scanlan joe (16 Ergebnisse)

255 pp.; 25.5 x 20.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue 55 of Parkett, edited by Bice Curiger. Contents include: Editorial: "Pavel Pepperstein: The Artist as a Subculture," by Boris Groys; "Universal Wisdom at the Bewitching Hour on Private TV," by Rudolf Schmidtz; Ed Ruscha: "Ed Ruscha's Illuminated Manuscripts," by Jeff Perrone; "Critters Crave Salt," by Jennifer Higgie; "Ed Ruscha's Modern Language," by Howard Singerman; "White-Out," by Katja Schenker; "The Ballad of Ed Ruscha," by Joe Scanlan; Edition for Parkett: Ed Ruscha;" Andreas Slominski: "Berlin Detours," by Nancy Spector; "Mousedomes at the Periphery of Peopledom," by Patrick Frey; "Wordless," by Julian Heynen; a conversation between Bettina Funcke, Jens Hoffmann, and Boris Groys; Edition for Parkett: Andreas Slominski; Sam Taylor-Wood: "Sustaining the Antagonism. On "Five Revolutionary Seconds," by Elisabeth Bronfen; "Sliding.S-Sam Taylor-Wood's Invention of the Dialogue," by Francesco Bonami; "The Soliloquious Vision," by Ewa Lajer-Burcharth; Edition for Parkett: Sam Taylor-Wood. "Cumulous aus Europa," by Michelle Nicol; "Cumulous from America," by Suely Rolnik; "Garderobe:" "Artist's Monographs & Editions" "Editions for Parkett No. 55 (With Prices). Insert by Kara Walker. Spine No. 55-57 designed by Louise Bourgeois from "ODE A MA MERE," 1995, one of a series of 9 drypoint etchings. Text in English and German. Very Good / Fine. Light rubbing of cover edges, and light bumping of cover corners, otherwise Fine. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

22 x 29 cm, Gewebeeinband. 110 S. : zahlr. Ill. ; Guter Zustand. Sprache: Englisch Gewicht in Gramm: 850.

Ln. Zustand: Sehr gut. 108 Seiten; Wie neu Übersetzung von Heynen, JulianWie neu.

Hardcover. Zustand: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.

Illustr. Originalleinenband. Zustand: Gut. 110 S. : zahlr. Ill. ; 22 x 29 cm. Sehr gutes Ex. - Deutsch; englisch. - Joe Scanlan (* 1961 in Stoutsville) ist ein US-amerikanischer Konzept- und Installationskünstler. Joe Scanlan studierte Bildhauerei und erlangte 1984 den Bachelor of Fine Arts am Columbus College of Art and Design in Ohio. Er setzte sein Studium an der School of the Art Institute of Chicago fort. Als Professor begann Scanlan 2001 an der Yale University School of Art zu lehren. 2009 wurde Scanlan als Professor nach Princeton berufen und leitet dort die Fakultät für Visual Arts. Scanlan veröffentlicht unter anderem Artikel über Kunst und Design in den Zeitschriften Artforum, Art issues, Frieze und Parkett. Massachusetts Wedding Bed, Thingstahtfall Pavilion und Donelle Woolford sind bekannte Projekte. Das Donelle Woolford Project", bei dem eine professionelle Schauspielerin die Rolle einer fiktiven Künstlerin übernimmt, wirft Fragen über die Bedeutung von Rasse und Geschlecht in der Kunst auf. Joe Scanlans Werke sind regelmäßig auf international bedeutenden Ausstellungen zu sehen, so auch auf der documenta IX, 1992 in Kassel. . (wiki) ISBN 9783866780620 Sprache: Englisch Gewicht in Gramm: 675.

First edition. Softcover. Text features a talk between Joe Scanlan and Amada Cruz along with a wide ranging selection of quotations by the likes of Anni Albers, Honor de Balzac, Albert Camus, Cher, Kim Gordon, Moliere, and numerous others. A very good copy in stapled wrappers with some slight sunning to and along the spine and front and rear panels. Uncommon.

Softcover. Zustand: Near fine. 56 p. 26 cm. B&w illustrations. Work by Tom Friedman, Germaine Koh, Michael Landy, Daniel Olson, Sandra Rechico, Joe Scanlan, David Shrigley, and Kelly Wood.

255 pp.; 25.5 x 20.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue 55 of Parkett, edited by Bice Curiger. Contents include: Editorial: "Pavel Pepperstein: The Artist as a Subculture," by Boris Groys; "Universal Wisdom at the Bewitching Hour on Private TV," by Rudolf Schmidtz; Ed Ruscha: "Ed Ruscha's Illuminated Manuscripts," by Jeff Perrone; "Critters Crave Salt," by Jennifer Higgie; "Ed Ruscha's Modern Language," by Howard Singerman; "White-Out," by Katja Schenker; "The Ballad of Ed Ruscha," by Joe Scanlan; Edition for Parkett: Ed Ruscha;" Andreas Slominski: "Berlin Detours," by Nancy Spector; "Mousedomes at the Periphery of Peopledom," by Patrick Frey; "Wordless," by Julian Heynen; a conversation between Bettina Funcke, Jens Hoffmann, and Boris Groys; Edition for Parkett: Andreas Slominski; Sam Taylor-Wood: "Sustaining the Antagonism. On "Five Revolutionary Seconds," by Elisabeth Bronfen; "Sliding.S-Sam Taylor-Wood's Invention of the Dialogue," by Francesco Bonami; "The Soliloquious Vision," by Ewa Lajer-Burcharth; Edition for Parkett: Sam Taylor-Wood. "Cumulous aus Europa," by Michelle Nicol; "Cumulous from America," by Suely Rolnik; "Garderobe:" "Artist's Monographs & Editions" "Editions for Parkett No. 55 (With Prices). Insert by Kara Walker. Spine No. 55-57 designed by Louise Bourgeois from "ODE A MA MERE," 1995, one of a series of 9 drypoint etchings. Text in English and German. Fine. New in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Krefeld 1996. 72 (8) S. Originalkarton m. -umschlag 23,0 x 16,6 cm. Gutes Exemplar.

Omslag bezoedeld, verder goed.

255 pp.; 24 x 17 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Annual publication focusing on art and artists. Conceived, organized and with a text by Christiane Schneider. Artists include Franz Ackermann, Angela Bulloch, Douglas Coupland, Meg Cranston, Stefan Dillemuth, Stan Douglas, Laura Emrick, Norman Foster, Liam Gillick, Michael Joaquin Grey, Klaus Hahlbrock, Carsten Höller, Ronald Jones, Inez van Lamsweerde, Jens-Marten Lohse, Helmut Neunzert, Hanno Otten, Jorge Pardo, Dan Peterman, Joe Scanlan, Julia Scher, Laura Stein, Beat Streuli, Lincoln Tobier, Peter M. Todd, Petra Wirth and Andrea Zittel. "Christiane Schneider presents contributions from various areas of society and research that are currently in a state of upheaval, such as biotechnology, mathematics, architecture, etc. non-artistic strategies, how much the social change affects the art of the 90s." --publishers statement. Text in German with some English. Fine. As issued, clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Erste Auflage. 23 x 16,6 cm. 72 S. OKarton mit illustriertem OKlappenumschlag. Sehr gutes Exemplar. Durchgehend mit schwarz-weißen und einigen farbigen Abbildungen versehen. Mit Texten von Joe Scanlan und Julian Heynen in deutscher und englischer Sprache. Katalog zur gleichnamigen Ausstellung des amerikanischen Konzeptkünstlers im Museum Haus Lange in Krefeld. Sprache: deutsch und englisch.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Issue edited by Tim Griffin. Essays "Passages: Daniel Birnbaum on Harald Szeemann," by Daniel Birnbaum; "Books: Mel Bochner on Donald Judd," by Mel Bochner; "Books: Pamela M. Lee on Andrea Fraser," by Pamela M. Lee; "Film: Keith Sanborn on Chris Marker," by Keith Sanborn; "Film: Daniel Birnbaum on 'The Ister,'" by Daniel Birnbaum; "Performance: Matt Saunders on Jonathan Meese's 'Mother Parsifal,'" by Matt Saunders; "Performance: Johanna Burton on Tracy + the Plastics," by Johanna Burton; "Slant: Joe Scanlan on Social Space and Relational Aesthetics," by Joe Scanlan; "On Site: Robert Lumley on the Fondazione Merz," by Robert Lumley; "Top Ten," by Josephine Meckseper; "Being There: Art and the Politics of Place," by Anne M. Wagner; "The Lay of the Land: An Experiment in Art and Community in Thailand," by Daniel Birnbaum; "Tristan da Cunha," by Tacita Dean; "Navigating the New Territory: Art, Avatars, and the Contemporary Mediascape," by David Joselit; "A Text About High Desert Test Sites," by Lisa Anne Auerbach and Andrea Zittel; "True Beauty: A Talk with the Center for Land Use Interpretation's Matthew Coolidge," by Jeffrey Kastner; "Remote Possibilities: A Roundtable Discussion on Land Art's Changing Terrain," by Claire Bishop, Lynne Cooke, Pierre Huyghe, Pamela M. Lee, Rirkrit Tiravanija, Andrea Zittel, and Tim Griffin (moderator); "El Diario del Fin del Mundo: A Journey that Wasn't"; "1000 Words: Catherine Yass," by Mark Godfrey; "World Apart: The Films of Jia Zhangke," by J. Hoberman; "An Eye for an Ear: Art and Music in the Twentieth Century," by Harry Cooper; "Openings: Roberto Cuoghi," by Alison M. Gingeras. Reviews by Jeffrey Kastner, Johanna Burton, Robert Rosenblum, Lane Relyea, Michael Fried, Michael Wilson, Brian Sholis, Emily Hall, Donald Kuspit, Lisa Pasquariello, Elizabeth Schambelan, Martha Schwendener, Jan Avgikos, Barry Schwabsky, Domenick Ammirati, RoseLee Goldberg, James Yood, Patricia Briggs, Glen Helfand, Maria Porges, Bruce Hainley, Jan Tumlir, Christopher Miles, Jennifer Allen, Massimo Carboni, Marco Meneguzzo, Cathryn Drake, Jean-Max Colard, Miriam Rosen, Nina Möntmann, Noemi Smolik, Wolf Jahn, Sven Lütticken, Liutauras Psibilskis, Ronald Jones, Martin Herbert, Rachel Withers. Cover: Andrea Zittel.

Soft cover. Zustand: Near Fine. Artist book. Printed wrappers with title label. Number 10 of a limited edition of 16 copies signed by Joe Scanlan. The text was read by Scanlan in the library of the Van Abbemuseum in october 2003 and published in december 2003 as part of the artist book 'Two Views'. Light offsetting from front flap to title page. 21,5 x 13 cm. Rare. Signed by Author(s).

Hardcover. Zustand: As New. No Jacket. 1st Edition. A limited edition signed artist's book inspired by two views of New York City: Herman Melville's Bartleby the Scrivener and Joe Scanlan's The Window Stunt. One of 50 signed and numbered copies. Hand-bound hardcover book in an acid-free lidded carton with 4 tipped-in plates, 2 color and 2 b&w. The object also includes a carved foam tray insert containing one mahogany handle, one lens cloth, one collapsible plastic stereoscopic viewer, and one stereoscopic viewing card showing a view of Wall Street, New York, circa 1848. The book measures 26 x 17 cm / 10.25 x 6.75 inches, the lidded carton measures 28 x 19 x 5 cm / 11 x 7.5 x 2 inches. Signed by Author(s).

No Binding. Zustand: Fine. Invitation. 1) Galerie Jan Mot, Brussels, 2002. --- 2) Galerie de Expeditie, Amsterdam, 2005. --- 3) Galerie Ghislaine Hussenot, Paris, 1995. --- Fine. Ephemera.