rodchenko stepanova (24 Ergebnisse)

Zustand: Fine. 131 pp., hardcover, fine in a very good dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very good. - Small quarto [9-1/2 inches high by 8-3/4 inches wide], black cloth in a pictorial dust wrapper. The binding is lightly bumped. The spine & extremities of the dust jacket are slightly darkened & there is minor creasing to its front panel. 131 pages plus colophon. Numerous illustrations in color and black & white. Very good. The text is in Italian.

Couverture souple. Zustand: Comme neuf. about 50pages, independant foldable folios in binder.

First edition. Hardcover. 131 pages. Published in conjunction an exhibition that ran April 14 through May 12, 1984. A look at Russian constructivist artists Alexander Rodchenko and Vavara Stepanova. Text in Italian. Preface by A.N. Lavrent'ev. Additional contributions vy V. Quilici, S.O. Chan-Magomedov, A.N. Lavrent'ev, A.V. Fevral'skij, I.S. Presnecova, and N.I. Baburina. Includes numerous color and black and white illustrations. A clean near fine copy in a very good dust jacket with a few chips and minor wear.

Zustand: Good.

230 p 28x24 cm Encuadernación editorial en rústica con solapas. Estado de conservación: Muy bien.

Zustand: Very Good. First edition thus. Paperback. English language edition. Facsimile catalogue and booklet. Fine in near fine folder.

21,5 x 24,5 cm, 7 Hefte im Orig.-Pappschuber, mit zahlreichen Abb., der Schuber an den Ecken minimal bestoßen, die Hefte selbst in einwandfreier Erhaltung. Zweisprachig (dt./fr.). Die Hefte im Einzelnen: Biographien und Bibliographien; Rodchenko in Paris; Gemälde; Arbeiten auf Papier; Angewandte Kunst; Typographie; Skulpturen.

Spanische Ausgabe. Erschien anlässlich der gleichnamigen Ausstellung. Mit zahlreichen teils farbigen Abbildungen. 230 SS. Quart. Illustr. Orig.-Karton. Sehr gut erhalten.

Hardback. Ed: Peter Noever. Essays by Aleksandr N. Lavrent'yev and Angela Volker. 260pp ills. throughout (some coloured), 4to Prestel, Munich 1991. Very good copy in very good dust jacket.

Sin paginar 40 x 16,5 cm Textos en Español e Inglés. Encuadernación editorial en tela con estampaciones en las cubiertas anterior y posterior. Sobrecubierta de acetato impreso. Estado de conservación: Muy bien.

Zustand: Some minor rubbing. VG. orig.boards Some minor rubbing. VG. Textual photo illustrations 27x20cm, 158 pp, Series : Mastera sovetskogo knizhnogo iskusstva Text entirely in Russian. Study of Soviet-era illustration & design by Aleksandr Mikhailovich Rodchenko (1891-1956) & Varvara Fedorovna Stepanova (1894-1958) in theatre, cinema, photography, architecture and design, advertisement and polygraphy. Contents: Na puti k knige; informatziia i stil'; sotzial'n'ie i hudozhestvenn'ie problem'i oformleniia knigi; vremia i prostranstvo fotoal'buma; fotomontazh; redaktory zhurnala " Radioslushatel'" ; kak m'i rabotali nad "Pervoi konnoi"; moment'i tvorchestva; pisateli i hudozhniki o A.M. Rodchenko i V.F. Stepanovoi; dat'i zhizni i tvorchestva; izdaniia, oformlenn'ie A.M. Rodchenko i V.F. Stepanovoi;spisok literatur'i; spisok illiustratzii; list of illustrations;resume (in English).

Hardcover. Zustand: Good. First Edition; First Printing. Hardcover. 4to. Voks. 1935. 312 pgs. Illustrated with Black and White plates. First Edition/First Printing. Text in English. Bound in decorative illustrated boards. Boards have light shelf-wear present present to the extremities. Celluloid of Stalin's head has seen better days (see photo; it is present but in fragments). No ownership marks present. Text is clean and free of marks. Binding tight and solid. An impressive feat of Soviet propaganda, the book featured history and biographies, with portraits, of key Russian filmmakers, actors, famous movies, critics' statements and more. In true Soviet fashion, it also included the celebrated fold-out, die-cut, image of a cinema's audience in front of a big screen with a "hole," through which Lenin's head peeked (see photo) , as well as the tipped-in, celluloid sheet with Stalin's silhouette (rarely found intact, see photo). The cinema of the Soviet Union, not to be confused with "Cinema of Russia" despite films in the Russian language being predominant in the body of work so described, includes films produced by the constituent republics of the Soviet Union reflecting elements of their pre-Soviet culture, language and history, albeit they were all regulated by the central government in Moscow. Most prolific in their republican films, after the Russian SFSR, were the Armenian SSR, Azerbaijan SSR, Georgian SSR, Ukrainian SSR, and, to a lesser degree, Lithuanian SSR, Byelorussian SSR and Moldavian SSR. At the same time, the nation's film industry, which was fully nationalized throughout most of the country's history, was guided by philosophies and laws propounded by the monopoly Soviet Communist Party which introduced a new view on the cinema, socialist realism, which was different from the one before or after the existence of the Soviet Union. E-048; 4to 11" - 13" tall.

Hardcover. Zustand: Very Good. 1st Edition. (Moscow Under Reconstruction, an Album of Diagrams, Topograms, and Photography of the Reconstruction of the City of Moscow).Quarto 33.4x34 cm., embossed cloth, 256pp., profusely illustrated with maps, foldouts, and visual schematics. Text by Viktor Shklovskii, art and book design by Aleksandr Rodchenko and Varvara Stepanova. Photography by Georgii Zelma, Georgii Pretrusov, E. Langman, Ia.Khalip, E. Baldyrev. Includes plans and graphs as color lithographs, photogravures in sepia, blue or green, overlays of maps, foldouts, layered pages. This work by Aleksandr Rodchenko and Varvara Stepanova is one of the most wonderful collaborations in the history of Russian photobooks. It was executed by them concurrently with The Red Army, but is much more complex, dynamic, and elaborate than the latter. It was the most ambitious of any of the Soviet photography books that were produced in the 1930s. Every one of the contributors --- verbal, photographic, in design and execution --- are significant in their own right. Simply put, the most breathtaking, brilliant of photobooks in the era of great Soviet photobooks, a masterpiece of book production. Karasik 252-257, The Photobook I, pp. 168-169, This copy near fine. Please contact us for further information, photos.

Hardcover. Zustand: Near Fine. First edition. Design and photomontage by V. Stepanova and A. Rodchenko. Quarto. 312, [12]pp. Text in English. Quarter red leather and cloth with paper illustration over boards. Endpapers illustrated with film images on photo paper. Extensively illustrated, with innovatively illustrated half-title and title page with film illustrations in color, tipped-in celluloid sheet with Stalin's silhouette, a folding plate of a theatre and audience, etc. Publication celebrating an overview of the Soviet cinema with contributions by many, profiles of filmmakers, mention of the industry in Soviet Union vassal states, etc. Near fine.

Hardcover. Zustand: Very Good. Hardcover. Folio. Published by State Art Publishers, Moscow and Leningrad, Russia. 1939. Unpaginated. (104 pgs) Illustrated endpapers. First Edition/First Printing. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. Bookplate of Ray Riling and Soviet State Art present to the front pastedown. Text is clean and free of marks. Binding tight and solid. Designed by the team of Aleksandr Rodchenko (1891-1956) , the famous artist and photographer of Russian Avant-garde, and Varvara Stepanova probably for the 1939 New York World's fair as a propaganda piece to show that the USSR was a military superpower just prior to the outbreak of WWII. EB; 8vo 8" - 9" tall.

Softcover. Zustand: f to vg. First edition. Folio (16 1/2 x 11 3/4"). Unpaginated. Original illustrated wrappers, with red and black lettering on front cover. "USSR in Construction" was a stunning photographic propaganda magazine published in the Soviet Union from 1930 to 1941, and briefly in 1949. It was published in Russian, French, English, German, with a Spanish-language edition added in 1938. The magazine's self-proclaimed aim was to "reflect in photography the whole scope and variety of the construction work now going on the USSR." It was conceived and designed to be an important foreign relations tool and to portray a positive image of the developments occurring in the Soviet Union to the rest of the world. "USSR in Construction" informed readers abroad of the rapid construction and industrialization taking place within the Soviet Union and depicted the nation as a leading industrial power. From a design perspective, the magazine was a fascinating example of early 20th-century photomontage, with its recurrent use of inserts, and spectacular fold-out pages. The method of printing used for the printing was rotogravure, a type of intaglio printing process, in order to create extremely high quality duotone images (in blue, green, salmon, and olive). With this striking Russian-language issue of "USSR in Construction" dedicated to the "brave Soviet paratroopers," renown Soviet artist Aleksander Rodchenko* and his wife Varvara Stepanova introduced a circular design as the basis for their page layout, thus allowing them to accomodate a variety of scenes from the parachutists' everyday activities as well as Communist political messages. This issue is complete with the parachute fold-out, and the origami-folded centerfold depicting Stalin surrounded by half a circle, which in turn is superimposed over a triangle-shaped image of clouds with numerous parachutists floating down. Discoloration and minor foxing along upper margin of covers. Moderate creasing along spine. Tiny closed tears along fore-edge of back cover, with previous owner's inscription (in Russian) on upper margin. Tip of corners slightly creased throughout (not affecting text or images). Text in Russian. Wrappers in overall fair, interior in good+ to very good, parachute fold-out and origami-folded centerfold in very good condition. *Aleksander Mikhailovich Rodchenko (1891-1956) was a Russian artist, sculptor, photographer and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova. Rodchenko was one of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd angles - usually high above or down below - to shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again." (From Wikipedia).

Soft cover. Zustand: Fine. 42 x 29,5 cm - German version of the magazine that was edited from 1930 till 1949 - 34 pgs, 1folding - issue about the Moscow Volga Channel - fine copy - see Getty 752 - Bolliger D.B. VI 683 - Rowell & Wue photos pgs 242-243.

Soft cover. Zustand: Fine. German version of the magazine that was edited from 1930 till 1949 - 42 x 29,5 cm - 24 pgs of which 1 folding - 34 pgs - original cover, stapled - about the Moscow Volga Canal - fine condition - see Getty 752 - Bolliger D.B. VI 683 - Rowell & Wye photos pgs 242-243.

In-4 carré ( 270 X 200 mm ) de 306-XVI pages, demi-basane rouge et plats illustrés de l'éditeur. Très nombreuses photographies dans et hors-texte. Design et photographies par Alexandre RODCHENKO et Varvara STEPANOV. Texte en anglais. Bien complet de la célèbre image rempliée du public d'un cinéma devant un grand écran avec un découpage laissant apparaitre la tête de LENINE, ainsi que la fragile illustration de celluloïd légendée avec profil argenté de STALINE. Très bel exemplaire. ' 8 .!"!>25BA:>5 :8=>. . @>AA52. $>B>3@0D88 8 >D>@BK 5:A0=4@0 >4G5=:> 8 0@20@K !B5?0=>2>9. >A:20, 1935 3. 00=3 89A:>@838=0 L=K9 ?> C:>60=K9 ?5@5? 5B :@0A=>3> F25B0. %>@.A>B. Cinéma Photographie Constructivisme Propagande Modernisme Avant-Garde Russie.

RODCHENKO, A. and Varvara STEPANOVA. URSS en Construction. Est Consacaré au 15 Anniversaire du Kazakstan. No 11. Unpaginated, illustrated throughout. Folio, 415 x 292 mm., bound in original wrappers, preserved in a recent blue cloth box. Moscow: Editions d'Etat des Beaux-Arts, 1935. A fine copy of one of the issues of this landmark periodical designed by Rodchenko and Stepanova. As Martin Parr says, "From 1930-1940 URSS en Construction employed the best Soviet photo-journalists and graphic designers. Amongst the photographers were Max Alpert, Arkadi Shaikhet, Georgi Zeima, Boris Ignatovich, Semen Fridland and Georgi Shaikhet. Designers included El Lissitzky, Sophie Kueppers, Aleksandr Rodchenko and Varvara Stepanova. All the visual strategies of the propaganda photobooks, designed by Lissitzky, Rodchenko and others -- the elaborate photomontages, innovative photography, fold-out pages, transparent overlays and so on -- were developed in URSS en Construction, one of the most beautifully produced magazines of the twentieth century." It was published in Russian, French, English, and German. This is the French version. In fine condition. Parr and Badger, The Photobook I, 148-149.