ron hunt (16 Ergebnisse)

Zustand: Good. Brooks, Ron (illustrator). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Brooks, Ron (illustrator). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Brooks, Ron (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 160 p.: ill., ports.; 21 cm. Subjects; Great Britain. Royal Navy Submarine forces History. World War, (1939-1945). Naval operations, British. 1 Kg.

Paperback. Zustand: Nr Fine. Reprint. Signed by Keith Nethercoate-Bryant. Signed by Editor.

Paperback. Zustand: Brand New. 162 pages. 5.50x0.41x8.50 inches. In Stock.

Hardcover. Zustand: Very Good. Ron Brooks (illustrator). 1st Edition. Picture book of the year 2012 (Children's book council of Australia) Story of a high flying coat 1 cm repaired tear on ffep, other wise lovely copy. Large landscape 4to 32 p.

Soft cover. Zustand: Very Good. No Jacket. 4th edition ; 422 p. : ill. (some col.) ; 28 cm. ; ISBN: 0895822024; 9780895822024 ; LC: RC86.7; Dewey: 616.0252 ; OCLC: 21967044 ; pictorial flexible paper wrappers ; Contents: Basic life support -- Wounds and fractures -- Medical emergencies -- Environmental emergencies -- Psychological emergencies and disasters -- Stabilization and transfer. ; test sheet removed from front ; color photographs illustrated methods ; VG. Book.

Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st ed. [1st printing] ; 191 pages : illustrations, portraits ; 24 cm ; ISBN 9780932298508, 0932298508 ; OCLC 17567376 ; grey and red cloth in photographic dustjacket ; features recollections of Lethea Turman Lochridge, Helen Turman Markey, Laura Rose Gause, Elizabeth Little Meriweather, Margaret Rosser Aichel, Virginia Maude Eastman, Daisy Arnold Maude, Mrs, Sidney Owen, Mrs. S. R. Dull, Sarah Orme Huger, Harold Latham, Mariana Goldsmith Knox, Bitsy Sims Alison, Alice Hamilton, Minnie Hite Moody, Frances Austin Catts, Mary Virginia McConnell Adair, Georgia Hoyle Adams Manry, Julia Brantley Willet, Eugenia Snow Van Kuller, Elizabeth Scott Thomas, Elizabeth Shuemake McCleskey, Eleanor Roosevelt, Franklin M. Garrett, Elizabeth Whitman Hunt, Richard Harwell, Mary Upshaw Pike, Jerry Rivers Mangham, Lamar Slaton Hitt, Margaret Peavy Hitt, Celestine Sibley, Doris Lockerman, Louise Hastings, Cary Wilmer Jr, Harold Martin, Sims Maddox, Dan Abrams, Medora Field Perkerson, Ellen Newell Bryan, Callie Orme Healey, Marguerite Sharp Reynolds Scott, Mynita Swan Gerakitis, and photos by Franklin Nix ; Yolanda Gwin started as a young lady with the Atlanta Journal-Constitution and for many, many years was a society writer and editor for the Journal-Constitution. Yolanda wrote t he first review of Gone With The Wind in February of 1936 and has since written many articles about the book and the movie. Her book, Yolanda's Atlanta, was published in 1983 by Peachtree Publishers. ; SIGNED by author Yolanda Gwin on the front endpaper ; FINE/FINE. Signed by Author(s). Book.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Burns, Jim; Achilleos, Chris; Gibson, Ian; Ewins, Brett; Higgins, Graham; Matthews, Mike; Sienkiewicz; Gibbons, Dave; Emerson, Hunt; Bolton, John; Sanderson, Bill; Fabry, Glenn; Smith, Ron; Talbot, Bryan (illustrator). 1st Edition. First edition, first printing. 256pp, with one full page drawing accompanying each of the 14 stories. Signed and inscribed by Roz Kaveney on the title page, Lawrence, regards, Roz Kaveney. Signed by Brian W Aldiss and Jim Burns on p.14, the start of Aldiss's story, illustrated by Jim Burns. Signed and inscribed by Josephine Saxton on p.46, the start of her story, 'Hello Conspiracy.Best Wishes, Josephine Saxton xx'; signed by Garry Kilworth on p.66, the start of his story; signed and inscribed by Louise Cooper on p.76, the start of her story, 'To Lawrence, best wishes, Louise Cooper'; flamboyantly signed by Ramsey Campbell on p.96, the start of his story, 'for Lawrence, all the best! Ramsey'; signed by Mike Matthews on p. 96, the start of the story he illustrated, with date (30th September 1987) and doodle; signed and dated by Tanith Lee on p. 111, the title page for her story; signed and inscribed by Iain Banks on p.134, the start of his story, 'To Lawrence, from.a totally sober Iain (M) Banks at Conspiracy 1987 at Brighton, 28.8.87, Personalised Comment: Hi Law.!'; signed and inscribed by Lisa Tuttle on p. 174, the start of her story, 'To Lawrence, All best wishes, Lisa Tuttle, 28 Aug '87'; signed by Harry Harrison on p.188, the start of his story; signed by Gwyneth Jones on p. 200, the start of her story; signed, with a doodle, by Glenn Fabry on p. 200, at the start of the story he illustrated; signed by John Brunner on p.216, at the start of his story; signed by Mike Moorcock and Bryan Talbot on p. 233, on the first illustration for the Moorcock's story. In grey cloth-covered boards with red and black titles front and spine. Bright red endpapers. 8vo. Hint of creaminess to pages. In its original dust jacket, with just a trace of bumping on extreme corners. Dust jacket now protected in an archival quality Mylar wrapper, fitted without the use of tape or adhesives. A collection of 14 original stories by some of the best writers in the science fiction, fantasy and horror genres illustrated by some of the best known fantasy and comic artists. With the wealth of signings, apparently gathered at the Conspiracy convention in Brighton in 1987, a unique item.

Softcover. Zustand: Near Fine. First edition. Stapled wrappers. 65pp. Edges lightly age-toned and bumped, near fine. Contributions by Robert M. Philmus, Margaret Edwards, Ron Loewinsohn, Priscilla Shames, James Reiss, Eric Felderman, Louise Gluck, Daniel Cassidy, Jr., Douglas L. Eichhorn, Paul W. Roewade, Joseph W. Survant, David Landon, Paul Brinkley-Rogers, Peter Welter, Helen Pringle, Anne Cleaves, David E. Cummings, William Pitt Root, Paul Oppenheimer, Shirley Kaufman, Stan Rice, DeWitt Beall, Jane Yolen, Gay Cothran, Kenneth Fields, Benito Cereno, John Peck, David Ransom, Tim Reynolds, L. Wittgenstein, Rodham Tulloss, McLister, Mary Maxwell Davis, Janis Adams, Roger H. Fogelman, Henry Taylor, Richard L. Pevear, Alexander Theroux, James Scay, Coburn Freer, E.G. Leimbacher, Frances McConnel, Susan Mitchell, David F.R. McGeary, Hunt Hawkins, and Patricia C. Smith.

Rainbow Revision Shooting script for the 1992 film. Copy with the marker annotations of "Set Copy / Please Do Not Take" written on the front wrapper, and a manuscript marker annotation of copy number "193" on the top of the title page. Billy Crystal's directorial debut, about the rise and fall of a standup comedian named Buddy Young Jr. The film was adapted for the stage in 2021, with Crystal reprising his performance as Young. Beige untitled wrappers. Title page present, dated September 26, 1991, noted as SHOOTING SCRIPT, with credits for screenwriters Billy Crystal, Lowell Ganz, and Babloo Mandel. 155 leaves, with last page of text numbered 121. Xerographic duplication, rectos only, with blue, pink, yellow, green, goldenrod, and white revision pages throughout, dated variously between 9/27/91 and 10/31/91. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

With five black-and-white illustrations. The catalogue for a long-forgotten documentary exhibition which used mainly photographs and texts on panels as display materials. Compiled and curated by Ron Hunt, then librarian in the Department of Fine Art at the University of Newcastle, the exhibition was actually installed in the Physics department at Newcastle University, 1967. Hunt had joined the university library on the instigation of Richard Hamilton in 1962, and Descent into The Street was one of his first curatorial endeavours. The exhibition encompassed a wide spread of material - Constructivist design, Rodchenko, Malevich, Lissitzky, Rodchenko, Dada and Surrealist actions; recent art including such things as Warhol?s Exploding Plastic Inevitable, Yves Klein and Allan Kaprow happenings; Chinese mass callisthenics; and crucially Black Mask, the New York based militants and anti-artists. The exhibition moved to the Bristol Arts Centre the following year. Accompanying the catalogue are two rare original posters publicising the exhibition. The first of these has an appropriated image from 1922 of the conductor of Arseny Avraamov?s Symphony of Factory Sirens, where the conductor stands on the roof of the tallest house and conducts by means of flags. The male figure here is printed in green, with surrounding text in purple (poster measures 70.5 x 45 cm); the second poster appears to be an unused proof - printed in black on a yellow sheet, the poster design consists purely of text, using five quotes by Lissitzky, Tzara, Breton, Kaprow, and Black Mask (75 x 50 cm). Both posters with handling creases and wear to edges, commensurate with age, and the first with pinholes and remnants of old tape on verso. (Rare. WorldCat lists only two copies of the catalogue at The Tate and Liverpool John Moores University). Three-part folded sheet with text and illustrations printed both sides + three additional loose text leaves with typed catalogue entries. Slight foxing to covers, otherwise good.

Orginal broadside. 42.9 x 30.2 cm., b&w photocollage portrait with hand blocked text in speech bubble on verso, text in reverse white around left, top end right edges, recto: text and titles in black, the latter running down right edge, two detourned comic strips on foot. N.p. [Stockholm?], n.p., n.d., c. 1968-1969. £775.00A crisp copy, rolled, one drawing pin hole apiece on three corners, the other corner with the tip missing. Perhaps not as scarce as its complete absence in Worldcat (as a named item outside of a vertical file) suggests but still jolly rare. A copy donated by Hunt to the V&A's ?You Say You Want A Revolution?' show. This cataloguer has only seen a couple in his twenty or so years of familiarity with this sort of material.Ronald Hunt is an art historian and Newcastle University's former fine art librarian (shooed into positon by Richard Hamilton) who gathered together a group of young libertarian, leftist, art-students around him to produce a journal with the urine inspired title ?Icteric' (meaning ?jaundiced'). The ?Icteric Group' included the Wise brothers, the Yorkshire born stalwarts of the situ infused prankster activists called King Mob who later staged giveaways of toys liberated from Selfridge's at Christmas and plastered the LSE with obscene posters The poster part of the zine with the rubric ?New Tremors Are Running Through The Atmosphere' All We Need Is the Coureage To Face Them' often serves as the title for the many admirers of this recherché ephemeron and it was surely, albeit discreetly, very influential upon the direction of much contercultural satire. The détourned image of Brigitte Bardot, at the height ot her powers, with the speech bubble text 'Poetry will be made by all not by one' (derived from the Comte De Lautréamont) relates to the French Situ inspired ?Interview with BB' on the recto where ?she' discourses on capitalism using a mélange of Debord/Vaneigem and Frankfurt School theorist Herbert Marcuse' ideas about consumer society. It was produced in relation to, or prefiguring, Ronald Hunt and Pontus Hulten's 1969 curated show at the Moderna Museet Stockholm entitled ?Poetry Must be Made By All/Transform The World'. The Bash Street School of the title and illustrations refers to/is taken from the much loved comic strip from The Beano featuring an anarchic class of kids and a disciplinarian teacher.