scanlan joe julian heynen (6 Ergebnisse)

255 pp.; 25.5 x 20.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue 55 of Parkett, edited by Bice Curiger. Contents include: Editorial: "Pavel Pepperstein: The Artist as a Subculture," by Boris Groys; "Universal Wisdom at the Bewitching Hour on Private TV," by Rudolf Schmidtz; Ed Ruscha: "Ed Ruscha's Illuminated Manuscripts," by Jeff Perrone; "Critters Crave Salt," by Jennifer Higgie; "Ed Ruscha's Modern Language," by Howard Singerman; "White-Out," by Katja Schenker; "The Ballad of Ed Ruscha," by Joe Scanlan; Edition for Parkett: Ed Ruscha;" Andreas Slominski: "Berlin Detours," by Nancy Spector; "Mousedomes at the Periphery of Peopledom," by Patrick Frey; "Wordless," by Julian Heynen; a conversation between Bettina Funcke, Jens Hoffmann, and Boris Groys; Edition for Parkett: Andreas Slominski; Sam Taylor-Wood: "Sustaining the Antagonism. On "Five Revolutionary Seconds," by Elisabeth Bronfen; "Sliding.S-Sam Taylor-Wood's Invention of the Dialogue," by Francesco Bonami; "The Soliloquious Vision," by Ewa Lajer-Burcharth; Edition for Parkett: Sam Taylor-Wood. "Cumulous aus Europa," by Michelle Nicol; "Cumulous from America," by Suely Rolnik; "Garderobe:" "Artist's Monographs & Editions" "Editions for Parkett No. 55 (With Prices). Insert by Kara Walker. Spine No. 55-57 designed by Louise Bourgeois from "ODE A MA MERE," 1995, one of a series of 9 drypoint etchings. Text in English and German. Very Good / Fine. Light rubbing of cover edges, and light bumping of cover corners, otherwise Fine. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

22 x 29 cm, Gewebeeinband. 110 S. : zahlr. Ill. ; Guter Zustand. Sprache: Englisch Gewicht in Gramm: 850.

Ln. Zustand: Sehr gut. 108 Seiten; Wie neu Übersetzung von Heynen, JulianWie neu.

Illustr. Originalleinenband. Zustand: Gut. 110 S. : zahlr. Ill. ; 22 x 29 cm. Sehr gutes Ex. - Deutsch; englisch. - Joe Scanlan (* 1961 in Stoutsville) ist ein US-amerikanischer Konzept- und Installationskünstler. Joe Scanlan studierte Bildhauerei und erlangte 1984 den Bachelor of Fine Arts am Columbus College of Art and Design in Ohio. Er setzte sein Studium an der School of the Art Institute of Chicago fort. Als Professor begann Scanlan 2001 an der Yale University School of Art zu lehren. 2009 wurde Scanlan als Professor nach Princeton berufen und leitet dort die Fakultät für Visual Arts. Scanlan veröffentlicht unter anderem Artikel über Kunst und Design in den Zeitschriften Artforum, Art issues, Frieze und Parkett. Massachusetts Wedding Bed, Thingstahtfall Pavilion und Donelle Woolford sind bekannte Projekte. Das Donelle Woolford Project", bei dem eine professionelle Schauspielerin die Rolle einer fiktiven Künstlerin übernimmt, wirft Fragen über die Bedeutung von Rasse und Geschlecht in der Kunst auf. Joe Scanlans Werke sind regelmäßig auf international bedeutenden Ausstellungen zu sehen, so auch auf der documenta IX, 1992 in Kassel. . (wiki) ISBN 9783866780620 Sprache: Englisch Gewicht in Gramm: 675.

255 pp.; 25.5 x 20.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue 55 of Parkett, edited by Bice Curiger. Contents include: Editorial: "Pavel Pepperstein: The Artist as a Subculture," by Boris Groys; "Universal Wisdom at the Bewitching Hour on Private TV," by Rudolf Schmidtz; Ed Ruscha: "Ed Ruscha's Illuminated Manuscripts," by Jeff Perrone; "Critters Crave Salt," by Jennifer Higgie; "Ed Ruscha's Modern Language," by Howard Singerman; "White-Out," by Katja Schenker; "The Ballad of Ed Ruscha," by Joe Scanlan; Edition for Parkett: Ed Ruscha;" Andreas Slominski: "Berlin Detours," by Nancy Spector; "Mousedomes at the Periphery of Peopledom," by Patrick Frey; "Wordless," by Julian Heynen; a conversation between Bettina Funcke, Jens Hoffmann, and Boris Groys; Edition for Parkett: Andreas Slominski; Sam Taylor-Wood: "Sustaining the Antagonism. On "Five Revolutionary Seconds," by Elisabeth Bronfen; "Sliding.S-Sam Taylor-Wood's Invention of the Dialogue," by Francesco Bonami; "The Soliloquious Vision," by Ewa Lajer-Burcharth; Edition for Parkett: Sam Taylor-Wood. "Cumulous aus Europa," by Michelle Nicol; "Cumulous from America," by Suely Rolnik; "Garderobe:" "Artist's Monographs & Editions" "Editions for Parkett No. 55 (With Prices). Insert by Kara Walker. Spine No. 55-57 designed by Louise Bourgeois from "ODE A MA MERE," 1995, one of a series of 9 drypoint etchings. Text in English and German. Fine. New in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Erste Auflage. 23 x 16,6 cm. 72 S. OKarton mit illustriertem OKlappenumschlag. Sehr gutes Exemplar. Durchgehend mit schwarz-weißen und einigen farbigen Abbildungen versehen. Mit Texten von Joe Scanlan und Julian Heynen in deutscher und englischer Sprache. Katalog zur gleichnamigen Ausstellung des amerikanischen Konzeptkünstlers im Museum Haus Lange in Krefeld. Sprache: deutsch und englisch.