robert deitch (14 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition.

Softcover. Zustand: Near Fine. First printing. Octavo. Illustrated stapled wrappers. Near fine with light edgewear. Contributors include Trina Robbins, Bill Griffith, Rory Hayes, Robert Williams, and Kim Deitch, among others.

Softcover. Zustand: Near Fine. Magazine. Quarto. 64pp. Fine in illustrated stapled wrappers. Features works by Kim Deitch, Rick Geary, Charles Burns, Chester Brown and a selection of childhood comics created by Robert Crumb and his brother Charles.

Tabloid. Zustand: Good. Side folding tabloid newspaper. 28 pp. Black and white illustrations and comix throughout. East Village Other was an underground newspaper from New York (duh), known for its early embrace of the counterculture and counterculture aesthetics, often using absurdist pieces to provide social commentary. As an early proponent of the underground comix movement, EVO published work by R. Crumb and others, as well as publishing a paper devoted to comix. This issue with the usual movement, music, drug and counterculture musings, etc. With full page comix by R. Crumb, "Edgar and Maryjane Crump," and "Crime on the Streets;" comix by Kim Deitch, comix by Spain Rodriguez, etc. Includes an article on drug use among US soldiers in Vietnam and a front cover illustration of George Wallace by Baby Jerry. GOOD condition. Horizontal fold crease present. Moderate toning. A few small tears and creases along the edges. Mailing label on the upper front cover.

Paperback. Zustand: Brand New. 244 pages. 9.00x6.00x0.50 inches. In Stock.

Softcover. Zustand: Very Good. First printing, with glossy cover stock and no nipple on cover. Octavo. Stapled illustrated wrappers. Very good with edgewear, creasing and rubbing. Contributor include Robert Crumb, Greg Irons, Spain Rodriguez, Simon Deitch, Jim Osborne, S. Clay Wilson, Bill Griffith, and Kim Deitch.

152 pp.; 28.9 x 20.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at The House of Cyprus, Athens, Greece, June 20 - September 15, 1990. Curated and with an essay by Jeffrey Deitch. Edited by Jeffrey Deitch and Dan Friedman. Artists include Ashley Bickerton, Clegg & Guttmann, Walter de Maria, Laura Grisi, Martin Kippenberger, Jeff Koons, Liz Larner, Tatsuo Miyajima, Peter Nagy, Pino Pascali, Edward Ruscha, Manuel Saiz, Robert Smithson, William Stone, Thanassis Totsikas, Meg Webster, and Andy Warhol. Includes exhibition checklist. Text in English and Greek. Very Good. Light rubbing of cover edges and light cover wear. Cover and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good. 5 mm. tear to spine edge. Four small tears at edges of staple binding. 2 mm. and 1 mm. tear to top edge of recto and chipping along top edge of verso. Light yellowing of covers and pages. Contents clean and unmarked.

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good / Fine. 5 mm. tear with creasing to top left corner of recto. 2.9 cm. tear to spine edge of recto. 3.6 cm. dog-ear to bottom left corner of verso with light 1 cm. dog-ear to bottom right corner of most pages. Contents clean and unmarked.

91 pp.; 29.6 x 21.2 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 29 - August 4, 1991. Curated and with an essay by Jeffrey Deitch. Includes previously published texts by Norbert Messler and John Caldwell, and previously published interviews with Cady Noland by Michele Cone, and with Philip Taaffe by Shirley Kaneda. Artists include Robert Gober, Cady Noland, Philip Taaffe, and Christopher Wool. Includes exhibition checklist and exhibition histories. Text in English and Japanese. Very Good / Fine. Light wear to dust jacket edge and light rubbing of covers. Contents clean and unmarked.

Spiral Bound Stiff Wrappers. Zustand: Near Fine. First Edition 1/2000. 144pp, profusely illustrated in color and b&w. Designed by Dan Friedman. With a biography, exhibition history, bibliography and exhibition checklist. This is the elaborately designed catalogue published in conjunction with the massive 1982 Keith Haring show held at Tony Shafrazi Gallery. The exhibition elevated Haring's career from that of an East Village Scene street artist to a rising art-star with international visibility. It contains essays by Robert Pincus-Witten, Jeffrey Deitch, and David Shapiro along with copious photographic documentation of both the exhibited pieces and public works in situ. The final thirty-two pages of this consist of the bound-in black and white artist's book "Keith Haring's Coloring Book, August 29, 1982". An exceptionally bright, most handsome example of the uncommon 1982 first edition limited to two thousand unnumbered copies showing two slight surface abrasions to the front cover where the black ink has streaked and a bit of the fluorescent pink screenprinting has partially come away from the underlying cardstock additionally bearing the BOLDLY SIGNED AND DATED INSCRIPTION "For Joyce - / X KEITH HARING FEB. 17-83" in thick silver marker above and below an ELABORATE ORIGINAL DRAWING of two running radiant figures reassembling a broken heart. This copy was acquired directly from the library of its original recipient. Signed Presentation Copy with a Drawing. Artist Monograph.

First edition, first printing. Publisher's original bright pink card covers with Keith Haring's 'Three Eyes' illustration in black on the upper panel. Spiral bound. 23 x 23cm. Illustrated profusely throughout, with a portrait frontispiece and 135 plates, most of which are full page, with 16 plates in full colour. Offset printed on a variety of matte and gloss papers. A near fine copy, the binding firm, with a little rubbing to the extremities and a few light marks to the covers, the rear cover is mildly rubbed. The contents are clean and bright throughout, with a tiny nick to the fore-edge of the rear page and is otherwise without inscriptions or stamps. An attractive example. A striking catalogue produced to coincide with Keith Haring's seminal exhibition at the Tony Shafrazi Gallery in 1982. The first edition (as here) was issued in a edition of 2000 copies. A second edition of 5000 copies (so marked) was called for in 1983. Documenting Haring's work in the early 1980's, it features examples of his varied output, including sculptures, subway drawings, colouring book pages, large scale murals and mixed media work, alongside essays on the artist, studio photographs and bibliography. A beautifully designed catalogue and comprehensive look at the artists early and most influential work. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

Original 16mm film reel for the 1978 animated short "Make Me Psychic," created by animator Sally Cruikshank and featuring music by the Cheap Suit Serenaders, Robert Armstrong, Allan Dodge, and Paul Woltz. "Make Me Psychic," a followup to Cruikshank's lauded short film "Quasi at the Quackadero," and features the director's recurring duck characters Quasi and Anita in a psychedelic adventure in which Anita uses a hypnotizing machine to try and harness her psychic powers. Instead, Anita ends up hallucinating while never leaving her own overflowing bathtub. An innovator in her field, with a signature flowing style of motion, Cruikshank created music videos for Sesame Street between 1989 and 1999, won the 1986 Maya Deren Award given by the American Film Institute, and "Quasi at the Quackadero" was selected for the National Film Registry by the Library of Congress in 2009. Near Fine, housed in a Near Fine plastic film canister and a Very Good plus metal-cornered shipping box, with Cruikshank's Berkeley address to the box and film reel.