Robert ellis miller (10 Ergebnisse)

Vintage studio still photograph from the 1988 film. Two terminally ill patients bond and plan an escape from the hospital for one last wild adventure. Shot on location in Amsterdam, England, and the Netherlands. 8 x 10 inches. Near Fine.

Three vintage black-and-white still photographs from the 1968 film. The film follows the story of a troubled young woman who seeks out emotionally crippled men and invites them to live with her for a month in an attempt to "cure" them. However, she and Mr. November become quite attached, and when he tries to continue the relationship past its prescribed termination, he uncovers Sara's (Sandy Dennis) tragic secret. Set in New York City, shot on location in New York City. 10 x 8 inches. Near Fine, with film details affixed to the verso of image 508-27.…

Vintage borderless black-and-white photograph from the set of the 1968 film. On the set of "Sweet November," pictured from left to right: cinematographer Daniel L. Fapp and actors Anthony Newley and Sandy Dennis. The film follows the story of a troubled young woman who seeks out emotionally crippled men and invites them to live with her for a month in an attempt to "cure" them. However, she and Mr. November become quite attached, and when he tries to continue the relationship past its prescribed termination, he uncovers Sara's (Sandy Dennis) tragic secret. Set in New York City, shot on location in New York City. 10 x 8 inches. Near Fine, with a blue manuscript notation to the verso.…

Vintage one sheet poster for the 1966 film. Based on the 1964 hit Broadway play by Muriel Resnik. Ellen Gordon (Jane Fonda) is New York executive John Cleves' (Jason Robards) mistress, who falls for Cleves' young, out-of-town associate Cass Henderson (Dean Jones), when Cleves' secretary unknowingly sends him to the apartment where they have their trysts. The secretary then compounds the error by telling Cleves' wife Dorothy (Rosemary Murphy) about the apartment. Shot on location in New York City. 27 x 41 inches. Folded, as issued, one small closed tear, else Near Fine.…

Draft script for the 1970 British film. Cinematographer Douglas Slocombe's name written and underlined in manuscript ink on the title page, as well as an encircled "71" in red manuscript marker. Based on Janice Elliott's 1967 novel about cousins born on the same day to twin sisters. Inseparable and maybe in love they agree to find suitable romantic partners for each other. Nominated for the Palme d'Or. Set in and shot on location in England, Spain and Sweden. ornamental embossed titled wrapper. Title page present, dated 1969, with credits for screenwriter Peter Draper and novelist Janice Elliott. PAGES leaves, with last page of text numbered 111. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with three flat metal brads.…

First Draft script and a Revised Estimating script for the 1968 film. The First Draft script is early, written well over two years before the film's release. The Revised Estimating script is on all yellow stock, except for distribution page (white), and pink "This Script Is Not Final and Is Given to You for Advance Information Only" page. Written a year prior the film's release, the Revised Estimating script is only 79 pages, ending with "PART II TO FOLLOW." From the estate of film producer Elliott Kastner, whose best known credits include "The Long Goodbye" (Robert Altman, 1973), "The Missouri Breaks" (Arthur Penn, 1976), and "Heat" (Michael Mann, 1996). A workaholic manufacturer meets a carefree young woman who takes lovers for a period of one month in order to help them get over their problems, though complications ensue when he agrees to be her "November." Remade in 2001, directed by Pat O'Connor, and starring Keanu Reeves and Charlize Theron. Set in and shot on location in Manhattan and Brooklyn, New York. First draft script: Blue titled wrappers, dated July 9, 1965. Title page present, dated 7/9/65, noted as First Draft, with credits for screenwriter Herman Raucher. 135 leaves, with last page of text numbered 134. Offset duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with three silver brads. Rev. Estimating script: Beige titled wrappers, noted as REV. ESTIMATING SCRIPT on the front wrapper, rubber-stamped copy No. 65, dated February 1. 1967. Distribution page present, with receipt intact. Title page present, dated 2/1/67. 83 leaves, with last page of text numbered 79. Offset duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two gold brads.…

Zustand: Good. Small folio. 26 x 35cm. Contemporary green straight grain morocco decorated in gilt, with raised bands to spine with gilt lettering and tooling; rebacked.Offsetting from plates to text pages.OCLC Number / Unique Identifier:2015495: .[6], xxviii, [100] pages 50 color plates; Abbey, Ttravel, no. 71. …

Vintage borderless photograph from the 1968 film, showing Alan Arkin, Sondra Locke, and an unidentified man at the film's premiere. Metropolitan Photo Service stamp on the verso. One of the great film adaptations of any American novel, starring Locke in her screen debut, opposite Arkin. Although much of the political aspect of McCullers' novel was removed from the film, the themes present in the author's work are readily apparent: race, loneliness, impoverishment, and anger. Arkin and Locke were nominated for Best Actor and Best Supporting Actress Oscars. Shot on location in Selma, Alabama. 10 x 8 inches. Very Good plus.…

Collection of 25 vintage photographs from the 1968 film, including nine studio still photographs and 16 reference photographs. Three with mimeo snipes on the versos, and the balance with provenance stamps and labels to same. One of the great film adaptations of any American novel, starring Sondra Locke in her screen debut, opposite Alan Arkin. Although much of the political aspect of McCullers' novel was removed from the film, the themes present in the author's work are readily apparent: race, loneliness, impoverishment, and anger. Arkin and Locke were nominated for Best Actor and Best Supporting Actress Oscars. Shot on location in Selma, Alabama. Photographs range in size from 8 x 9.25 inches to 10 x 8 inches. Generally Near Fine.…

Archive of scripts and revision pages for 56 episodes of the detective television series dated variously between 1958 and 1960. Copies belonging to screenwriter Lewis Reed, with his manuscript name on the front wrapper of each episode. 36 scripts contain pink, blue, white, and yellow revision pages, many bound separately and laid in at the rear. Included are screenplays for nearly half of the 114-episode run of the series, starring the sophisticated, sharp-dressed, jazz-loving private eye Peter Gunn, played by Craig Stevens. Probably the only television show to ever rival the best films noir of the big screen, with minimalist dialogue and bleak, open-ended conclusions that challenge even the best of television today. Creator Blake Edwards would use the success of the series to jump start his film career, going on to direct "Breakfast at Tiffany's" (1961) and the "Pink Panther" film series starring Peter Sellers. Noted composer Henry Mancini won an Emmy and two Grammy Awards for the show's well-loved theme song, including the first Grammy ever awarded for Album of the Year. Scripts in Very Good to Near Fine condition. Mimeograph on eye-rest green or white stock. …