Verlag: Groningen : Philip Elchers,, 1997
ISBN 10: 9050480543 ISBN 13: 9789050480543
Anbieter: Antiquariaat Digitalis, Amsterdam, Niederlande
Hardcover. Zustand: Fine. Velvet boards (hardcover), 52 p. : ill. ; 39 cm. Fine. Limited edition 374/1100. Text in Dutch and English.Veertien prominente auteurs, onder wie Marijke Höweler, Connie Palmen, C.O. Jellema, Rogi Wieg, Stephan Sanders en Joost Zwagerman, reageerden op veertien sculpturen, die beeldend kunstenaar Joshua Rozenman van zijn eigen lichaam goot in vergankelijke materialen. Kunsthistoricus Gary Schwartz schreef een uitgebreide interpretatie over Rozenmans project. De uitgave is tweetalig Nederlands/Engels. De boekband is bekleed met zwart fluweelpapier en voorzien van koperfoliedrukwerk en een ingelegde prent. Het binnenwerk telt 68 pagina s, uitgevoerd in twee soorten papier, in full colour en zwart bedrukt. Het boek heeft een staand formaat van 30,5 x 19,9 cm.
Verlag: Philip Elchers, Groningen 1997, 1997
Anbieter: Casanova Books, Amsterdam, Niederlande
4to, velours hb, illustrated, 52 p. + folding illustration, bibliophile edition (this is nr. 105/1100) In good condition. K2.
Verlag: Groningen : Philip Elchers,
ISBN 10: 9050480543 ISBN 13: 9789050480543
Anbieter: Mooney's bookstore, Den Helder, Niederlande
Zustand: Very good.
Verlag: [Amsterdam, Joshua Rozenman, 1994], 1994
Anbieter: Antiquariaat Digitalis, Amsterdam, Niederlande
Hardcover. Zustand: Fine. 10 loose folded leaves with illustrations by Rozenman and the text, in Dutch and English, by people who slept under a special blanket (made by Rozenman?). The leaves are wrapped in a piece of printed cloth and held in a slipcase of cardboard and wood and quilted fiberfill. Very light user marks, fine copy. 27 x 25 cm.
Groningen 1997, 55 pp, colour photos, hardcover with velour cover, good shape, 9050480543, (code O-34).
Anbieter: Fahrenheit 451 Antiquarian Booksellers, Nieuwerbrug, Niederlande
Signiert
No place, no publisher, 2002, VII,(2) pag., text-book ("keerboek") in Dutch and English with 2 mounted orignal coloured photographs and and 2 original microscope-slides loosely inserted in 2 small mounted plastic sealbags, publsihed in 60 numbered and signed copies, original wrappers with two mounted pieces of thick grey felt (1 cm. thick) with title printed in grey and with red ribbon, inserted in original grey board box, printed in black (20 x 15,7 x 6,6 cm. (h. x.w. x d.), upper lid with circular peeping hole, together with 4 small brown glass scent-bottles, all numbered in silver felt-tip pen. = Artist's book by Jehoshua Rozenman, "the glass poet:", was born in Tel Aviv (1955) and graduated from the Rijksakademie in Amsterdam. He is a sculptor who also painted and worked with video, until he discovered glass as a medium for making his ideas tangible. Since then, he focuses on working with glass. Although glass is his material, his sculptures look as if they are made of wax, iron or ceramics. His work is sometimes called anti-glass. The transitory nature of life is the ever-present theme in his work, its organic nature alludes to nature. As he sees it, all art is about deceiving life, about creating something that is supposed to be there forever - although that is not what the artist wants. "() The nose is the organ the most vulnerable and defenceless of our senses and can relatively easily be overwhelmed. Joshua Rozenman (Israel 1955) experiments with this fact in his new installations The Glass House & The Wall. Two 3-D works representing a new genre in art. The Scent Still Life.".
Groningen, Philip Elchers, 1997, 52,(9) pag., gekleurde fotogr. platen (1 uitvouw), design Ekkers & Pauw, origineel verguld zwart fluweel met ingelegde kleurenplaat in door de kunstenaar handvervaardigde gegoten composiet-doos, quarto (boek)/ 39 x 29 x 5 (doos). = Veertien auteurs, onder wie Marijke Höweler, Connie Palmen, Stephan Sanders en Joost Zwagerman, reageerden op veertien sculpturen, die beeldend kunstenaar Joshua Rozenman van zijn eigen lichaam goot in vergankelijke materialen. Kunsthistoricus Gary Schwartz schreef een uitgebreide interpretatie over Rozenmans project. De uitgave is tweetalig Nederlands/ Engels.