Söntgen beate (78 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -How is art criticism to be understood within an expanding artistic field A look at its history and its manifestations within globalized conditions shows the variety of the genre, of the criteria and of the styles of writing. This reader is an attempt to bring a diverse range of art-critical voices and perspectives into conversation with each other, with texts from the 18th century to the present. The editors Beate Söntgen and Julia Voss have invited colleagues from various geographical and intellectual backgrounds to present and discuss the art critics of their choice, choosing one example from their respective bodies of work to comment upon. How have these writers approached art criticism Which styles do they employ What makes them extraordinary What can we learn from their writings today, and why is it important in its contemporary context BEATE SÖNTGEN (\*1963) is professor of art history at Leuphana University Lüneburg. She studied art history, philosophy, and modern German literature in Marburg and Berlin. She is director of the DFG Research Training Group 'Cultures of Critique: Forms, Media, Effects' and co-director of the program 'PriMus - Doctoral Studies in Museums.'JULIA VOSS (\*1974) is an honorary professor at Leuphana University Lüneburg. She studied art history, modern German literature, and philosophy in Berlin and London. She is herself an art critic and journalist and was deputy head of the arts section of the Frankfurter Allgemeine Zeitung. 464 pp. Englisch.…

Zustand: New.

Zustand: New. In English.

Zustand: New. pp. 375.

Paperback. Zustand: Brand New. 256 pages. 7.50x4.75x1.00 inches. In Stock.

Paperback. Zustand: Brand New. 384 pages. 8.25x5.50x1.25 inches. In Stock.

Zustand: New. In English.

Zustand: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. 2022. 01st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - How is art criticism to be understood within an expanding artistic field A look at its history and its manifestations within globalized conditions shows the variety of the genre, of the criteria and of the styles of writing. This reader is an attempt to bring a diverse range of art-critical voices and perspectives into conversation with each other, with texts from the 18th century to the present. The editors Beate Söntgen and Julia Voss have invited colleagues from various geographical and intellectual backgrounds to present and discuss the art critics of their choice, choosing one example from their respective bodies of work to comment upon. How have these writers approached art criticism Which styles do they employ What makes them extraordinary What can we learn from their writings today, and why is it important in its contemporary context BEATE SÖNTGEN (\*1963) is professor of art history at Leuphana University Lüneburg. She studied art history, philosophy, and modern German literature in Marburg and Berlin. She is director of the DFG Research Training Group 'Cultures of Critique: Forms, Media, Effects' and co-director of the program 'PriMus - Doctoral Studies in Museums.'JULIA VOSS (\*1974) is an honorary professor at Leuphana University Lüneburg. She studied art history, modern German literature, and philosophy in Berlin and London. She is herself an art critic and journalist and was deputy head of the arts section of the Frankfurter Allgemeine Zeitung.…

Zustand: As New.

Zustand: As New.

Taschenbuch. Zustand: Neu. Neuware - Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as topoi such as the break, the marginalization, the tearing and opening indicate. However, these multifarious attempts to 'build on the structure through demolition' (Benjamin) testify to the dependence of all articulation on the forms of (re)presentation ['Darstellung']. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated which generate their critical statements less argumentatively than through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects and instruments, visibly enters the critical scene-whereas the theatrical scene as a stage of critique has been contested intensively during the 20th century. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.…

Zustand: As New.

Mit 86 (55 farb.) Abb. 127 S. 4°. Goldgepr. OPbd. Der hintere Vorsatz mit leichten Knickspuren, sonst gutes Exemplar mit doppelseitg bedrucktem Originalumschlag. (970 Gr.) Ausstellungskatalog in Deutsch und Englisch. Sprache: deutsch / englisch.

First edition, second printing. Fine large format paperback.original.

Buch. Zustand: Neu. Neuware - Judging is a practice that has come under suspicion. Who authorises and entitles whom to judge, and under what conditions does this happen What are the premises and criteria of judgment, and in how far are they generalizable Despite these important questions the artistic field is still dominated by judgments today. The volume examines the diverse sites and shapes of these judgments. There are manifold practices of selection and evaluation in play in the different stages of the process of judgment, as well as in the art worlds day-to-day operations of exhibiting, collecting or reviewing. Which patterns of reasoning and justification, and which styles and genres are being used in art-critical judgement And in how far are judgment practices effective agents of cultural education, as in the formation of taste Through a study of exemplary cases, the present volume undertakes a survey of the practices of judgment that determine the field of art, with respect to their genesis, their forms and their effects.…

Kartoniert, 8°, 203 (2) S. Ein Doppelblatt S. 208 - 210 lose einligend. Gutes Exemplar. ISBN 9783897704169.

hardcover. Zustand: Sehr gut. 148 Seiten; 9783940953513.2 Gewicht in Gramm: 1.

Zustand: NEW.

Zustand: New. Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidiz.

Softcover. Zustand: Sehr gut. 1. Auflage. W : 160 pages, 150 illustrations in color - Peter Fischli and David Weiss are a Swiss artistic duo who first began working together in the late 1970s. Their internationally renowned sculpture, video and photographic works look at everyday life and its conceptions of beauty and pleasure, forming an innocent, unpredictable world utterly unique in contemporary art. -.…

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 22 x 28 cm, 274 Seiten/pages with 230 black-white and colour images thread-sewn softcover - He describes himself self-deprecatingly as the "most famous unknown artist": Frank Uwe Laysiepen aka Ulay. With his concept of transformation, he constantly creates new identities. His preferred medium is photography initially, in the form of the Polaroid, photography became an integral part of his earliest artistic practice. For Ulay the instant picture, which has now been replaced by the digital image, is the material in his decade-long search for a way to represent life.…

Düsseldorf, Kunsthalle, 2006. 109 pp. Col.ills. Hardcover. [166555].

Zustand: New.