robert alan arthur (33 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. 3rd. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Charles Keeping (illustrator). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Good. 3rd Edition. P/O name to lower front fly o/w clean, unmarked copy with firm corners and a solid, crease-free spine. BP/Collections.

Paperback. Zustand: Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDFourth edition Some wear to cover else good.

Mass Market Paperback. Zustand: Very Good. Dan Perri; (illustrator). First Thus. First Edition Thus. Not price-clipped ($1.95 price on cover). Published by Bantam, 1976. 12mo. Paperback. Code of 10047-5 on cover and spine. Book is very good. Covers have some light shelf wear. Light stamping on top and bottom page ends. Book is placed in custom acetate protector. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Zustand: New. In.

Zustand: Good. Good condition. Slightly dampstained. (sci-fi, short stories).

Zustand: New.

Paperback. Zustand: Fair. No Jacket. Charles Keeping (illustrator). Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 112 pages. 10.00x7.00x0.29 inches. In Stock.

1st edition. Near fine cloth copy in a somewhat edge-torn, nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 502 pages. B&W illustrations. Two-column text. Subjects; Sherlock Holmes. Detective fiction. Fiction. Thriller Fiction. Crime fiction. Criminal investigation. Investigation Fiction. Detective and mystery fiction. Détectives Romans, nouvelles, etc. Enquêtes criminelles Romans, nouvelles, etc. Fiction. Private investigators. Private investigators Fiction. 3 Kg.

Vintage portrait photograph of producer Dino De Laurentiis, promoting the 1976 film. Dino De Laurentis was an Italian-American film producer, who, along with Italian film producer Carlo Ponti, helped bring Italian cinema to international acclaim, most notably films by Federico Fellini, Victtorio De Sica, and Roberto Rossellini. De Laurentis produced or co-produced more than 500 films, 38 of which had been nominated for Academy Awards. Based on the 1968 play "Indians" by Arthur Kopit. A revisionist look at the Buffalo Bill legend, in which the buffoonish Bill (Paul Newman) hires Chief Sitting Bull (Frank Kaquitts) to star in his Wild West Show, but finds himself frequently butting heads with Sitting Bull's own vision of the American west. Shot on location in Alberta, Canada. 8 x 10 inches. Near Fine.

Zustand: New. In.

Zustand: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Tapa blanda. Zustand: Muy bien. Primera edición. John Cheever "Artemis, The Honest Well Digger"; Ken W. Purdy; Robert Graves "My First Amorrous Adventure" ; Ray Bradbury "The Prrot Who Met Papa"; Arthur C. Clark & Alan Watts "Technology and Mysticism"; Gina Allen & Clement Martin; Judith Wax; Ray Russell; Richard Rhodes; Bob Post; John Chancellor; Harrison Salisbury; Gene Siskel; Joyce Carol Oates "The Loves of Franklin Ambrose"; Joe Frazier, Al Unser, John Brodie, Vida Blue, Marty Liguori, Larry Mahan, Kareem Abul Jabbar; thomas mario; F. P. Tullius; Allan Cox; Alberto Vargas; Leroy Neiman; Phil Interlandi; Garry Willis; Richard Hooker; Robert Morley. MUY BUEN ejemplar. 284pp.

[52] pp.; 21 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with a series of building ways shows titled "Critical Perspectives," held at P.S.1, Long Island City, Queens, January 17 - March 14, 1982, and featuring different curators throughout the building. Foreword by Alanna Heiss. Includes texts by the curators of each show. "Self-Indulgence," curated and with an essay by Linda Burnham, Artists include Edie Ellis, Marc Kreisel, Jeffrey Vallance ; "Energism," curated by Ronny Cohen, artists include Nancy Arlen, Richard Beckett, Lynda Benglis, Jonathan Borofsky, Tom Butter, Arthur Cohen, Peggy Cyphers, Cynthia Gallagher, Dina F. Ghen, Deborah Kass, Kathryn Kennedy, Robert Kitchen, Elizabeth Murray, Marilla Palmer, Suzan Pitt, Barbara Quinn, Randal Rupert, Takao Saito, Frank Schröder, Leora Klaymer Stewart, Robin Tewes, Jeff Way; "Untitled," curated and with an essay by Edit deAk, artists include Futura 2000, James Nares, Yoko Ono, Pat Place, Alan Vega; "The Frame As Stage," curated and with an essay by John Howell, artists include Ericka Beckman, Julia Heyward, Pooh Kaye, Tony Mascaterello, Michael McClard, Robin Winters; "Untitled," curated and with an essay by Thomas Lawson, Artists include Eric Fischl, Jack Goldstein, Thomas Lawson, Nachume Miller, Gerry Morehead, Walter Robinson, Salomé, Michael Zwack; "Untitled," curated and with an essay by Joseph Masheck, artists include Jeremy Gilbert-Rolfe, Sharon Gold, Richard Hennessy, Stewart Hitch, Vered Lieb, Thomas Nozkowski, Catherine Porter-Scully, Sean Scully, Andrew Spence, Thornton Willis; "Untitled," curated and with an essay by Peter Plagens, artists include Laurie Fendrich, Patrick Hogan, Ron Linden, Carol Lindsey, John Phillips "Untitled," curated and with an essay by Marcia Tucker, artists include Billy Copley, John Hull, Kristin Hodson, Kent Shell, Kenneth Shorr, Kevin Teare, and Paul Wong. Includes an exhibition checklist and exhibition map. Very Good. Light yellowing of covers, 3 mm. and 2 mm. tear to top edge of recto, and additional light edge-wear. Contents clean and unmarked.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware.

Hardcover. Zustand: Brand New. 227 pages. 9.25x6.25x0.75 inches. In Stock.

Set of eight vintage color studio still photographs from the 1976 western film. With the stamp of a Canadian film distributor on the verso. Based on the 1968 play "Indians" by Arthur Kopit. A revisionist look at the Buffalo Bill legend, in which the buffoonish Bill hires Chief Sitting Bull to star in his Wild West Show, but finds himself frequently butting heads with Sitting Bull's own vision of the American west. Shot on location in Alberta, Canada. 10 x 8 inches. Near Fine. Pitts 554.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.

[4] pp.; 24 x 15.2 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for "Speak Out for McCarthy" event held Sunday, May 19, [1968] at Madison Square Garden in New York City. Program included appearances by Garry Morre, Tony Randall, Dick van Dyke, José Ferrer, Elaine May, Renée Taylor, Gene Wilder, Phil Ochs, Alan Arkin, Dustin Hoffman, Arthur Miller and others.The verso lists the New York delegate slates. Good / Very Good. Folded in half, red ink notation on verso, handling marks and light edge wear.

Softcover. Zustand: Near Fine. First edition. Quarto. 31, [1]pp. Stapled printed wrappers. A self-mailed pamphlet with recipient's name stamped on rear cover. Faint vertical crease, a little toning, and a small ink squiggle on the rear wrapper. Transcript of a discussion about serious dramatic writing and its intersection with television. Uncommon.

41 pp.; 29.5 x 21 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May - June, 1973. Fully illustrated with black-and-white reproductions of the works of Daniel Buren, Alan Charlton, Giorgio Griffa, Bernd Lohaus, Brice Marden, Agnes Martin, Robert Ryman, Palermo, and Niele Toroni. Includes an exhibition checklist / index. Text in French. Good. 6 mm. tear to bottom edge of recto. Multiple areas of light soiling of recto measuring 9 mm., 1 mm. (x 3) 1.4 cm. (x 2). Additional light bumping and creasing of covers with 2 cm. of creasing carrying through to pages. Contents otherwise clean and unmarked.

Paperback. Zustand: Good. Clymer, John (cover); Langley, Alex; Harris, R.G.; Rabut, Paul; Hilbery, Bob; Conner, Mac; Otnes, Fred; (illustrator). First Edition. 126 pages. Fiction: Problem Mother; The Face of Death; First Baby; The Forbidden Island; Kiowa Moon (part 2 of 7); The Golden Shadow (conclusion). Articles: How an Amblance Chaser Works - other people's accidents make him money; If a President Collapses - proposed solutions to the problem of what to do if/when a President falls ill; The Face of America - The Golden Triangle - large color photo of the Monongahela meeting the Allegheny River; We are on the Spot in Spain - Franco's dictatorship rests on a powder keg; Premature Births Can Be Prevented - Releasin is used to delay labor - with photo of Mrs. Lorraine Yarsinsky and her triplets; Everybody Laughs at Me - Victor Borge - par 6 of 7 - his feud with Rudy Vallee, and the day he was arrested as a spy; We Flew Operation Sharkbait - Col. Charles F. Blair, Jr., USAF Res. recounts the harrowing tension-filled hoursin a jet fighter that spanned the Atlantic on a hush-hush test flight - the first Great Circle Route flight to Europe in a Thunderstreak Interceptor; Fishing at its Fanciest - article and great color photos from Palm Beach; My Ware with the Army - W.H. Von Rosenstiel got no mail for three months so went over his colonel's head - with astounding results; Should your child be a Librarian? Ads: Winston cigarettes (taste good); Pream coffee; Amana fridges (very nostalgic); Hart Schaffner & Marx clothing - with color photos of Dr. Joyce Brothers and Hal March of the $64,000 Question; 'Eggs Belong in Breakfast'; Presto appliances; Nice 1-page color ad for Boeing's 707; Ford cars - two-page color photo; Westinghouse washer - the famous 'sand test'; Tareyton; Pontiac cars - nice yellow Super Chief two-door hardtop; Baldwin Organs; GMC Air Suspension Tractors - two color pages; Union Pacific Railroad Vacations; RCA TV Service; Underwood Typewriters (golden gloves); Allis-Chalmers - 2-page ad showing their cement plant; USS United States Steel with illustration of futuristic bridge; GMAC color photo ad with old ladies telling young mom what to do; Nice two-page Borg-Warner ad in 'believe-it-or-not' format; Nice one-page color Pepsi adshows young painting couple; Magnavox High Fidelity TVs; MacGregor baseball gloves - featuring Red Schoendienst; GM two-page photo ad features Amanda, Ohio, home of GM supplier Mid-West Fabricating - with photos of Stanton Johns, Francis and Helen Crago, Dick Young, and L.E. Conrad; Evinrude outboard motors - nice color-photo ad; Ponderosa Pine Windows; Anchor Fence; IBM Selectric Typewriters; Santa Fe Super Chief; Briggs & Stratton engines; Nice Viceroy cigarette ad features bowler Don Carter; Chrysler 4-door hardtop Windsor - color photo; Betty Crocker Li'l Angel Food Cake Mix ad on back cover. Average wear. Unmarked. A sound vintage copy.

Single Issue Magazine. Zustand: Good. Illustrated by Arbuckle, Franklin (cover); Cahen, Oscar; Johnson, Bruce;Tigner; Price, Arthur; Notman, William (illustrator). First Edition. 116 pages. Features: Cover illustration of Frobisher, Saskatchewan's Labour Day Border International Field Trials to find the dog best showing form in 'pointing' prairie chickens; Nice colour ad for the Parker 61 pen inside front cover compares it with rockets on the launch pad; One-page colour-photo ad for GE floor cleaner (vacuum) and polisher features kids willingly doing the work while mom relaxes; One page ad for the International Construction Equipment Division features photo of T75 Payscraper being pushed by TD24 Tractor as they build a highway; We're Being Bullied by the Christians; Britain's cautious affair with Moscow; Nice one-page colour ad for Canada Steamship Lines features the T.R. McLagan; Should the Protestant Churches Unite?; The Scamble for the Teen-Age Dollar - how merchants are hustling to cash in on the market that just grew up; Mr. Benturian Buys a Jaguar; Robert Whitehead, the Hitmaker; The Maddening War Against Permafrost - it covers half of Canada but we can't beat it; How We Saved Our House (The Bird's Nest) from Lake Ontario - Tim and Mollie Palmer live 200 feet above Lake Ontario on Birchmount Road at the eastern outskirst of Toronto; What the Trans-Canada Pipeline Will Do for Canada; When Women Wore Clothes - seven wonderful pages of archival photo portraits by William Notman of elaborate Victorian dresses; How George Washington Lost Canada - If it hadn't been for Benefict Arnold's smooth advice, we'd all be Yankees today; Mrs. Brennan's Secret; Can-Car (Canadian Car Company Limited) one-page ad features colour illustration by Tigner of railwaymen starting their work day; Nostalgic one-page colour ad for BA gas stations features couple looking at map; Nice one-page photo ad for Hammond Chord Organs; One-page ad for the Philishave electric shaver features photo of golver Al Balding; Inco ad features their Palladium, used in billions of relay contacts which facilitate new long distance telephone service; Molson's Export Ale ad features BBQ scene; Colour Black Label Beer ad features 'Mabel'; Foundation Companies Canada ad features photo of Johnny Masterton, Master Mill-Maker; Color ad for Boston's Sheraton-Plaza Hotel; Ad for Fleetweed brand TVs and Hi-Fi products; Colour photo ad for Little Brown Jug old rye whisky features band; Nice colour ad for Labatt's Crystal Lager Beer; and more. Moderate wear. Clean and unmarked. A quality vintage copy.; Folio - over 12" - 15" tall; Maclean's - Canada's National Magazine, September (Sept.) 14, 1957 - How George Washington Lost Canada Frobisher, Saskatchewan's Labour Day Border International Field Trials to find the dog best showing form in 'pointing' prairie chickens; Nice colour ad.