Roy julien david (18 Ergebnisse)
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Zustand: New. First published in 1758, this was the book that brought the wonders of Greek classical architecture to the notice of the Western world. This is a translation of the second, considerably expanded, edition of 1770. Translator(s): Britt, David. Series: Getty Research Institute Texts & Documents. Num Pages: 576 pages,…101 illustrations. BIC Classification: 1QDAG; 3D; ACG; AM; DNF. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 255 x 180 x 44. Weight in Grams: 975. . 2006. paperback. . . . . Books ship from the US and Ireland.
The Ruins of the Most Beautiful Monuments of Greece
Le Roy, Julien-David/ Middleton, Robin (Introduction by)/ Britt, David (Translator)
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Paperback. Zustand: Brand New. illustrated edition. 568 pages. 9.50x6.75x1.75 inches. In Stock.
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Gebunden. Zustand: New.
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Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references…, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
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Verlag: Chez les libraires qui vendent les Nouveautés, Paris, 1786
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In den WarenkorbCouverture rigide. Zustand: Très bon. Edition originale. Plein veau marbré de l'époque, triple filet d'encadrement sur les plats, fleurons aux angles. Dos lisse orné et doté portant la pièce de titre. Gardes de papier marbré. Un volume in-8 (192x116 mm), (4)-52 pages et une planche dépliante. Coiffes et coins abîmés. Corps d'ouv…rage très frais. Edition originale fort rare. Le Roy, était architecte et professeur à l'Académie d'architecture. Il s'intéresse à la Marine et cherche à apporter des améliorations techniques. Pour valider ses solutions, il fera construire un yatch prototype qu'il fera naviguer et dans cet ouvrage il présente les résultats obtenus. References : Polak [5850]. ___________________________________________________________________________________ ______________________________ENGLISH_DESCRIPTION : Contemporary full mottle calf. Flat spine. 8vo (192x116 mm), (4)-52 pages and one folding plate. Caps and corners chipped. Fresh copy. Rare first edition. Le Roy, was an architect and professor at the Academy of Architecture. He is interested in the Navy and seeks to make technical improvements. To validate his solutions, he will build a prototype that he will sail and in this book he presents his results. References : Polak [5850]. 180g.
[ Antoine-Denis Chaudet, French sculptor. ] Autograph Letter Signed ('Chaudet') to a 'cher camarade' (the architect A.-L.-T. Vaudoyer?), with reference to the architect Julien-David Le Roy.
Antoine-Denis Chaudet (1763-1810), French neoclassical sculptor [ Antoine-Laurent-Thomas Vaudoyer (1756-1846), architect; Julien-David Le Roy (1724-1803), architect and archaeologist ]
Verlag: 'ce 25 Messidor - an 11'. 14 July, 1803
- Manuskript//Papierbasiertes Sammlerstück
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In den Warenkorb1p., 16mo. In good condition. He begins by thanking him for his concern over his health: 'je vais beaucoup mieux et avec des ménagements j'espere que cela n'auras pas de suite'. In the next paragraph he refers to the French architect Julien-David Le Roy, recently deceased: 'je savais le résultat de la tentative faites pour le re…spectable David le Roi il faut ce consoler avec les bonnes âmes de toute celle que l'on rencontre qui sont seche et aride'. A final paragraph describes his intentions towards 'souscripteurs'. In a postscript he presents his respects to 'Mme Vaudoyer'.
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Tartalacrème. Gazette bimestrielle d'othographe et de poésie. Du n°22 (août 1982) au n°40 (avril 1986)
DHENIN (Marie-Hélène) - FRONTIER (Alain) - HEIDSIECK (Bernard) - LUCOT (Hubert) - DEMARCQ (Jacques) - BLAINE (Julien) - GIORNO (John) - CHOPIN (Henri) - METAIL (Michèle) - GETTE (Paul-Armand) - LEBEL (Jean-Jacques) - HUBAUT (Joël) - LABELLE-ROJOUX (Arnaud) - BOBILLOT (Jean-Pierre) - NEVE (Sylvie) - PRIGENT (Christian) - CUMMINGS (E.E.) -ANTIN (David) - WILLIAMS (William Carlos) - VAUTIER (Benjamin) - LE PILLOUER (Pierre) - VERHEGGEN (Jean-Pierre) - PARANT (Jean-Luc) - ROY (André) - NAGY (Paul) -
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In den WarenkorbBrunoy puis Pontault-Combault. Directeurs de publication : Marie-Hélène Dhénin et Alain Frontier. Suite de 31 livraisons 21x29,5cm agrafés et collés sous couvertures imprimées et illustrées en deux tons, 38 pages, illustrées, notamment de photographies hors texte sur papier couché, par Marie-Hélène Dhénin. Numéros thématiques :…n°22 : Jacques Demarcq, n°31 : Michèle Métail, n°33 : Parviz Khazraï, n°36 : Joël Hubaut, n°37 : Ben (Vautier), n°38 : Paul Nagy, n°39 : Poésie peule. Exemplaires en bon état . Bonne revue de poésie d'avant-garde qui compta 41 livraisons parues de 1979 à 1986. Livres.
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Anbieter: Herman H. J. Lynge & Søn ILAB-ABF, Copenhagen, DänemarkHerman H. J. Lynge & Søn ILAB-ABF
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In den WarenkorbParis, Nyon aîne, 1777. Contemp. hcalf. Gilt spine. Titlelabel with gilt lettering. A small nick to spine. Edges rubbed. XXVI,224 pp., 6 folded engraved plates. Faint marginal brownspots. First edition.
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Verlag: Nyon, Stoupe, Paris, 1777
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In den WarenkorbIn-8, [200 x 128 mm] de XXXV, (1), 224 pp., 6 planches h.-t. Demi-veau brun, dos à nerfs orné, tranches rouges. (Reliure de l'époque.). Première édition. Elle est illustrée par 6 planches dépliantes hors-texte. Comme l'indique le titre, l'auteur veut apporter des idées au perfectionnement de la marine de son temps. Petit manque…de papier dans la marge d'un feuillet sans atteinte au texte. Manque à la coiffe, sinon bon exemplaire. Provenance : "Audouin Dollfus, astronome" (ex-libris gravé) qui découvrit Janus, une lune de Saturne. Fils de l'aéronaute Charles Dollfus, il est détenteur de plusieurs records mondiaux en ballon, dont le premier vol stratosphérique en France. In-8, [200 x 128 mm] de XXXV, (1), 224 pp., 6 planches h.-t. Demi-veau brun, dos à nerfs orné, tranches rouges. (Reliure de l'époque.) - - - - - - - - - - - - - - - - - - - - -.
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In den WarenkorbParis, Nyon, 1783, in 8 de XLIII-(1)-240 pp., rel. d'ép. plein veau brun raciné, dos lisse ornés de roulettes et pastilles dorés, encadrements de roulettes dorées sur les plats, pièce de titre de maroquin rouge, tranches jaspées, bel ex. Rare et intéressante contribution de l'architecte et archéologue Julien Davis Le Roy (1724-1…803), qui s'inspire des navires antiques afin d'apporter des améliorations techniques à la voilure des navires de son temps. Illustré de 3 planches gravées dépliantes représentant des navires.
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Verlag: Paris Delatour et Musier, 1770
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In den WarenkorbSin Encuadernar. Zustand: Muy bien. Engraved view.56x41 cms.Black and white.The engraving shows the remains of the temple built during Augustus period( I century after Christ). Nothing remains of this structure nowadays.Le Roy gave a wrong attribution to the ruins depicted at the engraving as the Augustus temple was a small circ…ular building beside the Parthenon.
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Verlag: Paris Delatour et Mousier, 1770
Anbieter: Libreria Pontes, Madrid, M, SpanienLibreria Pontes
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In den WarenkorbSin Encuadernar. Zustand: Muy bien. Engraved view. 56x41 cms. Black and white.Fine condition.The engraving shows the gateway known as Arch of Hadrian.The Arch of Hadrian is a monumental gateway resembling in some respects a Roman triumphal arch. It spanned an ancient road from the center of Athens, Greece, to the complex of stru…ctures on the eastern side of the city that included the Temple of Olympian Zeus. It has been proposed that the arch was built to celebrate the adventus (arrival) of the Roman Emperor Hadrian and to honor him for his many benefactions to the city, on the occasion of the dedication of the nearby temple complex in 131 or 132 AD.[1] It is not certain who commissioned the arch, although it is probable that the citizens of Athens or another Greek group were responsible for its construction and design. There were two inscriptions on the arch, facing in opposite directions, naming both Theseus and Hadrian as founders of Athens.The engraving illustrates the monuments as it was supposed to be in the middle of the XVIII c and was inlcuded in Le Roy´s influential work on Greece that was a major source of inspiration aesthetically. Ref Blackmer 1009, Atabey 709.
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Verlag: Paris Delatour et Musier, 1770
Anbieter: Libreria Pontes, Madrid, M, SpanienLibreria Pontes
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In den WarenkorbSin Encuadernar. Zustand: Bien. Engraved view, 56x 41 cms,Black and white.The engraving shows this Choragic monument with some people in the foreground.The Choragic Monument of Lysicrates near the Acropolis of Athens was erected by the choregos Lysicrates, a wealthy patron of musical performances in the Theater of Dionysus to co…mmemorate the award of first prize in 335/334 BCE, to one of the performances he had sponsored. The choregos was the sponsor who paid for and supervised the training of the dramatic dance-chorus.In 1658, a French Capuchin monastery was founded by the site; in 1669 the monastery succeeded in purchasing the monument, then being called the "Lantern of Demosthenes" after the famous Athenian statesman of the 4th c. BCE.[2] A reading of its inscription by Jacob Spon established its original purpose.[3] The young British architects James "Athenian" Stuart and Nicholas Revett published the first measured drawings of the monument in their Antiquities of Athens, London 1762. Le Roy´s view shows the lantern attached to the french monastery. The "Ruines" by Le Roy was an important source of inspiration and influenced the neoclassical taste in Europe during XVIII c. Ref Atabey 709, Blackmer 1009.
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Verlag: Paris delatour et Musier, 1770
Anbieter: Libreria Pontes, Madrid, M, SpanienLibreria Pontes
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In den WarenkorbSin Encuadernar. Zustand: Muy bien. Engraved view.56x41 cms. Black and white. Fine condition.the engraving shows this ancient Greek temple on the north side of the Acropolis.The temple as seen today was built between 421 and 405 BC. Its architect may have been Mnesicles, and it derived its name from a shrine dedicated to the leg…endary Greek hero Erichthonius. The sculptor and mason of the structure was Phidias, who was employed by Pericles to build both the Erechtheum and the Parthenon.It is believed to have been a replacement for the Peisistratid temple of Athena Polias destroyed by the Persians in 480 BC.On the south side, there is another large porch with columns, and on the south, the famous "Porch of the Maidens", with six draped female figures (caryatids).The temple itself was dedicated to Athena Polias and Poseidon Erechtheus. Within the foundations lived the sacred snake of the temple, which represented the spirit of Cecrops and whose well-being was thought essential for the safety of the city. Ref Blackmer 1009.Atabey 709.
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Verlag: Paris, Nyon, 1783,, 1783
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In den WarenkorbZustand: Bon. pl. veau marbré époque, dos orné, coiffe sup. usée. Edition originale. L'auteur était un architecte de renom qui s'est aussi intéressé à l'histoire de la Marine. Il propose des solutions originales et nouvelles pour les gréements de son époque, notablement influencés par les principes du gréement bermudien. Polak 5…849. pet. in 8°, de 2ff. 240pp., ill. de 3 planches gravées se dépl. de voilures.
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LES RUINES DES PLUS BEAUX MONUMENTS DE LA GRECE
(ARCHITECTURE - ANCIENT GREEK WORLD). LE ROY, [JULIEN-DAVID]
Verlag: H. L. Guerin & L. F. Delatour, Jean-Luc Nyon, and Jean Neaulme, Paris, 1758
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In den WarenkorbFIRST EDITION. 608 x 445 mm. (24 x 17"). xiv, 56; [2], vi, 28 pp. Two parts in one volume. Later (early 20th century?) quarter sheep over marbled boards, raised bands, compartments gilt, reddish-brown leather label with gilt lettering, all edges untrimmed. With large woodcut vignette on title, and 60 ENGRAVED PLATES by Le Bas, L…ittret de Montigny, Neufforge, and Patte after Le Roy. Brunet III, 103; Millard, French 101. A little rubbing to corners and head and tail of spine, leather a bit faded, chafed, and freckled in places, but the binding entirely sound and still quite pleasing; very faint diagonal crease at lower corner of many leaves, a handful of plates slightly browned (one more noticeably so), other minor issues, but quite a fine copy internally--the vast majority of the contents clean and bright, with deep impressions of the text, with the engravings richly impressed, and with vast margins. With engravings by the some of the most esteemed artists of the day, this imposing work contains beautiful depictions of Greek ruins and monuments that proved extremely influential to the development of French Neoclassical architecture. The text is divided into two parts, the first covering the history of various monuments and Le Roy's thoughts on the principles of architecture, and the second primarily containing a discussion of the orders of columns--particularly the Doric order--as well as several reconstructions of ruined temples. According to Millard, this work "breaks new ground in providing a synthesis of archaeological findings with a body of architectural theory developed and expanded from the important controversy of Claude Perrault and Francois Blondel [i.e., quarrel of the Ancients and the Moderns]. . . . Perhaps most important, Le Roy's treatise provides the theoretical framework and many of the actual models for French neoclassical architecture." Although "Les Ruines" came under some criticism, especially by British rivals James Stuart and Nicholas Revett, it nevertheless "made a strong public impact," in the words of the Dictionary of Art Historians, and "greatly influenced the architects of the day, particularly Jacques-Denis Antoine, Jean-Arnaud Raymond, Alexandre-Théodore Brongniart, and François-Joseph Bélanger." This was in no small part due to the exquisite plates that included many picturesque views, engraved by talented artists such as Louis-Joseph Le Lorrain, Pierre-Charles Le Mettay, Claude-Antoine Littret de Montigny, and Jacques Philippe Le Bas, among others. The son of the horologer to Louis XV, Julien-David Le Roy (1724-1803) was an architect, art historian, and archaeologist. He was a protégé of Jacques-François Blondel (1705-74), whom he later succeeded as professor at the Académie Royale d'Architecture. After winning the Prix de Rome in 1754, Le Roy spent time in Greece studying and measuring ancient architecture, and developing many of the theories that he would eventually publish in the present work.













