloth backed pictorial boards; illustrated by Marcia Brown, Arnold Lobel, Maurice Sendak, Leo and Diane Dillon, Richard Egielski, Trina Schart Hyman, Marc Simont and Margot Zemach; very good in very good dust jacket.

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192 Seiten : mit zahlreichen farbigen Abbildungen ; 25 cm x 17 cm . Orig.-Kart. (gut erhalten).

Paperback. Zustand: Brand New. German language. 9.33x6.77x0.67 inches. In Stock.

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Paperback. Zustand: Sehr gut. Gebraucht - Sehr gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Einband durch Lager- oder Transportschaden -1933 wurden im nationalsozialistischen Deutschland in konzertierten Aktionen hunderttausende Bücher missliebiger Autor:innen öffentlich verbrannt. Diese Bücherverbrennungen waren mehr als nur eine kulturpolitische Säuberungsaktion, sie waren zentraler Bestandteil im komplexen Gefüge des nationalsozialistischen Machtdurchsetzungsprozesses. Sie in ihrer Gesamtheit zu betrachten, hat sich das Projekt Verbrannte Orte zum Ziel gesetzt und mittlerweile über 160 Bücherverbrennungen dokumentiert: als Fotografien jener Orte, wie sie heute aussehen. Sie zeigen unspektakuläre Plätze der Alltäglichkeit, nur an wenigen weisen Erinnerungszeichen auf das Geschehene hin. Wie aber betrachten wir diese Orte, wenn wir wissen, was dort passiert ist Eine Auswahl der Fotografien steht im Mittelpunkt des Buches. Ergänzt werden diese durch Texte, welche die Hintergründe der Bücherverbrennungen beleuchten. Einige Biografien betroffener Autor:innen werden vorgestellt und durch einen detaillierten Blick auf das Thema Exil begleitet. Außerdem wird erörtert, was die Bücherverbrennungen von 1933 mit Demokratie und Meinungsfreiheit von heute zu tun haben.mandelbaum verlag eG, Wipplinger Straße 23, 1010 Wien 192 pp. Deutsch.

Taschenbuch. Zustand: Neu. Neuware -1933 wurden im nationalsozialistischen Deutschland in konzertierten Aktionen hunderttausende Bücher missliebiger Autor:innen öffentlich verbrannt. Diese Bücherverbrennungen waren mehr als nur eine kulturpolitische Säuberungsaktion, sie waren zentraler Bestandteil im komplexen Gefüge des nationalsozialistischen Machtdurchsetzungsprozesses. Sie in ihrer Gesamtheit zu betrachten, hat sich das Projekt Verbrannte Orte zum Ziel gesetzt und mittlerweile über 160 Bücherverbrennungen dokumentiert: als Fotografien jener Orte, wie sie heute aussehen. Sie zeigen unspektakuläre Plätze der Alltäglichkeit, nur an wenigen weisen Erinnerungszeichen auf das Geschehene hin. Wie aber betrachten wir diese Orte, wenn wir wissen, was dort passiert ist Eine Auswahl der Fotografien steht im Mittelpunkt des Buches. Ergänzt werden diese durch Texte, welche die Hintergründe der Bücherverbrennungen beleuchten. Einige Biografien betroffener Autor:innen werden vorgestellt und durch einen detaillierten Blick auf das Thema Exil begleitet. Außerdem wird erörtert, was die Bücherverbrennungen von 1933 mit Demokratie und Meinungsfreiheit von heute zu tun haben.mandelbaum verlag eG, Wipplinger Straße 23, 1010 Wien 191 pp. Deutsch.

Taschenbuch. Zustand: Neu. Neuware - 1933 wurden im nationalsozialistischen Deutschland in konzertierten Aktionen hunderttausende Bücher missliebiger Autor:innen öffentlich verbrannt. Diese Bücherverbrennungen waren mehr als nur eine kulturpolitische Säuberungsaktion, sie waren zentraler Bestandteil im komplexen Gefüge des nationalsozialistischen Machtdurchsetzungsprozesses. Sie in ihrer Gesamtheit zu betrachten, hat sich das Projekt Verbrannte Orte zum Ziel gesetzt und mittlerweile über 160 Bücherverbrennungen dokumentiert: als Fotografien jener Orte, wie sie heute aussehen. Sie zeigen unspektakuläre Plätze der Alltäglichkeit, nur an wenigen weisen Erinnerungszeichen auf das Geschehene hin. Wie aber betrachten wir diese Orte, wenn wir wissen, was dort passiert ist Eine Auswahl der Fotografien steht im Mittelpunkt des Buches. Ergänzt werden diese durch Texte, welche die Hintergründe der Bücherverbrennungen beleuchten. Einige Biografien betroffener Autor:innen werden vorgestellt und durch einen detaillierten Blick auf das Thema Exil begleitet. Außerdem wird erörtert, was die Bücherverbrennungen von 1933 mit Demokratie und Meinungsfreiheit von heute zu tun haben.

Taschenbuch. Zustand: Neu. Verbrannte Orte | Nationalsozialistische Bücherverbrennungen in Deutschland | Jan Schenck | Taschenbuch | 192 S. | Deutsch | 2023 | Mandelbaum Verlag eG | EAN 9783991360056 | Verantwortliche Person für die EU: Mandelbaum Verlag eG, Wipplingerstr. 23, 1010 WIEN, ÖSTERREICH, office[at]mandelbaum[dot]at | Anbieter: preigu.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Deutsch | Produktart: Bücher.

Magnificent and rare colour-printed print series, the second part of the Admirandorum quadruplex spectaculum, published by Schenk ca. 1695.The prints are the result of an early experiment with multi-colour printing using a technique patented by Jan Teyler in Nijmegen, though it had already been used on rare occasions. With this so called "à la poupée" technique, each printing plate is inked in different colours (dabbed onto the plate with a cloth pad or ball) and then printed in multiple colours in a single print run. Since the colours had to be inked again after each run (like a monotype, but using an engraved or etched image), each print is unique, varying slightly in the composition of the colours. The result was a "printed painting" with deep purples, vivid oranges, cool turquoise blues and lush greens, with up to eight colours per impression to enhance perspective in landscapes, represent the volume of objects and record natural colours of birds, flowers and human figures.Colour printing remained rare far into the 19th century, but at the end of the 17th century, several people experimented with various techniques, especially in the Netherlands. In 1688 Johan Teyler (1649-1709), a Dutch painter, engraver and mathematician at Nijmegen, was granted a patent for a colour printing process in a novel manner that involved using different colours of ink at the same time when printing engravings or etchings. Pieter Schenk and Jan van Call knew Teyler from the time they lived also in Nijmegen, where Jan van Call studied mathematics with Teyler, and both Van Call and Teyler were members of the Bentvueghel club of artists in Rome.Some marginal staining, but generally in good condition. Magnificent colour-printed plates of Dutch palaces.l Hollstein 25 (1981), 181; 1440-60. Cf. Van Beers et al., Johannes Teyler: Nederlandse kleurendruk rond 1700; Van Delft, "Admirandorum quadruplex spectaculum", in: Stijl; Van Eeghen, "Petrus Schenk en zijn 'Afbeeldinge der voornaamste gebouwen van Amsterdam' ", in: Amstelodamum, 66 (1974), pp. 117-136; New Hollstein D&F (Johannes Teyler and Dutch Colour Prints), comp. by Ad Stijnman, ed. by Simon Turner, (2017), part III, pp. 182-278; Stijnman, Engraving and etching 1400-2000, pp. 347-355; Stijnman, "Colour printing in intaglio before c. 1700", in: Stijnman & Savage, eds., Printing colour 1400-1700, pp. 43-46; Turner, "Opus typo-chromaticum: the colour prints of Johannes Teyler", in: Stijnman & Savage, eds., Printing colour 1400-1700, pp. 196-206. Loose leaves. 4to (20 x 24.5 cm). 15 (from a series of 25) colour-printed plates (plate size ca. 13 x 17 cm).

13 original copper engravings, images ca. 28,5 x 19 cm each, more pictures and accurate shipping costs on request, not sold separately Titles: 1) The high Priest. etc. 2) The high Priest's brest Plate 3) The brest Plate of Judgement, 4) A Jew mit the mezuzoth in his hand. 5) The Ceromony of loosing the husband's brother's shoe. 6) The Sanhedrim or great council of the Jews. 7) The habit of a common Priest. 8) Ceremonies of the Jews upon the Sabbathday. 9) Ceremonies of the Jewsh Wedding. 10) The Jewish Passover. 11) The ceremonial habit oft the Kings of Israel. 12) One of the brazen basons or lavers in Solomon's Temple. 13) The habit oft the Levites. etc., // Jan Schenck see Thieme/ Becker XXX, 28 // Pieter Stevens van Gunst see Thieme / Becker XV, 345 f. Antique Print, antike Grafik de 500 Grafik.

Figures by a cartouche: a sitting man and a standing couple on either sides of the inscriptions.Title print of the fourth part, a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: "Amenissimae aliquot regiunuculae".Numbered on the bottom right: 1, and at top right: 4.Inscriptions: JAN VAN DEN VELDE Fecit CLAES IANS. VISSCHER EXCUDEBAT Anno 1616 / VIERDE DEEL Petrus Schenk Iunior Exc. N. 22.[NL] Figuren bij een cartouche: een zittende man en een staand paar aan beide zijden van de inscripties. Titelprent van het eerste deel een serie van in totaal zestig prenten met landschappen, verdeeld over vijf delen van elk twaalf prenten. Etching on laid paper; total: 120 x 191 mm; state III/3; despite some traces of handling, in good condition; some restorations on the verso; mounted on fine paper passepartout. Hollstein 268.

Three hunters with their dogs near a square tower in a landscape.From a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: Amoenissimae aliquot regiunuculae.Numbered on the bottom right: "11" and on the top right: "2". Republished by Pieter Schenk before 1713. Etching on laid paper with margins mounted on cardboard; plate mark: 135 x 201 mm, total: 168 x 241 mm; state III/3; sharp impression, in good condition. Hollstein 254.

Figures at a gate in a landscape.Title print of the first part, a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: "Amenissimae aliquot regiunuculae".Numbered on the top right: "1" and on the bottom right: "1". Republished by Pieter Schenk before 1713, as the address on the bottom left reads: "P. Schenk Iunior Exc. N.19". On the tympanum of the gate: "Eerste Deel." Etching on laid paper, mounted on cardboard; plate mark: 131 x 200 mm, total: 151 x 223 mm; state IV/4; slightly browning paper, possibly due to the mount, some light staining on the external left margin, otherwise in good condition. Hollstein 232.

A ferry with sheep near a tower in a river landscape.Sixth print from the fifth volume of a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: "Amenissimae aliquot regiunuculae".Numbered on the bottom right: 6, and at top right: 5.[NL] Een pont met daarop schapen bij een vierkante toren in rivierlandschap. Daarbij twee huizen met een muur eromheen. Vierde prent van een serie van in totaal 52 prenten met landschappen, verdeeld over twee delen van elk 26 prenten. Etching on laid paper; total: 187 x 257 mm; state III/3; despite some light traces of handling, in good condition; mounted on fine paper passepartout. Hollstein 285.

Figures on a country road near a ruined church in a landscape. From a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: "Amenissimae aliquot regiunuculae". Numbered on the bottom right: "2" and on the top right: "2". Republished by Pieter Schenk before 1713. Etching on laid paper with margins mounted on cardboard; plate mark: 133 x 201 mm, total: 165 x 233 mm; state II/2; despite some light staining on the margins and in the sky, in good condition. Hollstein 245.

Resting figures in a landscape with cows and a tower in the left. At the top a cartouche with the title: "CLAES IANS VISSCHER Excudebat Anno 1616. Derde Deel / Ian vande Velde Fecit." At the bottom of the cartouche a head of a bull with painting attributes in reference to Saint Luke as the patron saint of the artists. At the top, a head of a satyr. Title print of part two of a set of 52 prints with landscapes, divided into two parts of 26 prints each: "Amenissimae aliquot regiunuculae." Numbered on the top right: "3" and on the bottom left: "N. 11". Republished by Pieter Schenk before 1713, as the address on the bottom left reads: "P. Schenk Iunior Exc.". Etching on laid paper, mounted on cardboard; plate mark: 117 x 187 mm, total: 151 x 227 mm; state IV/4; slightly yellowing paper, possibly due to the mount, otherwise in good condition. Hollstein 256.

Landscape with a fortress and a tower. Behind it, on the right a chapel. In the foreground two monks walk on a path.From a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: Amoenissimae aliquot regiunuculae.Numbered on the bottom right: "9" and on the top right: "2". Republished by Pieter Schenk before 1713. Etching on laid paper with margins mounted on cardboard; plate mark: 133 x 200 mm, total: 168 x 237 mm; state III/3; despite some light staining and foxing especially on the margins, in good condition. Hollstein 252.

A man with a dog near a ruin. On the left a gate and in the foreground a pond with a few ducklings. From a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: "Amenissimae aliquot regiunuculae". Numbered on the bottom right: "4" and on the top right: "3". Republished by Pieter Schenk before 1713. Etching on laid paper with margins mounted on cardboard; plate mark: 120 x 188 mm, total: 159 x 227 mm; state II/2; in good condition. Hollstein 259.

Conversing figures on a road between the houses of a village. On the left, a church. Two seated figures in the foreground. Eighth print of part three of a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: "Amenissimae aliquot regiunuculae". Numbered on the top right: "3" and on the bottom right: "8". Republished by Pieter Schenk before 1713. Etching on laid paper, mounted on cardboard; plate mark: 121 x 188 mm, total: 155 x 225 mm; state II/2; some light staining on the external margins and a small stain in the sky, otherwise in good condition. Hollstein 263.

Figures in a pleasure boat on a pond near a castle. Two figures in the foreground.From a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: Amoenissimae aliquot regiunuculae.Numbered on the bottom right: "1" and on the top right: "10". Republished by Pieter Schenk before 1713. Etching on laid paper with margins mounted on cardboard; plate mark: 130 x 197 mm, total: 160 x 233 mm; state III/3; despite a tiny rust stain in the sky, nicely sharp impression. Hollstein 241.

A woman with a child near a ruined house in a landscape. Fifth print of part three of a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: "Amenissimae aliquot regiunuculae". Numbered on the bottom right: "5" and on the top right: "3". Republished by Pieter Schenk before 1713. Etching on laid paper with margins mounted on cardboard; plate mark: 120 x 188 mm, total: 155 x 227 mm; state II/2; in good condition. Hollstein 260.

Two figures on a path near an inn at night.From a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: Amoenissimae aliquot regiunuculae.Numbered on the bottom right: "1" and on the top right: "11". Republished by Pieter Schenk before 1713. Etching on laid paper with margins mounted on cardboard; plate mark: 130 x 196 mm, total: 163 x 230 mm; state III/3; despite light staining in the external margins, in good condition. Nicely sharp impression. Hollstein 242.

A man and a wagon pulled by horses near a house along a river with a stone bridge. On the right in the foreground two monks and on the horizon a city. From a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: "Amenissimae aliquot regiunuculae". Numbered on the bottom right: "16" and on the top right: "3". Republished by Pieter Schenk before 1713. Etching on laid paper with margins mounted on cardboard; plate mark: 120 x 189 mm, total: 146 x 217 mm; state II/2; despite some light foxing in the sky and on the margins, in good condition. Hollstein 264.

Ferry transporting animals and some people in front of a stone bridge. Two figures in the foreground.From a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: Amoenissimae aliquot regiunuculae.Numbered on the bottom right: "7" and on the top right: "2". Republished by Pieter Schenk before 1713. Etching on laid paper with margins mounted on cardboard; plate mark: 133 x 198 mm, total: 164 x 232 mm; state III/3; sharp impression. Hollstein 250.

Tobias, with the fish under his arm, and the angel walking on a path in a landscape (Tobit 4-6). On the left, the ruins of the house of the Crescenzi family. Some boats along the bank. Seventh print of a series of a total of 52 prints with landscapes, divided into two parts of 26 prints each: "Amenissimae aliquot regiunuculae". Numbered on the top right: "3" and on the bottom right: "7". Republished by Pieter Schenk before 1713. Etching on laid paper, mounted on cardboard; plate mark: 121 x 188 mm, total: 155 x 225 mm; state II/2; some light staining on the external margins and a small stain in the sky, otherwise in good condition. Hollstein 263.

Three figures resting on the bank of a river near a castle.From a series of a total of sixty prints with landscapes, divided over five parts of twelve prints each: Amoenissimae aliquot regiunuculae.Numbered on the bottom right: "1" and on the top right: "9". Republished by Pieter Schenk before 1713. Etching on laid paper with margins mounted on cardboard; plate mark: 134 x 197 mm, total: 164 x 232 mm; state III/3; despite light staining on the top margin, in good condition. Hollstein 240.