rivers tom (21 Ergebnisse)

Zustand: Good. 4th Printing. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Signed Copy . Signed by author on front endpage.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: As New. No Jacket. As new copy. (see picture) 475 pages.All clean,tight and bright.

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; edition size 3000; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D''Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. Contents clean and unmarked.

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D'Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. "Carley 3/2000" written in black ink on title page. Contents otherwise clean and unmarked.

Paperback. Zustand: Brand New. 288 pages. 8.00x5.00x0.72 inches. In Stock.

HC. Zustand: Gut. Special Edition. B1034-205 4011846006442 Sprache: Englisch Gewicht in Gramm: 500.

Paperback. Zustand: Brand New. 513 pages. 11.00x8.50x1.16 inches. In Stock.

Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Good-. Dustjacket worn and torn, previous owners name ffep otherwise unmarked, 682pp, VG/G-. Book.

The J. Paul Getty Museum, 2014. Hardback, d/j, ob4to, ix,113pp, illust. 25mm tear to d/j. A good copy. 9781606063231 -2.

Paperback. Zustand: Brand New. 513 pages. 11.00x8.50x1.16 inches. In Stock.

First Edition. Softcover. First Edition. Eight-page catalog for the early Pop Art exhibition held from November 18 through December 15, 1962, at Dwan Gallery in Los Angeles. Includes black-and-white images of works by John Chamberlain, Charles Frazier, Robert Indiana, Jasper Johns, Edward Kienholz, Roy Lichtenstein, Marisol, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Andy Warhol, and Tom Wesselmann. Very Good plus in saddle-stapled wrappers. Wrappers worn and rubbed.

Paperback. Zustand: Brand New. 7th edition. 514 pages. 8.25x5.50x1.25 inches. In Stock.

J. Paul Getty Museum, Los Angeles 2014. Oblong 4to. 115 pages. Illustrations in b/w and colour. Orig. cloth in dust jacket. Near fine / Near fine jacket.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

100 pp.; 22.5 x 24.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Catalogue for the auction of works from the collection of Robert C. Scull held at Sotheby''s on October 18, 1973. Features works by Lee Bontecou, John Chamberlain, Dan Christensen, Willem de Kooning, Walter De Maria, Jim Dine, Mark di Suvero, Philip Guston, Robert Indiana, Jasper Johns, Franz Kline, Robert Morris, Barnett Newman, Claes Oldenburg, Larry Poons, Robert Rauschenberg, Larry Rivers, James Rosenquist, Lucas Samaras, George Segal, Frank Stella, Ernest Trova, Cy Twombly, Andy Warhol, Tom Wesselmann and Peter Young. ". The sale, held simultaneously in Sotheby Parke Bernet''s main selling gallery, at Madison Avenue and 76th Street, as well as in several television-equipped side galleries, was preceded by a brace of demonstrations attacking Mr. Scull, his taxicabs, and his collecting habits. Despite the uproar a number of record sales were recorded. . Jasper Johns''s works set five different auction records at the sale. His huge canvas, "Double White Map," executed in 1965, brought $240,000. The price was $90,000 higher than the previous high recorded for a Johns painting, reportedly paid by a private - European collector recently. It was double the auction record for a living American artist, which had been held by Georgia O''Keeffe, whose "Poppies" sold for $120,000 last March. It topped the auction record of $75,000 for a work of Pop Art held since 1970 by Roy Lichtenstein, as well as the auction record for any 20th-century American work of art. The previous holder was Yasuo Kuniyoshi with $200,000 for "Little Joe With Cow," sold in March. Johns''s sculpture., "Painted Bronze," consisting of bronze replicas of two Ballantine Beer cans on a platform was sold for $90,000 and established an auction record for a sculpture by a living American artist. Claes Oldenburg''s "Stove," at $45,000, had held the record since 1970. Their entry was not facilitated by a noisy, and well televised, demonstration by the Taxi Rank and File Coalition, a group of cab drivers vying for recognition as an opposing bargaining group for cabbies. They carried signs suggesting that Mr. Scull was a "parasite" who "lived off the backs of cabbies" so he could "be with the beautiful people."."--Fred Ferretti, "Scull''s U.S. Art Brings Record $2 Million," New York Times, October 19, 1973 Good. Scruffing to dust jacket with two long horizontal abrasions over cover image, mild edge wear and light foxing. Mild foxing to endpapers. Sales results and sales estimates stapled to first inside page. Due to size and weight additional shipping charges will be required for international order.