Romano catherine (16 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Garland, Roger (illustrator).

Zustand: New. Garland, Roger; Romano, Catherine (illustrator).

Soft Cover. Zustand: Very Good. May 2001. 216 pp. May 2001 issue only! Solidly bound copy with moderate external wear, crisp pages and clean text. Smooth covers. Mildly shelf worn. Art Streiber (Cover Photo) (illustrator).

Soft Cover. Zustand: Very Good. March 2001. 204 pp. March 2001 issue only! Solidly bound copy with moderate external wear, crisp pages and clean text. Smooth covers. Mildly shelf worn. Lori Stoll (Cover Photo) (illustrator).

Soft Cover. Zustand: Very Good. January 2001. 200 pp. January 2001 issue only! Solidly bound copy with moderate external wear, crisp pages and clean text. Smooth covers. Mildly shelf worn. Shonna Valeska (Cover Photo) (illustrator).

Soft Cover. Zustand: Very Good. April 2001. 228 pp. April 2001 issue only! Solidly bound copy with moderate external wear, crisp pages and clean text. Smooth covers. Mildly shelf worn. Rocky Kneten (Cover Photo) (illustrator).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Garland, Roger; Romano, Catherine (illustrator).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Garland, Roger (illustrator).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Garland, Roger; Romano, Catherine (illustrator).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Garland, Roger; Romano, Catherine (illustrator).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Garland, Roger (illustrator).

Zustand: New. Garland, Roger; Romano, Catherine (illustrator).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Garland, Roger; Romano, Catherine (illustrator).

Zustand: As New. Unread book in perfect condition. Garland, Roger; Romano, Catherine (illustrator).

Paperback. Zustand: new. Paperback. Corin an Fol, Longswordsman and ex mercenary has but one objective: retire early and settle down. Unfortunately the gods have other ideas. When Corin arrives home after many years fighting foreign wars, he finds bad news waiting for him. The High King has been murdered and his crystal crown, the Tekara, destroyed. The Tekara is no ordinary crown. Wrought of solid crystal it contains a charm of strength that has protected the Four Kingdoms for millennia. But the Tekara is vulnerable to one thing: treachery. So when Caswallon the schemer secretly places the crown on Prince Tarin's head he knows it will shatter, causing the realms to fall apart. He stands to gain as soon as it breaks. Though many suspect Caswallon, who is known as a sorcerer, only one dares stand against him: Queen Ariane of Kelwyn. She is visited by her goddess in a dream who warns that Prince Tarin has fled with the shards of the Shattered Crown, and only by finding both Prince and Crown can the Four Kingdoms be saved. After being promised gold, Corin an Fol reluctantly joins the queen's desperate quest to salvage the missing shards. But Caswallon is on to them and already watching their every move. Corin an Fol, Longswordsman and ex mercenary has but one objective: retire early and settle down. Unfortunately the gods have other ideas. When Corin arrives home after many years fighting foreign wars, he finds bad news waiting for him. The High King has been murdered and his crystal crown, the Tekara, destroyed. The Tekara is no ordinary crown. Wrought of solid crystal it contains a charm of strength that has protected the Four Kingdoms for millennia. But the Tekara is vulnerable to one thing: treachery. So when Caswallon the schemer secretly places the crown on Prince Tarin's head he knows it will shatter, causing the realms to fall apart. He stands to gain as soon as it breaks. Though many suspect Caswallon, who is known as a sorcerer, only one dares stand against him: Queen Ariane of Kelwyn. She is visited by her goddess in a dream who warns that Prince Tarin has fled with the shards of the Shattered Crown, and only by finding both Prince and Crown can the Four Kingdoms be saved. After being promised gold, Corin an Fol reluctantly joins the queen's desperate quest to salvage the missing shards. But Caswallon is on to them and already watching their every move. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Garland, Roger; Romano, Catherine (illustrator).…

Brossura. Zustand: new. French Text. Proceedings of the "3è Cycle Romand de Lettres". Lausanne - Fribourg, March 24 - 25, 2000; April 14 - 15, 2000; May 12 - 13, 2000. Edited by Nicolas Bock, Peter Kurmann, Serena Romano and JeanMichel Spieser. Roma, 2002; paperback, pp. 614, 306 b/w ill., cm 17x24. (I libri di Viella. Arte). L'intérêt pour les relations entre liturgie et domaine artistique est devenu de plus en plus remarquable dans les années récentes; à travers cette problématique, l'oeuvre d'art se relie d'une manière très évidente à son contexte et à ses fonctions. Dans la sphère religieuse aussi bien que profane, ce qui se met en évidence est l'usage, permanent ou momentané, qui permet d'expliquer certaines caractéristiques de l'oeuvre, difficiles à saisir sur la base exclusive de l'analyse stylistique ou iconographique. Ce volume se divise en trois sections, qui suivent trois axes différents. Le premier, "Architecture et espace sacré", est le grand thème de l'utilisation liturgique des espaces sacrés, et donc des contraintes que l'usage liturgique imposait aux formes architecturales. Le deuxième, "Processions et cérémonial", met particulièrement en évidence le rôle des images, au niveau sacré comme dans le domaine profane. Enfin, le troisième, "Chapelles privées", étudie la question de la naissance et de la formulation des espaces sacrés 'privés', c'est à dire des chapelles privées ou de famille, noyaux d'espace et de décoration souvent véritablement autonomes mais aussi nécessairement reliés à l'espace principal du lieu de culte. Espace sacré et architecture Johannes G. Deckers, Der erste Diener Christi. Die Proskynese der Kaiser als Schlüsselmotiv der Mosaiken in S. Vitale (Ravenna) und in der Hagia Sophia (Istanbul). Catherine Jolivet-Lévy, Aspects de la relation entre espace liturgique et décor peint à Byzance. Kerstin Englert, La fonction des 'déambulatoires' dans les églises byzantines des XIIIe-XIVe siècles. Cristiana Filippini, La chiesa e il suo santo: gli affreschi dell'undicesimo secolo nella chiesa di S. Clemente a Roma. Beat Brenk, Les églises de pèlerinage et le concept de prétention. Andreas Bräm, Bilder der Liturgie in liturgischen Handschriften bis in ottonische Zeit. Kristina Krüger, La fonction liturgique des galilées clunisiennes: les exemples de Romainmôtier et Payerne. Werner Jacobsen, Liturgische Kollisionen im Kirchenraum: Sugers Neubau von Saint-Denis. Voraussetzungen und Folgen. Carola Jäggi, Raum und Liturgie in franziskanischen Doppelklöstern: Königsfelden und S. Chiara in Neapel im Vergleich. Stephan Gasser, Das Langhaus der Kollegiatskirche von Neuenburg: Ein ästhetisches Konzept der varietas mit funktionsorientiertem Hintergedanken? Ferdinand Pajor, Devant et autour de la cathédrale de Bâle: 1250-1582. Le mobilier urbain permanent et temporaire. Processions et cérémonial Rainer Warland, Strategien der Vergegenwärtigung. Zum Verhältnis von Kunst und Liturgie in frühbyzantinischer Zeit. Serena Romano, L'icône acheiropoiete du Latran. Fonction d'une image absente. Barbara Bruderer Eichberg, Prolegomena zur frühchristlichen und frühmittelalterlichen Tauforganisation Roms. Die Baptisterien und die Stifterrolle der Päpste. Sible de Blaauw, Contrasts in Processional Liturgy. A Typology of Outdoor Processions in Twelfth-Century Rome. Patrizia Carmassi, Processioni a Milano nel Medioevo. Nicolas Bock, L'Ordre du Saint-Esprit au Droit Désir. Enluminure, cérémonial et idéologie monarchique au XIVe siècle. Enrico Parlato, Cerimonie nella cappella romana di Oliviero Carafa. Chapelles privées Georges Descoeudres, Privatoratorien in der Frühzeit des Mönchtums. Susanne Wittekind, Liturgiereflexion in den Kunststiftungen Abt Wibalds von Stablo. Christian Freigang, Chapelles latérales privées. Origines, fonctions, financement: le cas de Notre-Dame de Paris. Julian Gardner, The family chapel: artistic patronage and architectural transformation in Italy circa 1275-1325. Alessio Monciatti, Il Palazzo Apost. Libro. …