robert blees (10 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Two vintage black-and-white studio still photographs from the 1958 film. Based on the 1949 Fredric Brown novel. One of the weirdest and most wonderful of the Columbia B-noirs, a very faithful adaptation of Fredric Brown's byzantine mystery novel, with Anita Ekberg (pre-"La Dolce Vita") put to good use as a dancing siren, and the Red Norvo Trio performing icy strains of modern jazz both live and in the soundtrack. 8 x 10 inches. Very Good plus, with a tiny chip to the edge of one photo.

Zustand: Good. Good condition. Very Good dust jacket. Writing inside. (investment, banking, buisness ).

Vintage studio still photograph from the 1972 film. Loosely based on the fable of Hansel and Gretel, with the setting updated to 1920s England, about a mad widow who lures children into her mansion by way of an annual charity Christmas party for orphans. 10 x 8 inches. Near Fine.

Hardcover. Zustand: Brand New. 1st edition. 400 pages. 8.94x6.36x1.34 inches. In Stock.

Continuity and Dialogue script for the 1954 film. A woman moves from the midwest to New York City and develops a friendship with a nightclub singer. Unfortunately, the nightclub singer's husband develops feelings for the new to town woman. The misunderstanding may be deadly. Set in New York City. White titled self-wrappers, noted as Continuity and Dialogue on the front wrapper, production No. 1757, dated March 16, 1954, with credits for director Joseph Pevney. PAGES leaves, with last page of text numbered 9. Multilith duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads along the top edge. Grant US. Selby US. Spicer US.

Vintage reference photograph from the 1954 film, showing actor Ronald Reagan brandishing his pistol. Annotations in manuscript ink and pencil on the verso, along with a partial RKO stamp. One of director Allan Dwan's best films, a beautiful, sprawling Technicolor Western that put Barbara Stanwyck back in the saddle. From the archive of the PIX Agency, an American photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. 7.5 x 9.5 inches, archivally mounted in a white mat measuring 11 x 14 inches. Very Good plus, with small chips on the right corners. Pitts 681.

Two vintage publicity photographs from the 1953 film noir, including one keybook photograph. One photograph showing actress Kathleen Hughes being menaced by a large and looming Edward G. Robinson, the other showing Robinson alone. Printed mimeo snipe affixed to the verso of one photograph. Based on Max Ehrlich's 1952 novel "Spin the Glass Web." A claustrophobic tale of a happily married television writer who becomes entangled in an affair with a femme fatale at his workplace. The second Universal-International film directed by Jack Arnold in 3-D (the first being the 1953 science fiction classic "It Came from Outer Space), and likely the first film noir shot in 3-D. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Near Fine. Grant US. Selby US Master List. Spicer US.

Four vintage photographs from the 1958 film. Mimeo snipe and Columbia Pictures copyright stamp with credit for photographer Van Pelt on verso of all photographs. One of the weirdest and most wonderful of the Columbia B-noirs, and a very faithful adaptation of Fredric Brown's byzantine 1949 novel, with Anita Ekberg (pre-"La Dolce Vita") put to good use as a dancing siren, and the Red Norvo Trio performing icy strains of modern jazz both live and on the soundtrack. 8 x 10 inches. Near Fine. Lyons US. Selby US. Silver Classic Noir. Spicer US. Grant US.