robert dyck (28 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 109 pages. 11.00x8.50x0.28 inches. In Stock.

Paperback. Zustand: Brand New. 120 pages. 9.00x7.00x0.75 inches. In Stock.

24,5 x 17,5 cm. Zustand: Gut. 1. Auflage. 349 Seiten Hardcover. Original Leineneinband. Bibliotheksschild auf Vorderdeckel. Kein Schutzumschlag. Bibliotheksexemplar mit den üblichen Bibliotheksstempeln und Einträgen. Sonst innen sauberer, sehr guter Zustand. MIG-15-03A|A92 Sprache: Deutsch Gewicht in Gramm: 840.

Zustand: Very Good. 349 pp., Hardcover, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

LEINEN, 349 Seiten, Format groß 8°, Einband in Transparentschutzfolie, dies ist ein regulär ausgesondertes Bibliotheksexemplar aus einer wissenschaftlichen Bibliothek mit der üblichen Signatur und Stempel, keine Markierungen/Anmerkungen, das Buch befindet sich in einem sehr guten bis tadellosen Zustand. Shipping to abroad insured with tracking number.

Zustand: New.

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Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware.

Zustand: Good. First edition. Hardback. Large quarto. Illustrated title page and 23 illustrated pages, printed recto only. Covers with some wear, rubbing and marks, inner hinges and text block slightly loose, pages with slight toning and a couple of edge tears, otherwise a good plus copy. No date, gift inscription to title page dated 1905.

349 S. Oln. Widmung von Dyck.

8vo. pp 510. Original publisher's blue cloth, lettered gilt on spine and on front cover. Volume four only. Illustrated in b/w throughout. Slight fading at spine, otherwise sound, very good.

Blatt-Maße: ca. 38 x 26 cm. Portrait: ca. 24 x 16 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- leicht fleckig, mit schwachen Knickspuren, sonst gut erhalten. || Original engraved portrait from the 17th century. -- slightly stained, with minor fold marks, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.

Blick-Punkt-Verlag, Burghausen, 1990. 109 überwiegend bebilderte Seiten, goldgeprägter Leineneinband mit Schutzumschlag, quart---- gutes Exemplar - 718 Gramm.

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 41 x 26 cm. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 20.

Hardcover. Zustand: poor. Van Dyck (illustrator). Folio. Unpaginated. Gray cloth over illustrated paper covered boards. Head and tail of spine frayed. Water staining and scuffing to boards. Wear to edges and corners. Illustrated endpapers. Free front endpaper detached but present. Hinges starting. Illustrated title page. Age yellowing to pages not affecting text or plates. Water staining to outer edges of last 6 pages. Delightfully illustrated with color drawings by Van Dyck. Binding in poor, interior in fair condition.

Zustand: Good. 4to, 20 x 27.5cm. Blonde calf, decorated ribbed spine (contemporary binding). Scuffs and rubbing, leather losses, split joint at top.Engraved title, dedication, 12 pages of text, portrait of the Duke of Choiseul, and 127 (of 128) finely engraved plates numbered 1-123 (excluding unnumbered plate 4, normally located between plates 38 and 39), including figures 44 and 45 engraved on a single plate, plate 47 numbered twice, 5 bis plates -68, 69, 76, 78, and 101-, plate 74 on a double page, figures 93 and 94 on a single plate. Plates 38 and 39 have shorter margins. Small loss to plate 33 without affecting the engraving. Fresh pages. Bookplate with the coat of arms of De Clos de Balme. .The Duke of Choiseul's cabinet contained mainly paintings by Flemish and Dutch masters such as Rembrandt (including a self-portrait), Breughel, Teniers, Ruysdael, Rubens, N. Berghem, and Van Dyck. It also contained a few canvases by Titian, Le Nain, Robert, and Greuze. .).Pierre-François Basan (1723-1797) was one of the leading figures in the 18th-century world of printmaking. He was an engraver, publisher, expert, and iconographer. He also brought Rembrandt to France, publishing one of the first engraved collections of his works, printed on his original copperplates, and Teniers, engraving many of his paintings with Le Bas. After a brillant career in the army, Etienne-François, duc de Choiseul (1719-1785) married the daughter of Crozat. Thanks to the protection he received from Madame de Pompadour, Louis XV's mistress, Choiseul was made ambassador to the Holy See, and before long he was appointed minister of foreign affairs and later to the ministry of war and navy. After the death of his benefactor Madame de Pompadour in 1772 Choiseul was disgraced and exiled. Choiseul was a great collector, and asked Basan, one of the most eminent experts of the time, to organize a catalogue of his collection. Although dated 1771 on the title page, the catalogue was finished a year later. Choiseul was unfortunately disgraced the same year and a sale was organized by the expert Boileau on 6-10 April 1772; the remaining part of the collection was sold after Choiseul's death on 18 December 1786. This unique copy has the prices realized at the famous 1772 sale: La collection vendue est celle d'étienne-François, duc de Choiseul (1719-1785), ambassadeur à Rome de 1754 à 1757, puis à Vienne de 1757 à 1758 ; créé duc de Choiseul en 1758, il devient premier ministre de fait mais tombe en disgrâce à partir de 1770.Born in 1719, Étienne François de Choiseul-Beaupré Stainville first had a military career, rising to the rank of lieutenant general of the king's armies. He was ambassador to the Holy See between 1754 and 1757 and then to Vienna in 1758. That same year, he received the title of Duke of Choiseul-Amboise and was appointed Secretary of State for Foreign Affairs and then, in 1761, for the Navy and for War.The Duke of Choiseul pursued a policy of revenge against England; to do this, he relied on the alliance with Austria and the Bourbons of Spain, Parma and Naples through the Pacte de Famille signed in 1761. He also negotiated the marriage of the Duke of Berry, future Louis XVI, with the archduchess of Austria, Marie-Antoinette.Under his government, the borders of France widened, with the inclusion of Lorraine in 1766 and the acquisition of Corsica in 1768.A friend of the Encyclopaedists and Madame de Pompadour, he was interested in the art and philosophy of his time; his Voltairean spirit distanced him from Rousseau, whose Social Contract (1762) he rejected.At the beginning of 1770, Choiseul acted more and more without the king's consent, often even against his will. Madame Du Barry, to whom he had spoken undiplomatically, played a role in his eviction from the court at the end of 1770. His exile, to his estate of Chanteloup, near Amboise, was a triumph: everyone flocked to the Duke of Choiseul. He died in 1785, leaving behind him a disastrous personal financial situation.;Pierre-François Basan (publisher) French, 1723 - 1797;The Artists in the Recueil:Pierre-Charles Baquoy (artist) French, 1759 - 1829;Louis Binet (artist) French, 1744 - c. 1800;Robert Daudet (artist) French, 1737 - 1824;Remi-Henri-Joseph Delvaux (artist) French, 1748 or 1750 - 1823;Balthasar Anton Dunker (artist) German, 1746 - 1807;;;Louis Germain (artist) French, 1733 - 1791 or after;Carl Guttenberg (artist) German, 1743 - 1790;Louis-Michel Halbou (artist) French, 1730 - probably 1809;Francois-Robert Ingouf (artist) French, 1747 - 1812;Nicolas Delaunay (artist) French, 1739 - 1792;Jacques Philippe LeBas (artist) French, 1707 - 1783;Pierre Charles Levesque (artist) French, 1736 - 1812;Jean Baptiste Liénard (artist) French, 1750 - after 1807;Charles Louis Lingée (artist) French, 1748 - 1819;Joseph-C. Maillet (artist) French, 1751 - 1811;Pierre Maleuvre (artist) French, 1740 - 1803;Pietro Antonio Martini (artist) Italian, French school, 1738/1739 - 1797;Louis-Joseph Masquelier (artist) French, 1741 - 1811;Jean Massard (artist) French, 1740 - 1822;Philippe Louis Parizeau (artist) French, 1740 - 1801;Charles Emmanuel Patas (artist) French, 1744 - 1802;Nicolas Ponce (artist) French, 1746 - 1831;Noël Pruneau (artist) French, born 1751;Antoine Louis Romanet (artist) French, 1742 - 1810 or after;Jean Francois Rousseau (artist) French, born c. 1740;Gabriel de Saint-Aubin (artist) French, 1724 - 1780;Vény (artist) French, active 18th century;Carl Wilhelm Weisbrod (artist) German, 1743 - 1806;B. A. Wieilh (artist) French, active 1770s;Pierre-Philippe Choffard (artist) French, 1730 - 1809;Charles Emmanuel Patas (artist) French, 1744 - 1802;Carl Wilhelm Weisbrod (artist) German, 1743 - 1806;Remi-Henri-Joseph Delvaux (artist) French, 1748 or 1750 - 1823;Jeanne Deny (artist) French, born 1749;Philippe Louis Parizeau (artist) French, 1740 - 1801;Salvator Rosa (artist after) Neapolitan, 1615 - 1673;Paulus Potter (artist after) Dutch, 1625 - 1654;Philips Wouwerman (artist after.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 349 | Produktart: Bücher | Keine Beschreibung verfügbar.

Blatt-Maße: ca. 38 x 24 cm. Portrait: ca. 24 x 18 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.

Zustand: Good. Engraving on laid paper with fleur-d-lys watermark (Mauquoy-Hendrickx 170?). 23.9 x 16.3 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.

aufgewalzte original Radierung, original etching von / by Robert Leemann (1852-1925), Blattformat ca. 40 x 30 cm de 500 Grafik.

Portrait of Robert van Voerst, half-length in front of a cloudy sky on the left and a square pillar base on the right, directed to front but looking to the left, with long hair, a beard and moustache, wearing a wide flat collar, buttoned doublet and cloak over both shoulders, his left hand holding a scroll of paper at the level of his chest.Titled at bottom center: Robertvs van Voerst, / Calcographvs Londini.Signed below:Ant. Van Dÿck pinxit. R. V. Vorst Sculp.Used in 'Icones principum, virorum doctorum, pictorum, chalcographorum, statuariorum nec non amatorum pictoriae artis numero centum ab Ant. van Dyck ad vivum expressae ejusque sumptibus aeri incisae.' published in Antwerpen by Gillis Hendricx, [1645-1646].[NL] Portret van Robert van Voerst. Prent gemaakt doorRobert van Voerst (1597-1635), naar Anthony van Dyck. Etching and engraving on hand laid paper, with wide margins; total: 412 x 283 mm; state IV or VI/6; beautiful wide margins, great impression. Some light staining on the margins. New Hollstein 97.

Anthony van Dyck (illustrator). 'CHARLES I OF ENGLAND WITH THE DUKE OF HAMILTON'Engraving by Robert Strange after Anthony van Dyck, showcasing Charles I of England in a landscape setting with a horse and an attendant.Made by Robert Strange after Anthony van Dyck.Medium: Engraving and etching on hand laid (verge) paper.Sheet size: 63.6 x 47.5 cm (25.04 x 18.7 inch). Image size: 61.9 x 46.8 cm. (24.37 x 18.43 inch).CHARLES I, DUKE OF HAMILTON, ROBERT STRANGE, ANTHONY VAN DYCK, 18TH-CENTURY PORTRAIT, BRITISH MONARCHY, ENGRAVING | EXPO-LARGEBACKGROUND INFORMATIONPublished by Robert Strange in 1782.State: ii/iii.Reference: Le Blanc 45.Biography engraver: Robert Strange (17211792) was a renowned Scottish engraver, known for his precise and delicate work in reproducing portraits and historical scenes.Biography artist: Anthony van Dyck (15991641) was a Flemish Baroque artist famous for his elegant and refined portraits, especially of European royalty and aristocracy. Condition: very good, given age. Light foxing, creasing and soiling. Image trimmed at right side with loss of image, remargined. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.