robert p ed mills (39 Ergebnisse)

Paperback. Zustand: Very Good. Ed Emsh (cover) (illustrator). Pages unmarked. Minor spine slant. Binding square & firm. Size: Digest-sized. Book.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Near Fine. Illustrated by Emsh; Giunta and Smith (illustrator). Cover art; B&W Drawings; Small 8vo 7½" - 8" tall; 130 pages; Digest sized magazine in color illustrated wraps. Bright, tight copy. Expected toning to the page stock. Small red marker strip top edge. Illustrated with color cover by Emsh and B&W drawings, NF.

Zustand: Good. DJ has light spoiling and light edgewear. Contents are clean but age toned.

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: Fair. jacket is shelf rubbed, torn and tape repaired. edge wear on boards. tanning, foxing and soiling. well bound. fair copy.[S.K]. Our orders are shipped using tracked courier delivery services.

Hardcover. Zustand: Very Good. First edition. Very good plus. Hardcover rubbed at spine ends and lightly bumped corners, cover and foredges lightly soiled, writing on front endpaper.

paperback. Zustand: Good. First Edition. First printing, General shelfwear to the cover and page edges. Some tanning to the pages mainly on the edges.

Hardcover. Zustand: Good. First Edition. Clean hardback tightly bound in red cloth with faded gilt titles, spine sunned, cloth marked on back board, no inscriptions. 402 pages. Includes John Masefield, Anthony Boucher and Theodore Sturgeon.

Zustand: Used - Good. Good paperback. 9th series, 1964. Pages yellowed. Small, rough losses to fore-edge of rear cover and last several pages. Spine creased with slight lean.

Paperback. First Edition. Ace Book M-137. Collects 15 stories by Clifford D. Simak, Isaac Asimov, Cordwainer Smith, and others. Name on first page else a fine copy. ; Small octavo.

Pictorial wrappers. First Edition. A very good+ copy. Contributions by Isaac Asimov, Stephen Barr, and others. Cover art by Ed Emshwiller.; Octavo.

Pictorial wrappers. First Edition. Mild slant to spine. A very good+ copy. Contributions by Brian W. Aldiss, Herbert Gold, and others. Cover art by Ed Emshwiller.; Octavo.

Pictorial wrappers. First Edition. Mild slant to spine. A very good+ copy. Contributions by Wilson Tucker, Zenna Henderson, and others. Cover art by Mel Hunter.; Octavo.

Pictorial wrappers. First Edition. Very mild slant to spine. A very good+ copy. Contributions by Brian W. Aldiss, Herbert Gold, and others. Cover art by Ed Emshwiller.; Octavo.

Pictorial wrappers. First Edition. Tiny nick and mild slant to spine. A very good+ copy. Contributions by Poul Anderson, Clifford D. Simak, and others. Cover art by Ed Emshwiller.; Octavo.

Pictorial wrappers. First Edition. Pages are slightly toned, creases to covers. A very good copy. Includes stories by Jay Williams, Carol Emshwiller, Poul Anderson, Grendel Briarton (Reginald Bretnor) and others. Cover illustration by Ed Emshwiller. ; Octavo.

Pictorial wrappers. First Edition. Pages are age-toned. Short tear and two small spots to spine heel. A very good+ copy. Contributions by James E. Gunn, Theodore Sturgeon, Marion Zimmer Bradley and others. Cover art by Ed Emshwiller. ; Octavo.

Pictorial wrappers. First Edition. Pages are mildly toned. A near fine copy. Contributions by Brian W. Aldiss, Jay Williams, and others. Cover art by Ed Emshwiller.; Octavo.

Pictorial wrappers. First Edition. Special Summer Issue. Pages are mildly toned, light spine slant. A bright, near fine copy. Contributions by Truman Capote, Zenna Henderson, and others. Cover art by Mel Hunter.; Octavo.

Pictorial wrappers. First Edition. Faint crease to upper edge of front cover. A near fine copy. Contributions by Robert F. Young, Rosel George Brown, and others. Cover art by Ed Emshwiller.; Octavo.

Pictorial wrappers. First Edition. A touch of foxing to fore edge, tiny closed tear to spine. A near fine copy. Contributions by Isaac Asimov, Stephen Barr, and others. Cover art by Ed Emshwiller.; Octavo.

Pictorial wrappers. First Edition. Very mild slant and two shor tears to spine. A near fine copy. Contributions by Reginald Bretnor, Winston P. Sanders, and others. Cover art by Ed Emshwiller.; Octavo.

Pictorial wrappers. First Edition. A touch of foxing to fore edge. A near fine copy. Contributions by Brian W. Aldiss, Ron Goulart, and others. Cover art by Ed Emshwiller.; Octavo.

Pictorial wrappers. First Edition. About fine. Contributions by Isaac Asimov, Cordwainer Smith, and others. Cover art by Mel Hunter.; Octavo.

Pictorial wrappers. First Edition. Tiny spot to bottom edge. A near fine copy. Contributions by Gordon R. Dickson, Daniel Keyes, and others. Cover art by Ed Emshwiller.; Octavo.

Pictorial wrappers. First Edition. Pages are slightly age-toned. Tiny tears to spine ends else a near fine copy. Includes The Golden Bugs by Clifford D. Simak and stories by Avram Davidson, Howard Fast and others. Cover illustration by Ed Emshwiller. ; Octavo.

No Binding. Zustand: Near Fine. Original Proof Illustration. Proof, Color Print. Fine. Edmund Alexander Emshwiller (1925 - 1990), Better Known As Ed Emshwiller, Was An American Visual Artist Notable For His Science Fiction Illustrations And His Pioneering Experimental Films. He Usually Signed His Illustrations As Emsh But Sometimes Used Ed Emsh, Ed Emsler, Willer And Others. From 1951 To 1979, While Living In Levittown, New York, Emshwiller Created Covers And Interior Illustrations For Dozens Of Science Fiction Paperbacks And Magazines, Notably Galaxy And The Magazine Of Fantasy & Science Fiction. He Debuted In The Pulp Magazines With About 50 Interior Illustrations And Four Cover Paintings For The May To December 1951 Issues Of Galaxy, A Monthly Edited By H. L. Gold. In That Year Or 1952 He Also Did His First Book Cover For The U.S. Paperback Edition Of Odd John (Galaxy Publishing Corp.) Because He Experimented With A Diversity Of Techniques, There Is No Typical Emsh Cover. His Painterly Treatment For The August 1951 Cover Of Galaxy Science Fiction Prefigures Later Work By Leo And Diane Dillon. Emshwiller Won One Of The Inaugural Hugo Awards In 1953, As The Previous Year's Best "Cover Artist" (A Tie With Hannes Bok). Cover Artists And Interior Illustrators Were Not Thereafter Distinguished By The Hugo Award For Best Artist Under Various Names; He Won Four More During The 1960S Under The Current "Professional Artist" Distinction.[8] On June 16, 2007, He Became The Third Artist Inducted By The Science Fiction Hall Of Fame. His Paintings Of Aliens Were Displayed In The Alien Encounters Exhibition Of The Science Fiction Museum, Which Houses The Hall Of Fame, At That Time (September 10, 2006 To October 30, 2007). In 1964, A Ford Foundation Grant Allowed Emshwiller To Pursue His Interest In Film. Active In The New American Cinema Movement Of The 1960S And Early 1970S, He Created Multimedia Performance Pieces And Did Cine-Dance And Experimental Films, Such As The 38-Minute Relativity (1966). He Also Was A Cinematographer On Documentaries, Such As Emile De Antonio's Painters Painting (1972), And Feature Films, Such As Time Of The Heathen (1964) And Adolfas Mekas' Hallelujah The Hills (1963). Emshwiller's Footage Of Bob Dylan Singing "Only A Pawn In Their Game" On July 6, 1963 At A Voters' Registration Rally In Greenwood, Mississippi, Was Shot For Jack Willis' 1963 Documentary The Streets Of Greenwood And Appears In D. A. Pennebaker's Dylan Documentary, Dont Look Back (1967). His Films Of The 1960S Were Mostly Shot In 16Mm Color, And Some Of These Included Double Exposures Created Simply By Rewinding The Cameras. He Was One Of The Earliest Video Artists. With Scape-Mates (1972), He Began His Experiments In Video, Combining Computer Animation With Live-Action. In 1979, He Produced Sunstone, A Groundbreaking Three-Minute 3-D Computer-Generated Video Made At The New York Institute Of Technology With Alvy Ray Smith.[4] Now In The Museum Of Modern Art's Video Collection, Sunstone Was Exhibited At Siggraph 79, The 1981 Mill Valley Film Festival And Other Festivals. In 1979, It Was Shown On Wnet's Video/Film Review, And A Single Sunstone Frame Was Used On The Front Cover Of Fundamentals Of Interactive Computer Graphics, Published In 1982 By Addison-Wesley. After A Period As Artist-In-Residence At The Television Laboratory Wnet/13 (New York), Where He Worked On The Effects For The Lathe Of Heaven Among Other Projects, He Moved To California Where He Was The Founder Of The Calarts Computer Animation Lab And Served As Dean Of The School Of Film/Video At The California Institute Of Arts From 1979 To 1990. He Also Served As Provost From 1981 Through 1986. In 1987, He Created His Electronic Video Opera, Hunger, For The 1987 Los Angeles Arts Festival, In Partnership With Composer Morton Subotnick. It Was His Last Completed Work, Also Presented In October 1989 At The Ars Electronica Festival In Linz, Austria. (Wikipedia).

No Binding. Zustand: Fine. Original Proof Illustration. Proof, Color. Fine. Edmund Alexander Emshwiller (1925 - 1990), Better Known As Ed Emshwiller, Was An American Visual Artist Notable For His Science Fiction Illustrations And His Pioneering Experimental Films. He Usually Signed His Illustrations As Emsh But Sometimes Used Ed Emsh, Ed Emsler, Willer And Others. From 1951 To 1979, While Living In Levittown, New York, Emshwiller Created Covers And Interior Illustrations For Dozens Of Science Fiction Paperbacks And Magazines, Notably Galaxy And The Magazine Of Fantasy & Science Fiction. He Debuted In The Pulp Magazines With About 50 Interior Illustrations And Four Cover Paintings For The May To December 1951 Issues Of Galaxy, A Monthly Edited By H. L. Gold. In That Year Or 1952 He Also Did His First Book Cover For The U.S. Paperback Edition Of Odd John (Galaxy Publishing Corp.) Because He Experimented With A Diversity Of Techniques, There Is No Typical Emsh Cover. His Painterly Treatment For The August 1951 Cover Of Galaxy Science Fiction Prefigures Later Work By Leo And Diane Dillon. Emshwiller Won One Of The Inaugural Hugo Awards In 1953, As The Previous Year's Best "Cover Artist" (A Tie With Hannes Bok). Cover Artists And Interior Illustrators Were Not Thereafter Distinguished By The Hugo Award For Best Artist Under Various Names; He Won Four More During The 1960S Under The Current "Professional Artist" Distinction.[8] On June 16, 2007, He Became The Third Artist Inducted By The Science Fiction Hall Of Fame. His Paintings Of Aliens Were Displayed In The Alien Encounters Exhibition Of The Science Fiction Museum, Which Houses The Hall Of Fame, At That Time (September 10, 2006 To October 30, 2007). In 1964, A Ford Foundation Grant Allowed Emshwiller To Pursue His Interest In Film. Active In The New American Cinema Movement Of The 1960S And Early 1970S, He Created Multimedia Performance Pieces And Did Cine-Dance And Experimental Films, Such As The 38-Minute Relativity (1966). He Also Was A Cinematographer On Documentaries, Such As Emile De Antonio's Painters Painting (1972), And Feature Films, Such As Time Of The Heathen (1964) And Adolfas Mekas' Hallelujah The Hills (1963). Emshwiller's Footage Of Bob Dylan Singing "Only A Pawn In Their Game" On July 6, 1963 At A Voters' Registration Rally In Greenwood, Mississippi, Was Shot For Jack Willis' 1963 Documentary The Streets Of Greenwood And Appears In D. A. Pennebaker's Dylan Documentary, Dont Look Back (1967). His Films Of The 1960S Were Mostly Shot In 16Mm Color, And Some Of These Included Double Exposures Created Simply By Rewinding The Cameras. He Was One Of The Earliest Video Artists. With Scape-Mates (1972), He Began His Experiments In Video, Combining Computer Animation With Live-Action. In 1979, He Produced Sunstone, A Groundbreaking Three-Minute 3-D Computer-Generated Video Made At The New York Institute Of Technology With Alvy Ray Smith.[4] Now In The Museum Of Modern Art's Video Collection, Sunstone Was Exhibited At Siggraph 79, The 1981 Mill Valley Film Festival And Other Festivals. In 1979, It Was Shown On Wnet's Video/Film Review, And A Single Sunstone Frame Was Used On The Front Cover Of Fundamentals Of Interactive Computer Graphics, Published In 1982 By Addison-Wesley. After A Period As Artist-In-Residence At The Television Laboratory Wnet/13 (New York), Where He Worked On The Effects For The Lathe Of Heaven Among Other Projects, He Moved To California Where He Was The Founder Of The Calarts Computer Animation Lab And Served As Dean Of The School Of Film/Video At The California Institute Of Arts From 1979 To 1990. He Also Served As Provost From 1981 Through 1986. In 1987, He Created His Electronic Video Opera, Hunger, For The 1987 Los Angeles Arts Festival, In Partnership With Composer Morton Subotnick. It Was His Last Completed Work, Also Presented In October 1989 At The Ars Electronica Festival In Linz, Austria. (Wikipedia).

Pictorial wrappers. First Edition. Light toning to pages, tiny tear to spine. A near fine copy. Contributions by Poul Anderson, Manly Wade Wellman, and others. Cover art by Pederson.; Octavo.

Pictorial wrappers. First Edition. Pages are slightly toned, upper corner very mildly bruised. A near fine copy. Includes stories by Edgar Pangborn, Joanna Russ, Grendel Briarton (Reginald Bretnor), Robert Graves and others. Cover illustration by Mel Hunter. ; Octavo.