Robin ravilious (39 Ergebnisse)

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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Paperback. Zustand: New. James Ravilious (1939-1999) trained as an artist, like his father Eric, but a Cartier-Bresson exhibition converted him to photography, which he taught himself. In 1972, a move to his wife Robin's homeland - a very rural, unspoilt part of North Devon - inspired him. It also produced the perfect job: recording daily life in that traditional bit of old England before it was modernised. He devoted himself to this for more than seventeen years. The results, over 75,000 black and white negatives in the Beaford Archive, form what Barry Lane, Secretary General of the Royal Photographic Society, called `a unique body of work, unparalleled at least in this country for its scale and quality' James was a friendly, modest man with a very unintrusive approach. Because of this, and because of the length of the project, he was able to make a uniquely detailed portrait, intimate and sympathetic, of a whole way of life in one small piece of countryside: its landscapes, its seasons, its people, their hardships and their pleasures.His respect for his subjects is manifest in his work. He never sentimentalised their lives.It was vital to him that his record should be completely honest. But it is not merely social history. It is also the work of someone who composed with the eye of an artist, and who often looked at his world with artists such as Breughel, Claude Lorrain, Thomas Bewick and Samuel Palmer in mind.…

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Paperback. Zustand: New. James Ravilious (1939-1999) trained as an artist, like his father Eric, but a Cartier-Bresson exhibition converted him to photography, which he taught himself. In 1972, a move to his wife Robin's homeland - a very rural, unspoilt part of North Devon - inspired him. It also produced the perfect job: recording daily life in that traditional bit of old England before it was modernised. He devoted himself to this for more than seventeen years. The results, over 75,000 black and white negatives in the Beaford Archive, form what Barry Lane, Secretary General of the Royal Photographic Society, called `a unique body of work, unparalleled at least in this country for its scale and quality' James was a friendly, modest man with a very unintrusive approach. Because of this, and because of the length of the project, he was able to make a uniquely detailed portrait, intimate and sympathetic, of a whole way of life in one small piece of countryside: its landscapes, its seasons, its people, their hardships and their pleasures.His respect for his subjects is manifest in his work. He never sentimentalised their lives.It was vital to him that his record should be completely honest. But it is not merely social history. It is also the work of someone who composed with the eye of an artist, and who often looked at his world with artists such as Breughel, Claude Lorrain, Thomas Bewick and Samuel Palmer in mind.…

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Zustand: New. pp. 248.

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Zustand: New. 2019. 2nd New edition. Paperback. . . . . .

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Paperback. Zustand: Brand New. 248 pages. 7.68x5.94x0.63 inches. In Stock.

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Zustand: New. pp. 248.

- Softcover
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Taschenbuch. Zustand: Neu. Neuware - James Ravilious trained as an artist, but a Cartier-Bresson exhibition converted him to photography, which he taught himself. In 1972, a move to his wife Robin s homeland - a very rural, unspoilt part of North Devon - inspired him. It also produced the perfect job: recording daily life in that traditional bit of old England before it was modernised. The results, over 75,000 black and white negatives in the Beaford Archive, form what Barry Lane, Secretary General of the Royal Photographic Society, called 'a unique body of work, unparalleled at least in this country for its scale and quality'.…

- Softcover
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Paperback. Zustand: new. Paperback. James Ravilious (1939-1999) trained as an artist, like his father Eric, but a Cartier-Bresson exhibition converted him to photography, which he taught himself. In 1972, a move to his wife Robins homeland - a very rural, unspoilt part of North Devon - inspired him. It also produced the perfect job: recording daily life in that traditional bit of old England before it was modernised. He devoted himself to this for more than seventeen years. The results, over 75,000 black and white negatives in the Beaford Archive, form what Barry Lane, Secretary General of the Royal Photographic Society, called `a unique body of work, unparalleled at least in this country for its scale and qualityJames was a friendly, modest man with a very unintrusive approach. Because of this, and because of the length of the project, he was able to make a uniquely detailed portrait, intimate and sympathetic, of a whole way of life in one small piece of countryside: its landscapes, its seasons, its people, their hardships and their pleasures.His respect for his subjects is manifest in his work. He never sentimentalised their lives.It was vital to him that his record should be completely honest. But it is not merely social history. It is also the work of someone who composed with the eye of an artist, and who often looked at his world with artists such as Breughel, Claude Lorrain, Thomas Bewick and Samuel Palmer in mind. A beautifully written and moving memoir of one of the great British photographers of the twentieth century.A moving book, lyrically written, a portrait of an artist and a marriage, but also a meditation on the creative impulse and the artistic temperament. Country Life Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

- Hardcover
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st. Memoir of the photographer son of Eric Ravilious. 248pp, well illustrated. Fine copy in dust wrapper.
Weitere Bilder- Softcover
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Paperback. Zustand: Good. First Paperback Edition. First paperback edition. [128] pp. Illustrated throughout with b/w photographs of rural Devon. Slightly edgeworn with some creasing to spine and a little bit of loss to head; internally fresh. James Ravilious is the second son of the artist Eric Ravilious. This book comprises his photographs of central North Devon; capturing the natural beauty and customs of English country life. His wife, Robin Ravilious, grew up in Devon and writes the accompanying text. 0859676277 Small 4to.…

- Softcover
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Zustand: NEW.

- Softcover
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Paperback. Zustand: New. James Ravilious (1939-1999) trained as an artist, like his father Eric, but a Cartier-Bresson exhibition converted him to photography, which he taught himself. In 1972, a move to his wife Robin's homeland - a very rural, unspoilt part of North Devon - inspired him. It also produced the perfect job: recording daily life in that traditional bit of old England before it was modernised. He devoted himself to this for more than seventeen years. The results, over 75,000 black and white negatives in the Beaford Archive, form what Barry Lane, Secretary General of the Royal Photographic Society, called `a unique body of work, unparalleled at least in this country for its scale and quality' James was a friendly, modest man with a very unintrusive approach. Because of this, and because of the length of the project, he was able to make a uniquely detailed portrait, intimate and sympathetic, of a whole way of life in one small piece of countryside: its landscapes, its seasons, its people, their hardships and their pleasures.His respect for his subjects is manifest in his work. He never sentimentalised their lives.It was vital to him that his record should be completely honest. But it is not merely social history. It is also the work of someone who composed with the eye of an artist, and who often looked at his world with artists such as Breughel, Claude Lorrain, Thomas Bewick and Samuel Palmer in mind.…

- Softcover
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Kartoniert / Broschiert. Zustand: New. A beautifully written and moving memoir of one of the great British photographers of the twentieth century. A moving book, lyrically written, a portrait of an artist and a marriage, but also a meditation on the creative impulse and the artistic temperame.

- Hardcover
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Hardcover. Zustand: Fine. Book is in fine condition. 204pp with b/w photographs.

- Softcover
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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Weitere BilderSprache: Englisch
Verlag: Wilmington Square Books, Bitter Lemon Press 2017, London, 2017
- Hardcover
- Erstausgabe
Anbieter: Foster Books - Stephen Foster - ABA, ILAB, & PBFA, London, Vereinigtes KönigreichFoster Books - Stephen Foster - ABA, ILAB, & PBFA
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Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. First editiion. 19 pp. 75 black and white photographs by James Ravilious and captions by his widow, Robin. Hardcover in pictorial jacket, slightly rubbed at edges. Internally clean. John Hatt says in the foreword that the joint efforts of all those involved in the production of this book has resulted 'in the best book of British rural photographs that has yet been published'. 9781908524935 Oblong 4to.…