rod steiger (45 Ergebnisse)

Soft cover. Zustand: Very Good. 1st Edition. Ballantine Nonfiction 26091. Mass market paperback. 4-1/8" x 6-7/8", vii + 423pp + two 12-page photo signatures on alkaline paper bound in. Printed on acidic groundwood paper and perfect bound in gloss varnished printed card stock cover. Moderate reading / shelf wear, edge wear to cover. Binding is square and tight. Pages are moderately tanned but clean and unmarked.

Hardcover. Zustand: Near Fine. Promotional movie poster. Measuring 27" x 41". Old folds, light general wear, near fine. Published to promote Jeremy Kagan's 1981 film *The Chosen* starring Maximilian Schell and Rod Steiger. The film was based on Chaim Potok's 1967 book of the same name.

Softcover. 4°, Originalheft mit 4 Seiten und vielen s/w Fotos und ausführlicher Inhaltsangabe. Sauberes, gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Genießen Sie den Jahresanfang mit unterhaltender Lektüre! - Bei uns finden Sie das richtige Geschenk! -- Wir kaufen Ihre werthaltigen Bücher! K09210-435647.

Vintage photograph of director Arthur Hiller and actor Rod Steiger on the set of the 1976 film. Mimeo snipe on the verso. A dramatization of the latter part of the famous showman's life. Based on a memoir by Carlotta Monti, Fields' partner during the last fourteen years of his life. Shot on location in California. 10 x 8 inches. Near Fine.

Vintage studio still photograph from the 1959 film. A somewhat accurate biography of rise and fall of notorious crime boss Al Capone. Set in Chicago, shot on location in Chicago and Los Angeles. 8 x 10 inches. Near Fine.

Original illustrated souvenir film programme 8½'' x 5½''. Contains 4 pages with violet toned photographs. In Very Good condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

Nicht gebunden. Zustand: Sehr gut. VHS 1986 KE-2J55-A0SD Sprache: Deutsch Gewicht in Gramm: 500.

Vintage pressbook for the 1968 film. One of the best unsung crime films of the 1960s, featuring Rod Steiger as a serial killer and master of disguise, a role which proved to be one of his best. 15 pages, saddle stitched, 12.25 x 15 inches. Near Fine.

Two studio still photographs from the 1954 film, struck by Columbia Pictures Television in 1978. Housed in a Columbia Pictures Television photos envelope stamped with title. Budd Schulberg based his 1955 novel "Waterfront" on the screenplay. Terry Malloy (Brando), who dreams of being a prize fighter while tending his pigeons and running errands for the corrupt boss of the local union Johnny (Lee J. Cobb), witnesses a murder at the hands of Johnny's men. When he meets the victim's sister Edie (Eva Marie Saint), he confesses he feels culpable for the murder, and Edie introduces him to Father Barry (Karl Malden), who tries to persuade him to implicate the dock racketeers. Winner of eight Academy Awards including Best Picture, Best Director, Best Screenplay, Best Cinematography, Best Actor, and Best Supporting Actress, nominated for another four. Selected for the National Film Registry in 1989. Shot on location in Hoboken, New Jersey and New York City 8 x 10 inches. Near Fine. Criterion Collection 647. Selby US. Ebert I. Scorsese, A Personal Journey Through American Movies. Spicer US. Grant US.

Echtfoto. Zustand: Sehr gut. Kleineres Schwarzweissphoto von Rod Steiger bildseitig mit silbernem Stift signiert.- Rodney Stephen Steiger war ein US-amerikanischer Schauspieler. Er gewann 1968 den Oscar als bester Hauptdarsteller. Geboren: 14. April 1925, New York, Vereinigte Staaten Gestorben: 9. Juli 2002, Los Angeles, Kalifornien, Vereinigte Staaten /// Autogramm Autograph signiert signed signee /// Standort Wimregal PKis-Box4-U001 Sprache: Englisch Gewicht in Gramm: 10.

Couverture souple. Zustand: bon. R100000071: Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Affiche de cinéma 120 cm x160 cm + photos de présentation de 27 x 21 cm (jeu A). Présenté par Paramount. . . . Classification : 0-Affiches Cinéma.

Six vintage studio still photographs from the 1958 film. When electronics expert Jim Molnar (James Mason) sees a news broadcast about an airplane bomb threat he realizes he had been tricked into making the bombs by his ex-Army buddy Paul Hoplin (Rod Steiger). As Hoplin tries to extort a half a million dollars from the airlines, Hoplin kidnaps and holds Molnar, his wife Joan (Inger Stevens) and their daughter hostage. Hoplin forces Joan to collect the money, escorted by thug and predator Steve (Neville Brand). An amazing cast rounded out with the help of Angie Dickinson and Jack Klugman. Set in New York, shot on location in New York, New Jersey and California. 8 x 10 inches. Very Good plus, creasing to 3, 2 with uniform fading. Selby US. Spicer US. Grant US.

Collection of 12 vintage studio still photographs from the 1978 film. Loosely based on the exploits of Jimmy Hoffa, the notorious boss of the Teamsters Union. In the 1930s, a ruthless warehouse worker in Cleveland climbs his way to the top of a trucking union, but his links to organized crime prove to be his downfall. Shot on location in South Yorkshire in the UK, Mineral Point and Dodgeville in Wisconsin, Dubuque in Iowa, and Los Angeles in California. 10 x 8 inches. Near Fine.

Videokassette. Zustand: Gut. VHS UG-QN2I-8FS4 Sprache: Deutsch Gewicht in Gramm: 500.

Four vintage reference photographs from the US release of the 1969 British film, including three borderless and one bordered. All with mimeo snipes on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A married sales executive must conceal his past affair with a young hitchhiker after his wife agrees to take the girl on as a boarder. Set in Middlesex, shot on location in Hampshire. Three 7.5 x 9.5 inches, one 8 x 10 inches. Near Fine.

dvd. Zustand: Gut. Seiten; D2-036 Sprache: Deutsch Gewicht in Gramm: 500.

Blu-ray. Zustand: Neu. Neu Neuware, auf Lager - Der russische Arzt und Dichter Schiwago führt in den Jahren vor und während der Oktober-Revolution ein bewegtes Leben: Mit der Aristokratin Tanya verheiratet, verliebt er sich in die ebenfalls verheiratete Lara. Während des Ersten Weltkrieges und der Revolution werden Schiwago und Lara, die seine Dichtung inspiriert, immer wieder zusammengeführt, aber auch ebenso oft wieder getrennt. Ihre Liebe ist letztendlich zum Scheitern verurteilt.Dr. Schiwago', der größte Kassenerfolg der 60er Jahre, avancierte zum Klassiker der Filmgeschichte. Regisseur David Lean ('Die Brücke am Kwai') inszenierte in faszinierenden, monumentalen Stimmungsbildern ein Kinodrama voller dramatischer Momente, das Millionen Menschen zu Tränen rührte und zu dem Robert Bold ('Lawrence von Arabien') das Drehbuch verfasste. Omar Sharif, Julie Christie, Geraldine Chaplin und Alec Guinness sind in den Hauptrollen ebenso unvergessen wie die sensationelle Musik von Maurice Jarre.'.

dvd. Zustand: Sehr gut. Auflage: Standard Version. Altersfreigabe FSK ab 18 Jahre Wir verkaufen nur, was wir auch selbst lesen würden. Sprache: Deutsch Gewicht in Gramm: 82.

Revised Draft script for the 1979 film, here under the working title "Love and Bullets, Charlie." With some copied manuscript annotations throughout, but also with a few manuscript pencil annotations, made from a master. A lawman travels to Switzerland to convince the girlfriend of a well-known gangster to come back to America to testify against him. Meanwhile, the gangster has sent thugs of his own to Switzerland to find and stop the pair. Set in Switzerland and America, shot on location in Matterhorn, Switzerland. White titled wrappers. Title page present, with credits for screenwriter Wendell Mayes. 124 leaves, with last page of text numbered 123. Xerographic duplication, rectos only. Pages Very Good plus, wrapper Very Good, lightly soiled, bound with two silver brads.

Four vintage reference photographs from the 1999 film, including three in color and one in black-and-white. Printed label of photographer Zade Rosenthal affixed to the versos. A New York policeman turned alcoholic security guard finds himself embroiled in a religious war, culminating in Satan coming to Earth to find the woman who will bear his child, the antichrist. Set and shot on location in New York. 10 x 8 inches. Near Fine, with light adhesive residue on the versos.

Draft script for the 1979 film. Laid in is a 14-page shooting schedule. A lawman is sent to Switzerland to convince the girlfriend of a well-known gangster to come back to America to testify against him. The gang has sent people of their own to Switzerland, assassins who seek only to kill the messenger. Set in Switzerland, shot on location there, as well as Arizona. White titled wrappers. 124 leaves, with last page of text numbered 123. Xerographically reproduced. Pages Fine, wrapper Near Fine, bound with two silver brads.

Final Shooting script for the 1967 film. INSCRIBED by actor George Segal on the title page: "To Grayson / All Best Wishes." Based on the 1964 novel by William Goldman. A serial killer with an obsession with his dead mother begins taunting the investigator in charge of his case. Set in New York City, shot on location in Manhattan and the New York harbor. Green untitled studio wrappers with a die-cut window in the British style. Title page present, dated June 13, 1967, noted as Final Shooting script, rubber-stamped copy No. 139, with credits for screenwriter John Gay and director Jack Smight. 146 leaves, with last page of text numbered 143. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two gold brads.

Revised Final Draft script for the 1956 film. Released just two years after "On the Waterfront" (1954), the multi-award-winning collaboration between Elia Kazan and Budd Schulberg, and based on Budd Schulberg's 1947 novel about a once respected sportswriter now forced to work for a crooked promoter who is taking advantage of a promising young fighter. Nominated for an Academy Award. Humphrey Bogart's final film. Shot on location in California, Chicago, and New York. White titled wrappers, noted as REVISED FINAL DRAFT on the front wrapper, production No. 1315, dated Oct. 12, 1955. Title page present, dated October 12, 1955, noted as REVISED FINAL DRAFT, with credits for screenwriter Philip Yordan. 158 leaves, with last page of text numbered 141. mimeograph duplication, rectos only, with blue, yellow, and pink revision pages throughout, dated variously between November 2, 1955 and December 16, 1955. Pages Near Fine, wrapper Near Fine, bound with three gold brads. Grant US. Selby US. Silver Classic Noir. Spicer US.

Revised First Draft script for the 1967 film. Laid in is a Call Sheet from the production, dated Tuesday, November 29, 1966. Based on John Ball's 1965 novel. An African American police detective from Philadelphia is recruited to help solve a murder in a small, bigoted Mississippi town. Winner of five Academy Awards including Best Picture and Best Actor for Rod Steiger, nominated for two others. After the success of the film version, the characters were developed further for a police procedural television series in 1988, developed by James Lee Barrett, and starring Carroll O'Connor and Howard Rollins, which aired on NBC, then CBS, from 1988 to 1995. Set in the fictional town of Sparta, Mississippi, and shot largely on location in Illinois. Poitier insisted the movie be filmed in the North because of a 1964 incident in Mississippi, in which he and Harry Belafonte had been run off the road and almost killed by Klansmen while in the state to support the SNCC (Student Non-Violent Coordinating Committee). Goldenrod titled wrappers, noted as REVISED FIRST DRAFT on the front wrapper, rubber-stamped copy No. 84, dated July 1, 1966. Title page present, dated July 1, 1966, noted as REVISED FIRST DRAFT, with credits for screenwriter Stirliing Silliphant. 134 leaves, with last page of text numbered 140. Mimeograph duplication, rectos only, with blue, pink, and white revision pages throughout, dated variously between 7/27/66 and 8/10/66. Pages with damp stain on top right of last several pages, else Near Fine, wrapper Very Good plus, bound with two gold brads. Call Sheet, 8.5 x 14 inches, folded horizontally. Near Fine National Film Registry. Criterion Collection 959. Penzler, 101 Greatest Films of Mystery and Suspense.

Revised Final Draft script for the 1956 film, with rainbow revisions. Released just two years after "On the Waterfront" (1954), the multi-award-winning collaboration between Elia Kazan and Budd Schulberg, and based on Budd Schulberg's 1947 novel about a once respected sportswriter now forced to work for a crooked promoter who is taking advantage of a promising young fighter. Nominated for an Academy Award. Humphrey Bogart's final film. Shot on location in California, Chicago, and New York. White studio wrappers, noted as REVISED FINAL DRAFT on the front wrapper, production No. 1315, dated Oct. 12, 1955. Title page present, dated October 12, 1955, noted as REVISED FINAL DRAFT, with a credit for screenwriter Yordan. 160 leaves, with last page of text numbered 141. Mimeograph on eye-rest green stock, with yellow, blue, pink, and eye-rest green revision pages throughout, dated variously between 11/2/55 and 12/15/55. Pages and wrapper Near Fine, bound with three gold brads. Grant US. Selby US. Silver Classic Noir. Spicer US.

Pas de couverture. Zustand: Assez bon. Rare page d'album signée. Obtenu en personne à Paris en 1989. + Photo 20x15 cm (tirage récent) Format : 21x14 cm. État : voir scans svp. Provenance : belle collection d'un chasseur d'autographes parisien dénommé Thierry (années 80 et 90). Toutes les signatures ont été obtenues en mains propres. Authenticité garantie. Signé par l'auteur.

Großfoto (4°), eigenhändig signiert mit Wischspur, als Polizist ! (dito : Szene-GF,4° aus Tod in Hollywood 1965, mit Unterschrift Euro 80,-).

Vintage Austrian program for the 1954 film, here under the German release title "Die Faust im Nacken." Text in German. Terry Malloy (Brando), who dreams of being a prize fighter while tending his pigeons and running errands for the corrupt boss of the local union, Johnny (Lee J. Cobb), witnesses a murder at the hands of Johnny's men. After meeting the victim's sister (Eva Marie Saint), Malloy confesses he feels culpable for the murder, and is persuaded to implicate the dock racketeers by Father Barry (Karl Malden). Winner of eight Academy Awards including Best Picture, Best Director, Best Screenplay, Best Cinematography, Best Actor, and Best Supporting Actress, nominated for another four. Shot on location in Hoboken, New Jersey and New York City. 6.5 x 9.5 inches, Bi-fold. Near Fine. National Film Registry. Criterion Collection 647. Ebert I. Grant US. Scorsese, A Personal Journey through American Movies. Selby US. Spicer US.

Zustand: Good. Poster advertising release of film, directed by Francesco Maselli and starring Claudia Cardinale, Rod Steiger, and Shelley WInters. Poster has been folded into eighths and measures 27 x 41 inches. Some small tears along folds.

Two vintage studio still photographs from the set of the 1964 film, both showing director Sidney Lumet on location in New York City. From the collection of Joel Finler Based on the 1961 novel. A powerful, brooding film in which Rod Steiger stars as a Jewish pawnbroker in Harlem, haunted by his memories of World War II Nazi concentration camps. One of the first Hollywood films to dramatize the psychological impact of concentration camps, and the first to take the point of view of a Holocaust survivor. The film met with controversy, as it was the first major American release to feature female nudity. Because the nudity was non-exploitative, it passed the Production Code (still in existence), though interestingly this milestone came near the end of the Production Code era. Set in New York, and shot there on location. Much of the filming took place on Park Avenue in Harlem, where the pawnbroker shop was set at 1642 Park Avenue, near the intersection of Park Avenue and 116th Street. Scenes were also filmed in Connecticut, Jericho, New York, and Lincoln Center (with both interior and exterior shots of the Lincoln Towers apartments, which were new at the time). 10 x 8 inches. Near Fine. National Film Registry.