rodney moore (28 Ergebnisse)

Paperback. Zustand: Very Good. PRINCIPLES OF MICROECONOMICS This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Zustand: Very Good. Principles of Economics This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. European ed. Ships from the UK. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: Good. European ed. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: Good. Ships from the UK. Used book that is in clean, average condition without any missing pages.

Zustand: Very Good. 2Rev Ed. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: Good. 2Rev Ed. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN:9781592530915.

Paperback. Zustand: Brand New. 24 pages. 8.25x8.25x0.06 inches. In Stock.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Soft cover. Zustand: Very Good. No Jacket. Open-File Report; softcovers; ex-library; in very good condition. Book.

335pp. Folio. Original boards in dustwrapper. Pictorial endpapers, black and white frontispiece and photographic illustrations. A near fine copy. First edition. Photographic history of Australia.

Zustand: New. KlappentextFrom the early mining days to the current tourism-based economy, the Eagle River watershed (ERW) in central Colorado has undergone a sequence of land-use changes that has affected the hydrology, habitat, and water quality of t.

Taschenbuch. Zustand: Neu. Neuware - Between Places comprises work by award-winning writers from around the West working in prose and poetry, fiction and non-fiction. Each piece in this collection has its own style and theme. Help yourself to levity, tragedy, history, and sci-fi. On one page you will fin yourself looking at the world through the innocent eyes of a child. On the pages that follow you will gaze out on a dystopian battlefield, hear the siren song of a mighty locomotive, bear witness to newfound friendships, and find the love that was always there. Although each voice is distinct, if you listen closely you'll notice each speaks with the same passion for writing.

Zustand: New. pp. 452.

Paperback. Zustand: Very Good. First Paperback Edition. 4to. pp x, 326. Original publisher's purple covers, lettered white on spine and on front cover. Copiously illustrated in black and white throughout. Contains essays on wood engraving, etching, lithography, the colour woodcut, the linocut, modern lithography, the posterprint, the monotype and St Ives and Corsham. ISBN: 0859679683 VG+.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Good. 1st Edition. [1st edition, 1st printing] ; 121 pages : illustrations ; 32 cm ; ISBN: 0883653079; 9780883653074 LCCN: 75-9456 ; LC: NK2130; Dewey: 747/.204; OCLC: 1992932 ; mauve textured boards, in chipped color photographic dustjacket, stamp on front endpaper ; Contents: Surrealist interiors -- Environments -- Radical Chic -- Pop Culture -- Space Age Habitations ; "[A]n exploration into the revolt against old concepts of decor and old ways of living: a look at the new living environments closely linked to recent developments in art, politics, and the press, all of which have taken the name 'underground' to distinguish them from their establishment counterparts. These anti-establishment interiors are whimsical, mischievous, simple, incredible, beautiful, obsessive and dreamy. They will surprise some, shock many, and amuse the majority. This book documents a transition that we are now undergoing." ; features the interior designs of Antony and Dorothee Miralda, Catherine Desmarets, Zandra Rhodes, Samuel Bury, Christine Bury [all in Paris], Marina Lante della Rovere [Rome], Gilardi, Julie Christie [London], Pititia Stillanopoulis [Rome], Verde Visconti [Rome], Emerique Bronson [New York], Felix Drury [West Point, Georgia], Lino Schenal [Rome], Alexandra Kasuba [New York], Paul Rudolph [New York], Quasar Khanh, Emmanuelle Khanh [Paris], Max Clandinning [London], Giancarlo Nocentini [Turin], Gamal El Zoghby [New York], Derek Jarman [London], James (Jack) Hubbell [California], Luciano Canella [Milan], Enrico Colombotto Rosso, Franco Ciccarelli [Milan], Thea Porter [London], Leonard Stanley [California], Karl Lagerfield [Paris], Seymour Avigdor [New York], Richard Smith [London], Rodney Rawlings [London], Jay Steffy [California], Pippo Anfuso [Rome], Stefano Mantovani [Rome], Tony Facella, Marta Perkel, Bill Topley [New York], Charles Moore [New Haven, Connecticut, Maine and New York], Tom Lucky [Vermont], Allan Buchsbaum [New York], Mel Smith [New York], Olivier Mourgue [Paris], Hugh Hardy [New York], Mo Mac Dennot [London], Christopher Van Percy [London], Andy Blackman [New York], Claude Fregnac, Dagmar Fregnac [Paris], Arnal [Paris], Richard Ohrbach [New York], Max Gordon [London], Victor Lukens [New York], Clyde Rich [New York], Bruno Sacchi [Turin], Mayers and Schiff [New York], Nanda Vigo [Milan], C. Ray Smith [New York], Hans Muller [Paris]; documents rarely-seen imagery of late 1960's early 1970's interior designers and architects ; "[A] fantastic mind-expanding experience into contemporary life styles." ; scarce FINE/G. Book.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.

hardcover. Zustand: Ottimo (Fine). With 584 illustrations in black and white . 4to. pp. 326. . Ottimo (Fine). . . . Book.

After serving in the Great War, Burn (son of Sir Joseph Burn) studied at the Slade between 1918 and 1922, winning six prizes. After teaching in London at the Royal College, and in Boston, he offered his services to the war effort. After the war he went back to the Royal College, as a senior tutor. The four ot the items here are in fair condition, lightly worn and discoloured. Each is folded once for postage. Although only one is dated, the others appear to date from around the same time. ONE ('Monday'): 1p, 4to. Unsigned. Arranging for Lawrence to visit his studio: 'We will show you what we have got in the way of oil sketches but I rather doubt if there is any thing very suitable, however come and see.' TWO (21 July [1928?]): 2pp, 12mo. He has written to 'Guthrie', to say that Lawrence is going to visit. 'I will keep the sketch that I am working on for you at £10. I am sure it will be a masterpiece.' In a postscript he announces that he is 'going away to morrow with my Father for a week and I will tell him about your nephue [sic] then.' THREE (10 September 1928): 2pp, 4to. He has finished working from Lawrence's sketch and will be sending the painting. 'You said at the N.E.A.C. when I saw you last that you would be interested to see the larger picture of the same subject'. He renews his invitation to the sudio, as it would be safer for Lawrence to 'take the sketch away'. He has 'got quite a number of new things' to show Lawrence, and is 'now the proud possessor of a morris Car'. Regarding the future Sir Augustus Moore Daniel (1866-1950) he writes: 'What good news about Mr Daniel being made director of the National Gallery? We must all prepare lists of pictures to be taken from the walls & lists of pictures to take their places. I wrote to him with the suggestion but he replied that he had no intention of being a new broom.' FOUR (5 February [1929?]): 2pp, 12mo. He begins by thanking him for the cheque for ten pounds. He did not go 'to the sale of Marchants pictures': 'fortunately he had not got any of mine as I expect they would have gone for a penny or so'. He ends with news of his wife's health. (Burn was married to the sculptor Dorothy Sharwood Smith.).

Zustand: Poor. Hardback with clippings from original covers (?) glued on spine and front board. Sporadic highlighting. Text all clear and readable.