Ruth tatlow (27 Ergebnisse)

- Softcover
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Paperback. Zustand: Good. What is a cantata? How and why did Bach compose his cantatas? What did cantatas mean to Bach and what do they mean today? In Bach's Church Cantatas Ruth Tatlow addresses these questions through discussion of five of Bach's most beloved works enriched by newly researched insights that will intrigue both first-time and experienced listeners. With the overarching theme of Glory from the Gallery, this guide starts by introducing Bach's aims for his church cantatas. It examines the devotional content, the theology, and the poetic form of the cantata texts to help the reader appreciate Bach's musical responses. By analysing his choice of voices and instruments, compositional construction, structural symmetries, and other features in the music, Tatlow asks what significance these held for Bach, and how understanding this can help the listener of his music today. The text is illustrated by numerous rarely seen images from seventeenth- and early eighteenth-century sources. The book ends by reimagining the cantatas and their glories from galleries for all creeds and cultures.Written in an accessible style for both non-specialists and those already familiar with Bach, Bach's Church Cantatas uses new research and ways of listening to help us better understand and appreciate the variety of cantata styles and their relevance in the modern world beyond their original liturgical setting.…

- Softcover
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paperback. Zustand: Very Good.

- Softcover
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Zustand: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

- Softcover
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Zustand: New. In English.

- Softcover
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EUR 31,56
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Paperback. Zustand: Brand New. 232 pages. 5.60x0.90x8.00 inches. In Stock.

- Hardcover
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Zustand: sehr gut. XIII, 186 S., Abb., 24 cm. Transferred to digital printing 2005, first published 1991. Sprache: Englisch.

- Softcover
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Paperback. Zustand: Very Good. In stock ready to dispatch from the UK.

- Softcover
- Erstausgabe
Anbieter: Prior Books Ltd, Cheltenham, Vereinigtes KönigreichPrior Books Ltd
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Paperback. Zustand: Like New. First Edition. In nearly new condition: firm and square with strong joints, no creases. Just a few hardly noticeable rubs. Hence a non-text page shows a small 'damaged' stamp. Despite such this book looks and feels unread. Thus the contents are crisp, fresh and tight. And so a very nice book in great condition, now offered for sale at a reasonable price. …

- Hardcover
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

- Softcover
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Taschenbuch. Zustand: Neu. Neuware - What is a cantata How and why did Bach compose his cantatas What did cantatas mean to Bach and what do they mean today In Bach's Church Cantatas Ruth Tatlow addresses these questions through discussion of five of Bach's most beloved works enriched by newly researched insights that will intrigue both first-time and experienced listeners. With the overarching theme of Glory from the Gallery, this guide starts by introducing Bach's aims for his church cantatas. It examines the devotional content, the theology, and the poetic form of the cantata texts to help the reader appreciate Bach's musical responses. By analysing his choice of voices and instruments, compositional construction, structural symmetries, and other features in the music, Tatlow asks what significance these held for Bach, and how understanding this can help the listener of his music today. The text is illustrated by numerous rarely seen images from seventeenth- and early eighteenth-century sources. The book ends by reimagining the cantatas and their glories from galleries for all creeds and cultures.Written in an accessible style for both non-specialists and those already familiar with Bach, Bach's Church Cantatas uses new research and ways of listening to help us better understand and appreciate the variety of cantata styles and their relevance in the modern world beyond their original liturgical setting.…

Sprache: Englisch
Verlag: Stockholm University Press, 2018
- Softcover
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In den Warenkorb176 pp -TEXT IN ENGLISH- Sprache: Englisch Gewicht in Gramm: 550 8vo. Softcover, binding a bit rubbed, inside very fine.

- Hardcover
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hardcover. Zustand: Very Good.

- Softcover
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Zustand: New. In English.

- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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Zustand: New. In English.

- Softcover
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Paperback. Zustand: Brand New. 1st edition. 186 pages. 9.00x6.25x0.75 inches. In Stock.

- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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Zustand: New. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts. Num Pages: 204 pages, 11 b/w illus. BIC Classification: AVA; AVGC3; AVH. Category: (P) Professional & Vocational. Dimension: 234 x 156 x 11. Weight in Grams: 300. . 2008. Illustrated. paperback. . . . . Books ship from the US and Ireland. …

- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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Zustand: New. . 2016. Reprint. Paperback. . . . . Books ship from the US and Ireland.

- Hardcover
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Tankobon Hardcover. Zustand: Brand New. Japanese language. 7.48x5.04x1.34 inches. In Stock.

- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In eighteenth-century Germany the universal harmony of God's creation and the perfection of its proportions still held philosophical, moral and devotional significance. Reproducing proportions close to the unity (1:1) across compositions could render them beautiful, perfect and even eternal. Using the principles of her groundbreaking theory of proportional parallelism and the latest source study research, Ruth Tatlow reveals how Bach used the number of bars to create numerical perfection across his published collections, and explains why he did so. The first part of the book illustrates the wide-ranging application of belief in the unity, showing how planning a well-proportioned structure was a normal compositional procedure in Bach's time. In the second part Tatlow presents practical demonstrations of this in Bach's works, illustrating the layers of proportion that appear within a movement, a work, between two works in a collection, across a collection and between collections. …

- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In 1947 the theologian and musicologist Friedrich Smend published a study which claimed that J. S. Bach regularly employed the natural-order number alphabet (A=1 to Z=24) in his works. Smend provided historical evidence and music examples to support his theory which demonstrated that by this means Bach incorporated significant words into his music, and provided himself with a symbolic compositional scheme. Since then many people have taken up Smend's theory, interpreting numbers of bars and notes in Bach scores according to the natural-order alphabet. By presenting a thorough survey of different number alphabets and their uses in seventeenth- and eighteenth-century Germany, Dr Tatlow investigates the plausibility of Smend's claims. Her new evidence fundamentally challenges Smend's conclusions and the book sounds a note of caution to all who continue to use his number-alphabet theory. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts.…

- Hardcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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Zustand: New. In English.

- Hardcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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EUR 170,48
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Zustand: New. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts. Num Pages: 204 pages, 11 b/w illus. BIC Classification: 1DFG; 3JD; 3JF; AVA; AVGC3; AVH. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 13. Weight in Grams: 470. . 1991. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …

- Hardcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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Zustand: New. In English.

- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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EUR 172,57
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In 1947 the theologian and musicologist Friedrich Smend published a study which claimed that J. S. Bach regularly employed the natural-order number alphabet (A=1 to Z=24) in his works. Smend provided historical evidence and music examples to support his theory which demonstrated that by this means Bach incorporated significant words into his music, and provided himself with a symbolic compositional scheme. Since then many people have taken up Smend's theory, interpreting numbers of bars and notes in Bach scores according to the natural-order alphabet. By presenting a thorough survey of different number alphabets and their uses in seventeenth- and eighteenth-century Germany, Dr Tatlow investigates the plausibility of Smend's claims. Her new evidence fundamentally challenges Smend's conclusions and the book sounds a note of caution to all who continue to use his number-alphabet theory. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts.…

- Hardcover
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Hardcover. Zustand: Brand New. 411 pages. 9.75x7.00x1.25 inches. In Stock.

- Hardcover
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In eighteenth-century Germany the universal harmony of God's creation and the perfection of its proportions still held philosophical, moral and devotional significance. Reproducing proportions close to the unity (1:1) across compositions could render them beautiful, perfect and even eternal. Using the principles of her groundbreaking theory of proportional parallelism and the latest source study research, Ruth Tatlow reveals how Bach used the number of bars to create numerical perfection across his published collections, and explains why he did so. The first part of the book illustrates the wide-ranging application of belief in the unity, showing how planning a well-proportioned structure was a normal compositional procedure in Bach's time. In the second part Tatlow presents practical demonstrations of this in Bach's works, illustrating the layers of proportion that appear within a movement, a work, between two works in a collection, across a collection and between collections.…

- Hardcover
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EUR 291,25
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Zustand: New. Ruth Tatlow employs theoretical evidence and practical demonstrations to explain how and why Bach used numbers in his published compositions. Num Pages: 427 pages, 9 b/w illus. 119 tables. BIC Classification: AVGC3; AVH. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 183 x 257 x 26. Weight in Grams: 1004. . 2015. Hardcover. . . . . Books ship from the US and Ireland. …